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70553 Los(e)/Seite
Los 299
A SPECIAL EDITION PRINT OF HEAVENLY REFLECTIONS BY ALAN BEAN (1996) a lithograph printed using the astronaut/artist's original acrylic depicting two Apollo XII astronauts, numbered 86/850 and signed by the artist/astronaut Alan Bean and Charles Conrad Jr, A2 size, rolled in tube, with certificate of authenticity (1) (Condition Report: evidence of adhesive to reverse corners, creases to corners)
Los 300
A SPECIAL EDITION PRINT OF THE HAMMER AND THE FEATHER BY ALAN BEAN (1986) a lithograph printed using the astronaut/artist's original acrylic depicting Apollo 15 astronaut Dave Scott , numbered 191/650 and signed by the artist/astronaut Alan Bean and David Scott, A2 size, rolled in tube, with certificate of authenticity (1) (Condition Report: creases to corners, discolouration marks to front and back)
Los 301
A SPECIAL EDITION PRINT OF CONRAD, GORDON, AND BEAN: THE FANTASY BY ALAN BEAN (1993) a lithograph printed using the astronaut/artist's original acrylic depicting Apollo 12 crew members Conrad, Gordon, and Bean, standing on the surface of the moon, numbered 395/1000 and signed by the artist/astronaut Alan Bean, Charles Conrad, Richard Gordon, A2 size, rolled in tube, with certificate of authenticity (1) (Condition Report: evidence of adhesive to reverse corners, creases to corners, discolouration marks to front and back)
Los 189
Salvador Dali (Spain, 1904 - 1989)"Agony of Love" (Unicorn)Color lithograph on Paper. Pencil signed and numbered (137/150) lower margin.From the DALI RETROSPECTIVE Portfolio, 1978-1979Comes with original 1979 Dali retrospective Certificate of Authenticity in embossed 'Dali' paper.Image Size: 23 x 17 in.Overall Framed Size: 36 x 27 in.Framed behind glass.
Los 11
lithograph on paper, signed and numbered 205/250 in pencil unframed overall size 46cm x 34.5cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Los 12
lithograph on paper, signed in pen unframed overall size 47cm x 30cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Los 139
J. De Bussac, Ballon Bager Les Ballon des Grandes Equipes, Chassure "Coupe du Monde" (football and football boots) French advertising poster, offset lithograph in colours, horizontal and vertical folds, some creasing, 80 x 62cm., unbacked and unframed and a The Coco-Cola Cup advertising poster, trimmed, 60 x 41cm., (2)
Los 121
RICHARD DEMARCO, Scottish (1930-), Edinburgh, Two copies, coloured lithograph, limited edition nos 79 & 224 of 500, each inscribed by the artist in pencil ‘Commonwealth Games, Scotland 1986, best wishes Richard Demarco, 68cm x 46cm an interesting ‘collage’ of Edinburgh buildings including notable locations such as Carlton Hill. (2)
Los 219
George H. Thomas (British, fl.1860s) 'Sketches of British Soldiers - No.2. Dragoon Guards & Light Dragoons' hand coloured lithograph, pub. Day & Son, London 1861 13½ x 18 7/8in (33 x 48cm), Hogarth frame (no glazing); together with an Edwardian calendar print, '"An Old Scots Grey" (One of the Survivors)', modern gilt frame (no glazing). (2)
Los 70
Medicine.- Tuson (Edward William) A Supplement to Myology; containing the Arteries, Veins, Nerves, and Lymphatics of the Human Body, first edition, 9 hand-coloured lithographs with many flaps, first lithograph slightly cockled at head, 1828, bound with The Anatomy and Surgery of Inguinal and Femoral Hernia, first edition, 3 hand-coloured lithographs with many flaps, 1834, together 2 works in 1 vol., letterpress descriptions, few leaves with very small ink-stain to foot, some very light spotting, light soiling, contemporary calf, prize binding stamped in gilt and presented by Tuson to one of his pupils, brass clasp lock with key, lacking backstrip, lower cover with ink stain to foot, worn in places, rubbed, upper cover nearly loose but holding, folio. *** Edward William Tuson (1802-65), began lecturing in anatomy after qualifying as a surgeon. He initially lectured from Gerrard Street in Soho, before moving to premises in Little Windmill Street. This book appears to have been a prize given to one of Tuson's Little Windmill Street students. The text on the binding reads, "Theatre of Anatomy. Little Windmill Street. May 5. 1835. This prize was awarded to Mr. C.H.M. Mules. For the great attention & diligence display'd in the study of anatomy. By E.W. Tuson."
Los 16
Cornwall.- Gilbert (Davies) The Parochial History of Cornwall, 4 vol., first edition, half-titles, foxing, stain to lower margin in vol.4, later half morocco, 1838 § Hawkins (Sir Christopher) Observtaions on the Tin Trade of the Ancients in Cornwall, first edition, engraved frontispiece, 8pp. advertisements at end, brokwn, uncut in original plain boards, most of backstrip missing, 1811 § Grylls (Rev. Henry) Descriptive Sketch of the Windows of St. Neot Church, fourth edition, tinted lithograph frontispiece (foxed), original purple morocco, gilt, rebacked preserving original spine, g.e., London, Oxford, Plymouth and Devonport, 1854; and 24 others on Cornwall, v.s. (30)
Los 173
Schiele (Egon).- Kallir (Jane) Schiele Erotica, limited edition, text in French and English, 20 offset lithograph plates after Schiele, tissue-guards, loose as issued in printed wrappers, publisher's orange cloth chemise and slip-case, a few small very faint stains to slip-case, folio, Arcueil Cedex, Éditions Anthèse, 2007.
Los 252
A mixed lot to include a signed Margaret Shaw lithograph D'Oro Venice, inscribed verso; Joan Elliott - picture of a garden with table and chairs, signed partially under mount, artist label verso; Brother sewing machine, golfing prints, model aircraft, various CDs, framed coin collection, Fenton carnival glass match pot, tepe, and various other items Location:If there is no condition report shown, please request
Los 175
Steven Barraclough (1953-1987) 'Tiashan IV', lithograph and mixed media, signed and dated 1986 in pencil lower left, 75.5cm x 56cmProvenance: Arthur Andersen & Co Art Collection label to the reverse. Staining to the mount/back of the frame lower left. This does not appear to have affected the artwork itself. Minimal display wear and some scuffs to the frame, slight creases to the paper in places, otherwise seems ok.
Los 135
Arthur Byrne (b.1946) 'Chatsworth', lithograph, numbered 38/75, signed and dated 1979 in pencil lower right, 47cm x 36.5cm and another by the same artist 'Levens Hall 2', lithograph, numbered 64/75, signed and dated 1979 in pencil lower right, 40.5cm x 61cm (2) Overall ok with minimal display wear and small scuffs to the frames.
Los 233
Two Shell advertising posters'Shell for quick starting, no 331', lithograph, published Vincent Brooks Day & Son, London, WC2, unframed, 76cm x 116cm (2) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Los 138
John Christoforou (1921-2014) 'Le Guerrier', lithograph, numbered 37/75, signed, titled and dated 1977 in pencil lower right, 58cm x 50cm and a Randers Kunstmuseum Danish exhibition poster dated 1974, 65cm x 49cm (2) Guerrier lithograph with minimal display wear and minor marks to the frame, otherwise seems ok. The exhibition poster frame with wear, creased and some dents to the metal. The poster with minimal foxing and discolouration in places, otherwise seems ok.
Los 160
* Muller (Jan Harmensz., 1571–1628). Venus and Mercury, after Bartholomeus Spranger, engraving on laid paper, 39.8 x 27.3 cm (15 5/8 x 10 3/4 ins) mount aperture, framed and glazed (56 x 42 cm), together with Preisler (Johann Martin, 1715-1794). Silenus, after Johann Just Preisler, engraving on laid paper, 33 x 18.7 cm (13 x 7 3/8 ins) plate size, framed and glazed (48.5 x 36.5 cm), plus Balliu (Pieter de, 1613-1660). Lucy Percy, after Van Dyck, engraving on laid paper, 24 x 18.5 cm (9 1/2 x 7 1/4 ins) mount aperture, framed and glazed (30 x 26 cm), and one other (Jacob's Dream, after Raphael, lithograph, published in The Lawrence Gallery, published by Samuel and Allen Woodburn, 1841), framed and glazed (37.5 x 47.5 cm) QTY: (4)
Los 158
* McCay (Winsor, 1869-1934). Little Nemo in Slumberland, 1910, colour lithograph, printer's proof, as published in The New York Herald, 20th November 1910, depicting a story in 8 vignettes of Nemo visiting The New York Herald, two small closed tears to right margin, sheet size 63.5 x 45.5 cmQTY: (1)
Los 134
* Dartmouth Winter Carnival. 1940, colour lithograph poster, some marks and creases, several closed tears (without loss), lower left corner with restoration, restored and laid down on archival tissue, mount aperture 86 x 54 cm (33 7/8 x 21 1/4 ins), framed and glazed (99.5 x 67 cm)QTY: (1)NOTE:Advertising poster for the annual winter carnival at Dartmouth College, New Hampshire, USA.
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70553 Los(e)/Seite