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Los 203
ARR * Tindle (David, 1932-). Moth, 1978, colour lithograph on heavy white wove paper, printed by Curwen Press, and published in an edition of 240 impressions, signed and numbered 115/240 in pencil, image size 311 x 486 mm (12.25 x 19.2 ins), sheet size 570 x 770 mm (22.5 x 30.25 ins)Qty: (1)
Los 2069
MARK ROTHKO (1903-1970); a lithograph, 'Orange & Yellow', abstract impressionist study, signed in pencil lower right, 76 x 60cm, framed and glazed.Additional InformationSome misshaping to the mount upper left, image appears ok, scuffs scratches, heavy wear to frame. Mount is rippled, scuffs to the lower 1cm of image. The image is not faded, but there is a change in colour on the print. From a private collection in Cheshire. We are confident this item is authentic.
Los 11
LEON DANCHIN (1887-1939). French school, study of a grouse in flight, signed in pencil lower left, limited edition coloured etching on paper 76 / 500, framed and glazed 36 x 58 cm, together with 'After' Samuel Prout (1783-1852). Numerous figures in a cathedral interior, unsigned, coloured lithograph on paper, framed and glazed, 39 x 27 cm,(2) together with ELIZABETH JARDINE. A modernist study titled 'Asleep' see verso, signed and dated 1994 verso, mixed media on canvas board, framed and glazed, 11 x 8 cm, together with AFTER DON BRECKON (XX). Rainy street scene with trams, cars and figures, signed in print lower right, print on canvas, framed, 49 x 74 cm
Los 3095
Michael Hutchings (British, 1918-2020). Attic Shore. Ltd Edition lithograph, number 2 of 2. Signed lower right, labelled verso. 52 x 65cm.Biography and ProvenanceFaced with a choice between art and medicine as a career after serving in the Second World war, the late Michael Hutchings (1918-2020) became a pathologist, working in London hospitals. However, he never abandoned his first love, painting, and kept an active studio wherever he lived, spending most of his adult live in Barnes, in the south west of the capital.He was an extraordinarily long-lived artist, who witnessed arguably the greatest period of development in Western art across his lifetime. When he was born, Vorticism and Cubism had only recently emerged, and by the time he died, aged 101, we had entered the age of Conceptual art, video art, NFTs and Banksy.Hutchings' contribution to the exploration of painting can largely be summed up in a single word: Colour. For him it was not simply a filler to assist in the expression of form, it was the form itself.Now works from his studio will be offered for the first timein this dedicated auction.The title of the sale pays tribute to his driving belief that it was the artist's job to let the colour express itself: The Michael Hutchings Collection: Let The Colour Do The Drawing.Whether landscapes, portraits, character studies, abstracts and semi-abstracts, Hutchings' mastery of the palette led to the creation of vibrant compositions where line and form were strictly defined by the use of block colour and colour shade. As in nature, he found no need for separate outline.Having trained at Chelsea College of Art and The Slade, as well as the Open College of the Arts, for much of his life he developed his theories and style under his own steam.He used unusual colour combinations and tones to express mood and atmosphere in his paintings, showing how unexpected pairings across the spectrum could produce surprisingly effective results.The range of works in the sale illustrates his consistent mastery of this technique, which not only creates psychological and emotional studies of great depth and sophistication, but also results in some highly attractive and decorative pieces.Born in Frodsham, Cheshire, young Michael was a sensitive child who developed a stammer following an unexceptional, but for him traumatic, classroom experience. The incident gave an early insight into his unusual perception of the world around, which included a highly developed appreciation for natural beauty.It also led to him being treated by the renowned therapist Lionel Logue, celebrated as King George VI's specialist in the multi-Oscar-winning film The King's Speech. Hutchings became friends with Logue's son who visited him in later years.Having studied medicine at Liverpool University, Hutchings signed up for the Army Medical Corps, serving in Italy, Morocco and Austria during the Second World War. During this time, he continued his practice of painting and drawing wherever he went, sending home for materials as he travelled across Europe.It was when he returned from the war and enrolled at Chelsea College of Art and then The Slade that he faced arguably the hardest decision of his life: whether to pursue a career in art or medicine. It is thought family pressure directed him to the latter and that pathology may have allowed him to pursue a career out of the public eye in the quiet of the laboratory and so saved him from exposing his intermittent stammer any more than he needed to.Working first at Whipps Cross Hospital, where he met his future wife Kitty, he moved to St Charles's Hospital in Ladbroke Grove, specialising in haematology, with a particular interest in sickle cell disease.Despite this, art was omnipresent, and after also studying at Putney School of Art and the Open School of Art, he became a member of the Royal Academy and exhibited at a number of shows over the years, where he sold works and won several competitions."He was fairly private and kept his art private generally, but everybody he knew knew he painted," says his daughter Katherine. "If he had gone for art as a career, I think he could have made a name for himself."She recalls him telling the family that painting was his first love, and weekends were spent visiting the latest exhibition. He was especially keen on new developments in art and 'the latest thing'.So important was painting to him that he even chose his children's school, Dartington Hall, because of its devotion to teaching art, says Katherine."Even into his nineties he would take himself off on public transport to the Tate and continued buying paintings," she says. "He only stopped painting about seven or eight years before he died."Hutchings' longevity might have been, in part, the result of his fitness. Continuing to run marathons into his eighties, in his early seventies he came second for his age group in the London Marathon.His was an extraordinary life and he left behind a rich and accomplished body of work that is in this sale now we are privileged to be able to present now-."The volume, range and quality of the works in the sale present a real opportunity to establish an ongoing market for Michael Hutchings. He may not have been able to pursue his first love as a career during his lifetime, but his talent certainly deserves significant recognition now."
Los 250
λ Laurence Stephen Lowry (British 1887-1976)Crime LakeOffset lithograph printed in colours, 1972Signed in pencil, from the edition of 500, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstampImage: 46 x 60cm (18 x 23½ in.)Provenance: From the collection of The Hon. Sir William McAlpineCondition Report: With full margins. The stamped number 336 to the lower left corner. Hinged to the mount at the top corners and at two points along the upper edge with cellotape which has resulted in staining and discoloration to the affected areas. Otherwise, the sheet is in generally good condition, some slight undulation. The backboard is old and discoloured and the work would benefit from rehinging and mounting onto an acid-free board. Framed under glass.Condition Report Disclaimer
Los 251A
λ Laurence Stephen Lowry (British 1887-1976)The Manchester Reference LibraryOffset lithograph, 1972Signed in pencil, from the edition of 850, published by Henry Donn, with the Fine Art Trade Guild blindstampImage: 24 x 35cm (9¼ x 13¾ in.)Provenance: From the collection of The Hon. Sir William McAlpine
Los 76
Louis Rhead (British/American 1857-1926), a Lithograph, "The Sun", Das Moderne Plakat, 1897 and another Lithograph, " For fashionable winter clothing", Das Moderne Plakat, 1897, both mounted, framed and glazedFrames 34.5 cm x 26 cm (2)Not removed from frames. Sheet, mounts and frames in good condition.
Los 1657
Nelson Dawson (1859-1941) group of unframed etchings and a typed list of works by the artistTyped lists1. 1 to 22 Lithograph and drypoint etchings of places2. 23 to 41 - drypoint etchings of places3. Bitten etchings - London River and Medway 1 to 14.4. Photogravures - London River 1 to 7...Prints;1. The (HMS) Stork, Training ship at Hammersmith, 20.5 x 16.5cm.2. Liner at sea with tugs, signed in pencil, 25 x 35cm.3. colour - Dutch fisherfolk unloading their catch, 24 x 31cm.4. colour - headland at night, signed and inscribed No.5 R.P (reserved proof), 24 x 34cm.5. colour - Belgian market scene, 35 x 25cm.6. etching - Liner on calm sea 'Sunrise after a foggy night', signed, 23.5 x 30cm. (light mould damage top left).7. 'Venice, Campo Santa Maria', signed, 26 x 17.5cm.8. 'The Fish Market, Venice', signed and numbered 21, 17.5 x 26cm.9. The Venesia Bella at home', signed and dated 1915, 19 x 24cm. (foxed).10. 'The Column of S.Marco', signed, dated 1915, 21 x 16cm.11. 'The Gesuarti, Venice', signed, dated 1915, 20.5 x 16cm.4.
Los 253
'TAROT' by Hans Dörflinger (German b. 1941), limited edition grandlithos on hard paper, each signed, dated, titled and numbered (5/74), produced with London, Fisher Fine Art, Berlin, Propylaen Verlag, Stuttgart, Galerie Valentien on RK Burt mold-made paper at the studios of Matthieu AG, together with 'Life-Cycle' Portfolio, the 12 large limited edition lithograph plates, each signed, dated 1981 and numbered (76/100), watercolours and another framed Tarot print (a lot)
Los 3032
John Bellany CBE, RA (1942-2013) Scottish ''Anya and Luke'' Signed and inscribed publisher's proof 1/5, with the KG blindstamp, lithograph, together with a further lithograph by the artist depicting a boat, 76cm by 66cm and 38cm by 43cm respectively (2) (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 3023
Josef Herman OBE RA (1911-2000) ''Night'' Signed and numbered 41/50, lithograph, together with a further lithograph by the artist ''Dusk'', signed and numbered 1/50, each printed by Kip Gresham at Chilford Hall Press, 55.5cm by 65.5cm and 56cm by 65.5cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 3043
After David Hockney OM, CH, RA (b.1937) ''Diver Poster for Olympische Spiele München'' Lithograph printed in colours, 1972, printed by Matthieu AG, Zurich, published by Edition Olympia 1972 GmbH, Munich, 99cm by 63cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Los 3009
John Egerton Christmas Piper CH (1903-1992) ''Christ Church, Spitalfields, London'' Signed and numbered 53/70, lithograph, 1964, printed by Curwen Studio, Chilford, published by Marlborough Fine Art, London, 77.5cm by 52cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Los 358
di San Lazzaro, XXe Siècle 4 Thèmes: Chagall, Portes D'Afrique, La Ville, 1907-1917, 1966, French text, hardcover, with two original lithographs, double page colour by Chagall and single page by Vieira Da Silva, and di San Lazzaro, L'Illustration Du XXe Siecle: The Great Adventure of Modern Art, XVII-61, 1961, paperback, with cover illustrated by Marc Chagall, Tudor Publishing Co., printed in Italy, text in English, includes an original colour lithograph by Karel Appel, both complete and in good condition
Los 356
Marino Marini (1901-1980), serigraph, Portrait of Chagall, 1968 edition published by Carl Schunemann Bremen, 28 x 38 cm, mounted, unframed; Marc Chagall, La Petit Ange (Mourlot 179, Cramer Books) lithograph, 1957, unsigned, unnumbered, mounted, 24 x 27 cm; Hommage à San Lazzaro, 1975 original lithograph on wove paper, 35 × 26.5 cm, edition of 575, unsigned, not numbered, extracted from the portfolio created as a tribute to Gualtieri di San Lazzaro, the founder of the magazine XXe siècle, all in good condition, see extra photos (3)
Los 281
AFTER CHARLES EDWARD CONDER (1868-1909) 'The Green Room' signed in pencil to the margin lower left, further signed in plate, sepia lithograph, the image 22cm x 30cm Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Los 283
*AFTER GEORGES BRAQUE (1882-1963) 'L'oiseau et son nid' signed within the plate, lithograph, 33.5cm x 50cm; together with an assemblage style study 'Le Violon', 64cm x 30.5cm (2) Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Los 362
*JOHN PIPER (1908-1992) 'Buckden in a Storm' signed in pencil to the margin lower right, Artist's proof lithograph in colours on T. H. Saunders paper, one of fifteen proofs, aside from the edition of 75, published by Orde Levinson, deckle-edge to the top, with full margins, 61cm x 87.75cmProvenance: The Orde Levinson Collection of prints by John Piper, Christie's, London, Thursday 26th July 2001, lot 87
Los 349
*LAURENCE STEPHEN LOWRY (1887-1976) 'The Cart' signed in pencil to the margin lower right, printed by Max Jaffé, Vienna, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp lower left equating to 167, limited edition offset lithograph from the edition of 850, the image 50cm x 40cm
Los 325
Four Chinese pith paintings depicting a family comprised of a father, mother, son & daughter in traditional dress standing on patterned carpets, framed and glazed, 16.5cm x 10.8cm (6.5in x 4in). Included is one other hand watercoloured lithograph of a girl in oriental dress in an oval glazed frame 24cm x 20cm (9.5in x 8in)Qty: 5Condition report: Some foxing and discolouration to all images. full-width horizontal tear across the chin of the mother figure. Tear to the border of the father and daughter.
Los 56
AFTER CHARLES BIRD KING (1785-1862) AND OTHERS 'Wa-Na-Ta, Grand Chief of the Sioux' and three other portraits from Thomas McKenny and James Hall's 'History of the Indian Tribes of North America' publ. Rice, Rutter & Co., hand-coloured lithographs, each 24cm x 16.5cm; framed together; and the companion lithograph (eight studies in two frames)
Los 281
KAPP Edmond Xavier (1890-1978) Sir Ernest Pollock Master of the Rolls caricature Coloured lithograph; together with an Australian mixed media picture and a small framed cartoon 'Entre Nous Club 17 Jan 1922 (3) Condition Report : foxing and discolouration to the caricature Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 355
EPHEMERA - ASSORTED LOCAL HISTORY PUBLICATIONS comprising 19th century collotype / lithograph view albums of Deal & Walmer; Kirkwall & Orkneys; and Cambridge; and 20th century booklets of Suffolk, Essex, Hertfordshire, Kent, Lancashire, Lincolnshire, Rutland, Suffolk & Sussex interest, (two boxes).
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70553 Los(e)/Seite