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Preisdatenbank abonnierenHenry Moore (1898-1986) Pandora and the Imprisoned Statues from Prometheus (Cramer 31) lithograph in colours, 1950, on Velin de Marais, signed in pencil, numbered 11/20, the total edition was 183, published by Henri Jonquieres PA Nicaise, apparently in good condition, unexamined out of the frame L. 310 x 215 mm. View on Christie's.com
Henry Moore (1898-1986) Six Stone Figures (Cramer 299) lithograph in colours, 1973, on Arches paper, signed in pencil, numbered 9/75 (there were also 15 artist's proofs), published by Fischer Fine Art Ltd, apparently in good condition, unexamined out of the frame L. 359 x 254 mm. View on Christie's.com
After Pablo Picasso (1881-1973) One plate, from Les Portraits Imaginaires lithograph in colours, 1969, on Arches watermarked paper, a proof with registration marks, aside from the total edition of 500, the full sheet, with minor time staining, otherwise in good condition L. 740 x 540 mm., S. 750 x 560 mm. View on Christie's.com
John Piper (1903-1992) Garn Fawr (Levinson 327) lithograph in colours, 1981, on Arches paper, signed and titled in pencil, numbered 24/75 (there were also 8 artist's proofs), the full sheet, foxing throughout, some skinning to the top left corner verso, otherwise in generally good condition L. 390 x 540 mm., S. 503 x 640 mm. View on Christie's.com
Odilon Redon (1840-1916) Christ (Mellerio 71) lithograph, 1887, on Chine appliquée, signed in pencil, from the edition of 25, with wide margins, a repaired tear at the upper sheet edge (well outside the subject), some minor surface soiling recto and verso, a few unobtrusive creases in the margins L. 330 x 270 mm., S. 512 x 371 mm. View on Christie's.com
Odilon Redon (1840-1916) Les Ténèbres, frontispiece (Roger-Marx 121) lithograph, 1892, on simili Japon paper, signed in pencil, from the edition of 150, with margins, light staining, scattered foxing, a few creases at the top left corner; with Le Mouvement Idealiste en Peinture, frontispiece (Roger-Marx 159), lithograph, 1896, on simili Japon paper, a proof before the book edition of 350, with margins, pale foxing and time staining, both in good condition; and Charles Maurin (Wittrock 242), by Henri de Toulouse-Lautrec, drypoint printed in sanguine, 1898, on wove paper, from the second edition of 350, published by Henri Floury, 1926, with margins, foxing to the top sheet edge, creasing mainly at the left margin, otherwise in good condition L. 200 x 123 mm., S. 298 x 219 mm. (3) View on Christie's.com
Pierre-Auguste Renoir (1841-1919) Richard Wagner (Delteil 33) lithograph, circa 1900, on Arches paper, from the edition of 150, the full sheet, a flattened crease running along all four margins from previous folding, with associated 20 mm. tear at the lower right corner, otherwise in generally good condition (L. 432 x 317 mm.; S. 664 x 503 mm.); together with Trois visages (esquise) (Leymarie & Melot 55), lithograph, circa 1908, on wove, from an unknown edition size, not listed in Delteil, with time staining to the extreme sheet edges, in generally good condition (L. 273 x 205 mm., S. 440 x 326) (2) View on Christie's.com
David Hockney (b. 1937) Paper Pools (MCA Tokyo 234) the book comprising one loose lithograph in colours, 1980, with title, text and justification, signed by the artist on the justification in red ink, inscribed and numbered A.P. XV, an artist's proof aside from the edition of 1000, published by Thames & Hudson, London and New York, the lithograph Pool made with Paper and blue Ink for Book (T. 234), on wove paper, signed and dated in pencil, inscribed and numbered A.P. XV, printed close to the edges of the full sheet, loose, apparently in very good condition apart from some pale time staining, unexamined out of its frame, the book in the original blue canvas binding, lacking the original card slipcase (book) L., S. 265 x 229 mm. View on Christie's.com
Howard Hodgkin (b. 1932) Welcome, from Art and Sport (Heenk 71) lithograph in colours, 1983, on BFK Rives paper, printed to the sheet edges, signed with initials and dated in pencil, numbered 20/150 (there were also 45 artist's proofs, two printer's proofs and 1 B.A.T.), published by Visconti Art, Vienna and Lazo Vuji, apparently in excellent condition, unexamined out of the frame S. 850 x 620 mm. View on Christie's.com
Ellsworth Kelly (b. 1923) Bleu and Orange (Axsom 8) lithograph in colours, 1964-5, on BFK Rives paper, signed in pencil, numbered 38/75 (there were also 6 artist's proofs), published by Maeght Editeur, Paris, the full sheet, pale time staining and occasional foxing, some short creases L. 416 x 693 mm., S. 600 x 890 mm. View on Christie's.com
Wang Guang Yi (b. 1957) lithograph in colours, 2006, on BFK Rives paper, signed in pencil, numbered 116/199, published by Idem, Paris, with their blindstamp, the full sheet, with a deckle edge lower sheet, in good condition, unexamined out of the frame S. 900 x 768 mm. View on Christie's.com
After Max Beerbohm 1872-1956- "Rev P B Clayton", 1931, publ by Vincent Day & Son Ltd; lithograph printed in colours: together with five other colour lithographs after Max Beerbohm to include John Maresfield, Siegfried Sassoon and others: Jan Franz van Bloemen 17662-1749- View of an Obelisk, after Horizonti; etching, 23.5x18cm: Gottlieb Friedrich Riedel, German 1723-1791- Sheep on a hillside, after J Gradmann; etching, 19x23.5cm: I Clark, early 19th century- "View looking over George Town on the Queeda Coast", publ Black, Parry & Co and Nicol`s & Co 1814; hand-coloured aquatint, 20x25cm: Gaetano Zancon 1771-1816- Tribesmen; hand-coloured aquatint, 20.8x26cm: After Albrecht Dürer 1471-1528- "Christ in Limbo", from The Large Passion, 1510; woodcut, laid paper, Helios watermark, 40x29cm: together with a mixed quantity of prints and reproductions by and after different hands, 18th-20th centuries, (a lot) (unframed (box)
Robert Hammerstiel, Yugoslavian/Austrian b.1933- Two figures by a table; oil on canvas, signed with monogram, signed and dated 86 on the stretcher, 35x34.5cm: together with two other studies of figures by the same hand in oil on board, both signed with monogram, 23x21.5 and 17.5x12.5cm: Emil Orlik, Czech 1870-1942- Four figures in a theatre; etching, signed and numbered 25/100 in pencil, 12.5x20.5cm: Snehla, Slovakian, late 20th century- Untitled; oil on canvas, signed, dedicated on the reverse, 20.2x20.2cm: Eggermont, late 20th century- Landscape; watercolour, signed, inscribed and dated 78, 21x31cm: Zsuzsi Roboz, Hungarian b.1939- "Steppenwolf"; lithograph, signed, titled and dated 1974, 32x43.5cm: Alfred Manessier, French 1911-1993- Christmas card with abstract motif; lithograph, signed and numbered 32/200 and inscribed, 15x31cm: French School, early-mid 19th century- Royaume de Boheme, Royaume d`Hongrie; hand-coloured engraved map, in a hand-gilded frame, 31x46cm., (9) (part unframed) Provenance: Josef Paul Hodin 1905-1995 (may be subject to Droit de Suite)
After Roy Lichenstein 1923-1997- "As I Opened Fire. I Knew Why Tex ad`nt Buzzed me...If He Had...", "The Enemy Would Have Been Warned..." "That My Ship Was Below Them...", publ by the Stedelijk Museum, Amsterdam, 1998; off-set lithograph printed in colours, the full suite of three, triptych, 63x52.5cm., ea., (3)
* AMENDMENT: Georg Dionysius Ehret 1710-1770- "Althaea Arborescens Clusy Althaea Arborescens Glabra Flore Pur Pureo Magno"; hand-coloured copper engraving, 32.5x21cm: together with eighteen similar hand-coloured engravings of botanical subjects by the same hand, from the same or related suite(s), a lithograph of a botanical subject and two hand-coloured prints of ornithological interest after & by different hands, (23) (mounted (unframed) THIS LOT CONTAINS 22 ITEMS.
British School, late 20th century- Rural landscape in winter; oil on canvas, bears label for the Rowley Gallery, London, 51x76cm: Meldrum, mid-late 20th century- "White Winged Black Terns"; pencil and watercolour, signed and dated 85, titled and dated 12.3.85 in pencil, 59x76cm: British School, late 20th century- Axiometric view of the V&A Museum; lithograph, numbered 24/200, bears blind stamp for `Artist`s Proof, Victoria & Albert Museum 5 April 1979`. 57x59.5cm., (3) (may be subject to Droit de Suite)
Laurence Stephen Lowry (1887-1976) "THE TANKER" signed with brown crayon; signed and dated 1967 on the plate; and in pencil numbered 32 from an edition limited to 75 lithograph in black with grey tint plate 47.5 x 60.5cms; 18 3/4 x 23 3/4in. PROVENANCE: The Stone Gallery, Newcastle upon Tyne. Signed by the Artist in the presence of the vendor.
Robert Mapplethorpe (1946 - 1989) Flowers, 1986, Offset lithograph, printed later, on wove paper with full margins, signed and inscribed in ink in the margin with artist’s name, title and date in pencil in unknown hand verso. 17.5 x 17.5cm (67/8 x 67/8in.) Provenance: Gift from the artist to the previous owner.
MAZOIS, Charles Franççois (1783-1826). Les ruines de Pompéi. Paris: Firmin Didot [vols. III-IV: Librairie de Firmin Didot Frères], [1812]-1838. 4 volumes, broadsheet 2° (588 x 433mm). Half-titles. Engraved frontispiece to vol. I, title vignettes, and 200 engraved and/or etched plates, most after Mazois, 16 hand-coloured or partly hand-coloured, 9 double-page or folding, vol. IV with additional double-page lithographic map and plate XLII is a lithograph, engraved head- and tailpieces. (Variable spotting and browning, particularly heavy to last two tissue guards in vol. IV, light dust-soiling to edges.) Original publisher's mottled paper covered boards, spines with red morocco gilt lettering-pieces, uncut (extremities rubbed, head- and tailcaps to vols I and II a little defective). 'THE FIRST PUBLICATION TO DISCUSS THE ARCHAEOLOGICAL REMAINS OF [POMPEI] IN FULL NEOCLASSICAL DETAIL' (RIBA). Compiled after three years' research, it was the intended start of a series on Paestum, Herculaneum, and Pozzuoli. Discoveries are placed in four disinct groups: tombs, city walls and doorways; dwellings; colonnades; theatres and temples. Without the dedication leaf in vol. I, as the Royal Academy Library copy. Borroni 7475; Furcheim, Bibliografia di Pompei pp.58-59: 'On ne trouve que rarement des exemplaires de cet ouvrage très-estimé'; García y García, Nova bibliotheca pompeiana pp.797-798 no. 9073; E.G. Corti, The Destruction and Resurrection of Pompeii and Herculaneum (London: 1951), p.170; RIBA 2092. (4) View on Christie's.com
GRIGOR'EV, Boris Dmitrievich (1886-1939, illustrator), and CHERNII, Sasha (pseud. 1880-1932). Detskii Ostrov. [Children Island.] Berlin and Gdansk: Slovo, 1921. 4° (310 x 255mm). Lithographed title, 19 full-page lithographs, illustrations in text. (Light browning, occasional small losses in the margins, small repairs on the title.) Original half cloth, coloured lithograph mounted on front cover, top edge dyed yellow, spine lettered in gilt (a few leaves loose, light wear at the extremities). FIRST EDITION. AN EXCELLENT COPY OF THIS CELEBRATED CHILDREN'S BOOK. This fine publication is fragile and often found in poor condition. Rats Collection 74; Rossiiskaia Gosudarstvennaia Biblioteka, Klassika, 2006, p.229. View on Christie's.com
LAURENCE STEPHEN LOWRY, RA (1887-1976) A HILL SIDE two tone lithograph in black on fawn, published by Ganymed Original Editions Ltd, London, 1969, signed by the artist in pencil and numbered 62/75, 56 x 72.5cm ++In entirely original condition, undisturbed in the original frame, on the reverse the price ticket of £100 and clipping from a title label. The sheet with virtually full margins and some surface marks/slight foxing in the lower margin with one or two light stains
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