70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

HIS TRYSTING PLACEOne Sheet (27" x 41"); Stone LithoVery Fine+ on Linen WH Productions, Early 1920s ReissueThis magnificent stone lithograph was mounted on linen without any restoration. Each corner border had a pinhole, and there was a minor separation along the lower horizontal fold..This short film was one of Charlie Chaplin's early works, produced at Keystone Studios. It co-stars the famous Mabel Normand and Mack Swain and offers a charming glimpse of life in the early 1900s.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

GREAT GLOVE FIGHTBritish Double Crown (20" x 30"); Country-of-OriginVery Fine- on Linen Williamson Films Ltd., 1900We believe this may be the earliest known boxing-themed movie poster known to exist. It corresponds to the short film, GREAT GLOVE FIGHT (1900), produced in the UK by James Williamson, one of the few early British pioneers who made motion pictures from 1897-1912 through his company, Williamson Films Ltd. This is an exceptionally rare and historic British country-of-origin poster for the early boxing film "Great Glove Fight," produced by Williamson Films Ltd. circa 1900. Stafford & Co. Ltd. printed this remarkable stone lithograph, featuring two boxers in a ring, accentuated by a woman's presence, the British and American flags, and the Williamson Films Ltd. logo in the lower right corner. The poster has been linen-backed and minimally restored to stabilize small chips and tears along the edges, as well as a vertical tear at the top border that extends into the background, much of which remains visible due to the European method of restoration.We utilized the following source as part of our research: "The Beginnings of the Cinema in England 1894-1901 - Volume 5 1900" by John Barnes; page 251; GREAT GLOVE FIGHT (N [for News Film]) 150 ft.; "Between Frank Lewis, champion of South of England, and Fred Gausden, champion of Sussex. Gausden beaten in three rounds. "Continuation, showing the two combatants receiving the attention of their seconds, and a bookmaker paying up his calls. 80 ft." Ref: Williamson catalogue (September 1902), p. 9, no. 106.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

THE LOST BATTALIONOne Sheet (28" x 47"); Style A, Stone LithoVery Fine Rolled W.H. Productions, 1919This exquisite U.S. "Style A" one-sheet poster, a stone lithograph, showcases the artwork of The Landlady (Mrs. Stuart Robinson) reading a letter from her son at the front to his "girl," The Stenographer (Helen Ferguson). Both women envision him in their thoughts, as suggested by his image behind them.This beautiful stone lithograph poster is unrestored and exhibits slight waviness, minor stains, and discoloration along the borders, with small chips on the lower right edge.The WWI-themed silent film war drama The Lost Battalion was released in 1919 by W.H. Productions and directed by Burton L. King. It is a 1919 war film about units of the 77th Infantry Division (the "Lost Battalion") penetrating deep into the Argonne Forest of France during World War I. It features Major Charles W. Whittlesey and a number of the actual soldiers from the 77th, who portrayed themselves in the film. The film was remade in 2001 by Russell Mulcahy.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

WENN VOLKER STREITENGerman Poster (58" x 86"); Stone Litho, Country-of-OriginVery Fine+ Folded; Artwork by R. Wolfth Apollo, 1915This beautiful country-of-origin German poster is a stone lithograph and features artwork by R. Wolfth. Printed on two separate sheets, the image depicts friends Henri Toussaint from France and Frederik Faber from Germany as they find themselves on opposite sides of a rising conflict. Folded as originally issued, this example appears to be unused and exhibits only light signs of wear along portions of a few outer edges. The colors are fresh and vibrant without any signs of fading.Wenn Volker Streiten (When People Argue) is a German silent film anti-war drama released in Germany in 1915 and directed by Cesare Lupo. This was one of the first anti-war films of the early cinema, together with "Maudite soit la guerre (1915) by Alfred Machin. This film was already filmed in the first months of World War I and, as such, is regarded as an especially evocative pacifistic pamphlet. Despite a certain amount of bias towards the behavior of the German troops, the film staunchly advocated its pacifist ideals and showed audiences the horrors of war in original tinted colors. This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

DOLLYOpera Poster (29.75" x 46"); Stone LithoFine- on Linen Choudens Ed. Paris. Clerice,. Paris, 1922This beautiful stone lithograph poster was professionally linen-backed and restored in the "European Style" with only the most minute touch-up to the center of the poster within the woman's dress. There were some creases and a small tear that were flattened when the poster was backed and some of these items are noticeable upon close inspection. The poster exhibits areas of waviness, as it was backed onto a thin linen stock.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

Limited Edition Glamour Girl Lithograph Titled 'Lili'. Pencil Signed Lower Right, Numbered 428/950 Lower Left. Measures 17" x 13" (sheet size). Condition: Age related wear.

Two antique hand-colored lithographs that include one from the French publication album Costumes de Paris a Travers les Siecles (Parisian Costumes Through the Centuries) and a second lithograph of an interior scene with a boy getting his finger bandaged. Costumes lithograph dimensions: 11.50"L x 8"H. Young boy sheet: 8.50"L x 6.50"H. Issued: 18th and 19th centuryCountry of Origin: FranceCondition: Age related wear.

Limited Edition Glamour Girl Lithograph Titled 'Lili'. Pencil Signed Lower Right, Numbered 497/950 Lower Left. Measures 17" x 13" (sheet size). Condition: Age related wear.

Fantastic extra large color lithograph designed for the French musical film Paris-Champagne. Les plus grands spectacles du monde (The Greatest Shows on Earth) include the Moulin Rouge, the Place Pigalle, and spot signs for striptease clubs, nude shows, twinkling night lights, and shady hotels in Paris. An outstanding depiction of a cancan dancer takes half of the poster as two other females invite the viewer to join in the night of debauchery in the City of Light. On verso: stamp from the Lausanne Direction de Police, and a stamp for the Royal Film of Geneve. Artist: Pierre ArmandIssued: 1964Dimensions: 57"L x 63"HCountry of Origin: FranceCondition: Age related wear. Minor crease splits in the folds and the center left and right sides are missing a small part of the border.

Set of two antique European hand-colored lithographs on paper published in the 19th century. The lithograph Mont Dore, Place de Tout is after original by Deroy published by Imprimerie Lemercier rue de Seine, Paris. The second lithograph Hotel de Ville Bourges Formerly the House of Jacques Coeur, depicts aristocracy arriving in the courtyard. It was engraved by S. Bradshaw and published by Fisher, Son & Co, London & Paris. Mont Dore sheet dimensions: 8.75"L x 6.25"H. Bourges dimensions: 10.75"L x 8"H. Issued: 19th centuryCountry of Origin: France & EnglandCondition: Age related wear. Browning on left side of Bourges lithograph.

Y&nbspA SWISS INLAID ROSEWOOD 'SUBLIME PICCOLO' MUSIC BOX WITH ZITHER ATTACHMENTPAILLARD, SAINT-CROIX, CIRCA 1880Playing a choice of twelve tunes via a 16.25 inch pinned cylinder on a 78 tooth comb, set within a silver-painted steel bed with nickel finish ratchet-crank wound twin going barrel and tune number notification scale to the left, opposing wheel train incorporating governor and activation of the various functions controlled by the selection levers to the right hand side as well as a lever for manual tune selection, the comb applied with a zither attachment operated via a lever within a lyre-shaped panel, set beneath hinged glazed dust cover flanked by CHANGE/REPEAT and PLAY/STOP operating levers to the right-hand side opposing ratchet crank winder to the left, the hinged lid applied with polychrome lithograph tune sheet inscribed 12 AIRES, 16 ¼ CYL to upper margin over manuscript tune list including Yeomen if the Guard, William Tell, Blue Danube and Beggar Student, the lower margin with cartouche containing hand-written serial number 45217, the exterior of the box with marquetry basket of flowers within multi-line borders and angled tulipwood banding to the ebonised ogee-edged lid over transfer decorated front with conforming borders, and grained sides and rear, on ebonised ogee moulded skirt base with squab feet; complete with a separate card instruction sheet, together with copies of Ord-Hume THE MUSICAL BOX, A Guide for Collectors Schiffer Publishing Limited, Atglen PA 1995, dj, and Bullied, H.A.V. Musical Box TUNE SHEETS The Musical Box Society of Great Britain, Cambridge undated, softbound, (3).    .23cm (9ins) high, 77.5cm (30.5ins) wide, 29cm (11.5ins) deep. Provenance:From the private collection of a professional sportsman and commentator.  Condition Report: Mechanism appears to be in fine clean fully working condition with no visible faults evident. The tune sheet has good strong colouring but has a loss to the upper right-hand corner, as well as another smaller loss to the left-hand corner and some slight tears around the mounting pins. The box is in fine condition with minimal wear or other faults evident.Box is complete with key for the lock. Condition Report Disclaimer

Sir Alfred Munnings KCVO, PRA (1878-1959) - Lithograph - 'Our Mutual friend the Horse', signed in pencil lower right, publ. Frost & Reed, 1954, 54cm x 66cm, mounted and framed under glassFrost & Reed label verso

* LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887 - 1976), GROUP OF CHILDREN limited edition (of 850) offset lithograph on wove paper, signed, with Fine Art Trade Guild blind stampunframedimage size 18cm x 20cm, sheet size 30cm x 28cn

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE PORTRAIT OF SIR WALTER SCOTT limited edition lithograph on paper, signed and numbered 59/100 mounted, framed and under glass image size 40cm x 30cm, overall size 71cm x 59cm Note 1: This lithograph was one of a series commissioned by Canongate Publishers to be used as book cover designs for their Pocket Classics series in 2001. This image by Bellany was the cover for ‘Two Stories’ by Sir Walter Scott. Writer Sir Ian Rankin revealed in a Guardian article in 2007 that he had "a John Bellany limited edition print showing Sir Walter Scott" hanging above his mantlepiece. Note 2: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficult to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer). Most recently, "The Players" lot 50 in our auction of 28th March 2024 sold for £30000 (hammer).

* MARY FEDDEN OBE RA RWA (BRITISH 1915 - 2012), THE ORANGE MUG limited edition lithograph on wove paper, signed in pencil in the margin and numbered 404/550, published 1996 by Bow Arts, with embossed stampmounted, framed and under glassimage size 23cm x 27.5cm, overall size 46cm x 49cm Note: Painter, notably of murals, and teacher, born in Bristol, married to the artist Julian Trevelyan. She studied at Slade School of Fine Art, as a scholar, 1932–6. She taught painting – the first woman tutor – at Royal College of Art, 1958–64, from 1965–70 at Yehudi Menuhin School. Was a member of LG, 1962–4, and participated in many other mixed shows. Solo shows included Redfern Gallery from 1953, Hamet Gallery from 1970, Heal’s Mansard Gallery, Arnolfini Gallery in Bristol and elsewhere in the provinces. Major exhibition at RWA in 1988, by which time she had been its president for several years, with another in 1996. Mural commissions included Festival of Britain in 1951, the P & O liner Canberra in 1961, one with Julian Trevelyan at Charing Cross Hospital in 1980, and one for Colindale Hospital, 1985. Fedden was noted for her domestic, modest-sized still lifes, rich in colour and with an immaculate pattern element, as seen in another joint show with Trevelyan’s work at Bohun Gallery, Henley-on-Thames, in 2003. Fedden shared an exhibition with Edmund Fairfax-Lucy at the New Grafton Gallery in 2005. HM The Queen, Chantrey Bequest for Tate Gallery and Contemporary Art Society bought her work. Lived in London. Was elected RA, 1992. Over one hundred of her works are held in UK public collections.

* HANNAH FRANK (SCOTTISH 1908 - 2008), SPRING FRIEZE lithograph on paper, signedmounted, framed and under perspeximage size 39cm x 29cm, overall size 52cm x 42cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), BIG SELFIE offset lithograph on paperframed and under glassimage size 33cm x 26cm, overall size 52cm x 45cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.

* HANNAH FRANK (SCOTTISH 1908 - 2008), DREAM lithograph on paper, signed in pencil and numbered 182/250,mounted, framed and under glass.image size 37cm x 29cm, overall size 53cm x 43cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print (Dream) was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), UNTITLED offset lithograph on paperframed and under glassimage size 32cm x 26cm, overall size 51cm x 45cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937), OLYMPISCHE SPIELE MÜNCHEN lithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesframed and under glassimage size 98cm x 62cm, overall size 105cm x 69cm

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), UNTITLED offset lithograph on paperframed and under glassimage size 36cm x 26cm, overall size 54cm x 45cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.

Graham Sutherland O.M. (British, 1903-1980), "Three figures in a Garden", a limited edition lithograph in colours, 1961, signed in pencil lower left, numbered 40/125, approx. 29cm x 21cm, framed and glazed.

Graham Sutherland O.M. (British, 1903-1980), "La Tour des Oiseaux" a limited edition lithograph in colours, 1975, signed in pencil lower right, numbered 120/175, approx. 65cm x 49.5cm, framed and glazed.

After Jules Cheret (French 1836 - 1932) "Bal au Moulin Rouge Place Blanche", a colour lithograph, embossed mark lower right, printed inscription and plate number 53 lower left, image 37.5cm x 28cm, double mounted, glazed and in a gilt frame

Pablo Picasso (Spanish 1881-1973)The Clown and Circus Rider (La Comedie Humaine) 31.1.54. VII (1954) limited edition colour lithograph, 25 x 32cm E.D. VERVE watermark lower left, signed in pencil and numbered 3\75, framed and glazedProvenance: Goldmark Gallery label verso

A framed and glazed limited edition lithograph: When I grow up I want to be a pilot, signed and numbered. H.45 W.33cm.

Michele Cascella (Italian. 1892-1989). Lithograph. Limited edition of 10. This one is 4/10. Signed and titled in pencil. Framed and glazed. H.54 W.73cm.

Tuvia Beeri, Israeli (1929-), A 20th century lithograph, atmospheric rocky landscape, signed and initialled E A in pencil, framed and glazed. H.37 W.32cm.

A signed limited edition lithograph of The Circus, Bath and two other prints, all framed and glazed. H.50 W.54cm. (The Circus in Bath).

Joshua Cristall (1767–1847). 1816 pen lithograph. Apollo and the muses. Signed in the plate lower right. Framed and glazed. H.43 W.57cm.

Jock McFadyen RA, Scottish b.1950 - Spigot, 1991; lithograph, signed, titled and numbered along lower margin 'Jock McFadyen Spigot 3/15 HdC', 52 x 43.5 cm (image) (ARR) Provenance: with William Jackson Gallery, London; private collection, London, purchased from the above in 1991 

Leopoldo Novoa (1919-2012)Untitled Lithograph, 38 x 56.5cm Signed, No. 33/65 and inscribed with personal dedication to Cecil King

Roger Hebbelinck, (Belgium 1912- 1987), lithograph print, female nude study, signed lower right, 43/350, 30cm x 23cm.

Pictures and prints - Citroën DS 21 “Standard Sunday” Convertible, framed black and white poster, 65cm x 83.5cm overall frame size; a vintage framed BSA 10-H.P. Lubrication Chart, 57cm x 43cm; Peugeot Accélération lithograph; etc, (5).

Marcel Vertes: pen and ink design for illustration, sleeping figures, 10 3/4" x 8 1/2", Julian Hartnoll Gallery label verso, in ebonised frame, and a lithograph, bordello scene

Kyffin Williams: a lithograph, "Nant Francon" landscape, 17/150, Albany Gallery label verso, in silvered frameSize including the frame is 24 1/2" x 28"

Michael Honnor: a lithograph, "Erme River Snow", artist proof, Thackeray Gallery label verso, in painted frameSize of the print is 16 1/2" x 13 1/2"

Terence Coventry: a lithograph, "Raven", 7/25, Thackeray Gallery label verso, in ebonised frame

Glen Matlock - The Sex Pistols - Signed / Framed Lithograph - 257 / 500 Music9s85.

* London. Wyld (James), Wyld's New Plan of London, published June 1866, folding lithograph map with sparse contemporary hand colouring, laid on linen, titles repeated in French & German, uncoloured vignette views of London landmarks in the margins, 555 x 950 mm, publisher's boards with red and grey printed wrappers, wornQTY: (1)

[Pennant, Thomas]. Arctic Zoology, 2 volumes, 1st edition, London: printed by Henry Hughs, 1784-85, engraved frontispiece to volume I, titles with engraved vignettes, 23 plates (of which plates X, XII, XIV, XVI & XXI supplied in photocopy facsimile in volume II), p. iii in volume lower corner insect predated, a little light spotting and offsetting, contemporary calf, spines neatly repaired, a little rubbed, 4to, together with Hewitson (William C.) Coloured Illustrations of the Eggs of British Birds, with descriptions of their nests and nidification, 2 volumes, 3rd edition, London: John van Voorst, 1856, 149 hand-coloured lithograph plates, occasional light spotting, bookplates of John William Pease and Thomas Westwood, top edge gilt, contemporary green half morocco, spines faded to brown, 8vo, plus Adams (H. G.) Humming Birds Described and Illustrated, 1st edition, London: Groombridge and Sons, [1856], , 8 hand-coloured plates, advertisements at rear, some light offsetting, final advertisement leaf verso browned, original cloth, a little rubbed with small stains, with other natural history including A Conchological Manual, by G. B. Sowerby, Jun.,1839, A Systematic Arrangement of British Plants, by William Withering, 4 volumes, 5th edition, Birmingham, 1812, and Descriptions of the Rapacious Birds of Great Britain, by William Macgillivray, 1836 QTY: (20)NOTE:First work Arctic Bibliography 13291; Sabin 59757.

* Menorca. Vista del Puerto de Mahon, 1860, an unattributed lithograph with bright contemporary hand-colouring, some staining, large margins, 315 x 445 mm, framed and glazedQTY: (1)

Buckland (Frank T.) Fish Hatching, 1st edition, London: Tinsley Brothers, 1863, frontispiece and illustrations, top edge gilt, later green half morocco by Hatchards, edges lightly rubbed, 8vo, together with Ashworth (Thomas). The Salmon Fisheries of England, 1868, London: Longmans, Green & CDo., Bath: William Lewis [1868], colour lithograph frontispiece, spotting to endpapers, contemporary red half morocco gilt, a little rubbed, 8vo, plus [Rooper, George]. The Autobiography of the Late Salmo Salar, Esq. Comprising a narrative of the life, personal adventures and death of a Tweed Salmon, 1st edition, London: Day & Son, 1867, half-title, slight toning to text-block, one or two small marginal stains, contemporary burgundy half morocco gilt by Bumpus edges a little rubbed, 8vo, with 3 others related including Rod-Fishing for Salmon on the Wye with Fly, Minnow, Prawn, etc, by J. Arthur Hutton, 1st edition, 1920, and Salmon Hatching and Salmon Migrations being the Buckland Lectures for 1930, by W. L. Calderwood, 1931 QTY: (6)NOTE:Westwood & Satchell pp. 334-5 & p. 247 for first two titles respectively.

Smith (Alfred). Twenty Lithographic Views of Ecclesiastical Edifices in the Borough of Stroud, by Alfred Smith, Artist, with Short Notices appended to each Drawing, Stroud: printed & published by J.P. Brisley, 1838, title, dedication, preface and list of subscribers, twenty lithograph plates on India laid, each with a page of descriptive text, some staining and spotting, the last plate (Woodchester) with some soiling, hinges cracked, publisher's cloth with gilt title to the upper siding, bumped and worn at extremities, oblong 4toQTY: (1)NOTE:Hyett & Bazeley, volume 2, p. 313.

Portlock (J. E.). Geological Report on Londonderry and of Parts of Tyrone and Fermanagh, 1st edition, Dublin: HMSO for Andrew Milliken, Hodges and Smith, London: Longman, Brown, Green and Longmans, 1843, large folding colour geological map, lithograph plates and folding colour sections at end, a little light spotting and toning, blindstamps of Wellbrook, Cookstown to title and front endpaper, original cloth gilt, some fading to spine and cover margins, thick 8vo, together with Munn (Alfred Moore). Notes on the Place Names of the Parishes and Townlands of the County of Londonderry, 1st edition, Londonderry, 1925, some light spotting, blindstamp to title, modern cloth gilt, 4to, with others, Irish related including True Stories from the History of Ireland by John James McGregor, 2nd & 3rd series, Dublin, 1830-33, the Irish Legend of M'Donnell and the Norman de Borgos, Glasgow, circa 1870, Pearson's Irish Reciter and Reader, 1904, and Official Tourist Guide to County Down and Mourne Mountains, 3rd edition, revised, 1924 QTY: (approx. 45)

Lock (William George). Sporting Life on the Norwegian Fjelds, translated from the Norwegian of I. A. Friis; with jottings on sport in Norway, 1sst edition, London: The Translator, 1878, folding map at rear (with closed tear), some offsetting and spotting, bookplate, original cloth gilt, spine a little darkened, edges slightly rubbed, 8vo, together with Chapman (Abel). Wild Norway: with Chapters on Spitsbergen, Denmark, etc, 1st edition, London: Edward Arnold, 1897, frontispiece, monochrome plates and illustrations, advertisements front and rear, slight marginal toning, bookplates of Fanshawe, Bath, original cloth gilt, spine slightly faded, 8vo, plus Thomas-Stanford (Charles). A River of Norway. Being the notes and reflections of an angler, 1st edition, London: Longmans, Green and Co., 1903, colour lithograph plan, 11 photogravure plates, advertisements at rear, some spotting, ink stamp to front endpaper, original cloth gilt, 8vo, with 7 others related including Norway and its Scenery. Comprising the journal of a tour by Edward Price, edited and compiled by Thomas Forester, 1st edition, 1853, The Naturalist in Norway, by Rev. J. Bowden, 1869 (rebacked), Angling Travels in Norway, by Fraser Sandeman, 1895, and Trouting in Norway, by General E. F. Burton, 1897 QTY: (10)

* Brun (Donald, 1909-1999). Holidays in Switzerland, 1949, colour lithograph poster, printed by Eidenbenz-Seitz & Co., St. Gallen, some fraying to top right and lower left of sheet edges, very small areas of loss to top right, four old pinholes to each corner, otherwise bright and vibrant, sheet size 102 x 64 cm (40 x 25 ins), and Strech-Ballot (Charlotte, 1916-2009). Karneval 1953 Düsseldorf, 1953, colour lithograph poster, printed by A. Bagel, Düsseldorf, four pinholes to each corner, single handling crease to top of sheet, an attractive mid-century design, sheet size 85.5 x 61 cm (33 3/4 x 24 ins), together with a further 18 photolithographic travel posters advertising various European locations, including Germany, Sweden, France and Austria, various sizes and conditions, all unframed QTY: (20)

Church Stretton. Four Views of Church-Stretton, and its Vicinity, by T. Mason, Leintwardine, circa 1840, 4 lithograph views on India paper by Day and Hague after T. Mason, some light marginal spotting, short closed tear and marginal creases to first plate, original wrappers with List of Subscribers (approximately 150) printed to rear wrapper, a few marginal chips and tears, contained in later cloth portfolio with red morocco label, oblong folio, sheet size 27.5 x 38 cm QTY: (1)NOTE:Not in Abbey. Very rare, no other copies located.

Featherstonhaugh (G. W). A Canoe Voyage up the Minnay Sotor, 2 volumes, 1st edition, London: Richard Bentley, 1847, lithograph frontispieces, 2 folding maps (the larger neatly reinforced to verso), smaller black and white illustrations in-text, light marginal toning, contemporary sprinkled calf, gilt armorials of The Society of Writers to the Signet to covers, rebacked, spine lettered in gilt, 8vo, together with:Rees (L. E. Ruutz). A Personal Narrative of the Siege of Lucknow, from its commencement to its relief, 1st edition, London: Longman, Brown, Green, Longmans, & Roberts, 1858, portrait frontispiece, folding map (with adhesive tape repair to verso of inner fold), original red blindstamped cloth gilt, lightly rubbed, 8vo, withBarrow (John). The Life of George Lord Anson, London: John Murray, 1839, portrait frontispiece, endpapers renewed, 20th-century sprinkled calf, earlier morocco label preserved, 8vo, with 4 other related travel worksQTY: (8)

Cooper (Thomas Sidney). Thomas Sidney Cooper's Cattle Subjects, London: [E. Gambart & Co., circa 1837], 30 lithograph plates by J. West Giles, plates 1-2 signed within plate by T. S. Cooper, occasional light spotting and light stains, later morocco gilt over original boards, a little rubbed and scuffed, slightly bowed, oblong folio, 34 x 54.5 cm, together with Souvenir d'Ostende, Brussels: Jules Geruzet, Ostende: Wahlen-Fierlants, circa 1850, 14 colour and tinted lithograph plates, including one folding, occasional water stains and light spotting, original cloth gilt, some fading, red ink stain to lower cover, 4to, plus Prout's Microcosm, 1841 QTY: (3)NOTE:Sold as a collection of plates not subject to return.

Mackmurdo (Arthur Heygate; Herbert P. Horne, & Selwyn Image, editors). The Century Guild Hobby Horse, volumes VI and VII (of 7) only, 1891-92, two volumes bound in one, half-title to each, decorative woodcut title to each volume by Selwyn Image, lithographs and woodcuts by and after C. H. Channon, Selwyn Image, etc., texts by Lionel Johnson, Laurence Binyon, Michael Field, Selwyn Image, Herbert P. Horne, William Morris, Arthur Mackmurdo, Heywood Sumner, Richard Le Gallienne, rough-trimmed, contemporary half calf, somewhat worn with cover detached, and portion to head of spine lacking, 4to, together with The Pageant, edited by C. Hazelwood Shannon and J. W. Gleeson White, 2 volumes [all published], London, 1896-1897, numerous illustrations after Rossetti, Whistler (including an original lithograph entitled The Doctor, printed by Thomas Way), Ricketts, Millais, Burne-Jones, Laurence Hausman, a colour woodblock by Lucien Pissarro, etc., original publisher's brown cloth gilt, a little rubbed, first volume with some soiling to covers, 4to, plusThe Venture, An Annual of Art and Literature, edited by Laurence Housman and W. Somerset Maugham, London: John Baillie's, 1903, woodcuts by Shannon, Charles Ricketts, Sturge Moore, Lucien Pissarro, Bernard Sleigh, E. Gordon Craig, and others, texts by John Masefield, G. K. Chesterton, Thomas Hardy, A. E. Housman, Richard Garnett, Laurence Binyon, Laurence Housman, W. Somerset Maugham and others, original cloth-backed pictorial boards, a little rubbed and some water staining, 4to QTY: (4)NOTE:The Century Guild was founded in 1882 by the architect Arthur Heygate Mackmurdo to produce decorative work in every field of interior design including architecture, decorative painting, furniture, metalwork, ceramics and glass etc., with an emphasis on crafts and in particular, and the new style of Art Nouveau. The architect Herbert P. Horne and artist & writer Selwyn Image were co-editors, but many other artists were involved with the group. In 1884 they started The Century Guild Hobby Horse, concentrating on the visual arts but also including literature and social issues. The first issue was published in April 1884, with no others until 1886 when they started again with volume number 1. In 1893 it was renamed The Hobby Horse but only lasted for a further three issues until it ended in 1894.Printed on handmade paper, and illustrated with woodcuts, lithographs and photogravure reproductions, the typography and design was by Emery Walker and printed at the Chiswick Press. Contributors included Burne-Jones, William and May Morris, John Ruskin, Oscar Wilde, Simeon Solomon, Heywood Sumner, Ernest Ricketts, Ford Madox Brown, Laurence Binyon, Lionel Johnson, Christina Rossetti, William Michael Rossetti, and Wilfrid Scawen Blunt. The Century Guild influenced many members of the Arts and Crafts movement including C.F.A.Voysey and Charles Rennie Mackintosh.

Dunn (Robert). The Ornithologist's Guide to the Islands of Orkney and Shetland, 1st edition, London: Richard Taylor for the author, 1837, half-title, lithograph frontispiece, 2 folding engraved maps, some spotting and offsetting, reinforcement at gutter between half-title and frontispiece, later brown half calf, spinne slightly faded, 8vo QTY: (1)

* Vanity Fair. 'Nibs', "Winnie", [8th March 1911], colour photolithographic caricature, 365 x 220 mm, mounted, framed and glazed, together with Mrs George Cornwallis West [Lady Randolph Churchill, November 20th 1912], colour lithograph 365 x 220 mm, mounted, framed and glazedQTY: (2)NOTE:Two scarce caricatures of the eminent British politician Winston Churchill and his mother, Mrs Cornwallis West.

Sowerby (John Edward). English Botany; or Coloured Figures of British Plants, 13 volumes, including Supplement, 3rd edition, London: Robert Hardwicke, 1863-99, 1932 hand-coloured lithograph plates, 2 uncoloured plates in Supplement, one original parts wrapper bound in at end of each volume, a few plates very slightly toned, occasional minor spotting and offsetting, top edge gilt, contemporary olive half morocco by Sotheran, spines with raised bands, lettered and decorated in gilt, spines uniformly faded, edges slightly rubbed, large 8vo, QTY: (13)NOTE:Nissen BBI 2227.

Morris (Francis Orpen). A Natural History of the Nests and Eggs of British Birds, 4 volumes, 2nd edition, London: George Bell and Sons, 1872, 233 chromolithograph plates, some light spotting, original cloth gilt in bright condition, a few small marks, 8vo, together with A Natural History of British Moths, 4 volumes, 1st edition, London: Bell and Daldy, 1872, 132 hand-coloured lithograph plates, slight toning to plates, occasional light spotting, contemporary previous owner inscription to head of titles, original green cloth gilt, spine a little darkened, small chips and splits at ends, small indentations to edges, 8voQTY: (7)

Herefordshire - Estate Survey. A Survey of the Estates belonging to W. Baker Esqr., lying in the County of Hereford, 1782, fine decorative pen and ink title on vellum signed by William Chapman of Watlington, Oxfordshire, 9 finely drawn plans on vellum in pen, ink and watercolour (including 5 folding), each plan detailing names of farms, fields, woodlands and orchards etc. and with owner names of neighbouring properties, interleaved with 13 leaves of lists and tables written in a neat calligraphic hand on laid paper providing information regarding tenants names, acreages of land (arable, meadow, pasture and coppice), pencil annotation to front flyleaf 'From Ledbury Park sale of Lord Biddulph', marbled endpapers, contemporary calf, gilt decorated spine, elaborate gilt roll border to boards and gilt decorated roundel to centre of upper board bearing title 'Herefordshire Estates', joints cracked and light wear to extremities, large folio (54 x 37 cm), with lithograph map of Ledbury loosely insertedQTY: (1)NOTE:A beautifully executed estate survey by William Chapman of Watlington, Oxfordshire. We have located an entry in the Oxford Journal for Saturday 30th June 1759 listing the skills of William Chapman of Watlington, Oxfordshire, 'Noblemens and Gentlemens Estates are carefully surveyed and plotted in the modern manner, and books of the particulars drawn therefrom, by William Chapman, Land-Surveyor, at Watlington, Oxfordshire. A specimen of his fair plans may be seen at Mr. Thomas Cooper's...'. The National Archives catalogue records an entry for the 'Will of William Chapman, Painter of Watlington, Oxfordshire' dated 18th March 1782.The whole estate acreage in this survey totalled over 1224 acres and the plans of the farms comprise 1. Hazle Farm in the parish of Ledbury; 2. Siddington Farm in the parish of Ledbury; 3. Hall House, Eybridge, part of Whild House and Hill Field Farms in the parish of Ledbury; 4. Noad Farm, and part of Hill Field Farm in the parish of Ledbury; 5. Whild House Farm in the parish of Ledbury; 6. Heath Farm in the parishes of Bromsborough and Dimmock; 7. Bullen Estate in the parish of Ledbury; 8. Vineyard, Camp and Lawn House Farms, with the late Ann Poston's in the parishes of Ledbury and Donnington; 9. Stocking Farm in the parish of Donnington; 10. Wool-pits Farm and Wood, in the parish of Ledbury.

After Edward Lear (English, 1812-1888) Palaeornis Rosaceus, [Roseate Parakeet], hand coloured lithograph on wove paper, drawn and lithographed by Edward Lear, printed by Charles Hullmandel framed, 45.7 x 33cm. *Originally from Edward Lear's first published work 'Illustrations of the Family Psittacidae, or Parrots', 1830-32.

A DISNEY'S BEAUTY AND THE BEAST COLLECTORS DELUXE VIDEO VHS EDITION TO INCLUDE AN EXCLUSIVE COMMEMORATIVE LITHOGRAPH 1993

After Luigi Mayer (1755-1803) Lithograph Set of six hand-coloured lithographs of Middle Eastern scenes and buildings, framed and glazed, image size 29cm x 36.5cm (6)

William Forsell Kirby (1844-1912) 'European Butterflies and Moths'a set of twelve botanical lithograph prints, each numbered and depicting floral and insect specimens26 x 20cm, each in a glazed giltwood frame, 42 x 35cm (12)Provenance: Christie's South Kensington, 'Interiors', 2 August 2011, lot 471;the property of a gentleman.