70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

HENRI MATISSE, Still Life, off set lithograph, French Montparnasse frame, 12cm x 17cm.

JACKSON POLLOCK (1912-1956)Number 25, 1951Offset Lithograph, Printed in the 1980s7 1/2" x 7 3/4"

KEITH HARING (1958-1990)UntitledOffset Lithograph22 1/2" x 32"

JACKSON POLLOCK (1912-1956)Untitled, 1950Offset Lithograph, Printed in the 1980s6 1/2" x 8"

Pat Douthwaite (1934-2002), Cat and Apple Shaped Teapot, lithograph on paper, signed in pencil, ed. 3/20, unframed. 56cm by 76cm. Note: this lot may be subject to ARR. 

L.S. Lowry (1887-1976), Station Approach, signed lithograph, picture size 40cm x 51cm, frame size 67cm x 77cm, Guild stamped, edition of 850, HBK - in good condition, slight mark to mount - Artist Resale Rights will apply to this picture at 4% on the hammer price

A lithograph of Winston Churchill signed Sarah Churchill in a gilt frame - 98cm x 74cm

Fotheringham, J.R.: Sporting Sketches And Scenes In India, Printed C. Moody, London, 1851, lithographic title with address and seven numbered lithograph plates, in orignal red publishers cloth, embossed cover with gilt title, oblong quarto. (1)

After Benozzo Golozzi, Procession of the Magi, coloured lithograph, 75.5 x 47cm, framed and glazed, after Franz Kellerhoven, Aeneas Piccolomini Introduces Eleonora of Portugal to Frederick III, 62 x 42.5cm and another religious scene, coloured lithograph, 45.5 x 7cm, framed and glazed

Reclining nude female, coloured lithograph, indistinctly signed below in pencil, 38.5 x 49cm, and reclining nude female, pastel, 49 x 36.5cm, both framed and glazed

After Maude Goodman (1853-1938) 'A Welcome Letter' sepia lithograph, pub. 1903 by Landeker & Brown, London 24½ x 12in. (62.25 x 30.5cm.), in a white painted architectural frame (87.5 x 59.5cm.)

After Helen Bradley (1900-1979) 'Sunday Afternoon in Alexandra Park' Lithograph - signed in pencil (l.r.) 17" x 20" (44 x 52 cm) Frame 23½" x 26½" (60 x 67 cm)

After Helen Bradley (1900-1979) 'Big Bertha' Lithograph - signed in pencil (l.r.) and with FATG blind-stamp (l.l.) 10" x 19¾" (48 x 62 cm) Frame 26" x 31½" (66 x 79.5 cm)

After Arthur Pan (1894-1983) Portrait of Winston Churchill Colour lithograph  The lower margin clipped and the PM's facsimile signature and the excerpt from his December 5th 1942 Bradford speech pasted verso ('We are all of us defending a cause, the cause of freedom and justice...' Oak frame 33" x 25½" (53 x 64.5 cm)

After Helen Bradley (1900-1979) 'Evening on the Promenade' Lithograph - signed in pencil (l.r.) and with FATG blind-stamp (l.l.) 18" x 23½" (47 x 61 cm) Frame 26½" x 32" (60 x 67 cm)

JOSEPH M. WILSON (Canadian b. 1967)  'Thunderbird Moon' Lithograph, numbered (31/200), titled and signed  50 x 47.5 cm Steel frame 58 x 60 cm

A pair of early 20th coloured lithograph allegorical still life prints - one depicting a still life of objects symbolising the arts, below a portrait by Sir Joshua Reynolds, the other symbolising the vices of gambling, drinking and violence, 14½ x 11½in. (36.8 x 29.2cm.); together with a similar lithograph of a 19th century genre painting, 17¼ x 12¾in. (43.8 x 32.4cm.). (3)

4 Blatt Grafik: 2 Blatt Johannes GRÜTZKE (1937-2017), Der Künstler isst (1997), Lithograph, 26.5 x 21 cm u. Radierung "Vom Gesicht", 1989, 12,5 x 9, 5 cm; 2 Blatt Andreas Paul WEBER(1883/93-1980), die Lunter brennt (1988), Lithographie, 35,5 x 27,5 cm; Botanik 2000 (der letzte Baum) 1974, Lithographie, 46,7 x 31,5 cm. Gebrauchsspuren.

Cy Twombly 1928 Lexington - 2011 Rom Natural History Part I, Mushrooms. 1974. Folge von 10 Farblithografien mit Lichtdruck, Fotochromdruck, Collagen und Farbkreidezeichnung. Bastian 42-51. Alle monogrammiert, nummeriert sowie mit der geprägten römischen Blattnummer und dem Copyright-Vermerk. Aus einer Auflage von 98 Exemplaren. Auf Velin von Rives (ohne Wasserzeichen, zwei mit Wasserzeichen), eines auf Velin von Richard de Bas (mit Wasserzeichen). Jeweils 76 x 56 cm (29,9 x 22 in), Blattgröße. Gedruckt von Matthieu Studio, Zürich-Dielsdorf (jeweils mit dem Trockenstempel). Herausgegeben von Heiner Bastian im Propyläen Verlag, Berlin. Vollständig, bis auf den fehlenden Mappeneinband. Blatt II stammt aus einem anderen Exemplar des gleichen Mappenwerks. [AW]. • Vollständiges Portfolio von zehn Drucken. • Reizvoller Kontrast zwischen der Klarheit schematischer Fotoarbeiten und Twomblys expressiver zeichnerischer Handschrift. • In der Tate Gallery, London, befindet sich ein anderes Exemplar dieser Edition. • Eine der bedeutendsten Werkserien Twomblys, in welcher er die Beziehung zwischen Natur, Mensch und dem Unbekannten erforscht. • 1977 und 1982 Teilnahme an der documenta 6 und 7. PROVENIENZ: Privatsammlung Berlin. 'Nur einmal, 1974, entsteht ein Zyklus von zehn Drucken, das Portfolio 'Natural History Part I, Mushrooms', in dem Twombly die Technik der Collage in verschiedene komplexe Verfahren des Drucks umsetzt. Von seinen Bildern hatte Twombly einmal gesagt, sie ähneln einer Collage, ohne wirklich die Technik der Collage anzuwenden. Diese Drucke jedoch beginnen mit jeweils einer Darstellung, die Twombly einem Buch über Pilze entnimmt. Statt paradigmatisch vorzugehen, arrangiert er die unterschiedlichsten Reproduktionen aus Zeitschriften, Photovorlagen, Farbskalenfragmente und farbige zeichnerische Passagen für Räume vielfältig anspielungsreicher, oftmals paradoxer Analogien. In allen Drucken spielt ein stark verfremdetes Element eine entscheidende Rolle, das sich einerseits als direkte Paraphrase auf die jeweilige Pilzdarstellung bezieht oder von dieser Darstellung durch die Dominanz der Collagenelemente wegführt.' Heiner Bastian, Cy Twombly. Das Graphische Werk 1953-1984, München 1984, S. 12. Aufrufzeit: 08.12.2023 - ca. 14.40 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONCy Twombly 1928 Lexington - 2011 Rom Natural History Part I, Mushrooms. 1974. Series of 10 Lithograph in colors with heliotype, photochromic print, collages and color chalk drawing. Bastian 42-51. All monogrammed, numbered and with the embossed Roman sheet number and the copyright note. From an edition of 88 copies. On Rives wove paper (without watermark, two with watermarks), one on Richard de Bas wove paper (with watermark). Each 76 x 56 cm (29.9 x 22 in), size of sheet. Printed by Matthieu Studio, Zürich-Dielsdorf (each with blindstamp). Published by Heiner Bastian in Propyläen Verlag, Berlin. The complete set, except for the missing portfolio binding. Sheet II from a different copy of the same portfolio. [AW]. • Particularly attractive graphic prints with a unique character. • One of Cy Twombly's most important graphic works. • Twombly explores man, nature and the unknown in this work. • Another copy of this edition is in the Tate Gallery, London. • In 1977 and 1982 he participated in documenta 6 and 7. PROVENANCE: Private collection Berlin. 'Only once, in 1974, did Twombly translate the collage technique into printing processes of varying complexity, in the portfolio 'Natural History Part I, Mushrooms'. Of some of his paintings, Twombly once said, that they were similar to collages without actually employing the technique of collage. These prints however each start with an illustration taken from a book on mushrooms. Yet rather than proceeding paradigmatically, he added to these images highly contrasting reproductions from magazines, photographs and fragments of color charts, and drew in further colored passages by hand, to create spaces of allusive and often paradoxical analogies. In all of these prints a strongly alieniating element plays a decisive role, either relating as direct paraphrase to the mushroom reproduction or distracting from it through the dominance of the collage elements.' Heiner Bastian, Cy Twombly. Das Graphische Werk 1953-1984, Munich 1984, p. 12 Called up: December 8, 2023 - ca. 14.40 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Jasper Johns 1930 Augusta - lebt und arbeitet in New York Voice II. 1982. 3 Farblithografien. ULAE 228. Eines signiert und datiert. Zwei monogrammiert. Alle Blätter jeweils nummeriert und die Reihenfolge angebend bezeichnet 'A/C-C/C'. Der komplette Satz, jeweils Exemplar 33/54. Jeweils 86 x 59 cm (33,8 x 23,2 in). Papier: 90,8 x 61,5 cm (35,7 x 24,2 in). Herausgegeben von Universal Limited Art Editions, Bay Shore/NY (mit dem Trockenstempel). [SM]. • Ein matching Set. • Großformatige Drucke in nur kleiner Auflage erschienen. • Besonders variantenreicher, aufwendig gearbeiteter Druck von höchster Qualität. • Ein Exemplar der dreiteiligen Farblithographie befindet sich in der Sammlung des Museum of Modern Art, New York. PROVENIENZ: Wolfgang Wittrock Kunsthandel, Düsseldorf. Firmensammlung Ahlers AG, Herford. Aufrufzeit: 08.12.2023 - ca. 14.57 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONJasper Johns 1930 Augusta - lebt und arbeitet in New York Voice II. 1982. 3 Lithograph in colors. ULAE 228. One signed and dated. Two monogrammed. All sheets numbered and sequentially inscribed 'A/C-C/C'. The complete set, each copy 33/ 54. Each 86 x 59 cm (33.8 x 23.2 in). Sheet: 90,8 x 61,5 cm (35,7 x 24,2 in). Published by Universal Limited Art Editions, Bay Shore/NY (with the blindstamp). [SM]. • A matching set. • Large prints published in an edition of small print run. • Particularly rich, lavis print of an outstanding quality. • A copy of the three-part color lithograph is at the MoMA, New York. PROVENANCE: Wolfgang Wittrock Kunsthandel, Düsseldorf. Corporate Collection Ahlers AG, Herford. Called up: December 8, 2023 - ca. 14.57 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Karl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 Berlin Sitzendes Mädchen. 1911. Lithografie. Schapire L 78. Signiert und datiert. Auf Velin. 40 x 33,5 cm (15,7 x 13,1 in). Papier: 49,5 x 42 cm (19,5 x 16,5 in). [SM]. • Äußerst selten – bisher wurde nur ein weiteres Exemplar auf dem internationalen Auktionsmarkt angeboten (Quelle: artprice.com). • Schöne frühe, minimalistisch aufgefasste Aktdarstellung aus der 'Brücke'-Zeit. • Ab 1911 rückt der weibliche Akt verstärkt in den Blick des Künstlers. PROVENIENZ: Galerie W. Utermann, Dortmund. Firmensammlung Ahlers AG, Herford (seit 1983, direkt vom Vorgenannten erworben). AUSSTELLUNG: Schwarz auf Weiß. Druck-Graphik im Wandel der Zeit von Rembrandt bis Dieter Roth, Stiftung Ahlers Pro Arte / Kestner Pro Arte, Hannover, 28.9.2013-5.1.2014, Kat. S. 25, S. 26 (Abb.). Aufrufzeit: 09.12.2023 - ca. 18.03 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONKarl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 Berlin Sitzendes Mädchen. 1911. Lithograph. Schapire L 78. Signed and dated. On wove paper. 40 x 33.5 cm (15.7 x 13.1 in). Sheet: 49,5 x 42 cm (19,5 x 16,5 in). [SM]. • Extremely rare - to date only one other copy has been offered on the international auction market (source: artprice.com) • Early minimalistic nude from the days of the 'Brücke'. • As of 1911 the artist put increasing focus on the female nude. PROVENANCE: Galerie W. Utermann, Dortmund Corporate Collection Ahlers AG, Herford (since 1983, acquired directly from the above). EXHIBITION: Schwarz auf Weiß. Druck-Graphik im Wandel der Zeit von Rembrandt bis Dieter Roth, Foundation Ahlers Pro Arte / Kestner Pro Arte, Hanover, September 28, 2013 - January 05, 2014, cat. p. 25, p. 26 (fig.). Called up: December 9, 2023 - ca. 18.03 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Wassily Kandinsky 1866 Moskau - 1944 Neuilly-sur-Seine Kleine Welten I. 1922. Farblithografie. Signiert. Im Stein monogrammiert und datiert. Eines von 200 Exemplaren. Auf Bütten. 24,7 x 21,6 cm (9,7 x 8,5 in). Papier: 30,7 x 25,8 cm (12 x 10,2 in). [SM]. • Aus dem berühmtesten Grafikzyklus von Kandinsky. • 'Alle Platten und Steine habe ich eigenhändig gemacht, alle Abzüge wurden unter meiner ständigen Leitung gedruckt [..]. Also: die ganze Ausführung erstklassig' (Kandinsky an Galka Scheyer, 4.5.1932, zit. nach: Roethel, Kandinsky. Das graphische Werk, Köln 1970, S. 452). • Die Arbeiten zu 'Kleine Welten' sind ein Wendepunkt im Werk Kandinskys hin zu einer streng geometrisch-abstrakten Formfindung. PROVENIENZ: Konrad Diepolder, Moderne Graphik, München. Firmensammlung Ahlers AG, Herford (seit 1973, direkt beim Vorgenannten erworben). LITERATUR: Hans Konrad Roethel, Wassily Kandinsky. Das graphische Werk, Köln 1970, WVZ-Nr. 164. Aufrufzeit: 09.12.2023 - ca. 18.12 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONWassily Kandinsky 1866 Moskau - 1944 Neuilly-sur-Seine Kleine Welten I. 1922. Lithograph in colors. Signed. Monogrammed and dated in the stone. On laid paper. 24.7 x 21.6 cm (9.7 x 8.5 in). Sheet: 30,7 x 25,8 cm (12 x 10,2 in). [SM]. • From Kandinsky's most famous graphic cycle. • 'I made all the plates and stones myself, all the prints were printed under my constant supervision [..]. So: the whole execution is first class' (Kandinsky to Galka Scheyer, May 4, 1932, quoted from: Roethel, Kandinsky. Das graphische Werk, Cologne 1970, p. 452). • The works for 'Small Worlds' are pivotal in Kandinsky's oeuvre and mark the turn towards a strictly geometric-abstract approach to form. PROVENANCE: Konrad Diepolder, Moderne Graphik, Munich. Corporate Collection Ahlers AG, Herford (since 1973, acquired from the above). LITERATURE: Hans Konrad Roethel, Kandinsky. Das graphische Werk, Cologne 1970, cat. no. 164. Called up: December 9, 2023 - ca. 18.12 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).

Erich Heckel 1883 Döbeln/Sachsen - 1970 Radolfzell/Bodensee Fränzi. 1910. Lithografie. Ebner/Gabelmann 441 L. Dube L 142. Signiert. Eines von 4 bekannten Exemplaren. Auf Velin. 32,8 x 27,4 cm (12,9 x 10,7 in). Papier ca.: 46,2 x 35,3 cm (18,1 x 13,8 in). [AR]. • Eines von bislang nur vier bekannten Exemplaren. • Heckel porträtiert Fränzi, bekanntestes Modell der 'Brücke'-Künstler. • Entstanden 1910, in einem der prägendsten Jahre der Künstlergemeinschaft. PROVENIENZ: Lübeck, Museum Behnhaus (1924-1937). Staatsbesitz (1937-1940, 'Entartete Kunst', EK-Nummer 11584). Galerie Ferdinand Möller, Berlin (1940 durch Tausch vom Vorgenannten, bis 1943). Ferdinand Möller, Zermützel/Köln (1943–1956). Maria Möller-Garny, Köln (1956–1983). Wolfgang Wittrock Kunsthandel, Düsseldorf. Firmensammlung Ahlers AG, Herford (1984 von Vorgenanntem erworben). AUSSTELLUNG: Der Blick auf Fränzi und Marcella: Zwei Modelle der Brücke-Künstler Heckel, Kirchner und Pechstein, Sprengel Museum, Hannover, 29.8.2010-9.1.2011, Kat.-Nr. 123, S. 51 (Abb.) u. 135. Schwarz auf Weiß. Druck-Graphik im Wandel der Zeit von Rembrandt bis Dieter Roth, Stiftung Ahlers Pro Arte / Kestner Pro Arte, Hannover, 28.9.2013-5.1.2014. Blaues Land und Großstadtlärm. Ein expressionistischer Spaziergang durch Kunst und Literatur, Franz Marc Museum, Kochel am See, 30.4.-3.10.2017, Kat. S. 152. Erich Heckel. Der poetische Expressionist, Franz Marc Museum, Kochel am See, 24.2.-19.5.2019. LITERATUR: Galerie Wolfgang Ketterer, 20. Jahrhundert, 58. Auktion, 7./8.6.1982, Los 685 (m. Abb.). www.geschkult.fu-berlin.de/e/db_entart_kunst/datenbank (Nr. 11584). Aufrufzeit: 09.12.2023 - ca. 18.18 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N), Folgerechtsvergütung fällt an.ENGLISH VERSIONErich Heckel 1883 Döbeln/Sachsen - 1970 Radolfzell/Bodensee Fränzi. 1910. Lithograph. Ebner/Gabelmann 441 L. Dube L 142. Signed. One of 4 known copies. On wove paper. 32.8 x 27.4 cm (12.9 x 10.7 in). Sheet: 46,8 x 35,8 cm (18,4 x 14 in). [AR]. • One of to date only 4 known copies. • Heckel portrayed Fränzi, the most famous of the 'Brücke' models. • From 1910, a key year for the artist group. PROVENANCE: Lübeck, Museum Behnhaus (1924-1937). State.owned (1937-1940, 'Degenerate Art', number 11584). Galerie Ferdinand Möller, Berlin (in an exchange with the above in 1940, until 1943). Ferdinand Möller, Zermützel/Cologne (1943–1956). Maria Möller-Garny, Cologne (1956–1983). Art dealer Wolfgang Wittrock, Düsseldorf. Corporate Collection Ahlers AG, Herford (acquired from the above in 1984). EXHIBITION: Der Blick auf Fränzi und Marcella: Zwei Modelle der Brücke-Künstler Heckel, Kirchner und Pechstein, Sprengel Museum, Hanover, August 29, 2010 - January 9, 2011, cat. no. 123, p. 51 (fig.) and 135. Schwarz auf Weiß. Druck-Graphik im Wandel der Zeit von Rembrandt bis Dieter Roth, Foundation Ahlers Pro Arte / Kestner Pro Arte, Hanover, September 28, 2013 - January 5, 2014. Blaues Land und Großstadtlärm. Ein expressionistischer Spaziergang durch Kunst und Literatur, Franz Marc Museum, Kochel am See, April 30 - October 3, 2017, cat. p. 152. Erich Heckel. Der poetische Expressionist, Franz Marc Museum, Kochel am See, February 24 - May 19, 2019. LITERATURE: Galerie Wolfgang Ketterer, 20. Jahrhundert, 58th auction, June 7/8, 1982, lot 685 (illu.). www.geschkult.fu-berlin.de/e/db_entart_kunst/datenbank (Nr. 11584). Called up: December 9, 2023 - ca. 18.18 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N), artist´s resale right compensation is due.

Otto Mueller 1874 Liebau/Riesengebirge - 1930 Obernigk bei Breslau Zwei Knaben im Wasser und ein Mädchen am Ufer. 1918. Lithografie, aquarelliert. Karsch 76 I (von II). Signiert sowie verso mit blauer Kreide bezeichnet '6'. Eines der wenigen handkolorierten Exemplare der ca. 8 Exemplare des I. Druckzustandes. Auf feinem, glattem Kupferdruckpapier. 23,5 x 29,5 cm (9,2 x 11,6 in). Papier: 30,8 x 26,5 cm (12,1 x 10,4 in). Gedruckt von Otto Mueller. [JS]. • Rarität. Erstes handkoloriertes Exemplar auf dem internationalen Auktionsmarkt (Quelle: artprice.com). • Im Werkverzeichnis von Karsch (1975) ist ein aquarellierter Abzug im Besitz der Galerie Nierendorf, Berlin, dokumentiert. • Zudem einer der seltenen Handabzüge des Künstlers vor der im Verlag Gustav Kiepenheuer für die Zeitschrift 'Das Kunstblatt' erschienenen Auflage des II. Druckzustandes. • Der hier vorliegende I. Druckzustand weist noch die vollen Pflanzenformen im Unterrand sowie die verstärkte Gesichtskontur des einen Knaben und die dunklen Wellenlinien daneben auf, die in den Auflagedrucken (II. Druckzustand) nicht mehr vorhanden sind. PROVENIENZ: Privatsammlung Nordrhein-Westfalen. Aufrufzeit: 09.12.2023 - ca. 18.40 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONOtto Mueller 1874 Liebau/Riesengebirge - 1930 Obernigk bei Breslau Zwei Knaben im Wasser und ein Mädchen am Ufer. 1918. Lithograph, with watercolors. Karsch 76 I (of II). Signed and inscribed '6' with blue chalks onthe reverse . One of the few hand-colored copies from a total of 8 copies of the firts printing state. On fine smooth copper plate printing paper. 23.5 x 29.5 cm (9.2 x 11.6 in). Sheet: 30,8 x 26,5 cm (12,1 x 10,4 in). Printed by Otto Mueller. [JS]. • Rare. First hand-colored copy on the international auctions market (artprice.com). • The catalogue raisonné by Karsch (1975) mentions a copy with watercolors in possession of Galerie Nierendorf, Berlin. • At the same time one of the rare hand-made prints by the artist mnade before the edition of the second printing state published by Gustav Kiepenheuer for the magazine 'Das Kunstblatt'. • This rare first state still shows the plants in the lower margin and the stronger facial contours of the one boy, as well as the dark wave lines, which are no longer present in the prints of the edition. PROVENANCE: Private collection North Rhine-Westphalia. Called up: December 9, 2023 - ca. 18.40 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

A WW I novelty fumsup / touchwood charm in the form of John Bull, the convex wooden body within a with metal surround with lithograph Union flag verso, stamped Rd No 642336 Silver, 2.6cm. Registration mark worn to one side.Silver frame slightly misshapen.Possibly missing buttons to waistcoat.

After Gerald Coulson (b.1926), To Sink The Bismarck, limited edition print, signed in pencil by the artist, 51 x 64cm, together with Geoffrey E. Lea, (b.1938), Arnhem, colour lithograph, signed in pencil t the margin by Col. John Frost 46 x 67cm. (2)

An American WW II lithograph propaganda poster "Be Smart Act Dumb! Loose Talk Can Cost Lives", designed by O.Soglow with text below Distributed in the interest of National Defense, and as a means of obtaining funds for Ambulances wherever needed. British and American Ambulances Corps, Inc., New York City, 50.5 x 35.5cm.

An American WW II lithograph propaganda poster "Don't Be A Dope And Spread The Inside Dope Loose Talk Can Cost Lives", circa 1942 with text below Distributed in the interest of National Defense, and as a means of obtaining funds for Ambulances wherever needed. British and American Ambulances Corps, Inc., New York City, 50.5 x 35.5cm.

A Pointers of London and Edinburgh The British Isles Fly Fishing Collectors Series Whisky decanter, 25cm, together with Fox Hunting example, a leather cover decanter embossed with boar and stags heads, a Rutherford's Scotch Whisky decanter and a Macfarlane, Lang & Co. biscuit tin, lithograph printed with a huntsman and hounds etc.

A 1950s French advertising poster for Bonnard Vuillard, lithograph printed in colours, the full sheet 72 x 50.5cm

Louis Icart (1888-1950) - Seated lady in a blue dress, lithograph printed in colours, signed in pencil to lower right margin, full sheet dimensions 49 x 32cmAppears generally good and original.Very slight age related grubbiness only.Presented in later poorly-fitting frame.

Henri Matisse (1869-1954) - Baigneuse dans les Roseaux, lithograph printed in colours, this example issued by Tériade for Verve, Paris 1958 according to William Weston Gallery label to reverse, visible sheet dimensions 34 x 45cm

Shepard Fairey (b.1970) - Liberté Égalité Fraternité (2022) , lithograph printed in colours, signed and dated '22 lower right, visible sheet dimensions 90 x 60cm

Shepard Fairey (b.1970) - Make Art Not War (2022), lithograph printed in colours, signed and dated '22 in pencil lower right, visible sheet dimensions 90 x 60cm

From The Estate Of Bill Owen (1914-1999) - Last Of The Summer Wine - 'Compo' by Ray Snape - Limited Edition lithograph print depicting Owen as Compo in the BBC Sitcom. Numbered 15/850 and signed by the artist. Professionally framed and glazed. Total size: 51cm x 42cm. 

A lithograph in colours by CAMILLE HILAIRE (1916-2004) Nude with mirror signed bottom right and is number 66 from 120 published. Professionally mounted ready to frame.. H: 78cm W: 63cm D: 1cm

DAMIEN HIRST LP record Kate Moss- Use Money Cheat Death, 2009. Lithograph in colours limited edition number 317 of 666 published (marked on the inside of the sleeve). H: 30cm W: 30cm D: 1cm

Pablo Picasso (Spanish 1881-1973), 'Taureaux Sur Une Branche (Bulls On A Branch)', 1956, lithograph in colours on wove paper, signed in pencil upper left, signed in crayon lower right; 58.5 x 49.5cm inc frameARR 58.5 x 49.5cm inc frame In overall good condition No visible knocks to the sheet There is some creasing/handling creases across the sheet, most prominent on the right hand side Some wear/creasing around the edges of the sheet, potentially due to the nature of material Small tear to the lower right hand corner, visible upon close inspection This work has been framed in a wooden frame and float mounted, leaving all corners and edges of the sheet visible ` This work has not been examined outside of the frame.

Keith Haring (American 1958-1990), ‘Crack Down!’, 1986, offset lithograph in colours on paper, produced as part of The Crack-Down Fund, New York; sheet: 55.5 x 43cmsheet: 55.5 x 43cmIn very good condition No knocks or tears to the sheetOne minor crease to the upper left hand edge of the sheet, visible upon close inspection Minor markings about the upper lettering of the sheet, potentially from time of productionThis work has been stored flat and has not been framed.

Keith Haring (American 1958-1990), 'Dusseldorf' 1998, offset lithograph in colours on paper, Galerie Hans Mayer Exhibtion Poster; sheet: 84 x 59 cmsheet: 84 x 59 cmIn very good condition No knocks, tears or creases to the sheet Minor handling marks to the upper edge of the sheet verso, this is not visible recto This work has been stored flat and has not been framed. 

Shepard Fairey & Vhils (Collaboration), 'American Dreamers V', 2019, lithograph in colours on BFK Rives paper, signed and both artists and numbered from an edition of 450 in pencil, published by Underdogs; sheet: 70 x 100cmARR sheet: 70 x 100cm

Shepard Fairey (American 1970-), 'Dark Wave', 2023, offset lithograph in colours on speckle tone paper, signed and dated in pencil; sheet: 61 x 91.5cmsheet: 61 x 91.5cmIn very good condition No knocks or tears to the sheet Very minor handling creases, visible verso This work has been stored flat and has not been framed.

Shepard Fairey (American 1970-), 'Liberte, Egalite, Fraternite', 2023, offset lithograph in colours on cream Speckle Tone paper, signed and dated in pencil; sheet: 91 x 61cmsheet: 91 x 61cm

Shepard Fairey (American 1970-), 'Make Art Not War', 2023, offset lithograph in colours on cream Speckle Tone paper, signed and dated in pencil; sheet: 91 x 61cmsheet: 91 x 61cm

Stik (British 1979-), 'Standing Figure (UK Big Issue Red), 2013, offset lithograph in colours on paper, accompanied by a copy of The Big Issue, signed in black ink; sheet: 57 x 19cmARR sheet: 57 x 19cm In very good condition No knocks, tears or creases to the sheet Two horizontal folds to the sheet, as originally issued This work has been stored flat and has not been framed

David Hockney (British 1937-), 'Little Boodge' 1993, offset lithograph on wove paper, bearing the Artists Copyright verso; sheet: 28 x 42cmARR sheet: 28 x 42cm

David Shrigley (British 1968-), 'Vibes', 2018, offset lithograph in colours on thin wove paper, signed in black ink, from an edition of 250; sheet: 70 x 50cmARR sheet: 70 x 50cm

Harland Miller (British 1964-) 'York So Good They It Named Once', 2020, offset lithograph in colours on paper, York Gallery exhibition poster; sheet 84.1 x 55.5 cmARR sheet 84.1 x 55.5 cm

Jonas Wood (American 1977-), ‘Large Shelf Still Life Poster’, 2017, offset lithograph in colours on wove paper, published by Voorlinden Museum; sheet: 59.5 x 59.5cmsheet: 59.5 x 59.5cm

Andy Warhol (American 1928-1987), 'Gee, Merrie Shoes', c.1955, offsert lithograph in black on wove paper, bearing the ink stamps of the Andy Warhol Foundation for the Visual Arts inc. verso, annotated with the foundation number PM 16.0184 verso, 26.5 x 23.5cm inc frame26.5 x 23.5cm inc frame

Andy Warhol (American 1928-1987), 'A Whole Stocking Full of Good Wishes', 1956, offset lithograph in red on wove paper, bearing the ink stamps of the Andy Warhol Foundation for the Visual Arts inc. verso, annotated with the foundation number PM 16.0360 verso: 59.5 x 46cm inc frame59.5 x 46cm inc frame

THE COCOANUTSReproduction One-Sheet (27.25" x 42.25") Autographed by Groucho MarxNear Mint Rolled Paramount, 1976In 1976, celebrity photographer Steve Schapiro had high-quality, full-size (27"x 41") prints made of the one-sheets for the Marx Brothers' "The Cocoanuts" and "Duck Soup" on heavy paper. His plan was to have Groucho Marx hand-sign each in pencil with his full name, at which point Schapiro would add the edition number. However, due in part to old age, Marx altered the "G" in "Groucho" while signing, after previously maintaining a consistent signature style for years. Consequently, genuine "Groucho" autographs from 1976, including the one made on this litho, are often considered dubious. In this case, it is definitively genuine, with authentication provided by Groucho's former personal secretary and UCLA archivist Steve Stolair. Stolair also consulted on a number of books and documentaries about his former boss's family. Paper featuring Marx's full signature after the mid-1950s is considered scarce. In addition to the Marx signature at the bottom of this print, the edition number "224/250" is handwritten in the lower left corner.This limited-edition lithograph exhibits a faint smudge line in the lower right corner.This lot will be auctioned on Thursday, December 7th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 8th.

David Hockney R.A. (British 1937-) "A Retrospective, The Metropolitan Museum of Art June 18 - August 14, 1988" Unsigned, colour lithograph poster.98 x 60cm (framed 102 x 64.5cm)The poster is in very good, original condition with no obvious faults to report. The poster is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

§ STANLEY CURSITER C.B.E., R.S.A., R.S.W. (SCOTTISH 1887-1976) NUDE Signed and inscribed, lithographDimensions:21.5cm x 15.5cm (8.5in x 6.25in)

Trevor Grimshaw (British 1947-2001) "Ribblehead Viaduct" Signed and numbered 62/500 in pencil in the margin, limited edition lithograph.36 x 50.5cm (framed 50.5 x 65.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.

Trevor Grimshaw (British 1947-2001) "Aqueduct" Signed and numbered 41/50 in pencil in the margin, published at Alan Cox's Sky Editions workshop in London, limited edition lithograph in colours.29.5 x 40cm (framed 42.5 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some tiny dark spots and one or two other minor surface marks and creases in the margins. The print is framed and glazed.

Trevor Grimshaw (British 1947-2001) "Stonehenge" Signed and numbered 44/50 in pencil in the margin, published at Alan Cox's Sky Editions workshop in London, limited edition lithograph in colours.30 x 40cm (framed 42.5 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing and other tiny dark spots and surface marks in the margins. The print is framed and glazed. The frame has some minor scuffs and knocks.

Newman & Co (publisher) – Colour lithograph - View of the Avon Gorge and Clifton with suspension bridge piers (the bridge not yet built), 32cm x 47.5cm, mounted and framed under glass

Railwayana; after Leonard Cusden (1898 -1979) - Colour lithograph GWR tourism poster - Clevedon, The Gem of Sunny Somerset - circa the 1930s, printed by Stafford & Co. Ltd for the Great Western Railway Company, 102cm x 63.5cm unframed

19th century coloured lithograph after S.C. Jones - 'Old Isaac Joules, A Well Known Gipsy in Somersetshire', printed by A. Pocock, publ. J. Whereat, Weston-super-Mare, 31cm x 20cm, framed under glassTyped citation label to verso