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Preisdatenbank abonnierenSouvenirschatulle "Meißen a.d. Elbe Albrechtsburg u. Dom", um 1900, floral verzierter Weißmmetallkorpus, scharnierter Kristalldeckel mit Messingeinfassung, darunter changierende Farblithographie, 4,5*6,5*5cmSouvenir box "Meißen a.d. Elbe Albrechtsburg u. Dom", around 1900, floral decorated white metal body, hinged crystal lid with brass border, underneath iridescent colour lithograph, 4,5*6,5*5cm
1970, signed in pencil, lithograph, with original letter of authenticity from the director of the 'Galeria es Moli' in Ibiza, dated 12th November 1988.30cm x 23cm (11.75in x 9in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours and no obvious faults to report. There is some very light time staining and yellowing around the edge of the print near the mount board. The print is framed and glazed. The frame has some minor scuffs and scratches commensurate with age.
1970, signed in pencil, lithograph, with facsimile letter of authenticity from the director of the 'Galeria es Moli' in Ibiza, dated 12th November 1988.30cm x 23cm (11.75in x 9in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours and no obvious faults to report. There is some very light time staining and yellowing around the edge of the print near the mount board. The print is framed and glazed. The frame has some minor scuffs and scratches commensurate with age.
1970, signed, dated and numbered 289/3000, for Munchen International, printed by Dorothea Leonhart, Munich with their blindstamp, lithograph.sheet size 83cm x 63cm (32.75in x 24.75in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours and no obvious faults to report. The print is unframed and rolled.
Produced in 2008, in conjunction with Cy Twombly: Three Notes from Salalah at Gagosian Gallery, Rome, offset lithograph printed in colours, on wove paper, the full sheet printed to the edges, unframed.sheet size 76cm x 56cm (30in x 22in)Condition report: The print is in good, original condition with strong colours and no obvious faults to report. There is some minor creasing around the edges of the sheet. The print is unframed.
1993, published by 1853 Gallery, Salts Mill, Saltaire, Yorkshire, offset lithograph on wove paper.sheet size 28cm x 42cm (11in x 16.5in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition. There are one or two minor creases across the sheet and some very light time staining and yellowing around the edges of the print. The print is unframed.
1970, signed lithograph, signed and numbered VI/XXXV in pencil, from Europaeische Grafik portfolio, printed by Stanley Jones at Curwen Prints Ltd., London, published by Felix Mann and Galerie Wolfgang Ketterer, Munich, with their blindstamp, one of thirty-five impressions printed on Hosho vellum Japanese paper, lithograph printed in colours.full sheet 53cm x 75cm, 21in x 29.5in.Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There is some very light time staining and yellowing around the edges of the sheet and one or two minor spots of foxing. There is one small bump to the edge of the sheet approximately halfway down the left-hand side. The print is unframed.
1969, signed and numbered H.C. XX/VL in pencil, lithograph.49cm x 70cm (19.25in x 27.5in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are some minor creases across the sheet and some very light time staining and yellowing down the lower left-hand edge of the paper near the mount board. The print is framed and glazed.
Two eduactional natural history posters. First depicts a spider pouncing on a fly that has been caught in its we, lithograph on paper 61cm x 37cm (24in x 14.5in). Second poster depicts the metamorphosis of a beetle and a catipillar into a butterfly. Lithograph on paper 88.2cm x 66.5cm (35in x 26in).Qty: 2
Limited Editions Club.- Flaubert (Gustave) Salammbo, illustrations by Edward Bawden, New York, printed by the University Press of Cambridge, 1960 § Fitzgerald (F.Scott) Tender is the Night, original lithograph frontispiece and colour illustrations by Fred Meyer, 1982 § Jerome (Jerome K.) Three Men in a Boat..., illustrations by John Griffiths, some colour and double-page, 1975 § Newman (R.G) & Glen Norman Wiche. Great and Good Books: A Bibliographical Catalogue of The Limited Editions Club 1929-1985, one of 500 copies signed by Mortimer J.Adler, Chicago, 1989, all but the last limited editions signed by the artists, plates and illustrations, original cloth or cloth-backed boards, slip-cases, New York; and 2 others, LEC, 4to (6)
Robert Emerson Curtis (1898-1996) British/Australian, 'The Bridge from Woolloolooloo', Sydney Harbour bridge in the distance, lithograph, signed, inscribed and numbered and dated '1932'in pencil, along with three others by the same hand, together with a book by the artist 'Building the Bridge' including 12 lithographs by the artist, (4).
* Bristol. Newman & Co. (publishers), Clifton (with the Suspension Bridge), opened Decr. 8th 1864, Henry Pearce at the Baths, Sion Hill, Clifton, circa 1865, hand-coloured lithograph with the dimensions of the bridge on either side of the title, slight spotting and mount staining, one repaired closed tear, blind stamp below image, 360 x 480 mm, together with another copy similar, but uncoloured and with frayed margins, with Rowbotham (Thomas). View of the City of Bristol as it appeared from Pile Hill during the dreadful riots on the night of Sunday, October 30th 1831..., circa 1832, uncoloured lithograph, slight mount staining, 395 x 495 mmQty: (3)
* Brunel (Isambard Kingdom). Lemercier (publisher), Great Eastern, Construit à Londres par seu M. Brunel, Paris, circa 1858, uncoloured lithograph after Le Breton, with the dimensions of the ship below the title, marginal repaired closed tears, narrow margins, slight dust soiling, 435 x 615 mm, together with Broadsheet. The Great Western Steam Ship of Bristol, [1838], broadside with an uncoloured (unrealistic) woodcut of the ship above the text, old folds, some spotting, margins strengthened on verso with tape, 540 x 410 mmQty: (2)
* Davey (Wiliam Turner). The Pytchley Hunt, The Crick Meet, Henry Barraud,1852, [but later 20th-century impression], hand coloured mixed method engraving after W. & H. Barraud, 510 x 790 mm, framed and glazed, together with Sealy (Allen C.). A Meet of Lord Rothchild's Staghounds, circa 1890, uncoloured photogravure, margins and the title 'masked' with later white paper, title printed on paper below image, image size 440 x 810 mm, mounted, framed and glazed, with a separately framed and glazed key plate, with McLean (Thomas, publisher). A Key to the Northampton Grand Steeple Chase. Dedicated to the Gentlemen of the Pytchley Hunt races..., circa 1830, aquatint by James Pyall after James Pollard, contemporary hand colouring, 260 x 340 mm, framed and glazed, plus Ferneley (J.). Portrait of Samuel Dumbleton in his 85th year. Twenty years Whipper-in to the earl of Spencer's hounds under the two Richard Knights..., J. Ferneley, Melton Mowbray, 1834, hand-coloured lithograph, 355 x 400 mm, mounted, framed and glazed, with another 12 engravings, gravures and prints of portraits of fox hunters and similar, various sizes and conditionQty: (16)
* Doyle (John, 'HB'). A collection of ten caricatures, Thomas McLean, 1829 - 31, lithographs with contemporary hand colouring, each approximately 275 x 360 mm, framed and glazed (one with cracked glass), together with Grant (Charles Jameson). Bowl'd out or the K - G & all England against the Boroughmongers, G. Tregear, April 25th 1831, etching with contemporary hand colouring, 260 x 375 mm, framed and glazed and A Picture of Futurity, G. Tregear, May 1831, lithograph with contemporary hand colouring, 265 x 385 mm, framed and glazedQty: (12)NOTESThe John Doyle caricatures comprise: San Leopoldo Matamoros, A Political Riddle, A Broad Hint, Repose, The Last of the Boroughbridges, Anticipation, The Affidavit, The Evil Counsellor, Russian Diplomacy or a Negociation a la Militaire, and The Mysterious Visit.
* Great Exhibition. Hawkins (G. lithographers), Untitled panorama, Messrs. Fox Henderson & Co. Oct 1st.1850, large tint stone lithograph, proof before title, some creasing and marginal fraying, 360 x 1000 mm, mounted, together with Guesdon (A. lithographer). The Palace of Industry, Paris, Universal Exhibition of 1855, E. Gambart & Company, 1855, large tint stone lithograph, title repeated in French, some spotting, old central fold, occasional marginal closed tears, 490 x 845 mmQty: (2)
* Military. Titeux (Eugene). Twelve lithographs of French army and cavalry uniform, circa 1895, colour lithographs with title below each image, each approximately 380 x 370 mm, uniformly mounted, framed and glazed, together with Spooner (W. publisher). Officers of the British Army, No. 2, 17th Lancers, L. Mansion & S. Eschauzier inv. & del. Printed by Lefevre & Co. circa 1830, lithograph with contemporary hand-colouring (by C. H. Martin), 355 x 265 mm, mounted, framed and glazed, together with Engelmann, Graf, Coindet (publisher). 15th Hussars, An Officer in Review Order [and] A Private, 1828, a pair of lithographs with contemporary hand colouring, slight spotting, each approximately 315 x 215 mm, uniformly mounted, framed and glazed, with 17th Lancers. unattributed chromolithograph, 245 x 160 mm, mounted, framed and glazed, plus Heath (William). The Glorious 18th June, T. McLean, circa 1830, etched caricature with contemporary hand colouring, slight spotting, 345 x 230 mm, mounted, framed and glazed, together with Williams (Charles). Anti-dandy infantry Triumphant; or the Velocipede Cavalry unhobby'd, Thomas Tegg, 1819, etched caricature with contemporary hand colouring, five lines of verse after the title, occasional repaired marginal closed tears, faded, 240 x 335 mm, mounted, framed and glazedQty: (18)NOTESThe set of French army uniforms was originally published in 'Historiques et Uniformes de l'armée Française'. The Spooner lithograph depicts the 17th Lancers (Duke of Cambridge's Own). This was a cavalry regiment of the British Army, raised in 1759 and notable for its participation in the Charge of the Light Brigade during the Crimean War. The regiment was amalgamated with the 21st Lancers to form the 17th/21st Lancers in 1922. Known as the 'Death or Glory Boys', their cap badge is a skull and crossbones. After further amalgamation with the 16th/5th The Queen's Royal Lancers in 1993, they now form the Queen's Royal Lancers. The first caricature shows two officers in dress uniform; one is a Life Guard or Dragoon, the other a Hussar. They are both drunkenly déshabillé and are presumably returning from the Waterloo banquet at Apsley House. The second item illustrates a scene on a high-road passing through a village. The velocipede rider is being attacked by a vet and a blacksmith, both of whom regard mechanical transport as a threat to their livelihoods. The vet squirts a large syringe into the mouth of the dandy whilst the blacksmith smashes the velocipede with a large hammer. In the middle distance, another rider is attacked by a man with a pitchfork.
Miller (Charlotte). Fifty Drawings by Canaletto from the Royal Library Windsor Castle, with an introduction and catalogue by Charlotte Miller, London, Johnson Reprint Company Limited, 1983, monochrome illustrations, original brown cloth gilt, with a separate 50 colour plates loose as issued in card wrapper (with original seal intact), housed in original publisher's quarter brown morocco cloth solander box, spine lettered in gilt, large folio, limited edition 201/520, together with: Hodin (J.P.). Manessier, 1st edition, Bath, Adams & Dart, 1972, colour lithograph frontispiece, signed in pencil by the artist, and numbered 41/85, colour and monochrome illustrations, some minor spotting to endpapers and fore-edges (with a few light associated spots to left margin of the colour lithograph), original red cloth gilt in dust wrapper, square 4to, limited edition of 85 copies of the publication with an original signed lithograph by the artistQty: (2)
Baker (Edward Charles Stuart). The Indian Ducks and their Allies, London: The Bombay Natural History Society, 1908, half-title, additional photolithograph title, 30 chromolithograph plates by Henrik Gronvold, George Edward Lodge and John Gerard Keulemans, occasional toning and light spotting, top edge gilt, remainder untrimmed, contemporary dark green half morocco, spine faded, large 8vo (limited to 1200 copies, after which the lithograph plates were erased. Nissen IVB 65; Wood p.218), together with: ibid., The Game Birds of India, Burma and Ceylon, comprising parts 1-33 only, bound in two, Journal of the Bombay Natural History Society, 1910-1922, chromolithograph plates (one detached), some light toning, contemporary half calf, spines incorrectly numbered, large 8voQty: (3)
Pablo Picasso (1881-1972), Flying Dove (Block 677, M191), conceived in 1950, lithograph, signed in pencil and inscribed Epeuvre d'artiste, on Rives paper, artist proof aside from the edition of 50, mounted on board, framed, H.27.5cm W.37cm full sheet H.36.5cm W.44cm (margins have been trimmed) (ARR)
SIR WILLIAM RUSSELL FLINT 'The Pendant', lithograph, signed proof, 50cm x 70cm together with 'Cecila' by the same artist, signed proof, 37cm x 71cm and a further signed lithograph by the same artist, 25.5cm x 31cm (3) Condition: all three framed, the frames with minor marks, losses to the colouring etc; 'The Pendant' with some possible slight discolouration to the paper at the margins and slight fading of colour overall, generally good condition; 'Cecila' with some slight possible discolouration at the margins, generally good condition; the smaller picture in good condition
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![* Davey (Wiliam Turner). The Pytchley Hunt, The Crick Meet, Henry Barraud,1852, [but later 20th-century impression], hand col](https://cdn.globalauctionplatform.com/2206a016-3da5-4a0b-9e5e-acbe010b0ffe/6a666153-05b3-4163-a61d-acc400e1068e/468x382.jpg)
