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70555 Los(e)/Seite
Los 81
Katherine Bernhardt (born 1975)Cheeseburger Deluxe, 2016 Lithograph in colors on Somerset paper, signed in pencil, titled, dated and numbered 32/100, from the edition of unique color variants, published/printed by Counter Editions/Paupers Press, London, with full margins. 27 1/2 x 38 1/4in (69.8 x 97cm)sheet 28 x 38 1/2in (71 x 97.7cm)
Los 14
Salvador Dalí (1904-1989)Le Dernier Venue de la Derniere Planete, from La Conquete du Cosmos (F. 74-12G), 1974 Engraving and lithograph in colors on Arches paper, signed in pencil and numbered 187/195, published by Jean Lavigne, Paris, with full margins.29 1/2 x 21 1/2in (74.93 x 54.61cm)sheet 39 x 27 1/2in (99 x 69.85cm)
Los 188
Tom Wesselmann (1931-2004)Monica Sitting By Wall, 1990 Lithograph on Arches paper, signed in pencil and numbered PP 2/3 (a printer's proof aside from the edition of 26), published by International Images, Putney, Vermont, printed by Derriere l'Etoile, New York, the full sheet.sheet 47 x 39in (119.3 x 99cm)
Los 67
Pierre-Auguste Renoir (1841-1919)Femme au Cep de Vigne, 2nd Variante, from L'Album des Douze Lithographies Originales de Pierre-Auguste Renoir (D. 46), 1904 Lithograph on wove paper, with signature in the stone, from the total edition of 1000 (50 were on Japan paper), published/printed by Ambroise Vollard/Auguste Clot, Paris, 1919, with margins. 4 1/2 x 8 3/8in (11.5 x 8.5cm)sheet 13 1/8 x 9 7/8in (33.3 x 25.1cm)
Los 11
Alexander Calder (1898-1976)Marée Basse (Low Tide) (M. 49), 1974 Lithograph in colors on Chiffon de Mandeure paper, signed in pencil and annotated 'HC' (an hors commerce proof, aside from the edition of 100), published by Maeght, Paris, with full margins, framed.28 1/4 x 42 1/2in (71.8 x 108cm)sheet 30 x 45 1/4in (76 x 114.8cm)
Los 165
Frank Stella (born 1936)Moultonville, from Eccentric Polygons series (G.E.L. 547, A. 101), 1974Lithograph and screenprint in colors on Arches paper, signed in pencil, dated and numbered 96/100 (there were also 8 artist's proofs), with the blindstamps of the publisher/printer Gemini G.E.L., Los Angeles, with wide margins, framed.15 3/4 x 11in (40 x 27.9cm)sheet 22 1/8 x 17in (56.1 x 43.1cm)
Los 115
Jasper Johns (born 1930)Ocean, 1996 Lithograph in colors on Somerset paper, signed in pencil, dated and numbered Printers Proof 4/4 (aside from the edition of 54), with the blindstamp of the publisher/printer Universal Limited Art Editions, West Islip, New York, with full margins.21 x 30 1/2in (53.3 x 77.4cm) sheet 27 3/4 x 36 5/8in (70.4 x 93cm)
Los 65
Pierre-Auguste Renoir (1841-1919)Étude de Femme Nue, Assise, Variante 1, from L'Album des Douze Lithographies Originales de Pierre-Auguste Renoir (D. 43), 1904 Lithograph on wove paper, Delteil's 2nd state, with signature in the stone, from the total edition of 1000 (50 were on Japan paper), published/printed by Ambroise Vollard/Auguste Clot, Paris, 1919, with margins.6 1/2 x 6 3/8in (16.5 x 16cm)sheet 13 1/8 x 9 7/8in (33.3 x 25.1cm)
Los 64
Pierre-Auguste Renoir (1841-1919)Femme au Cep de Vigne, from L'Album des Douze Lithographies Originales de Pierre-Augusute Renoir (D. 44), 1904 Lithograph on wove paper, with signature in the stone, from the total edition of 1000 (50 were on Japan paper), published/printed by Ambroise Vollard/Auguste Clot, Paris,1919, with margins. 6 7/8 x 5in (17.3 x 12.5cm)sheet 13 1/8 x 9 7/8in (33.3 x 25.1cm)
Los 99
Helen Frankenthaler (1928-2011)Sudden Snow (H. 129), 1987 Lithograph in colors on Arches paper, signed in pencil, dated and numbered 16/50 (there were also 12 artist's proofs) with the blindstamp of the publisher/printer Tyler Graphics Ltd., Mount Kisco, New York, with full margins, framed.26 3/4 x 21 5/8in (68 x 55cm)sheet 31 3/4 x 23 1/2in (80.5 x 59.8cm)
Los 101
Keith Haring (1958-1990)International Volunteer Day (L. p. 93), 1988Lithograph in colors on Arches paper and offset lithograph in colors on an envelope, one signed in pencil, dated, numbered 35/1000 and with the artist's monogram; one signed 'Keith' in black marker, dated and with a drawing of a baby attached to one of the 'Administration Postale des Nations Unies' stamps, one with the blindstamps of the publisher/printer The World Federation of United Nations/Emiliano Sorini Studio, New York, both the full sheet, framed together and accompanied by the documentation certificate. sheet 11 1/4 x 8 1/2in (28.5 x 21.5cm); 3 5/8 x 6 1/2in (9.2 x 16.5cm)
Los 148
Robert Rauschenberg (1925-2008)Lithograph II, from Glacial Decoy Series (ULAE, 102), 1980Lithograph in colors on Arches paper, signed in pencil, dated and numbered 24/25, with the blindstamp of the publisher Universal Limited Art Editions, West Islip, New York, the full sheet, framed.sheet 66 x 40in (167.6 x 101.6cm)This lot is subject to the following lot symbols: W
Los 96
Sam Francis (1923-1994)Untitled (L.154), 1972 Lithograph in colors on Rives BFK paper, signed in pencil and numbered 8/8, with the blindstamps of the publisher The Litho Shop, Inc. and the printer Hitoshi Takatsuki, Santa Monica, California, with full margins, framed.32 1/2 x 20in (82.5 x 50.8cm)sheet 41 1/2 x 24 1/4in (105.4 x 61.5cm)
Los 36
Joan Miró (1893-1983)El Rei Garrell (M. 1193), 1979 Lithograph in colors on Arches paper, signed in pencil and numbered 16/75 (there were also 25 hors commerce proofs in Roman numerals and 6 artist's proofs), published/printed by Galería Maeght/Litografías artisticas Damià Caus, Barcelona, with full margins, framed. 29 7/8 x 20 5/8in (75.8 x 52.3cm)sheet 35 5/8 x 24 3/4in (90.4 x 62.9cm)
Los 69
Pierre-Auguste Renoir (1841-1919)Femme au Cep de Vigne, 4e Variante, from L'Album des Douze Lithographies Originales de Pierre-Auguste Renoir (D. 48), 1904 Lithograph on wove paper, with signature in the stone, from the total edition of 1000 (50 were on Japan paper), published/printed by Ambroise Vollard/Auguste Clot, Paris,1919, with margins. 5 3/8 x 3 7/8in (13.2 x 9.9cm)sheet 13 1/8 x 9 7/8in (33.3 x 25.1cm)
Los 100
Keith Haring (1958-1990)International Youth Year (L. p. 36-37), 1984 Lithograph in colors on Arches paper, signed in pencil and numbered 773/1000, with the blindstamps of the publisher/printer The World Federation of United Nations/Emiliano Sorini Studio, New York, the full sheet, framed, accompanied by the documentation certificate.sheet 11 x 8 1/2in (27.9 x 21.5cm)
Los 66
Pierre-Auguste Renoir (1841-1919)Femme au Cep de Vigne, Variante, from L'Album des Douze Lithographies Originales de Pierre-Auguste Renoir (D. 45), 1904 Lithograph on wove paper, with signature in the stone, from the total edition of 1000 (50 were on Japan paper), published/printed by Ambroise Vollard/Auguste Clot, Paris,1919, with margins. 6 7/8 x 4 3/4in (17.5 x 11.8cm)sheet 13 1/8 x 9 7/8in (33.3 x 25.1cm)
Los 157
James Rosenquist (1933-2017)The Stars and Stripes at the Speed of Light, 2004 Lithograph in colors on Arches paper, signed in pencil, titled, dated, numbered '2/6 Printer Proof' (from an edition of 45) and inscribed '2nd State,' published/printed by Aripeka Editions, Aripeka/ Derriére L'Etoile Studios, New York, with full margins.42 1/2 x 28 1/2in (107.9 x 72.3cm)sheet 45 1/2 x 30 3/4in (115.5 x 78.1cm)
Los 60
Pierre-Auguste Renoir (1841-1919)Claude Renoir, La Tête Baisée, from L'Album des Douze Lithographies Originales de Pierre-Auguste Renoir (D. 39), 1904 Lithograph on wove paper, with signature in the stone, from the total edition of 1000 (50 were on Japan paper), published/printed by Ambroise Vollard/August Clot, Paris, 1919, with margins.7 5/8 x 6 7/8in (19.5 x 17.5cm)sheet 13 1/8 x 9 7/8in (33.3 x 25.1cm)
Los 17
Paul Delvaux (1897-1994)La Danse (M. J. 37), 1969 Lithograph in colors on Arches paper, signed in pencil and numbered 39/75 (there was also an edition of 75 without color), published by Ed. Le Bateau Lavoir, Paris, with full margins. 12 x 9 3/8 in (30.5 x 23.8 cm)sheet 18 x 14 1/8 in (45.7 x 35.9 cm)
![“Nasiru 'D Din Kajar”, the Shah of Persia, supplement to the Liverpool Mercury, lithograph on paper [Liverpool, 28 June 1873]](https://cdn.globalauctionplatform.com/aeea688a-5a48-4830-b9a0-aaca00bbd4e0/c4e9a406-09be-4c93-88bd-aacc00bb5a12/468x382.jpg)
Los 9
“Nasiru 'D Din Kajar”, the Shah of Persia, supplement to the Liverpool Mercury, lithograph on paper [Liverpool, 28 June 1873] single sheet, portrait of the Shah in his crown and formal attire, his name also appearing in caption below in Farsi nasta'liq script, clean and crisp condition, c. 280 by 190 mm.; in modern card mount, framed and glazed During the Shah's tour of the UK in 1873, the Illustrated London News and The Times extensively reported and illustrated the Shah's activities around the UK. It is however much rarer to find a regional magazine document his trip. As well as Liverpool, the Shah visited Manchester, Portsmouth and Westminster and Richmond in London during his tour.
Los 21
Newton (Charles Thomas) Travels and Discoveries in the Levant, 2 vol., first edition, half-titles, 2 folding map frontispieces and 39 plates, a few engraved or lithograph illustrations, most ff. unopened and/or uncut, some leaves carelessly opened causing marginal tears and defects, faint scattered foxing and soiling, contents separating, a few ff. detached or loose, 1f. short closed tear, hinges splitting, original cloth, bumped and slightly stained, vol.I backstrip lifting a little at head, [Blackmer 1193, Atabey 869], 8vo, 1865.⁂ Newton's account of his discovery of the Mausoleum at Halicarnassus, the treasures of which are now in the British Museum.
Los 171
William BOYWER (1926-2015) Cornwall, British Railways (c.1950) Coloured lithograph, published by British Railways (Western Region) P.R.97, printed by N. Lloyd & Co. Ltd. London SE1 Provenance: Christie’s London, 21 May 2014, lot 34 Private Collection (Dimensions: 103 x 125cm.)(103 x 125cm.)Condition report: No condition issues. Not examined out of frame.
Los 165
Jack MERRIOTT (1901-1968) Cornwall, British Railways (c.1955) Coloured lithograph, published by The Railway Executive (Western Region) P.R.16, printed by Waterlow & Sons Limited, London & Dunstable (Dimensions: 102 x 125cm)(102 x 125cm)Condition report: Two feint vertical fold lines, possibly restored to a very high standard. Float mounted. Not examined out of frame.
Los 168
Jack MERRIOTT (1901-1968) Newquay on the Coast Of Cornwall, British Railways (1950) Coloured lithograph, published by The Railway Executive (Western Region) P.R.35, printed by Straker Brothers Limited, London EC2 Provenance: Christie’s, London, 12 September 2001, lot 13 Private Collection (Dimensions: 102 x 62cm)(102 x 62cm)
Los 167
Harry RILEY (1895 - 1966) Penzance, Gateway to West Cornwall, British Railways (1952) Coloured lithograph, published by The Railway Executive (Western Region) P.R.20, printed by Waterlow & Sons Limited London & Dunstable Other versions of this original vintage poster are in the collections of the Science Museum Group, London and Penlee House Gallery & Museum, Penzance. (Dimensions: 101.6 x 62cm)(101.6 x 62cm)
Los 164
Ronald LAMPITT (1906 - 1988) Cornwall, GWR (1936) Coloured lithograph, published by J. Weiner London Perhaps best known as an illustrator of the Ladybird Books in the ‘Golden-Age’ of the 1960s and 70s, Ronald Lampitt was a self-taught artist and worked as a commercial illustrator before the war. His use of colour and form gives his work a unique quality and distinctive style, as evident in the tiled mosaic style used in the Cornwall poster he designed for Great Western Railways. (Dimensions: 100 x 124cm)(100 x 124cm)Condition report: This is an original print in very good professionally restored condition. The colours are strong with no obvious signs of fading overall. There are some damp marks along the lower edge and minor creases and small tears to the corners. It is framed and glazed and well presented. Not examined out of frame.
Los 159
Harold Sandys WILLIAMSON (1982-1978) Mails for the Packets Arriving at Falmouth, 1833 (1934) Coloured lithograph Literature: "State patronage of design? The elitism/commercialism battle in the General Post Office's graphic production" by Y. Suga. Journal of Design History, Volume 13, Issue 1, (2000), pp. 23-38 Harold Sandys Williamson produced this iconic image for the General Post Office in 1934 depicting a dock scene in 1833 with masted ships loaded with transatlantic mail arriving in Falmouth. Another version of the same poster is housed in the Prints, Drawings & Paintings Collection of the Victoria and Albert Museum, London. (Dimensions: 100 x 125.5cm)(100 x 125.5cm)
Los 162
Harry RILEY (1895 - 1966) Newquay on the Cornish Coast, British Railways (1948) Coloured lithograph, published by The Railway Executive (Western Region), printed by Beck & Inchbold, Leeds Newquay on the Cornish Coast is a captivating image of a smiling lady surfer wearing a red swimming cap riding a wave. In the background, the house on the rock and suspension bridge are set against the backdrop of the rocky cliffs and sandy beaches at Newquay. (Dimensions: 101.6 x 62cm)(101.6 x 62cm)
Los 166
Harry RILEY (1895 - 1966) Penzance, the Centre for West Cornwall, British Railways (1955) Coloured lithograph, published by British Railways (Western Region) P.R. 84-56/57, printed by Jordison & Co. Ltd. London and Huddersfield Harry Riley was a talented artist and member of the Royal Institute of Painters in Watercolour. He is probably best known for this series iconic posters he designed for British Railways. Another version of the original vintage poster is in the collection of Penlee House Gallery & Museum, Penzance. (Dimensions: 102 x 62cm)(102 x 62cm)
Los 158
Edward McKnight KAUFFER (1890-1954) Outposts of Britain Posting Box at Lands End (1937) Coloured lithograph, P.R.D. 204 Literature: Summary Catalogue of British Posters to 1988 in the Victoria & Albert Museum in the Department of Design, Prints & Drawing (Emmett Publishing, 1990) p.129 This colour offset lithograph poster from the Outposts of Britain series was designed by Edward McKnight Kauffer in 1936 and issued by the General Post Office, Great Britain in 1937. Another version of the same poster is housed in the Prints, Drawings & Paintings Collection of the Victoria and Albert Museum, London. (Dimensions: 101 x 126cm)(101 x 126cm)
Los 157
Alexander STUART-HILL (1889-1948) You Can Be Sure of Shell, Mousehole Penzance (1932) Coloured lithograph, condition B/B+; backed on linen Provenance: Personal collection of the Marketing Director for Shell during the 1960s and 70s Sold Christie’s, South Kensington, 4 June 2015, lot 15 Private Collection Under the direction of Jack Beddington, Shell posters were predominantly produced during the 1930s, when Beddington was responsible for the company’s advertising. Poster campaigns such as 'To Visit Britain's Landmarks' and 'These People Use Shell' were designed by leading artists and designers of the day including Alexander Stuart-Hill. Shell quickly became a leader in British advertising during this period, exposing the public to contemporary British art and design. (Dimensions: 78 x 113cm.)(78 x 113cm.)
Los 156
C. INGREY (19th Century) View of the Opening of the Bodmin and Wadebridge Railway, 1834 Coloured Lithograph View of the Opening of the Bodmin & Wadebridge Railway, 30 September 1834 Another version of this print is in the collection of the Science Museum Group, London. (Dimensions: 88 x 29.5cm)(88 x 29.5cm)
Los 163
Leonard RICHMOND (1889-1965) Cornwall, GWR (c.1930) Coloured lithograph, No. P.W.12 Paddington Station, London W2, printed by Jordison & Co. Ltd. London & Middlesbrough Provenance: Bloomsbury Auctions, New York, 31 March 2010, lot 124 Private Collection (Dimensions: 100 x 124cm.)(100 x 124cm.)Condition report: Not examined out of the frame. Some tears have been professionally restored. Overall impression is of a wonderful poster in near original condition.
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70555 Los(e)/Seite