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70555 Los(e)/Seite
René MAGRITTE (1898-1967)Lithograph 'L'Entrée en scène 1961', numbered HC 36/45 and signed.Lithografie 'L'Entrée en scène 1961', genummerd HC 36/45 en getekend.62 x 50 cm With dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).
René Magritte (1898-1967)Lithograph Le seize SeptembreNumbered 162/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie Le seize SeptembreGenummerd 162/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).50 x 38 cm
Lithograph SchéhérazadeNumbered 83/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).49.5 x 38 cmLithografie SchéhérazadeGenummerd 83/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).49.5 x 38 cm
René Magritte (1898-1967)Lithograph Le Blanc SeingNumbered 81/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie Le Blanc SeingGenummerd 81/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).47 x 38 cm
Emile Lassalle (1813-1871) French after A* Mayer "Montagne de l'observatoire a Bell-Sound" Lithograph, together with a further lithograph "Baie de Smeeremberg" and a photograph with associated handwritten plaque "A Quiet Evening in Prospect at the Bertol Hut" and "Abraham Brothers Collection c1900", with later inscription to backing board "Copyright 1979 Peter Foster? after the Abraham Brothers", 40.5cm by 27cm, 26cm by 39.5cm and 39.5cm by 50cm respectively (3)
Sex Pistols, The Filthy Lucre Tour promotional poster for the Finsbury Park show Sunday 23rd June 1996, supporting acts include Iggy Pop, The Wildhearts and Skunk Anansie etc., 152 x 101cm, together with a large lithograph poster, showing members of the band live, marked to the bottom corner 1978 Glitterbest, Inc., 148 x 108cm and The Filth And The Fury, 2000 UK quad film poster, 76 x 101cm. (3)Filthy Lucre poster folded with creases, losses to corners, tears to edges and tape repair to top edge, large poster condition very poor, large tears to edges with old tape repairs, Filth & Fury rolled with creases to the edges.
2 kleine Carte-de-Visite-Alben, um 1870Beide auf Lederrücken mit Goldprägung "Photographs". 1) Brauner Ledereinband mit Porzellanknöpfen, untere Schließe fehlt, mit 24 Tafeln für 48 C.d.V., z.T. mit Kinderbildern aus aller Welt gefüllt. - Und: 2) Rotbrauner Ledereinband mit frontseitiger farbiger Lithographie, mit 20 Tafeln für 40 CdVs, z.T. befüllt. Start Price: EUR 120 Zustand: (3-/3)2 Compact Carte-de-Visite Albums, c. 1870Both with leather spines gilt-embossed "Photographs". 1) Brown leather binding with porcelain buttons, with 24 plates for 48 cartes de visite, partially filled with children's pictures from all over the world, lower clasp missing - And: 2) Maroon leather binding with colored lithograph on the front, with 20 plates for 40 cartes de visite, partially filled. Start Price: EUR 120 Condition: (3-/3)
Tischdrehorgel "Ariston" mit 18 Platten, um 1895Hersteller: Paul Ehrlich, Leipzig. Modell 12, mit Harmonium-Stimmen, 24 Tonstufen, für Platten aus Karton mit Ø 33 cm, Holzgehäuse, Deckel mit Lithographie, Motiv: spielende Kinder, Handkurbelantrieb, funktioniert teilweise, benötigt mehr Luftdruck. Start Price: EUR 350 Zustand: (3/4)Ariston Table Organette with 18 Discs, c. 1895Paul Ehrlich, Leipzig. Model 12, with 24 harmonium reeds, for Ø 13 in. cardboard discs, hand-turned mechanism, wood case with lithograph on lid depicting playing children, crank-operated, working partially, in need of more air pressure. Start Price: EUR 350 Condition: (3/4)
Plattenspieldose Symphonion Nr. 48 und weitere Teile, um 1900 und später1) Symphonion Musikwerke, Leipzig. Für Blechplatten 25,5 cm, 48 Töne im Stahlkamm (komplett), Hebelaufzug, Holzgehäuse mit Symphonion-Schriftzug in Intarsien auf dem Deckel, Maße 33 x 29 x 18 cm, Replika-Lithographie, mit 15 Platten, spielt gut. - 2) Symphonion Simplex, für Blechplatten 14,5 cm, 40 Töne im Stahlkamm (komplett), Hebelaufzug, funktioniert, Dämpfer müßten reguliert werden, mit 7 Platten. - 3) Eiswürfelbehälter, Messing und Glas, mit Walzenspieluhr für eine Melodie im Deckel, Mechanik hakt. - 4) Junghans-Wecker mit Musikwerk, vernickeltes Messinggehäuse, Platinenwerk mit Ankerhemmung, rückseitige Einstellung der Weckzeit, Walzenspielwerk mit einer Melodie, funktioniert, keine Garantie auf Laufdauer. - 5) Singvogel-Automat, Georg Köhler, Vogel im Käfig, mit Federmechanismus, lithographiertes Blech, Kopf, Schnabel, Flügel und Schwanz beweglich, bemalter Sockel und gewölbter Messingkäfig, Höhe 37 cm, defekt, mit Schlüssel. - 6) 16 Polyphon-Platten, Ø 28 cm. - Und: 7) 5 Bücher: "Mechanische Musikinstrumente" von Herbert Jüttemann; "Alte Münzautomaten" von Struckmeier/Metz; "Encyclopedia of Automatic Musical Instruments" von David Bowers; "Das mechanische Musikkabinett" von Siegfried Wendel und "Von der Äolsharfe zum Digitalspieler" von Jan Brauers. Start Price: EUR 450 Zustand: (-/-)Symphonion Disc Musical Box No. 48 and Other Items, c. 1900 and later1) Symphonion Musikwerke, Leipzig, for 10-inch discs, 48 teeth in steel comb (complete), ratchet-wind, inlaid Symphonion lettering on the lid, inner lid with replica lithograph, size 13 x 11 ½ x 7 in., with 15 discs, good playing condition. - 2) Symphonion Simplex, for 5 3/4-inch discs, 40 teeth in steel comb (complete), ratchet-wind, playing, dampers in need of adjustment, with 7 discs. - 3) Ice cube tray, brass and glass, with single-air musical movement in the lid, mechanism sticks. - 4) Junghans musical alarm clock, nickel-plated brass case, movement with anchor escapement, alarm setting on the rear, single-air musical movement, working, no guarantee on continuous running. - 5) Singing bird automaton, Georg Köhler, bird in cage, with open-spring mechanism, lithographed tin bird with articulated head, beak, wings and tail moving as one, painted base and domed brass cage, ht. 14 ½ in. (37 cm), defective, with key. - 6) 16 Polyphon discs, Ø 11 in. - And: 7) 5 books: "Mechanische Musikinstrumente" by Herbert Jüttemann; "Alte Münzautomaten" by Struckmeier/Metz; "Encyclopedia of Automatic Musical Instruments" by David Bowers; "Das mechanische Musikkabinett", by Siegfried Wendel and "Von der Äolsharfe zum Digitalspieler" by Jan Brauers. Start Price: EUR 450 Condition: (-/-)
Luxus-Symphonion "Rokoko Nr. 25C", um 1895Symphonion Musikwerke, Leipzig. Kunstvoll gestaltetes Gehäuse aus gepreßtem Nußbaumholz mit aufwendigen Ornamenten: Nr. 327615, für 30cm-Blechplatten, 84-toniger Doppelkamm (komplett), Innendeckel dekoriert mit Samt und Lithographie. Gehäusebreite 47 cm. Funktioniert, Baßtöne zu leise, der Kamm müßte gereinigt werden, ein Fuß vom Gehäuse geklebt. Mit Kurbel und 14 Platten. Start Price: EUR 750 Zustand: (3-4/3-4)Rococo Nr. 25C Symphonion 11 ¾-inch Disc Musical Box, c. 1895Symphonion Musikwerke, Leipzig. No. 327615 with duplex comb of 84 teeth (complete), in pressed walnut bombé case decorated with swags, flowers, musical trophies and figures, the inner lid velvet-lined, with lithograph, width 18 ½ in. (47 cm), with crank and 14 discs, working, bass tones too quiet, comb in need of cleaning, one cabinet foot glued. Start Price: EUR 750 Condition: (3-4/3-4)
Musikalisches Automatenbild mit dem Atelier eines SpielwarenherstellersHerkunft unbekannt, handkolorierte Lithographie (statisch), die einen jungen Pierrot und einen Harlekin bei der Arbeit zeigt, während im Vordergrund eine ältere Dame mit einer Federkrone tanzt, Walzenspielwerk mit einer Melodie, dem "Can Can"-Motiv aus "Orpheus in der Unterwelt", Maße 20 x 27 cm, gut erhalten. Start Price: EUR 200 Zustand: (3/3)Musical Automaton Picture of a Toymaker’s AtelierOrigins unknown, hand-colored lithograph (static) depicting a young pierrot and a harlequin at work while an elderly lady in a feather crown jigs in the foreground, with single-air cylinder movement playing the ‘Can Can’ motif from "Orpheus in the Underworld", 8¼ x 10½ in. (20 x 27 cm), working condition. Start Price: EUR 200 Condition: (3/3)
Plattenspieldose "Symphonion Nr. 25", um 1900Hersteller: "Symphonion Musikwerke, Leipzig". Für Blechplatten Ø 30 cm, 84 Töne im Doppelkamm (1 Ton gebrochen), Nußbaumgehäuse, Breite 47 cm, Original-Lithographie im Deckel (Rahmen fehlt), mit 45 Platten, gut spielender Zustand. Start Price: EUR 350 Zustand: (3-/2-3)Symphonion No. 25 Disc Musical Box, c. 1900Symphonion Musikwerke, Leipzig. For 11 ¾-inch discs, 84 teeth in duplex comb (1 broken), sublime harmony arrangement, walnut case with original lithograph in the lid (missing frame), 18 1/2 in. wide, with 45 discs, good playing condition. Start Price: EUR 350 Condition: (3-/2-3)
§ Mark Hearld (b.1974) - Magpie and Minster (2011), limited edition lithograph printed in colours for 'The Curwen Press', signed, dated and numbered '41/75' in pencil to the lower margin, visible sheet dimensions 45.5 x 63.5cmFramed, mounted and glazed.Print appears excellent and original, no apparent faults.
Valerie Thornton (1931-1991) - Pisa IV, etching and aquatint in colours, signed, titled, numbered '48/75' and dated '80 in pencil to the lower margin, the full sheet 39.5 x 28cm, together with H.J. Jackson - Beached, woodblock, signed, titled, numbered '37/100' and dated '88 in pencil to the lower margin, the full sheet 28.5 x 23.5cm, Dr Lockyer at Southward Cathedral lithograph, indistinctly signed, tilted and numbered '9/10' in pencil to the lower margin, the full sheet 40 x 48.5cm, and a tiny etching of a street scene, monogrammed, numbered '23/120' and dated '87 in pencil, the full sheet 16 x 14.5cm (each unframed) (4)
§ John Piper (1903-1992) - Abstract composition (1936), lithograph printed in colours, dry-mounted to card backing, bears very slight traces of upper part of pencil signature, further inscription and dimensions to margin, full sheet dimensions 51 x 63cmTrimmed to edges.With further scuffs and small losses to the surface.
Georges Carette et Cie, a twin cylinder horizontal live steam steam engine, model 694/2, c.1911, lithograph decorated, raised on a wooden base, 33 x 15cm. Carette (1861-1954) moved from France to Germany in the late 19th century, and founded in the toymaking region of Nuremberg. Originally manufacturing tinplate toys, Carette graduated to also producing steam-powered models and is probably best known in the UK for the gauge 0 coaches that Carette made for Bassett-Lowke.
Collection of five framed & glazed maps and prints, comprising: a 17th-century map of Huntingdonshire, by Joan Blaeu, uncoloured engraving on laid paper; an 18th-century map of the South Part of Scotland, by Andrew Johnston, hand-coloured engraving on laid paper; a sheet of engraved designs for a bridge to cross the Thames from Blackfriars to Southwark, submitted to The Rt. Hon. Slingsby Bethell Esq., published 1756; a 19th-century French architectural lithograph of a hotel design by E. Duquesne, and an etching of two girls carrying branches over a mound, 'Annie & Christine', numbered 8/10, signed indistinctly & dated 1978 at lower margin (5)
Balkans.- Ansted (David Thomas) The Ionian Islands in the Year 1863, first edition, tinted lithograph frontispiece, 4 maps, illustrations, publisher's advertisements printed on endpapers, scattered spotting, cracked hinges, original cloth, sunned spine, bumping to corner and spine extremities, 1863 § Wingfield (W. F.) A Tour in Dalmatia, Albania, and Montenegro, half-title, previous owner's ink signature to title, bookplate, scattered spotting, original cloth, slight bumping to corners and spine extremities, 1859 § Barrington (Mrs. Russell) Through Greece and Dalmatia, first edition, frontispiece, plates and illustrations, cracked hinges, original decorative cloth, a little rubbed, slight bumping to corners and extremities, 1912; and 3 others similar, 8vo (6).
Balkans.- Hobhouse (John Cam, 1st Baron Broughton) Travels in Albania and other Provinces of Turkey in 1809 & 1810, 2 vol., wood engraved frontispieces and 10 plates, 1 double-page folding lithograph, 2 large folding maps, cracked hinges, advertisements at end vol. 2, original cloth, a little rubbed, bumping to corners and extremities, 8vo, 1858.
China.- War Office (Geographical Section) Shanghai and Hangchow, detailed map showing the environs of Shanghai, including part of the Yangtze River in the north, lithograph printed in colours, sheet 1010 x 750 mm (39 3/4 x 29 1/2 in), mounted on linen, old folds and associated minor splitting, unframed, rolled, 1927.
Turkey.- Spencer (Edmund) Travels in European Turkey, in 1850, 2 vol., first edition, tinted lithograph frontispieces, vignette titles, large folding linen-backed map, ex-library with neat pencil note and ink-stamp to title verso, contemporary calf, a little rubbed, bumping to corners and extremities, [Blackmer 1582], 1851 § [Howard (George, Earl of Carlisle] Diary in Turkish and Greek Waters, second edition, presentation copy from publisher with blind-stamp to title, half-title, previous owner's ink signature, scattered spotting, advertisements at end and printed on endpapers, cracked hinges, original cloth, "Hookham's Library" label to upper cover and spine, a little rubbed, light spotting, bumping to corners and extremities, 1854; and another similar, 8vo (5)⁂ The author of the first, Edmund Spencer, was dubious figure. Blackmer says of his first work, "An article in the 1837 Quarterly Review of 1837 casts doubt on Spencer's work. Although he may have travelled in Turkey, the reviewer believed that Spencer had used, without acknowledging, a great deal of material from a work on Circassia by Taitbout de Marigny ..."
lithograph with stencilled colour, printed c.1927, from The Brangwyn Portfolio published by E F d'Alignan and Paul Turpin, from the original brush drawing in the National Museum Cardiff, 41cm x 31.5, sheet 46.5cm Note: In 1927 the Brangwyn Portfolio was published by E F d'Alignan and Paul Turpin. Responding to a demand for high quality reproductions of his work Brangwyn himself chose 100 items which he felt were representative of his range of disciplines, including 12 original etchings and 3 original lithographs. The remaining 85 works were lithographic reproductions of watercolours, pastels and drawings produced by photomechanical means to which Brangwyn and his assistants added chalk or watercolour through stencils, giving the impression of original works. In fact such is the quality of these reproductions that they are frequently mistaken for the real thing. The folios, presented in a folder measuring 45x64cm, were produced in a limited edition of 120, costing 100 guineas each

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