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70555 Los(e)/Seite
BY AND AFTER GEORGE A FOTHERGILL (1868-1945) “A Hunter, the property of Mrs Herbert Straker” in stable interior, lithograph, titled and dated 1903 and signed in pencil to lower right, 41cms x 52cms together with another “Fred Holland-huntsman to the Bedale 1882-1902”, lithograph, titled and signed in pencil to the margin, 46cms x 56cms (2)
Barnett Freedman (British, 1901-1958) 15 inch Gun Turret, HMS "Repulse", August 1941 signed lower right in the print "Barnett Freedman" lithograph 68 x 94cm This large lithograph is the work of Barnett Freedman who was one of the leading original lithographers of his generation. The Gun Turret print is one of the great lithographs of the 20th Century. It was published by the National Gallery as part of an exhibition of Britain at War. The exhibition was conceived as a series of prints that could be put up in social centres, canteens and the like. Barnett Freedman was one of the first artists to be commissioned by the War Artists Advisory Committee at the start of the Second World War. He was posted to France at the start of the war, staying on as long as possible before being evacuated. He was to return in 1944 to record the setting up of operational harbours in Normandy. In between, his interest was in recording operational methods and he was commissioned to work for the Admiralty, and specifically on HMS Repulse, in July 1941.
Maurice Cockrill, RA (British, b.1936) Red Bridge, signed and numbered 28/200, dated 06/07, lithograph, 22 x 31cm. Maurice Cockrill studied at Wrexham School of Art and the University of Reading between 1960 and 1964. He lectured full time in the Faculty of Art at Liverpool Polytechnic from 1967 to 1980 and was a visiting tutor at Schools of Art in Manchester, Portsmouth, Farnham, Winchester and Nottingham between 1982 and 1985. He went on to become Visiting Tutor at the Royal College of Art and the Central School of Art from 1985 to 1988. He was Visiting Tutor at Saint Martin's School of Art from 1984 to 1994. In 1995 he was Artist in Residence at GOFA University of NSW, Australia, and was Visiting Tutor at the Royal Academy Schools from 1994 until 1998. Cockrill became Keeper of the Royal Academy Schools in 2005. Cockrill's first solo exhibition was held in 1984 at the Edward Totah Gallery in London. He rapidly established an international reputation, with subsequent solo exhibitions being held at the Kunstmuseum, Dusseldorf in 1985 and with the Bernard Jacobson Gallery both in London and New York. A retrospective of his work from 1974 to 1994 was held at the Walker Art Gallery, Liverpool in 1995 and a further retrospective was held at the Royal West of England Academy in 1998
A portfolio of lithographs to include: Macintyre (British, 20th Century) Dalmatian and the Performing Cockatiels, signed lower right "MacIntyre '91" etching numbered 18/40 63 x 50cm; Peter Heath (British, 20th Century) Light Green and Brown Abstract, signed lower right "Heath '73" artist's proof, lithograph, 80 x 58cm; Adrian Wiesewski, Dollar Sign, 1980s, signed lower right "Wiesewski" and numbered 23/30, lithograph, 72 x 69cm; Joe Urie (British, 20th Century) The Catch, signed lower right "Urie '91" and numbered 22 from an edition of 50, lithograph 78 x 58cm
An undated apprenticeship certificate issued by The United Kingdom Society of Coach Makers at GWR Swindon Works probably pre 1900, recipient name not present, black lithograph on white, and a Trade Union Congress Diploma issued to one Mr ML Lovelock on 22nd December 1932, both framed and glazed

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70555 Los(e)/Seite