70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Wilkinson (John Gardner). Dalmatia and Montenegro; with a Journey to Mostar in Herzegovina, and remarks on the Slavonic nations; the History of Dalmatia and Ragusa; the Uscocs &c., 2 volumes, 1st edition, 1848, half title for volume II only , folding map, seven tinted lithograph plates (two folding with small reinforcements to verso), seven wood-engraved plates, two folding tables, one or two repaired tears, light offsetting to titles, contemporary calf gilt, small repairs at head of upper joints, 8vo (Qty: 2)Provenance: Library of Colin and Joan Deacon.

* Cresswell (Samuel Gurney). No. I. The Perilous Situation of H.M.S. Investigator, While Wintering in the Pack in 1850-51. Taken from a sketch by Lieut. Cresswell. "On the 8th of October our perplexities terminated with a nip that lifted the Vessel a foot, and heeled her 4 degrees to port, in consequence of a large tongue getting beneath her, in which position we quietly remained." - Extract from Capt. McClure's Despatch. Dedicated to Capt. McClure and the Officers and Seamen who Discovered the North-West Passage, by E.A. Inglefield, [circa 1854], colour lithograph finished by hand on original card mount, printed caption below the image, image dimensions, 43 x 70 cm, mount dimensions 57 x 82.5 cm, framed and glazed (Qty: 1)Rare large-scale colour lithograph after a sketch by Samuel Cresswell, second lieutenant and ship's artist on HMS Investigator, which sailed from Plymouth on 20 January 1850 under the command of Robert McClure with the aim of determining the whereabouts of Sir John Franklin. The ship became ice-bound from September 1851 to 1853, during which time Cresswell transported several invalided men to Henry Kellett's rescue ship HMS Resolute, some 160 miles away, thus becoming the first person to traverse the North West Passage. Cresswell himself returned home in the Phoenix, captained by Inglefield, and in 1854 published a visual account of the expedition, A Series of Eight Sketches in Colour... of the Voyage of H.M.S. Investigator (see Abbey Travel 644) , which contained eight chromolithographic plates, not including this or the following image. These two prints are from a series of four, of which an incomplete set is held by the Royal Museums, Greenwich.

* Cresswell (Samuel Gurney). No. IV. H.M.S. Phoenix and the Breadalbane at the Moment when the Latter Was Crushed and Sunk. The field of ice, easing off from the Phoenix, passed astern, to the Breadalbane, and entering her bow, she filled and sank in less than 15 minutes, in 30 fathoms water. Dedicated to the captain and crew of the Breadalbane, by E.A. Inglefield, [circa 1854], colour lithograph finished by hand on original card mount, printed caption below the image, image dimensions, 43 x 70 cm, mount dimensions 57 x 82.5 cm, framed and glazed (Qty: 1)Rare large-scale colour lithograph after a sketch by Samuel Cresswell, second lieutenant and ship's artist on HMS Investigator, which sailed from Plymouth on 20 January 1850 under the command of Robert McClure with the aim of determining the whereabouts of Sir John Franklin. The ship became ice-bound from September 1851 to 1853, during which time Cresswell transported several invalided men to Henry Kellett's rescue ship HMS Resolute, some 160 miles away, thus becoming the first person to traverse the North West Passage. Cresswell himself returned home in the Phoenix, captained by Inglefield, and in 1854 published a visual account of the expedition, A Series of Eight Sketches in Colour... of the Voyage of H.M.S. Investigator (see Abbey Travel 644) , which contained eight chromolithographic plates, not including this or the previous image. These two prints are from a series of four, of which an incomplete set is held by the Royal Museums, Greenwich.

Thicknesse (Philip). A Year's Journey through the Paix Bâs and Austrian Netherlands, Volume I [all published], 1st edition, 1784, etched double-page frontispiece, half-title, list of subscribers, contemporary owner's engraved bookplate to front pastedown, and bookseller's ticket of William Young, Elgin to upper outer corner, contemporary tree calf gilt, slightly rubbed (generally a very good copy), 8vo, together with [Pollnitz, Karl Ludwig von]. Les Amusemens de Spa: or, the Gallantries of the Spaw in Germany. Containing the virtues of every spring; their nature and several uses... the various diversions and amusements of the place..., 2 volumes, 3rd edition, printed for S. Birt and W. Sandby, 1745, 15 folding engraved plates (8 to first volume and 7 to second volume), the folding engraved frontispiece to first volume dated 1734, titles printed in red and black, near-contemporary ownership signature of Henry Streatfeild to head of title of each volume, and contemporary engraved armorial bookplate with the motto 'Data Fata Sequutus' to front pastedown of each volume, contemporary mottled calf gilt, somewhat worn, with upper covers detached, 12mo, plus Trench (Francis). Diary of Travels in France and Spain, chiefly in the year 1844, 2 volumes, 1st edition, Richard Bentley, 1845, 4 tinted lithograph views, 8 wood engraved illustrations to text, contemporary half calf gilt, rubbed and scuffed, partial loss of labels to spines, 8vo (Qty: 5)

* Royal International Horticultural Exhibition. May 22nd-30th, 1912, Royal Hospital Gardens, Chelsea, colour lithograph poster by Robert Shield, printed by Johnson, Riddle & Co., with overlay at foot giving the address, lined to verso with archival tissue, with closed tears and repairs at foot, water stain and adhesion mark to margins head and foot, adhered at top margin to modern thick card, sheet size 101.5 x 62.5 cm (40 x 24.5 ins) (Qty: 1)Very rare poster advertising the first Royal Horticultural Society show to be held at the Royal Hospital Gardens in Chelsea, afterwards known as the Chelsea Flower Show.

Campbell (Walter). The Old Forest Ranger; or, Wild Sports of India on the Neilgherry Hills, in the Jungles, and on the Plains, 2nd edition, 1845, half-title, sepia lithograph frontispiece, additional title and six plates, few wood engraved illustrations, some spotting and occasional dampstains, near contemporary half calf, gilt decorated spine with red morocco title label, 4to, together with Baker (Samuel W.) , Wild Beasts and their ways, Reminiscences of Europe, Asia, Africa, and America, 2 volumes, 1890, half-titles, wood engraved frontispieces and plates, some light spotting, top edge gilt, remainder untrimmed, 20th century dark green half calf, gilt decorated spines (slightly faded), 8vo (Qty: 3)Provenance: Library of Colin and Joan Deacon.

* Aldin (Cecil). The Liverpool to London Coach, circa 1900, large colour lithograph, 375 x 1000 mm, framed and glazed in a contemporary stained oak frame (Qty: 1)A good bright image.

* Australia. Sainson (Louis de), Vue de George's Street a Sydney, Paris, circa 1835, uncoloured lithograph by Alexis Noel, blind stamp below image, 255 x 340 mm, together with Himely (Sigismond), Sydney. circa 1830, uncoloured aquatint on India wove, 260 x 340 mm (Qty: 2)The first described print is an early view of George Street, looking to the north-east. The building on the left is the main Guardhouse and across the street is the male orphan house, behind which can be seen the mastheads of a ship anchored in Circular Quay. Standing prominently in the centre foreground is the Aboriginal leader Bungaree, dressed in British military livery and with a king plate.

Cochrane (John Dundas). Narrative of a Pedestrian Journey through Russia and Siberian Tartary, from the Frontiers of China to the Frozen Sea and Kamtchatka, 2 volumes, 2nd edition, 1824, hand-coloured aquatint frontispieces, three folding maps (one repaired to verso), four engraved plates, some offsetting and light spotting, contemporary calf gilt, a little rubbed, 8vo, together with Scandinavian Adventures, during a Residence of Upwards of Twenty Years, Representing sporting incidents, and subjects of natural history, and devices for entrapping wild animals, by Llewellyn Lloyd, 2 volumes, 2nd edition, 1854, colour map and 12 tinted lithograph plates, illustrations, a little minor spotting, contemporary leaving Eton presentation inscription at front of volume I, contemporary patterned calf gilt, joints slightly rubbed, 8vo, plus Frederic Leopold Stolberg's Travels through Germany, Switzerland, Italy and Sicily, 4 volumes, 2nd edition, 1797 (lacking all plates) (Qty: 8)Provenance: Library of Colin and Joan Deacon.

* Cattle. The Short Horned Bull Grand Duke [10,2,84] at seven years old. Bred by the late Thomas Bates Esq, Kirklevington, England. Purchased at 1000 guineas ($5,000) & Imported by Jonathan Thorne. The property of Samuel Thorne, Thornedale, Washington Hollow, Dutchess Co. N. Y., circa 1885, unattributed hand coloured lithograph, some creasing and several repaired closed tears, print shows signs of having been washed, 360 x 490 mm, framed and glazed in a 19th century gilt gesso moulding (Qty: 1)This appears to an American lithographic copy; possibly of an earlier 1839 print by G. W. Giles of a short horned bull 'Duke of Northumberland', bred by Thomas Bates of Kirkleavington near Yarm in Yorkshire. (Rothamsted collection, no.63). The original oil painting of this image is owned by The Royal Agricultural Society

* Fittler (James). The victory obtained over the Dutch fleet by the British Squadron of the North Sea under the command of Admiral Duncan in the action of the 11th October 1797..., published J. Fittler, 1801, uncoloured engraving after P. I. De Loutherbourg, slight staining largely confined to margins, 600 x 810 mm, mounted, framed and glazed, together with, Robertson (Archibald), To the brave Garrison of Gibraltar, in particular to the Rt, Honble. Lieut. Genl. Sir George Augustus Elliott K. B. & Brigadier Sir Roger Curtis..., published Mr. Robertson, March 25th 1783, uncoloured mixed method engraving after Wm. Hamilton, margins extensively repaired on verso, 460 x 650 mm, with, Dutton (T. G.), H. M. S. St. Jean D'Acre, 101 Guns, joining the fleet at Cork..., printed Day & Son, published Ackermann & Co. Feb. 13th 1854, lithograph after O. W. Brierly, contemporary hand colouring, some marginal closed tears and slight fraying, mount stained with some browning and spotting, largely confined to margins, some old adhesion scarring to verso, 490 x 650 mm, plus two other modern maritime prints and a damaged engraved panorama of a Dutch harbour (Qty: 6)

* Gauci (M., lithographer). Portrait of a Shorthorned Bull, circa 1836, uncoloured lithograph after J. H. Carter, some repaired marginal closed tears, slight spotting, 515 x 575 mm, mounted, framed and glazed (Qty: 1)Rothamsted collection number 57. The bull is held by John Engal, bailiff to George III, George IV and William IV. In the left foreground are King William IV and Sir Charles Morgan Bt. and in the background is Tredegar Castle.

* Gauci (M., lithographer), Portrait of a Shorthorned Bull, Bred by Sor Charles Morgan Bart. of Tredegar in the county of Monmouth & presented by him to His Majesty William IV. April 1836, hand coloured lithograph after J. H. Carter, some staining and fraying to printed title, old adhesion scarring to verso, print shows signs of having been re-margined, printed image with small area of loss to lower right corner, 515 x 575 mm, together with, Graham (Peter), 'On the Dunes', published Thomas Agnew & Sons, 1900, uncoloured photogravure on India wove, slight adhesion damage to lower right corner, 820 x 640 mm (Qty: 2)The first print described:- Rothamsted collection, number 57. The bull is held by John Engal, bailiff to George III, George IV and William IV. In the left foreground are King William IV and Sir Charles Morgan Bt. and in the background is Tredegar Castle.

* Giles (John West). The Trusthorpe Ox which gained the prize at the Smithfield Club Cattle Show, Christmas 1836. Bred and fed by Wm. Loft Esq., published S. W. Fores, circa 1837, lithograph after B. Hubbard with contemporary hand colouring, some marginal creasing, fraying and repaired closed tears, 415 x 515 mm, mounted, framed and glazed in a 19th century birds-eye maple frame. (Qty: 1)Rothamsted collection number 61.

* Giles (John West). Our Flocks No. 1, South Downs, published E. Gambart & Co., 1850, lithograph after R. Andsell, contemporary hand colouring, slight spotting, two repaired holes in image and one in the margin, some surface abrasion and scratching, some spotting and staining to margins, several repaired closed tears, 560 x 660 mm, framed and glazed (Qty: 1)Not in Rothamsted collection.

* Giles, John West. [The Newbury Coat.] To Robert Throckmorton Esq. Buckland House, Farringdon This Print respresenting the beginning progress & completion of an extraordinary undertaking to prove the possibility of Wool being manufactured into cloth and made into a coat between sunrise and sunset, which was successfully accomplished on Tuesday 25th June 1811..., published John Mitchell, circa 1840, lithograph with contemporary hand colouring, one repaired tear to image, 540 x 740 mm, mounted, framed and glazed. (Qty: 1)A composite image showing a race to create a wool hunting coat from scratch in one day, held in Newbury Berkshire. The origin of the event was a comment made by John Coxeter, owner of Greenham Mills in Newbury to Sir John Throckmorton: 'So great are the improvements in machinery I have lately introduced into my mill, that I believe that in twenty-four hours I could take the coat off your back, reduce it to wool, and turn it back into a coat again'. Throckmorton calculated the time required for the various processes, accepting it could be done. Shortly after Throckmorton made a wager a thousand guineas that at eight o'clock in the evening of June the 25th, 1811, he would sit down to dinner in a well-woven, properly-made coat, the wool of which formed the fleeces of sheep's backs at five o'clock that same morning. A holiday was declared so the town could watch (greasy-pole climbing and fencing competitions can be seen to the right), and the race was on. Starting at five in the morning, Coxeter presented the coat to Throckmorton at 6.20, who put the garment on before over five thousand people, and sat down to dinner at eight o'clock in the evening. The sheep that provided the wool were roasted for the spectators. The 'Newbury Coat' is still owned by the Throckmorton family; an identical coat, made in a 1991 re-enactment, is in the West Berkshire Museum in Newbury. Rothamsted Collection number 181.

* Greenock. Scene of the old Fish Market, Greenock, circa 1860, uncoloured lithograph, occasional marginal repaired closed tears, long repaired closed tears affecting image, backed with later paper, identification key adhered to base of image, 370 x 540 mm, together with Bruce (James). A scene at the Devils Dyke near Brighton in the county of Sussex, published Brighton, Aug. 3rd. 1826, aquatint with contemporary hand colouring, some repairs to image, some spotting and staining, 295 x 420 mm, mounted, framed and glazed (Qty: 2)

* Hanhart (M. & N., lithographers). From the picture presented to Mr. Valentine Burford by his friends as a token of their respect for his upright conduct and great perseverance and ability in keeping up the charter and form of the pure bred Bakewell Leicester sheep, circa 1850, tintstone lithograph after H. Barraud, some creasing and slight spotting, 610 x 700 mm, framed and glazed in a stained wooden moulding (Qty: 1)Rothamsted collection, number 150

* Horses. Prize Horses. Royal Agricultural Society at Manchester, 1869, unattributed and uncoloured lithograph, 505 x 606 mm, mounted, framed and glazed (Qty: 1)

* Prints & engravings. A mixed collection of nineteen prints, maps and engravings, mostly 19th & 20th century, including, an unattributed satire of a servant of Winchester College, with the title, 'A piece of antiquity painted on the wall adjoining the kitchen of Winchester College', originally published in 1749, but late 19th century impression, an engraving with sparse hand colouring, some repaired marginal closed tears, 360 x 250 mm, mounted, framed and glazed, together with, Buck (Samuel & Nathaniel), The North West Prospect of the City of Bristol [and] The South East Prospect of the City of Bristol [1734 but 20th century impressions], uncoloured panoramas, each approximately 310 x 820 mm, framed and glazed, together with, Bristol Municipal Charities proposed new offices, circa 1950, architect's watercolour elevation of a proposed building, 505 x 360 mm, mounted, framed and glazed, with, Pearce (Henry, publisher), Clifton (with the Suspension Bridge), circa 1870, but published in 1973 by Alexander Gallery, Bristol), colour printed view, limited edition 504/600 in blind stamp below image, 350 x 470 mm, mounted, framed and glazed, plus two hand coloured engraved maps of Bristol by Thomas Moule and Sidney Hall, each approximately 200 x 260 mm, both framed and glazed, and Jackson (S.), View of St. Vincents Rocks and the old Hotwell House, circa 1860, hand coloured lithograph, 260 x 340 mm, mounted, framed and glazed, and other assorted prints and engravings, including portraits, brass rubbing and topographical views relating to Bristol, Devon and Cornwall, various sizes and condition, all framed and glazed (Qty: 19)The satire is an emblematic portrait of a trusty servant, with the head and legs of a boar, with padlocked lips and the tools of his profession. Tenlines of Latin verse below image with an English translation.

* Strafford (Henry). Three South Down Wethers (Bred and Fed by Mr. Jonas Webb of Babraham near Cambridge), circa 1860, lithograph with contemporary hand colouring, small margins, tipped on to later card, 220 x 305 mm, framed and glazed (Qty: 1)

* Templeton (John Samuelson). New Hungerford Market, London. On the day of opening, July 2nd 1833 with the ascent of Mr. Graham in his balloon, published Aug. 15th by R. W. Billings and sold by J. W. Williams, 1833, hand coloured lithograph after R. W. Billings, 235 x 295 mm, framed and glazed in a near contemporary maple frame (Qty: 1)

* Whitford (Richard, after). The Great Northamptonshire Short Horn, Winner of the Gold Medal Birmingham 1865, Class 5, Day & Son, July 30th, 1866, chromo lithograph, 'dropped title mount', 535 x 610 mm, mounted, framed and glazed (Qty: 1)Rothamsted collection number 81.

Nutt (Frederic). The Complete Confectioner, or the Whole Art of Confectionary , made easy; with Receipts for Liqueures, Home-made Wines, &c., 5th edition, 1808, engraved frontispiece, 10 engraved plates (two folding), some dampstaining, contemporary calf, joints cracked, covers rubbed and marked, 12mo, with Simpkin, Marshall, & Co. (Publishers) , The Housekeeper's Assistant: Containing 330 Receipts for Confectionary, Preserving, and Pickling, 1836, six lithograph plates of bills of fare, title with contemporary annotation 'by Mrs Ball for many years Housekeeper of the Countess of Dartmouth', scattered spotting, original cloth, rebacked, faded and few marks, small 8vo, with Marshall (Agnes B.). Fancy Ices, circa 1920s, numerous black & white illustrations to text, 30 pages publisher's advertisements at rear, original blue cloth, blocked in silver and black, 4to, together with another edition of the same work, with The Book of Ices, Including Cream and Water Ices, Sorbets..., with Names in French and English and Various Coloured Designs for Ices, 12th thousand edition, circa 1920s, four chromolithograph plates, including frontispiece, numerous black & white illustrations to text, some browning, original blue cloth, slim 8vo, plus four others, including The Italian Confectioner; or, Complete Economy of Desserts by W.A. Jarrin, new edition, revised & enlarged, 1861 (Qty: 12)

Laborde (Leon de). Journey through Arabia Petraea, to Mount Sinai, and the Excavated City of Petra, the Edom of Prophecies, 2nd edition, 1838, folding engraved map, lithograph plates and illustrations, publisher's catalogue at end, occasional water stains and light spotting, original blindstamped cloth, rebacked with original spine relaid, a little rubbed, 8vo, together with: Layard (Austen Henry), Nineveh and its Remains: with an account of a visit to the Chaldaen Christians of Kurdistan, and the Yezidis, or Devil-Worshippers; and an enquiry into the manners and arts of the Ancient Assyrians, 2 volumes, 1st edition, 1849, tinted lithograph frontispieces, folding map at end of volume I (small reinforcement to verso), plans and illustrations, a few folding, a little light spotting, hinges reinforced, contemporary half calf, rebacked, a little rubbed, 8vo, and ibid., Austen Henry Layard's Discoveries in the Ruins of Nineveh and Babylon, 1st edition, 1853, bookplate of Sir John Bagot Glubb, 1897-1986, Commander of Transjordan's Arab Legion, 8vo (Qty: 4)Provenance: Library of Colin and Joan Deacon.

[Lucatt, Edward]. Rovings in the Pacific, from 1837 to 1849; with a glance at California, 2 volumes, 1st edition, 1851, four colour lithograph plates, a few minor spots, Royal Naval School bookplates, contemporary calf, upper covers with circular Royal Naval School gilt stamps, 8vo (Qty: 2)Abbey Travel 600; Hill 1041; Howes L552; Sabin 73525. Includes an account of the Californian gold rush. Provenance: Library of Colin and Joan Deacon.

McClure (Robert). The Discovery of the North-West Passage by H.M.S. "Investigator," Capt. R. McClure, 1850, 1851, 1852, 1853, 1854. Edited by Captain Sherard Osborn, 2nd edition, 1857, portrait frontispiece, folding map with routes in colour, four lithograph plates, 24 pp. publisher's catalogue at end, a little light spotting, original blue blindstamped cloth gilt, one or two small bumps else a bright copy, 8vo, together with Lieutenant S. Gurney Cresswell's A Series of Eight Sketches in Colour (together with a chart of the route) of the Voyage of H.M.S. Investigator during the Discovery of the North-West Passage, Arctic Press facsimile edition, 1998, limited edition 177/200 (Qty: 2)Sabin 43073. Account of the first discovery of the North-West Passage. McClure's expedition in HMS Investigator was sent to search for Sir John Franklin's lost expedition, during the course of which he discovered and entered Prince of Wales Strait. The Investigator became ice-bound and lost, McClure continuing to Melville Sound by sledge, with the crew returning east, via Lancaster Sound with Edward Belcher's party, thus completing the passage via ship and sledge. Provenance: Library of Colin and Joan Deacon.

Murray (Charles Augustus). Travels in North America during the years 1834, 1835, & 1836. Including a Summer Residence with the Pawnee Tribe of Indians, in the remote prairies of the Missouri, and a visit to Cuba and the Azore Islands, 2 volumes, 1st edition, 1839, lithograph frontispiece to each, some light spotting, previous owner inscription of George Byng, 1839 (7th Viscount Torrington, 1812-1884?) to titles, his bookplates, contemporary green half morocco, Byng's arms gilt-stamped to first compartment of spines, a little rubbed and faded to brown, 8vo (Qty: 2)Sabin 51490. Provenance: Library of Colin and Joan Deacon.

Oliphant (Laurence), The Russian Shores of the Black Sea in the Autumn of 1852, with a voyage down the Volga, and a tour through the country of the Don Cossacks, 1st edition, 1853, half title , tinted lithograph frontispiece, two maps (one folding), illustrations, residue from bookplate removal at front and reference inscription, contemporary half calf gilt, slightly rubbed, 8vo (Qty: 1)Abbey Travel 233. Provenance: Library of Colin and Joan Deacon.

Weld (Isaac). Travels through the States of North America, and the Provinces of Upper and Lower Canada, during the years 1795, 1796, and 1797, 1st edition, 1799, folding engraved map with outline colour, four engraved maps and plans, 10 engraved plates only (plate of Mount Vernon supplied in loose facsimile), publisher's catalogue at end, some light offsetting and spotting, Penzance Library stamp to title and label at front, bookplate, contemporary calf gilt, rebacked and covers relaid, 4to, together with [Gleig, George Robert]. A Narrative of the Campaigns of the British Army at Washington and New Orleans, under Generals Ross, Pakenham, and Lambert, in the years 1814 and 1815; with some account of the countries visited, 2nd edition, 1826, a little minor spotting, bookplate of Henry Dalrymple White, contemporary half calf gilt, 8vo, plus Hunter (John D.) Memoirs of a Captivity among the Indians of North America, new edition, 1823, lithograph portrait frontispiece, some light spotting, contemporary half calf, rebacked with original spine relaid, 8vo, with three others: Henry Murray's Lands of the Slave and Free, 2 volumes, 1855, John Sherburne's The Life of Paul Jones from Original Documents, 1825 and George Catlin's Last Rambles amongst the Indians of the Rocky Mountains and the Andes, 1868 (Qty: 7)Provenance: Library of Colin and Joan Deacon.

Thomas Cornell (1937-2012), Decartes, signed and numbered 83/100, dated '64, etching, 22 x 14cm (PL) together with another portrait etching by Thomas Cornell and a quantity of prints by a variety of hands to include: a lithograph after Steinlen, an Eric Gill woodcut entitled 'Stay Me with Apple', two Clifford Webb prints titled 'Eardisland', a wood engraving of magnolias signed Monica Poole, a lithograph titled 'Spring Morning' signed Stow Wengenroth, a woodcut titled 'The Thrush's Song' signed Margaret Wells, an Anglesey Farmyard by William T Rawlinson, two rural landscapes by Gwen Raverat, Garden of Satanic Delights by Barry Moser, Holly by Monica Poole, Apple Picking by Gwenda Morgan, a woodblock print of an old mill signed Valenti Angelo, two woodcuts of agricultural labourers by Claire Leighton, a woodcut of a farmyard dated 1935, a 'Harvest Mouse' and 'On the Hills' by Joan Hassell, a woodcut of a cottage signed Miriam McGregor, The Ship of Death, Martin Secker, a modern fine tempera painting titled 'Fruit of the Promised Land', a country garden woodcut by John Farleigh and a woodcut of a harvest scene by Agnes Miller Parker

D'Azra. Grandeur, depicting a vintage motor vehicle, coloured lithograph, 44cm x 92cm.

D'Azra. Decadence, depicting a gentleman after a motor accident, coloured lithograph, 43cm x 93cm.

After F C Turner. The Baron (racehorse), engraved by Mackrell, coloured lithograph, 52cm x 63cm, in maple frame.

Cook (Theodore Andrea). A History of the English Turf, 3 vol., lithograph plates, tissue guards, publishers illustrated cloth, n.d. [1901]

After Lecerf. Henri Quatre et ses Enfans, monochrome lithograph, 32cm x 24cm and a Continental coloured signed engraving. (2)

Barbara A. Wood (American) Gathering flowers in a wood lithograph limited edition no.527/975, signed in pencil in margin 35 x 30cm

A large framed lithograph, limited edition 20/28 of a ploughing scene by J. Walter West, 1860-1933, 96cm x 147cm

A late19th/early 20th century walnut cased Symphonion :, the gilt brass twin comb mechanism numbered 415624 with lithograph label to underside of lid, moulded and quarter veneer top over base with winding handle and stop/start plunger, 21 x 30 x 40cm, with thirteen 9 1/2 inch discs, together with a collection of 'The Music Box' magazine and related volumes.

TOBACCO, lithograph tobacco caddy label for David Dunlops The Belle of Virginia, showing lady with fan & inset warrior (Sic Semper Tyrannis), by Hoen & Co. of Richmond, 6.75 x 13.5, VG

TOBACCO, lithograph tobacco caddy label for The Old Sport, showing anthropomorphic dog with tobacco, drink & Bells Life paper, by Liebler & Maas of New York, 11 x 10.5, small tear to edges (not affecting image), G

Laurence Stephen Lowry , Old Town Hall Middlesbrough, offset lithograph, numbered in pencil 162/850, published by The Adam Collection with gallery stamp and leaflet, 39cm x 29.5cm.

Laurence Stephen Lowry, The Reference Library, offset lithograph, signed in pencil, with Fine Art Trade Guild blind stamp KAE, 24cm x 35cm.

Salvador Dali, Abraham, pater multarum gentium, colour lithograph, signed, 45cm x 33cm.

Salvador Dali, Rubus Incombustus/ The Bush That Was Not Burnt, colour lithograph, signed, 46cm x 31cm.

Miranda Halsby R.B.A, 'vineyards & windy sky', limited edition lithograph 2/50, signed in pencil, 22 x 26cm

Antonio Possenti (Italian, 1933-2016), 'Gli Animali di Pinocchio', lithograph, artists proof, signed in pencil to lower right margin, 62 x 90cm

Salvador Dali (Spanish 1904-1989), Homage to Venice, colour lithograph, bears a pencil signature and numbered E374/450, 42cm x 57cm. DDS Provenance; property from the late Sir David Tang This lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 20% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.

Salvador Dali (Spanish 1904-1989) Monument to the Ideal Doctor, colour lithograph, bears pencil signature and numbered 258/300, 74.5cm x 51.5cm. DDS Provenance; property from the late Sir David Tang This lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 20% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.

Frank Brangwyn (1867-1956), The knife grinder, etching, signed in pencil (on mount), 17cm x 24.5cm.; together with a further signed lithograph of three old women, signed by Brangwyn.(2) DDS

Lawrence Stephen Lowry (1887-1976), Industrial scene, offset lithograph, printed by Chromoworks Ltd, published by J. Lyons & Co Ltd, 72cm x 96cm. DDS

Marc Chagall (1887-1985), Inspiration, lithograph, 31cm x 23.5cm.Provenance: with Primrose Hill Gallery, London 1992. DDS

Jean Pierre Cassigneul (b.1935), Seated girl in cloche hat, colour lithograph, signed, 64cm x 50cm. DDS

John Piper (1903-1992), Gedney, Lincolnshire, from 'A Retrospect of Churches' (Levinson 139), lithograph printed in colours, 1964, printed by Curwen Studio, London, published by Marlborough Fine Art, London, with the printer's ink and blindstamp, 71.5cm x 45cm. DDS

John Piper (1903-1992), Florence Relief Landscape (Levinson 184), lithograph printed in colours, 1967, on T.H. Saunders, signed and numbered 29/50 in pencil, published by Marlborough Fine Art and International Association of Art, London, 46cm x 64cm. DDS

John Piper (1903-1992), Elizabethan Dance (Levinson 87), lithograph printed in colours, c.1954, printed by Chromoworks Ltd., London, published by J. Lyons and Co. Ltd., London, 71cm x 96cm. DDS

Day & Son, lithograph, Jugdulluck - The last stand made by General Elphinstone's Army in the Calamitous Retreat, 37 x 46cm, burrwood frame

Duncan Grant, limited edition colour lithograph, Washer woman, signed in pencil, numbered 20/350, 77 x 56cm

ANDY WARHOL 'Portrait in negative', offset lithograph numbered ed of 100, from Leo Castelli Gallery, 61cm x 43cm, framed.

ANDY WARHOL 'Man's tight', offset lithograph numbered ed of 100, from Leo Castelli Gallery, 61cm x 43cm, framed.