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Preisdatenbank abonnierenThree prints comprising a lithograph by Hermann Franz Blauth (German active in Greece 1939-2012) numbered 35/42 IMP, 27x22cm, glazed and framed 50x45cm, "Safari" - monoprint, signed Daniel Ridgway and dated 1969, 27x33cm, glazed and framed 51x57cm together with an abstract print - artists proof signed Rea Wayland and dtd 69, 32x14cm, glazed and framed 50x45cm. (3)Provenance: Chris Phylactou Collection.
Sir Alfred James Munnings (1878-1959) Brown Jack, signed in pencil lower right, publisher's blind stamp lower left, lithograph, 45.5cm x 55.5cm (i), frame 77 x 83 cmCondition:The print is framed under glazing - not examined external to the frame. The sheet is in overall good condition, no obvious tears, losses or creasing. There is a blind stamp lower left and signed in pencil lower right. Generally in good condition, some general ageing (yellowing) to the sheet in the margins. Glass needs cleaning
A Group Of Six Pictures To include two 19th century lithographs depicting A View near Aberystwyth, Ceredigion and A View of Scarborough, Yorkshire after William Daniell 23.5cm x 21cm; two modern reproduction prints of 19th century engravings after Joseph Farington of Blenheim Palace and Hampton Court, 22cm x 33.5cm; a reproduction print of a stone lithograph after Joseph Dodd of 'Speke Hall, The Garden Front, Lancashire', 23cm x 30cm; and a 19th century hand coloured engraving after Peter de Wint of Bramall Hall, 20cm x 29cm (6)
A Large Group Of Pictures To include a signed watercolour by Owen Frederick Morgan (1867-1951) of Old Farm, Kent, 15cm x 23cm; A 19th Century English School, charcoal and wash watercolour of a view of North Wales, dated 1849 and signed with initials D.M.D, 18.5cm x 27.5cm; a hand coloured print after Thomas Rowlandson titled 'series of the Country', 13.5cm x 17.5cm; Capture of the two top sail slave schooner, Bolodora, after William John Huggins (1781-1845), 27cm x 46cm; two maps of Corfu and Minorca Majorca and Ivica, 21cm x 16cm; a reproduction print after Sir William Russell Flint of a female nude, 14cm x 7cm; a baxter print of Venice, 15cm x 9.5cm; a unsigned watercolour of a horse outside a domed building, 22cm x 15cm and a 19th century lithograph, 21cm x 31.5cm (qty)
From the Henry De Silva Collection A Collection of Prints to include: 1842: The Duel, steel engraving from Shakespeare’s Twelfth Night (20 x 16 cm) by William Powell Frith. 1845: Photographic reproduction of a coloured lithograph (24 x 20 cm) by Cham (Charles Amédée de Noé), mounted. Mid-19th c: Boys fencing from Every Boy’s Book (15 x 10 cm), mounted. 1856-58: Coloured steel engraving of a single stick fight from Shakespeare’s Henry IV Part II (21 x 16 cm) by George Cruickshank. 1873: The Death of Sir George Staunton, steel engraving (26 x 21 cm) by John Blake MacDonald. 1882: Assault-at-Arms in St James’s Hall, conducted by the London Athletic Club, steel engraving (24 x 17.5 cm) from the Illustrated London News of five scenes by Alfred Chantrey Corbould. 1894: Nach dem kampf engraving of two women fencers (17 x 12 cm) by J Koppay from Moderne Kunst, mounted. 1901: The Final Round – Mr Montgomerie (Oxford Fencing Club) and Mr Evan James (the winner), drawing of the 1901 foil final by the artist-engraver-fencer Frederick Townsend (32 x 22 cm mounted. 1968: Coloured facsimile copy of a copperplate engraving from Angelo’s L’Ecole des Armes, 1765, reprinted in Switzerland in 1968. – two other coloured facsimile copies from another reprint of the same work.
After C J Greenwood (19th Century)A prospect of Cartmel Priory, with workers building a stone wall and sheep scattered at rest before the priory, lithograph, engraved by Isaac Shaw, printed by G Hullmandel, published by Isaac Shaw, 81 Great Portland Street, London, in fabric-covered mount and Victorian oak frame under glass, 41 x 50 cm overall
WW1 JOHN BULL TOUCH WOOD CHARM 2.5cm long x 1.9cm wide, in the form of John Bull, convex wooden body on a silver surround with a lithograph Union Jack to verso, stamped Rd No 642336, Silver. On a rolled gold, 42cm long, fetter and cable link chain with chenier and bayonet clasp. Weight 5.1 grams.
‡ MILITARY / AVIATION CLUB HOUSE: ROBERT TAYLOR (British b.1946) limited edition (166/250) presentation colour lithograph - 'Fight For The Sky', Heinkel 111 crashed in field, signed and numbered in pencil, further signatures in the margin including Ben Bennions, Peter Olver, Geoffrey Wellum, Archie Winskill, Allan Wright, Terence Kane, Tony Iveson, Norman Hancock, George Unwin, Nigel Rose, Bob Doe, Patrick Bamburger, Paddy Barthropp (I) 40 x 67cmsProvenance: private collection CardiffAuctioneers notes: Depicts a Heinkel 111 that has been brought down, one of many never to make it home on this bright and sunny day. As the Luftwaffe bombers crew emerge from their broken aircraft, relieved to have survived the crash-landing, a Mk I Spitfire from No 66 Squadron roars low overhead to verify another victory. In the distance, Hurricanes from No 56 Squadron hurry back to North Weald to refuel and rearm. High above the battle rages, with dreadful vapour trails...Comments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: ROBERT TAYLOR (British b.1946) limited edition (1244/1250) colour lithograph - 'Broken Silence', four Mosquito BIVs head out over Norfolk Broads in 1943, signed and numbered in pencil, additonally by Leonard Cheshire, John Cunningham and Ivor Broom in margin, (I) 43 x 67cmsProvenance: private collection CardiffAuctioneers notes: Comments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: ROBERT TAYLOR (British b.1946) limited edition (217/1250) colour lithograph - 'Eagle Attack', Messerschmitts in flight, signed and numbered in pencil, further signed by Adolf Galland, Gunther Rall, Dietrich Hrabak and Walter Krupinski in th margin, (I) 47 x 74.5cmsProvenance: private collection CardiffAuctioneers notes: Depicts a mass of Me109s peelling off to attack Spitfires which have dived out of the sun upon a large formation of He111s. Me 109 & Bf 109 'Adlertag' Eagle Day! Hitler's code name for the start of the Luftwaffe's great and decisive aerial offensive intended to bring the RAF to its knees, clear the Spitfires and Hurricanes from the skies above the South coast of England, and prepare the way for the 250, 000 amassed German troops standing in readiness to cross the Channel.Comments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: ROBERT TAYLOR (British b.1946) limited edition (217/1250) colour lithograph - 'Hurricane Force', Hurricanes and Heinkel 111s dogfighting over London, signed and numbered in pencil, additionally signed by Peter Townsend, Geoffrey Page, Peter Brothers, and another in the margin, (I) 46.5 x 74.5cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: ROBERT TAYLOR (British b.1946) limited edition (217/1250) colour lithograph - 'Summer Victory', Spitfire flying over crashed German fighter, signed and numbered in pencil, four further pilot signatures in margin, (I) 47 x 74.5cmsProvenance: private collection CardiffAuctioneer's Notes: Depicts an episode during the height of the Battle of Britain, a Luftwaffe pilot, standing beside his downed Me109, looks on as Spitfires of 54 Squadron returning to base at Hornchurch, roar overhead. Comments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: ROBERT TAYLOR (British b.1946) limited edition (ap 3/25) colour lithograph - 'Morning Thunder', Japanese Zeros attacking USS West Virginia with fire tug, signed and numbered in pencil with nine other pilot's signatures in margin, (I) 40 x 66.5cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: ROBERT TAYLOR (British b.1946) limited edition (ap 3/25) colour lithograph - 'America Strikes Back', American Tomahawk and Japanese fighter dogfighting, signed and numbered in pencil with six other pilot's signatures in margin, (I) 40 x 61cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: JEFF PRITCHARD limited edition (459/950) colour lithograph - 'Clash Of Aces', Spitfires pursuing Messerschmitts, signed and numbered in pencil, additionally by Wind Commander Bob Stanford-Tuck and General Adolf Galland in the margin (I) 37 x 53cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: GERALD COULSON (British 1926-2021) limited edition (AP 31/45) colour lithograph - 'Country Life '43', farmer and dog observing Mosquitoes overhead, signed and numbered in pencil, additionally by Air Marshall, Sir Ivor Broom and other RAF personnel in margin, (I) 44 x 66cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang
‡ MILITARY / AVIATION CLUB HOUSE: ROBERT TAYLOR (British b.1946) limited edition (815/1250) lithograph - 'Knight's Cross', Russian and German dogfight, signed and numbered in pencil with Luftwaffe Ace Oberts Erich Hartmann KC with Oak Leaves, Swordss & Diamonds signature to margin, (I) 44 x 66.5cmsProvenance: private collection CardiffNotes: This is a rare, reasonably early Robert Taylor print and it is hard today to find examples such as this one. The print is signed by the artist, Robert Taylor and Oberst Erich Hartmann KC (1922 - 1993), also nicknamed "The Blond Knight Of Germany" by friends and "The Black Devil" by his enemies, who is the most successful fighter ace in the history of aerial combat. He claimed 352 enemy aircraft shot down (of which 345 were flown by the Soviet Air Force, and 260 of which were fighters) in 825 combat sorties while serving with the Luftwaffe, Germany's air force, in World War II. In this print, Erich Hartmann in his Me109 closes in to within 100 metres of a Russian Ilyushin II, one of his many close encounters high over the Eastern Front. Comments: framed and glazed, ready to hang
White Star Line. R.M.S Olympic Plan of First class Accomodation Deck plan similar to one that would have been given to first class passengers on the Titanic, to show location of cabin; An original from the sister ship The Olympic, colour index and lithograph vignette of the ship, folded with some small tears, small amount of staining, a scarce survivor, May 1930. 100cm x 100cm
Revd W H Carpendale (Former/Late Liet Her Majesty's Indian Navy) British, 19th Century School'Panoramic View of Bombay', 'Taken from Malabar Hill', coloured lithograph, the print with labelled specific viewpoints, the hardwood frame with a gilt border, 40.5cm x 213cm; together with Plan of Bombay, to accompany The Panoramic View From Malabar Hill (2) With small tear on the margin. Areas of water damage/staining. Some foxing. Signs of wear consistent with age and use. Central fold has split the print into two parts. The left and right parts of the print are not in line with one another. Potential areas of time/UV fade/discolouration.
† DAME ELISABETH FRINK RA (1930-1993); a limited edition lithograph, 'Corrida I', no. 33/72, numbered and signed to lower margin, titled to gallery label verso, 57.5 x 77cm, framed and glazed.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgSotheby's receipt and copy catalogue page verso.
Henri Rivière, The Bay, lithograph,86cm x 55cm.Condition report:There is a large scratch to the surface of the print running through the sky line (See images) and a smaller scratch/ scar over one of the rocks to the left of the horses. There appears to be a tear to the lower right corner, lower margin. No evident staining or discolouration. Not inspected out of the frame to ascertain if the sheet has been trimmed. The frame remains intact but with paint flakes, scratches and discolouration.
Antiquarianism, Palaeography and Bibliography, Topography & History. Cheshire: Ormerod (George) & Helsby (Thomas, editor), The History of the County Palatine and City of Chester, three volume set, bound in six parts, London: George Routledge and Sons, 1882, double-column, plates and in-text illustrations, later 20th c institutional red over grey cloth, uncut, folio (48.5 x 33.5cm); Architecture: Birch (George H., FSA), London Churches of the XVIIth and XVIIIth Centuries [...], London: B.T. Batsford, 1896, illustrated with 64 plates, contemporaneous green quarter-morocco over cloth, uncut, folio (49 x 39cm); Foster (J.J.), Concerning the True Portraiture of Mary, Queen of Scots, Illustrated by numerous examples selected from Famous Collections, de luxe edition copy no. 53/175 signed and numbered by the author, London: Dickinsons, 1904, original red morocco over cloth gilt, top edge gilt, others uncut, folio (44 x 34cm); Yorkshire: Whitaker (Thomas Dunham, FSA) & Morant (A.W., FSA, editor), The History and Antiquities of the Deanery of Craven, third edition, Leeds: Joseph Dodgson, London: Cassell, Petter & Galpin, 1878, additional architectural aquatint title-page, lithograph plates and folding pedigrees, contemporary tan morocco over bevelled boards, blocked in blind and gilt, rubbed, split at inner-gutter, folio (37 x 29.5cm); Hewins (W.A.S.), The Royal Saints of Britain, London: Privately printed at The Chiswick Press, 1929, original publisher's cloth over boards, uncut, 4to; Brindley's & Weatherley's Ancient Sepulchral Monuments, London: Vincent Brooks, Day and Son, 1887, illustrated, later cloth, folio (38.5 x 28.5cm); Oliver Cromwell; Keynes (Simon, editor), Anglo-Saxon Charters: Supplementary Volume I, Facsimiles of Anglo-Saxon Charters, Published for The British Academy by Oxford University Press, 1991, folio (58.5 x 43.5cm); Douglas (David C., editor), The Domesday Monachorum of Christ Church Canterbury, London: Offices of The Royal Historical Society, 1944, original cloth, folio (43.5 x 34cm); Colgrave (Bertram, editor), The Paris Psalter, MS. Bibliothèque Nationale Fonds Latin 8824, Copenhagen: Rosenkilde and Bagger, 1958, later cloth, folio (47.5 x 36.5cm); Book of Common Prayer: Facsimile of the Black-letter Prayer-book of 1636 [...], Published for The Royal Commission on Ritual, et al, 1870, photo-zincographed, original publisher's cloth, worn and torn, folio (41.5 x 28cm); Studies in the Script of Tours, I: A Survey of the Manuscripts of Tours, Volume II, Plates, Cambridge, Massachusetts: The Medieval Academy of America, 1929, later cloth, folio (42 x 32cm); Studi e Testi: Il Papiro Vaticano Greco 11, Città del Vaticano: Biblioteca Apostolica Vaticana, 1931, later cloth preserving original wrappers, folio (43.5 x 32.5cm); Kenyon (Frederic G., editor), Facsimiles of Biblical Manuscripts in the British Museum, 1900, original green quarter-morocco over cloth, folio (40 x 29cm); incunabula: Facsimiles from Early Printed Books in The British Museum, 1897, original cloth over papered boards, folio (39.5 x 29cm); Schools of Illumination: Reproductions from Manuscripts in The British Museum, Part I: Hiberno-Saxon and England to A.D. 1100, 1914, bound en suite to the latter as issued, folio (40 x 29cm); The Worshipful Company of Stationers, 1903, folio (38 x 28cm); Architecture, Italy: Medieval: Jacobi (C., photographer), Dettagli di altari, monumenti, scultura ecc. Della Basilica di San Marco in Venezia, part VIII only, [Venice]: Ferdinando Ongania Edit., 1881, plate volume of approx. 60 plates of heliotypes only, miscellaneous un-sequential numbering, some with two numbers to a plate, loose gatherings in original publisher's wrappers enclosed in a portfolio of cloth over printed papered boards, folio (42 x 34cm); & Roman: Moretti (Giuseppe), Ara Pacis Augustae, two parts: text volume and plate portfolio, Roma: La Libreria Dello Stato, 1948, double-column, the first part with in-text illustrations, the second with loose plates as issued, original cream cloth gilt over boards, top edges gilt, others uncut, folio (42.5 x 31cm); etc., (29) Withdrawn ex-library stock, with their bookplates and labels, stamps &/or stickers, and in cases their institutional bindings. Some stamps might affect letterpress or plates. Unexamined and sold with all possible faults and not subject to return.
France. Thiers (Adolphe), Histoire de l'empire, faisant suite a l'histoire du consulat, five-volume set plus atlas supplement, Paris: Lheureux et Cie, Éditeurs, 1865, double-column, in-text illustrations, the atlas with 66 double-page lithograph maps, mostly of military campaigns, including the Napoleonic and Peninsular Wars, one or two with hand-coloured delineation, contemporary French blue calf over marbled papered boards, rubbed, marbled endpapers, 4to, (6)
Paul Nash (1889-1946) lithograph in colours - Landscape of the Megaliths, 1937, with pencil dedication, ‘Nancy with Paul’s love’, 53cm x 77.5cm, in glazed frameSome minor spots of foxing to the outer margin and also at other areas within the image - particularly in the moon/sun and also visible within the fields. In the top left corner are three woodworm holes that don’t appear to be live. Otherwise the colour is good and the frame is fine.There is no edition number. Nash’s signature appears printed within the plate with the dedication written in pencil on the lower right hand corner.
THE CONQUEST OF EASTERN TURKESTAN IN SIXTEEN PICTURES PHOTOLITHOGRAPHED BY H. SALZWEDEL 1890.1891Reproductions of the Imperial-commissioned prints commemorating the battles and ceremonies of the so-called 'pacification of Xinjiang' (1758-59), together with sixteen complementary texts in the hand of the emperor, an introduction, and a postscript, all printed by lithograph with black and red inks, original red silk cover with gilt decoration and tooled border. (35)The album 49cm (19 1/4in) high x 66cm (26in) wide, the pictures 26cm (10 1/4in) high x 45cm (17 3/4in) wideFootnotes:一八九一年《大清國御題平定新疆戰圖》Provenance: Arthur Probsthain bookshopA rare lithographic reproduction of the complete the set of engravings commissioned by the Emperor Qianlong (r.1736-1795) to document his campaigns in Central Asia, or present-day Xinjiang, from 1755 to 1761, based on designs by Jesuit painters at his court in Beijing, namely Giuseppe Castiglione (1688-1766), Jean-Denis Attiret (1702-1768), Ignaz Sichelbarth (1708-1780) and Jean Damascène Sallusti (d. 1781) and engraved in Paris. See a set of the original engravings with the same provenance to be offered in our New Bond Street rooms on 7 November 2024, lot 140.For further information on this lot please visit Bonhams.com
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