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70555 Los(e)/Seite
Los 2709
Schwarz, Reiner Geb. 1940 in Hirschberg, deutscher Maler, Lithograph und Zeichner, tätig in Berlin. "Die Fetischistin", stilisierte Darstellung, unten rechts von Hand mit Bleistift sign., mittig betitelt, unten links num. 41/125, Farblithographie/Papier, HxB: 33/26 cm. Altersspuren, min. gebräunt. Mit Passepartout hinter Glas gerahmt.
Los 2318
Mary Beresford Williams (b.1931) Two limited edition prints, one modernist screen print entitled 'The luggage rack' 12/20 signed and dated 1975 in pencil, the other a lithograph entitled 'The family' (seaside scene) 16/70 signed and dated 1988 in pencil. Frame sizes approx 30" x 23" and 25 3/4 x 21 1/4 inches (Glazed)
Los 69
ALBERTO GIACOMETTI (1901-1966)Objets mobiles et muets (Lust 1; Kornfeld 124) Lithograph, 1952, on watermarked Marais wove paper, signed and numbered 6/30 in pencil, printed by Atelier Mourlot, published by Gualtieri di San Lazzaro, Paris, the full sheet with a deckle edge at right and below, with time staining, the paper tonedImage 276 x 430mm. (10 7/8 x 16 7/8in.); Sheet 329 x 504mm. (13 x 19 7/8in.)For further information on this lot please visit Bonhams.com
Los 230
Lecuire (Pierre).- de Staël (Nicolas).- Lecuire (Pierre) Voir Nicolas de Staël, number 22 of 210 copies signed by the author, signed presentation copy from the author inscribed "...mon premier livre avec ses signaux, ses tambours, sa fanfare. Amitiés Pierre Lecuire" on half-title, 2 burin copper engravings by de Staël, loose as issued in original colour lithograph wrappers by de Staël, uncut, spine torn, 8vo Paris, 1953.⁂ The poet's first book and the first of several produced in conjunction with or about his friend, the artist Nicolas de Staël.
Los 231
Lecuire (Pierre).- de Staël (Nicolas).- Lecuire (Pierre) Maximes, number 194 of 210 copies signed by the author/printer, signed presentation copy from the author "...en toute amitié..." with long inscription dated Paris, Mai 2009 to half-title, tipped-in facsimile letter from Nicolas de Staël to Lecuire, loose as issued in original colour lithograph wrappers by Nicolas de Staël, uncut, spine very lightly browned, board slip-case, [Artist and the Book in France p.342], small 4to, Paris, Pierre Lecuire, 1955.⁂ De Staël assisted Lecuire in the designing of the book, with its unusual use of capitals throughout. It was one of the artist's last projects before he committed suicide in March 1955 in Antibes.
Los 257
Shakespeare.- Delacroix (Eugène) Macbeth Consulting the Witches, published edition for L'Artist, lithograph on wove paper, platemark 380 x 290 mm (15 x 11 1/2 in), sheet 460 x 320 mm (18 1/8 x 12 1/2 in), under glass, faint central horizontal crease, minor surface dirt, framed, Bertauts, R. Rodier, [1825, but printed circa 1864]Literature:Delteil, Strauber 40
Los 269
India.- Turnbull (Major John) Sketches of Delhi taken during the Siege, first edition, tinted lithograph pictorial title and 14 plates, lithograph dedication leaf with list of plates to verso, leaves of letterpress facing each plate, foxing and water-staining throughout, a few leaves frayed and soiled at edges, original cloth, lettered in gilt to upper cover, corners rubbed, covers slightly soiled and mottled, rebacked, [not in Abbey], folio, 1858.⁂ Scarce. Turnbull was ADC to Brigadier-General Archdale Wilson, the commander of British troops on the ridge facing Delhi during the Indian Mutiny of 1857.
Los 406
After Liborio 'Lib' Prosperi (1854-1928): 'The Winning Post', Vanity Fair lithograph pub. 1888; After Sir Leslie Matthew 'Spy' Ward (British 1851-1922): Six Vanity Fair prints, together with six after Théobald 'T' Chartran (1849-1907), four after Carlo 'Ape' Pellegrini (1839-1889), an early 20th century Vanity Fair catalogue, and a copy of 'The Cricketers of Vanity Fair' by Russell March (19) - Condition Report
Los 791
Edward Piper (1938-1990) - 'In the Conservatory 1990', signed artist proof also numbered 151/175 and extensively inscribed on various labels verso, coloured lithograph, 19.25" x 24.75"*Edward Blake Christmas Piper was an English painter whose father John Piper was one of Britain's most famous artists, he studied art at The Bath Academy, Corsham and The Slade School of Art, London. He worked as a photographer and graphic designer as well as a painter and for some twenty years did the photography and picture layout for the Shell County Guides, published by Faber & Faber.*Provenance, The Augustus Galleries St Julians Street, Tenby, Dyfed and bearing the CCA Galleries certificate of authentication Published by the CCA Galleries and printed by the Appledore Studios in 1990.
Los 489
* After Daniel Maclise, (1806-1870). Benjamin Disraeli as a Young Man, monochrome watercolour heightened with bodycolour on paper, full-length portrait of Disraeli standing in nonchalent pose leaning one elbow on a mantelpiece, with a long smoking pipe resting on the sofa behind, and a sheath of ornamental daggers hanging on the wall, titled to lower margin, 12.6 x 8.5cm (5 x 3.25ins), verre eglomise mount, framedQty: (1)NOTESAfter the portrait of Disraeli executed by Maclise for 'Fraser's Magazine' and published in lithograph by James Fraser in 1833. The National Portrait Gallery has a pen & ink drawing of Disraeli by or after Daniel Maclise which is almost identical in compostion (NPG 3093). Novelist and statesman Benjamin Disraeli (1803-1881), who served twice as Prime Minister, was famous for his dandyism. Maclise's portrait, with its flamboyant dress style, careless pose, and smoking pipe, portrays him in this guise.
Los 522
* Belleroche (Albert de, 1864-1944). Le Retour, 1914, lithograph, full-length portrait, profile to right, of a young lady wearing a bonnet, standing by a chair in an interior, signed in pencil lower right, lightly toned, some fraying and slight chipping to blank margins, with a 4.5cm closed tear to lower edge, plate size 64.2 x 47.5cm (25.25 x 18.75ins), sheet size 74.8 x 52.8cm (29.5 x 20.75ins)Qty: (1)NOTESBelleroche Log-Book (1912) 373. Only about 25 copies printed.
Los 523
* Belleroche (Albert de, 1864-1944). Femme nu de dos (Lili), 1917, lithograph on japan tissue, signed in pencil to lower left, several paper creases, some traces of glue residue to sheet edges, and with minor losses to extreme edges, not affecting image, sheet size 630 x 495 mm (24.75 x 19.5 ins), framed and glazed with typewritten label (by the artist) to verso giving title and date, and signed by the artist in inkQty: (1)NOTESBelleroche Log-Book (1912) 327. The model here depicted is Lili Grenier, a favourite of both Belleroche and Toulouse-Lautrec.
Los 553
* Shannon (Charles Haslewood, 1863-1937). Late Summer, 1917, lithograph printed in dark green on paper watermarked with ingris, published in an edition of 85 impressions, signed and numbered 85 in pencil lower left, image size 370 x 380 mm (14.5 x 15 ins), with good margins, framed and glazedQty: (1)NOTESAbbott & Holder, 1997; purchased by Ashley Barker, thence to Charlotte M. Barker.
Los 563
* Walcot (William, 1874-1943). The Thames from Waterloo Bridge, 1913, etching on cream wove paper, with plate tone, from the published edition of 100, signed in pencil lower right, plate size 95 x 180 mm (3.75 x 7 ins), framed and glazed, with label of Henry Whitley, Printseller, Scarborough to verso, together with: Gentleman (David, 1930-). Iron Bridge, 1971-72, colour lithograph, printed by Curwen Studio, from the Ironbridge series, signed and numbered 156/240 in pencil, image size 41 x 52 cm (16 x 20.5 ins), with margins, framed and glazed, plus: Bewick (Thomas, 1753-1828). Three Dogs (The Bulldog, The Small Water Spaniel and A Terrier), 3 wood engravings printed on one sheet of Barcham Green hand-made paper from the original blocks, printed by Iain Bain on an Albion handpress, published by Merivale Editions in an edition of 500, and numbered 123/500 in pencil, sheet size 29 x 20.2 cm (11.4 x 8 ins), and seven other wood engravings, lithographs and etchings by Sarah van Niekerk, Alan Powers (2), David Sim (2) and Stephen Whittle (2), all published by Merivale Editions, each signed and numbered from an edition of 500, similar sizes, each loosely contained in original publisher's printed wrappersQty: (10)
Los 584
* Fedden (Mary, 1915-2012). Cat and Fish, 2007, colour lithograph on heavy off-white wove paper, laid down on card, from the edition of 100 issued to accompany the special edition of Christopher Andeae, Mary Fedden, Enigmas and Variations, published by Lund Humphries, 2007, signed in pencil, and numbered 91/100, sheet size 205 x 257 mm (10.2 x 8.1 ins), loosely contained inside the volume, which is bound in dark blue cloth, with dust wrapper and slipcaseQty: (1)
Los 585
ARR * Fini (Leonor, 1907-1996). Les Fruits de la Passion, XI, 1979, lithograph, numbered 136/250, signed in pencil lower right, blind stamp lower left, 43 x 36cm (17 x 14ins), sheet size 63.5 x 49.5cm (25 x 19.5ins), framed and glazedQty: (1)NOTESFrom the 1979 series Les Fruits de la Passion 12th series, catalogue raisonné, Cecile Reims by Lauren Laz, ref 772, refers
Los 586
* Hockney (David, 1937-). Parade, Metropolitan Opera New York, together with David Hockney: A Retrospective, The Metropolitan Museum of Art, 1988, two offset lithograph posters, slight old waterstaining to lower right corner of second poster, both in rolled condition with minor creases, 96 x 59 cm / 99 x 61 cm (37 x 23 / 39 x 24 ins)Qty: (2)
Los 596
ARR * Trevelyan (Julian, 1910-1988). As You Like It, 1964, lithograph in colours on paper, signed and numbered 8/50 to lower margin, RCA watermark lower right, image size 355 x 480 mm (14 x 19 ins), sheet size 490 x 620 mm (19.25 x 24.5 ins)Qty: (1)NOTESIn 1964, just after Julian Trevelyan had completed an 8 year period working at the Royal College of Art, the RCA commissioned a group of printmakers to produce work for the commemoration of the 400th anniversary of the birth of Shakespeare. This print is the design that Trevelyan contributed to the project.
Los 1155
§ Laurence Stephen Lowry RBA RA (British, 1887-1976). 'Huddersfield', offset lithograph in colours on wove paper, 1973, from an edition of 850, signed in pencil 'L.S. Lowry' lower right, with the Fine Art Trade Guild blindstamp lower left. Published by Henry Donn. Image size: 45 x 57cm. Paper size: 60 x 71.5cm. Unframed, in mount. Provenance: Purchased in the 1970s by the vendor. The original oil painting on canvas was produced in 1965 and is held in The Huddersfield Art Gallery. Please note that Artists Resale Right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information. Condition Report: § Tape marks to top edge.
Los 1156
§ Laurence Stephen Lowry RBA RA (British, 1887-1976). 'St. Luke's Church, Old Street, London, EC'. Offset lithograph printed in colours, from the edition of 850 published by G.R Mellor, 1973. Signed 'L.S Lowry' lower right and numbered 850/402 in pencil lower left. With blind-stamp lower left margin. Image size 61.5 x 46cm. Sheet size: 75.5 x 58.5cm. Provenance: Purchased in the 1970s by the vendor. Please note that Artists Resale Right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information. Condition Report: § A little light wear to edges of paper.Signed after printing.
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70555 Los(e)/Seite