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§ Thomas Carr (British, 1935-1999) Fireside signed within the print "T Carr" lower right, printed in England at The Baynard Press, for School Prints Ltd., London, SP8. lithograph, from the first series of School Prints, unframed 50 x 75cm (20 x 29in) Other Notes: Tate Britain holds a copy of this lithograph in its collection. Unframed and with some browning and loss of colour.
§ Dame Elisabeth Frink, CH, DBE, RA (British, 1930-1993) Aesop's Fables, 1968 - The Horse Hunter and the Stag; The Bald Man and his Mistress; The Lion in Love; and The Eagle and the Arrow signed in pencil lower right "Frink" lithograph (4) 27 x 38cm (11 x 15in) Literature: Elisabeth Frink: Original Prints Catalogue Raisonne Hardcover - published April 1998 by Caroline Wiseman (Nos.22-25) Other Notes: Born in Thurlow, Suffolk, Frink studied at the Guildford School of Art (now the University for the Creative Arts) (1946–1949), under Willi Soukop, at the Chelsea School of Art (1949–1953). Part of a post war group of British sculptors, dubbed the Geometry of Fear school - that included Reg Butler, Bernard Meadows, Kenneth Armitage and Eduardo Paolozzi. Frink’s subject matter included men, birds, dogs, horses and religious motifs, but very seldom any female forms. Bird (1952; London, Tate), one of a number of bird sculptures, and her first successful pieces (also Three Heads and the Figurative Tradition) with its alert, menacing stance, characterizes her early work Under glass and browned around the edges.
R. H., Ste. Croix-Les Rasses, Jura Suisse, circa 1922, lithograph in colours, printed by E.Studer, Yverdon 101 x 65cm (39 x 25in) Provenance: Purchased by the vendor from Galerie Un Deux Trois, Geneva, Switzerland, 2009 Sainte-Croix Les Rasses is in Switzerland in the Lake Geneva Region. It is well known for its cross country skiing and ski runs with views over Lake Neuchatel and Geneva.
§ David Oxtoby (British, b.1938) Bob Dylan / Minnesota State of Lakes "inscribed "Bob Zimmerman, May 24th 1941" and signed lower right "Oxtoby '77", title page - colour proof lithograph 32 x 26cm (12 x 10in) Provenance: From the collection of Simon Hilton, Cambridge Other Notes: David Oxtoby had a great interest in pop music from the 1950s to the 1970s and produced a book, "Oxtoby's Rockers". Loose in its frame, and with slight discolouration.
Fernando Vilchis (Mexican, b.1932) Formas signed lower right "F Vilchis '64" and numbered 1/15 lithograph 47 x 31cm (18 x 12in) The Mexican artist Fernando Vilchis is highly sought after and his paintings and prints are in private collections and public galleries in Mexico and the United States. His highly coloured abstracts were sometimes done in oil and sand on masonite - the present lithograph dates from the early 1960s. Watermark can be seen on the paper - condition appears fine.
§ Dame Elisabeth Frink, CH, DBE, RA (British, 1930-1993) Resting Horse signed lower right "Frink" and with blindstamp lithograph 55 x 76cm (21 x 30in) Under glass and with a little dirt under the glass and crinkling of the paper. Possible small tear left-hand side, but may just been a fold in the paper.
Anonymous, Bardonecchia, circa 1939, lithograph in colours, printed by Barabino & Graeve, Genova 138 x 100cm (54 x 39in) Bardonecchia is in the Piemonte region of Italy and hosted the snowboarding competition of the Turin Winter Olympics of 2006. It developed as a resort following the completion of the Frejus rail tunnel in the 1880s, the first to cross the Alps.
§ David Hockney, RA (British, b. 1937) Two Apples, One Lemon and Four Flowers coloured photo lithograph, published 1997 33 x 53cm (13 x 21in) Provenance: From the collection of Simon Hilton, Cambridge A little dirt under the glass. One small smudge of surface dirt to the top right of the paper, but otherwise condition is fine.
Jack Levine (American, 1915 - 2010) Collection of loose sketches, mostly on grey paper depicting Japanese culture, and including a fragment of the 'Facing East' deluxe portfolio, edition 2365/2500, printed in New York and Paris, 1970 (quantity) signed to title lithograph (approximately 71 in total) 48 x 32cm (19 x 12in) Other Notes: Jack Levine was a renowned American realist painter and printmaker who created satirical work about modern American culture. 'Facing East' features sketches made by Levine during his numerous trips to Japan. Originally made in 1970, it is a portfolio of 2,500 editions with an introductory text by James A. Michener, a prominent 20th Century American author. For this edition of 'Facing East' the four original lithographs were printed by The Bank Street Atellier, New York. The typography and original woodcuts were printed by Fequet et Baudier, Paris. The sketchbook was printed by Daniel Jacomet, Paris. The portfolios were executed by Adine, Paris. Printed by Maecenas Press - Random House, New York, 1970. Facing East is approximately 21 pages. Approximately 50 other loose lithographs of figures, mainly Geishas, inscribed, some with hand colouring. All with a little wear and tear to the paper, some slight creasing and a little loss of colour.
Yves Thos (French, b. 1935), Au Service Secret de Sa Majeste, offset lithograph in colours, 1969, Eon/United Artists, on two sheets 314 x 119cm (122 x 46in) Other Notes: George Lazenby famously decided not to sign for the Bond series part way through the filming of On Her Majesty's Secret Service, hence his name is not mentioned on the poster. The poster, designed by French artist Yves Thos, looks back at the stance of Sean Connery in "You Only Live Twice" with skis in place of the space helmet. The film, set in Switzerland, includes the classic Bond ski chase with Olympic champion Willy Bogner being filmed skiing backwards. Blofeld's mountaintop hideout was filmed at the half-completed revolving restaurant on Mount Schilthorn before production paid for its completion. Louis Armstrong sung the wedding theme, 'We have all the time in the world' - for Diana Rigg as the new Mrs Bond. For Lazenby's career as Bond, time, sadly, was all too short for both of them.
Bernard Dunstan, RA (British, b.1920) The Friends' Room at the Royal Academy, London, inscribed A/P VIII/XX, and signed lower right "Bernard Dunstan", 45 x 52cm; Chess Players, numbered 57/60, signed lower right "Bernard Dunstan", unframed, 63 x 44cm; and Nude, numbered 27/50, signed lower right "Bernard Dunstan", unframed, 31 x 46cm (3) lithograph Friend's Room - a little foxing around the cream edges, without glass. Chess Players and Nude - both unframed and fine.

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