70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Daphne Sandham (b. 1950), 'Table Manners', depicting a cat on a coffee table, lithograph in colours, ed. 16/30, signed in pencil to margin, 38 x 28cm, framed and glazed.Condition Report: Please note that there is damage to the glazing.

Beryl Cook (British, 1926-2008), pub scene, lithograph in colours, ed. 113/650, unsigned, 50 x 21cm, unframed, mounted.

Beryl Cook (British, 1926-2008), 'Dancing the Black Bottom', lithograph in colours, ed. 83/650, unsigned, image size 38 x 50cm, unframed, rolled.

Beryl Cook (British, 1926-2008), 'Fairies and Pixies', lithograph in colours, ed. 358/650, signed in pencil to margin, image size 41 x 41cm, unframed, rolled.

Beryl Cook (British, 1926-2008), 'Roulette', lithograph in colours, ed. 103/395, signed in pencil to margin, 50 x 50cm, framed and glazed.

Beryl Cook (British, 1926-2008), 'A Full House', lithograph in colours, ed. 1/650, signed in pencil to margin, 40 x 45cm, unframed, rolled.

§ Graham Sutherland (British, 1903-1980), 'Formes volantes et flottantes' (1974), lithograph in colours, artist's proof, signed 'Sutherland' in pencil lower right, visible sheet size 46 x 35cm, framed and glazed, bearing labels to the reverse. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

Beryl Cook (British, 1926-2008), 'Peaceable Kingdom', lithograph in colours, ed. 36/650, signed in pencil to margin, image size 48 x 48cm, unframed, rolled.

Beryl Cook (British, 1926-2008), 'Strip Poker', lithograph in colours, from an unknown edition, signed in pencil to margin, image size 55 x 32cm, framed.

Philip Sutton (British, b. 1928), 'The Sea, Cornwall' (1970), lithograph in colours, artist's proof, signed in pencil to margin, 55 x 60cm, framed and glazed.

Paul Hogarth (British, 1917-2001), 'Greenwich', lithograph in colours, ed. 11/200, signed in pencil to margin, sheet size 56 x 76cm, unframed.

Beryl Cook (British, 1926-2008), ''The Boot Sale', lithograph in colours, ed. 562/650, signed in pencil to margin, image size 46 x 39cm, unframed.

Beryl Cook (British, 1926-2008), 'Shall We Dance', lithograph in colours, ed. 234/650, signed in pencil to margin, image size 50 x 36cm, unframed, rolled.

Beryl Cook (British, 1926-2008), 'Bus Stop', lithograph in colours, ed. 649/650, signed in pencil to margin, image size 39 x 50cm, unframed, rolled.

Kenneth Rowntree (British, 1915-1997), 'Tractor', lithograph in colours, unsigned, published by School Prints Ltd, main image 43 x 69cm, framed and glazed.

Philip Sutton (British, b. 1928), 'Falmouth' (1970), lithograph in colours, artist's proof, signed in pencil to margin, 54 x 60cm, framed and glazed.

Terry Gorman (British, b. 1935), 'Templeborough', offset lithograph in colours, ed. 450/500, signed in pencil to margin, 25 x 30cm, framed and glazed.

Philip Sutton (British, b. 1928), 'Falmouth, Cornwall' (1970), lithograph in colours, signed in pencil to margin, 55 x 60cm, framed and glazed.

FREDERICK GORE. C.B.E; R.A; BRITISH 1913-2009. A Field of Poppies, Lacoste. Signed in pencil and numbered 68/250. Lithograph 27' x 32' paper size. The lot with certificate. Unframed.

FREDERICK GORE. C.B.E; R.A; BRITISH 1913-2009. Bonnieux, Mount Ventoux in the Distance. Signed in pencil and numbered 68/250. Lithograph 35½' x 27' paper size. The lot with certificate. Unframed

FREDERICK GORE. C.B.E; R.A; British 1913-2009. Sunflowers. Signed in pencil and numbered 68/250. Lithograph 27' x 35½' paper size. The lot with certificate. Unframed.

AR * Camp (Jeffery, 1923-2020). Laetitia in the Bath, lithograph on BFK Rives handmade paper, with watermark, an artist's proof, signed, numbered III V, A.P., and inscribed 'for Len' in pencil, a few very light creases, image size 34 x 32.5 cm (13 3/8 x 12 3/4 ins), sheet size 65.5 x 50 cm (25 3/4 x 19 3/4 ins)QTY: (1)NOTE:Provenance: Collection of the artist Leonard McComb (1930-2018).

* Fantin-Latour (Henri-Theodore, 1836-1904). Manfred et Astarté, lithograph on thin japan tissue, signed in the plate lower right, printed in an edition of only five trial proofs (after which the stone was cancelled), image size 154 x 119 mm, sheet size 39.5 x 55 cm (15.5 x 21 3/4 ins), together with Final de la Walkure (R. Wagner), 1879, uncoloured lithograph on wove paper, signed in the plate lower left, the 2nd state, with the publisher's name printed below the image imp. Lemercier et Cie, Paris, printed in an edition of 50 proofs (after which the stone was cancelled), signed in pencil to lower right, image size 225 x 275 mm, a few minor marks to margins, small tear with a little loss to left margin of the sheet edge, sheet size 26 x 31 cm (10 1/4 x 12 1/4 ins), corner mounted on old backing paper QTY: (2)NOTE:Hediard 24 & 188.

AR Léger (Fernand, 1881-1955). Le Fumeur, 1920, offset lithograph on cream wove paper after Léger, watermarked BFK Rives, and with circular blindstamp to lower right of the Musée Fernard Léger Biot, numbered in pencil 15/300, image size 46 x 34 cm (18 x 13 1/2 ins), sheet size 65 x 50 cm (25 1/2 x 19 3/4 ins), aluminium frame, glazedQTY: (1)

* Ardizzone (Edward, 1900-1979). The Model and her Reflection, 1960 [but later], lithograph, from the posthumous edition of 75 impressions issued in 1999, titled and numbered 30/75 in pencil, image size 24 x 35.5 cm (9 1/2 x 14 ins), sheet size 50 x 65.5 cm (19 3/4 x 25 3/4 ins), together with Trumm (Peter, 1888-1966). Der Liebevolle Monch, etching on thick cream wove paper, signed and inscribed 'Eigenhandiger Probedruck', plate size 128 x 175 mm (5 x 6 7/8 ins), sheet size 170 x 235 mm (6 3/4 x 9 1/4 ins) QTY: (2)NOTE:Provenance: Collection of the artist Leonard McComb (1930-2018).The lithograph was first issued in 1960 in an edition of only 25 impressions.

* Rossiter (Anthony, 1926-2000). Evening Lake, watercolour and gouache on paper, initialled 'AR' upside down lower left, sheet size 45.7 x 75 cm (18 x 29 1/2 ins), artist's name and 'Sunset over Hunsflet? Lake 7' to verso in pencil, mounted, framed and glazed (64.7 x 94.3 cm) label with artist's name and address adherred to verso along with title 'Evening Lake' in black pen and artist's name and address in pen to verso, together withChilterns, poster designed by Rossiter to promote London Railway's Country Walks booklet, 1958, colour lithograph on board, first two lines of text to lower margin, signed and dated in lithograph lower right, sheet size 89.7 x 63.5 cm (35 3/8 x 25 ins), mount with some watermarks to lower edge, framed and glazed (102 x 74 cm)QTY: (2)

Various Artists. Maeght Editeur Paris. Lithographies et eaux-fortes originales, livres illustres originaux, affiches, Derriere Le Miroir, London: Redfern Gallery, 1966, 47 [3] pages printed on Chiffon de Mandeure, introduction by John Russell in English, other text in French, 8 original colour lithographs by Marc Chagall, Joan Miro, Alexander Calder, Raoul Ubac, Pierre Tal-Coat, Eduardo Chillida, Saul Steinberg and Ellsworth Kelly, two colour reproductions after lithographs by Georges Braque and Alberto Giacometti, original printed wrappers with original colour lithograph by Joan Miro to upper cover, some minor spotting to fore-edges, small 4to, VGQTY: (1)NOTE:Printed in an edition of 1500 copies.

AR * Sutherland (Graham, 1903-1980). Composition (Forme en Cygne), 1973, colour lithograph on Arches paper, an artist's proof (aside from the published edition of 75 impressions, signed and inscribed in pencil é. a. to lower margin, and additionally inscribed by the artist in pencil to lower right 'Pour Carlo Vellano très amicalement G. S. Menton le 20. VI. 73. Pour un Alphabet de l'art. Sutherland.', small red ink stamp to verso (lithographie tiré d'après une oeuvre originale de Sutherland), sheet with overall toning to verso, a few minor marks, otherwise in good condition, image 50 x 49 cm (19 3/4 x 19 1/4 ins)), sheet size 75 x 55.5 cm (29 1/2 x 21 7/8 ins) QTY: (1)NOTE:Not in Tassi.

Various Artists. Maeght Editeur Paris. Lithographies et eaux-fortes originales, livres illustres originaux, affiches, Derriere Le Miroir, London: Redfern Gallery, 1966, 47 [3] pages printed on Chiffon de Mandeure, introduction by John Russell in English, other text in French, 8 original colour lithographs by Marc Chagall, Joan Miro, Alexander Calder, Raoul Ubac, Pierre Tal-Coat, Eduardo Chillida, Saul Steinberg and Ellsworth Kelly, two colour reproductions after lithographs by Georges Braque and Alberto Giacometti, original printed wrappers with original colour lithograph by Joan Miro to upper cover, some minor spotting to fore-edges, small 4to, VGQTY: (1)NOTE:Printed in an edition of 1500 copies.

* Toulouse Lautrec (Henri de, 1864-1901). Yvette Guibert, 'A Menilmontant' de Bruant, from Album Yvette Guilbert, 1898, lithograph printed in black on BFK Rives wove paper, image 28.5 x 23 cm (11 x 21 ins), sheet 41.3 x 32 cm (16 1/4 x 12 5/8 ins)QTY: (1)NOTE:Delteil 255; Wittrock 275.

* Brangwyn (Frank, 1867-1956). Via Dolorosa, 1923, etching with drypoint on cream wove paper, signed in pencil to lower margin, plate size 38 x 35.1 cm (15 x 13 3/4 ins), sheet size 63.7 x 45.6 cm (25 x 18 ins), together with: Tramps Resting, 1923, etching with drypoint on cream wove paper, signed in pencil to lower margin, plate size 30.4 x 37.7 cm (12 x 14 7/8 ins), sheet size 45.5 x 62.7 cm (18 x 24 5/8 ins), plus: Men with Performing Animals, 1911, etching with drypoint on cream wove paper, signed in pencil to lower margin, plate size 27.9 x 36.6 cm (11 x 14 3/8 ins), sheet size 45.6 x 63.5 cm (18 x 25 ins), the etchings contained in (partial) Brangwyn Portfolio, by E.F. D'Alignan & Paul Turpin, 1927, with illustrated title on cover, text by Steinlen in French and English, list of illustrations (of the first part I-L only) in French and English, 12 illustrations only, including the 3 listed etchings, also including one original lithograph: Revolt 1920, the remainder being lithographic reproductions of watercolours, drawings & pastels, many with stencil-added chalk or watercolour, plus: Catalogue of Ninety-Six Etching by Frank Brangwyn, A.R.A., London: The Fine Art Society, January 1912, 12pp., two etching titles added in contemporary ink manuscript to final leaf, lightly foxed, original printed wrappers (toned), slim 8voQTY: (2)NOTE:The three etchings are listed in the Catalogue Raisonne as E938, E937 and E837 respectively (numbers 84, 90 & 77 in the portfolio). The lithograph Revolt is P1328 (portfolio number 46). The other illustrations present are portfolio numbers 26, 28, 34, 41, 51, 61, 65 & 87.

* Nevinson (Christopher Richard Wynne, 1889-1946). Column on the March, 1917, offset colour lithograph on thin wove, signed in pencil lower right, sheet size 285 x 220 mm (11.3 x 8.7 ins), as issued in the book Modern War Paintings by C.R.W. Nevinson, with an essay by P. G. Konody, 1st edition, London: Grant Richards Ltd., 1917, monochrome plates, untrimmed, original green cloth boards with printed paper title labels to upper cover and spine (small loss to each, affecting few letters), some wear to spine ends, small hole to rear joint, 4to, together with a Parkin Gallery exhibition catalogue, 1914-1918 The Appalling Loss, 1973QTY: (2)NOTE:Limited edition, 36/75 copies.

Toko Shinoda (篠田 桃紅, (1913 – 2021), lithograph on paper, black, grey and gold, entitled 'Shadowy Wind', nr 35/50, approx 63 x 45 cms, signed lower right, framed and glazed. 

Damien Hirst (b.1965 - ), Becks Beer bottle, offset lithograph Opium spot design label is signed in ink with a sketch of his famous Tiger Shark. After the 1990's artwork 'The Physical Impossibility of Death in the Mind of Someone Living' depicting a preserved tiger shark submerged in formaldehyde, unopened with contents. Provenance: The vendor was involved with the construction work on Damien Hirst's house in Coombe Martin North Devon in the mid to late 1990's. Mr Hirst gifted the bottles to him. Twenty years later in 2015 the vendor requested Mr Hirst to sign them for him, not only did he sign them, but also included a drawing on each of the bottles, the lot above is the drawing of the shark, covering letter is included. 

Damien Hirst (b.1965 - ), Becks Beer bottle, offset lithograph Opium spot design label, signed in ink with a sketch of his famous diamond skull, after the 2007 work 'For the Love of God' a platinum cast skull encrusted with 8601 flawless diamonds, unopened with contents. Provenance: The vendor was involved with the construction work on Damien Hirst's house in Coombe Martin North Devon in the mid to late 1990's. Mr Hirst gave the bottles to him. Twenty years later in 2015 the vendor requested Mr Hirst to sign them for him, not only did he sign them, but also included a drawing on each of the bottles, the lot above is the drawing of the diamond skull, copy of a covering letter is included. 

Ombre's Chinoises, Mauclair Dacier Paris (shadow theatre lithograph) 

Louis Wain lithograph of cats

Alvar Sunol Munoz-Ramos (Spanish, b. 1935). Lithograph on paper print titled "Concerto Sobre Mesa (Concert on Table)" depicting an abstract scene of figures interacting with each other and geometric shapes resembling fruits in the background, 1993. Pencil signed along the lower right; numbered 63/150 along the lower left. With a certificate of authenticity from Gallery 53.Provenance: Gallery 53, New York; Private collection, Minnesota.Unframed; height: 22 1/2 in x width: 30 in. Framed; height: 29 in x width: 36 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Elizabeth Blackadder (English, 1931-2021). Lithograph on paper titled "Roman Wall I" depicting an abstract green scene, 1931. Pencil signed and dated along the lower right; editioned 36/50 along the lower left.Sight; height: 22 in x width: 28 3/4 in. Framed; height: 28 in x width: 34 1/2 in.Condition: The piece shows no visible tears, creases or losses. No visible sign of restoration under UV light. The sheet is toned. Given that the mat is toned and has browning along the edge, it is possible that the sheet is browned and has an acidic burn. Not inspected out of frame; framed under plexiglass. The upper margin of the glass is not firmly attached to the frame.

Thomas Loraine McKenney (American, 1785-1859) and James Hall (American, 1793-1868). Hand-colored lithograph from the "History of the Indian Tribes of North America" depicting Seminole chief Yaha-Hajo. With the biographical leaf mounted along the verso; in an early 19th c. Birdseye maple frame.Literature: Thomas McKenney and James Hall, "History of the Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chief. Embellished with One Hundred and Twenty Portraits, from the Indian Gallery in the Department of War, at Washington," Philadelphia: Frederick W. Greenough, 1838-1844.Sight; height: 17 in x width: 12 1/4 in. Framed; height: 22 1/2 in x width: 17 1/2 in.Condition: No visible tears, creases, or losses. The sheet is toned and has undulation throughout the recto as shown in the listing image. There is light foxing, particularly along the right center, lower center, and to the upper left corner. The verso could not be inspected. Not inspected out of frame. Framed under plexiglass. Along the exterior of the glass, there is a dent to the lower left quadrant. Wear and light losses to the frame.

Roy Lichtenstein (American, 1923-1997). Offset lithograph on wove paper titled "Sunrise," 1965, depicting a sunrise over the mountains in Lichtenstein's iconic pop art style. Pencil signed along the lower right. From an edition of unknown size published by Leo Castelli Gallery, New York.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Unframed; height: 18 1/2 in x width: 24 1/2 in. Framed; height: 25 1/4 in x width: 30 3/4 in.Condition: The colors are somewhat faded. There is toning and undulation to the sheet throughout. Running horizontal through the center of the print there is a network of creases; most visible at a critical angle. To the extreme edges of the sheet there is wear. There is a small circular stain along the upper left corner. The artwork is hinged with two pieces of framing tape along the upper edge. The artwork is floated in the frame. Along the four corners of the verso there are four square areas with adhesive residue; likely from a previous framing, does not affect the recto. Light wear to the frame. Framed under glass. The paper backing has been cut along three edges to inspect the piece.

Bev Doolittle (American, b. 1947). Lithograph titled "Sacred Ground" depicting a figure riding a horse and leading a packhorse through a snowy birch tree-filled landscape, 1989. Camouflaged within the trees are the profiles of a Native American man and three eagles. Pencil signed and numbered 10860/69996 along the lower right. With original documentation and certificate of authenticity in a paper pocket along the verso.Sight; height: 11 1/2 in x width: 38 1/4 in. Height: 19 in x width: 46 1/2 in.Condition: There are no visible rips, tears, or restorations. Some wear to the folder and certificate along the verso. Light wear to the frame; framed under glass; not inspected out of frame.

Sutton Nicholls (British, active 1680-1740). Hand-colored lithograph depicting a bird's eye view of Hanover Square in London. From John Stowe's "Survey of London," ca. 1754. With notable streets and locations labeled. Labeled in plate along the lower center margin "Published according to Act of Parliament 1754 for Stowes Survey."Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Sight; height: 14 in x width: 18 in. Framed; height: 25 in x width: 29 1/2 in.Condition: Overall no visible losses, tears, or restorations. The colors are bold and bright. There are several vertical creases along the sheet, most noticeably along the center, the center of the left quadrant, and the bottom left corner. The sheet has toning throughout. There is discoloration and foxing throughout, especially in the margins.There is undulation and wear throughout the sheet. Light wear to the frame. Framed under glass. Not inspected out of frame.

Marc Chagall (Russian/French, 1887-1985). Printed by Mourlot, Paris. Published by Society of Friends of the National Marc Chagall Biblical Message Museum, Nice, with the angel blind stamp along the top center margin. Signed and dated 1977 lithograph poster depicting a portion of his work "The Song of Songs III" printed to publicize the National Biblical Message Museum in Japan. With text in French and Japanese.Lot Essay:Marc Chagall (born Moishe Shagal}) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is."Sight; height: 29 in x width: 19 in. Framed; height: 36 in x width: 25 1/4 in.Condition: No visible tears, creases, or losses. Light undulation throughout. The sheet is slightly toned. There is minute discoloration and foxing along the lower left quadrant and upper left margin. No signs of restoration under UV light. Framed under glass. Not examined out of frame. Light wear to frame.

Bev Doolittle (American, b. 1947). Lithograph titled "Two Indian Horses" depicting twelve horses and a figure walking through a snow-filled birch tree forest, 1985. Pencil signed and numbered 7793/12253 along the lower right.Sight; height: 11 in x width: 39 in. Framed; height: 21 in x width: 48 in.Condition: The colors are bold and bright. No restorations, rips, tears, or losses. There are two large creases along the upper left corner, visible when the mat is removed, not visible when framed. There are two minute black spot along the upper margin, not visible when framed, possibly original to production. The work is framed under a mat board. It is floated using four corner tabs to hold it in place. Light wear to the frame; framed under plexiglass. Three sides of the paper backing have been cut to allow for inspection.

Group of three prints including a work by Picasso, Renoir, and Lebadang:Pablo Picasso (Spanish, 1881-1973). Lithograph titled "The Cape" depicting a bull fight in loose black strokes. Dated June 3, 1961 in plate and further numbered III in Roman numerals in plate along the lower left.Pierre Auguste Renoir (French, 1841-1919). Etching titled "On the Beach" depicting two figures seated on the shore while others frolic in the water. Signed in plate along the lower right.Touty AKA Hoi Lebandang (Vietnamese/French, 1921-2015). Abstract lithograph in orange titled "The Yellow Sampan" depicting a figure confronting a large bird next to a river. Pencil signed "Touty" along the lower right; numbered 19/120 along the lower left.Sight; height ranges from 4 1/2 in to 10 in x width ranges from 5 in to 11 1/2 in. Framed; height ranges from 10 3/4 in to 14 1/2 in; width ranges from 11 1/4 in to 13 3/4 in.Condition: There are no visible tears, soiling, creases or losses to all three items. There is toning on all prints. No visible foxing to Renoir print and Picasso print. The Picasso print has a vertical area to the center and along the upper margin that shows a different color from the rest, possibly transmitted from the verso; please see the listing image. Along with it, there is horizontal line along the upper margin that shows different level of toning. The Renoir print has light undulation to the sheet. The Lebadang print has minor foxing along the lower center margin. There are visible signs of browning along margins. All three prints do not show a sign of restoration under UV light. All framed under plexiglass. Not inspected out of frame. Wear and losses to the frames.

Bev Doolittle (American, b. 1947). Signed and Numbered lithograph titled "Sacred Ground" depicting a figure riding a horse and leading a packhorse through a snowy birch tree-filled landscape, 1989. Camouflaged within the trees are the profiles of a Native American man and three eagles. Pencil signed and numbered 7744/69996 along the lower right.Sight; height: 11 in x width: 39 in. Framed; height: 21 in x width: 48 in.Condition: No visible creases, tears or losses. Framed under glass. Light wear to frame. No signs of restoration under UV light. Not inspected out of frame.

Alvar Sunol Munoz-Ramos (Spanish, b. 1935). Lithograph depicting two figures with red and blue hair facing towards the village against the red background. Wavy lines surrounding figures add a mysterious narrative to the work. Pencil signed and numbered 455/500 along the lower right. With a booklet attached to the verso.Unframed; height: 12 in x width: 9 1/2 in. Framed; height: 25 1/2 in x width: 22 1/4 in.Condition: The piece shows no visible tears, creases or losses. No visible sign of restoration under UV light. Along the four margins, there is light wear which appears to be original to the artistic practice. The sheet is floating on the mat; all four margins are visible. The color is bold and bright. There is light undulation throughout, particularly to the lower left quadrant. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.

Frank Howell (Lakota Sioux, 1937-1997). Lithograph on paper titled "Dark Night" depicting the profile portrait of a Native American Man, 1984. Pencil signed, titled, numbered 91/100, and dated along the lower center.Unframed; height: 22 in x width: 30 1/4 in. Framed; height: 31 in x width: 38 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Portuguese school, 19th / 20th century, A portrait of an elder, Copy of a lithograph titled “Étude aux deux crayons, n. 46” by Bernard-Romain Julien (1802-1871), Mixed media on paper, 44x31 cm

Portuguese school, 19th / 20th century, A portrait of a gentleman, Copy of a lithograph titled “Étude aux deux crayons, n. 70” by Bernard-Romain Julien (1802-1871), Mixed media on paper, 44x31 cm

RICHARD TESCHNER (AUSTRIAN 1879 - 1948), PAIR OF ARTIST PROOFS lithograph titled ALFRED ROLLEMAPPS, colour etching titled WINTER LANDSCAPE, each signed in pencilframed and under glassimage size 26cm x 23cm each, overall size 45cm x 36cm each Qty: 2

John Gould and H.D. Richter, 19th Century hand coloured lithograph of Humming birds, Sotheran's trade label verso, 20.5" x 13.75", (51x35cm).

William Daniell, 'Morning view from Calliann near Bombay', a coloured aquatint, stained and trimmed, label verso, 8.25" x 11.25", (21x28.5cm) along with a hand coloured lithograph By J.F. Lewis, 7" x 10.25", (18x26cm) (unframed) (2).

Edward Lear, A 19th Century hand coloured lithograph, A Red-capped Parrakeet', inscription verso, 17.25" x 12.75", (44x32.5cm) (a/f).

MAP OF THE CITY OF GLASGOW, LITHOGRAPHIC MAP MID-20TH CENTURY large original lithograph based on the ordnance survey map of Glasgow, pub. for the Corporation of Glasgow92cm x 123cm

Geological Society. Transactions of the Geological Society, broken run, 1816-37, comprising Plates and Maps in Illustration of the third volume, 1816; Transactions of the Geological Society of London, Second Series, volume 2, 1829; Transactions of the Geological Society, Second Series, volume 2, parts 1, 3 (2 copies) and part 3 supplement, 1826-29; volume 3 part 2, 1832, and volume 4, 1837, containing a total of 162 engraved and lithograph plates, maps and plans including some hand-coloured, (including 37 folding & 2 double-page), few wood engraved illustrations, occasional spotting, mixed original printed wrappers, contemporary half morocco or calf, some bindings worn, 4to, together with:Transactions of the Natural History Society, of Northumberland, Durham, and Newcastle upon Tyne, 2 volumes, Newcastle: Emerson Charnley, 1831, 46 etched plates, maps and plans including few hand-coloured (10 plates folding), edges untrimmed, original cloth, rebacked, 4to, plus 6 volumes of Memoirs of the Geological Survey of England & Wales (3 vols), United Kingdom (1 vol.) and Scotland (2 vols.), 1889-1910QTY: (16)

Smith (John Thomas). Antiquities of Westminster; The Old Palace; St. Stephen's Chapel, 1st edition, extra-illustrated, London: T. Bensley, 1807, 38 plates (engraved or aquatint, 1 lithograph), with an additional 62 plates bound-in (some hand-coloured), all edges gilt, contemporary blindstamped calf, rebacked, spine lettered in gilt, rubbed and marked, folioQTY: (1)NOTE:Abbey, Scenery 210.The plate at p.48 is possibly the earliest lithograph in an English book.

Brassey (Anne). A Voyage in the 'Sunbeam', Our Home on the Ocean for Eleven Months, London: Longmans, Green, and Co., 1880, half-title, wood engraved frontispiece, vignette to title and illustrations, folding colour lithograph folding map with short closed tear to fore-edge margin, occasional spotting to first and last few leaves, all edges gilt, original pictorial brown cloth, blocked in gilt and black, 8vo, together with:Brassey (Anne), In the Trades, the Tropics, & the Roaring Forties, London: Longmans, Green, & Co., 1885, wood engraved title and illustrations, 9 wood engraved colour printed maps (including 2 folding), occasional spotting and few marks, modern green cloth, 8vo,Collins (Charles Allston), A Cruise upon Wheels: the Chronicle of some Autumn wanderings among the deserted post-roads of France, 2nd edition, London: Routledge, Warne, and Routledge, 1863, half-title, engraved frontispiece, near contemporary cloth, spine faded, 8vo,Scott (Robert F.), The Voyage of the 'Discovery', 2 volumes, new edition, London: Smith, Elder, & Co., 1907, half-titles, colour frontispieces, monochrome plates, folding lithograph map, occasional scattered spotting, top edge gilt, remainder untrimmed, original dark blue cloth with inset monochrome pictorial panel to centre of each board (pictorial panel to 2nd volume lifting, creased and with slight loss, 8voQTY: (5)

Orme (Robert). A History of the Military Transactions of the British Nation in Indostan, 3 volumes, including atlas, 4th edition, revised by the author, Madras: re-printed by Pharoah and Co., 1861, 35 lithograph maps, plates and plans (first map re-guarded, a few archival tissue repairs and some marginal insect damage), previous owner signatures and ink stamps to titles, a few annotations, some light spotting and toning, modern half calf, 8vo, together with Sachau (Edward C. editor). Alberuni's India. An account of the religion, philosophy, literature, geography, chronology, astronomy, customs, laws and astrology of India about A.D. 1030, 2 volumes, 1st edition, London: Kegan Paul, Trench, Trubner & Co., 1910, some light spotting, original cloth gilt in bright condition, a few small light marks, 8vo, plus Jackson (A.V. Williams). Persia Past and Present. A Book of Travel and Research, 1st edition, New York: The Macmillan Company, 1906, folding colour map, half-tone illustrations, advertisement leaf, top edge gilt, original cloth gilt edges lightly rubbed, corners a little bumped, 8vo, plus 2 others: The Game Animals of India, Burma, Malaya and Tibet, being a new and revised edition of 'The Great and Small Game of India, Burma and Tibet", by R. Lydekker, 1907, and The Baiga, by Verrier Elwin, 1st edition, 1939QTY: (8)