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Preisdatenbank abonnieren▴ Dame Barbara Hepworth (1903-1975)'Squares and Circles', 1969lithograph in colours, signed 'Barbara Hepworth' in pencil l.r., numbered 43/60 l.l.image 53 x 70cmCondition ReportFramed 77 x 92.5cmThere is very slight time staining, with some cockling along the top margin. There is a small handling crease in the centre of the left margin, however the printed area appears to be in good condition. Unexamined out of glazed frame.
▴ Ben Nicholson OM (1894-1982)'Abstract Composition 1936'lithograph in colours,1973, studio proofsheet 66.5 x 80cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportTime staining with handling creases to the top and bottom margins. Some small specks of dirt, mainly to the top margin. There is a tiny dot below the circle in the centre of the print. The bottom edge is blind stamped THS A UNDERS ENGLAND
▴ Lynn Chadwick RA (1914-2003)'Moon in Alabama'lithograph in colours, 1963, studio proofsheet 75.5 x 52cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome handling creases and light surface dirt, there are two small marks to the bottom margin, one with a small pinprick hole. There is a further small black mark to the top edge of the printed area. The bottom corners have staining where acidic tape has been applied to the reverse.
▴ Lynn Chadwick RA (1914-2003)'Moon in Alabama'lithograph in colours, signed and dated 'Chadwick 63' in pencil l.l., proofsheet 76 x 52cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome handling creases to the margins with light spots and specks of surface dirt. The bottom right corner has staining where acidic tape has been applied to the reverse.
▴ Dame Elisabeth Frink CH RA (1930-1993)'Spinning Man III'lithograph, 1965, studio proofsheet 80 x 57cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome light timestaining to the deckled edges with minor handling folds to three corners. There some staining to the lower right edge measuring 9cm x 1cm, please see images.
▴ Dame Elisabeth Frink CH RA (1930-1993)'Wild Boar'lithograph in colours, 1967, studio proofsheet 79 x 59cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome light surface dirt and handling creases, the print has deckled edges which are slightly discoloured. There is some rippling to the top edge, and a light brown splash stain in the top left corner. There is a faint indentation running 2cm along the left edge which appears to be part of the paper itself.
▴ Dame Elisabeth Frink CH RA (1930-1993)'Horse'lithograph in colours, 1967, studio proofsheet 77.5 x 59cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome spots of suface dirt and light scuffs. Handling folds to the corners and a small handling crease to the upper left edge. The print has deckled edges.
▴ Dame Elisabeth Frink CH RA (1930-1993)'Hare'lithograph in colours, 1967, signed 'Frink' in pencil l.r., inscribed 'studio proof' l.l.sheet 59.5 x 77.5, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome time staining and foxing, the print has deckled edges which are slightly discoloured. Some surface dirt and light scuffs.
▴ Dame Elisabeth Frink CH RA (1930-1993)'Horse and Jockey'lithograph in colours,1974, studio proofsheet 56.5 x 67.5cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportLight surface dirt with some foxing starting to emerge, there are some small brown spots to the extreme left and also some light handling creases. The print has one deckled edge.
▴ Dame Elisabeth Frink CH RA (1930-1993)'Corrida Five'lithograph in colours, 1973, proof, signed 'Frink' in pencil l.r. with 'Curwen Chilford' blind stamp l.c.sheet 57 x 77.5cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThe print has not been examined out its cellophane wrapping, however it appears to be in generally good condition with a deckled top edge.
▴ Dame Elisabeth Frink CH RA (1930-1993)'Rejoneadora I' lithograph in colours,1973, proof, signed 'Frink' in pencil l.r., with 'Curwen Chilford' blind stamp l.c.sheet 57 x 77cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThe top edge is deckled and has some time staining. Some light surface dirt and a small spot to the right of the signature, please see images. The print has not been examined out of its cellophane wrapping.
▴ Dame Elisabeth Frink CH RA (1930-1993)'Rejoneadora III'lithograph in colours,1973, proof, signed 'Frink' in pencil l.r., with 'Curwen Chilford' blind stamp l.c.sheet 57 x 77cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThere is a small dirty smudge to the lower right margin, however, the print appears to be in otherwise generally good condition with a deckled top edge. The print has not been examined out of its cellophane wrapping.
▴ Laurence Stephen Lowry RBA RA (1887-1976)'The Level Crossing'offset lithograph in colours, signed 'L.S Lowry' l.r., in pencil image 46 x 55cmCondition ReportFramed: 70.5 x 79cmSheet: 54.5 x 64cmViewed out of glazed frame, print has been trimmed and stuck down to backboard, staining at the edge of mount visible, light foxing to margins.
▴ Laurence Stephen Lowry RBA RA (1887-1976)'St Luke's Church, London'offset lithograph in colours, published in 1973, signed 'L.S.Lowry' in pencil l.r, numbered '850/492', with Fine Art Trade Guild blind stamp l.l.image 61 x 45.5cmCondition ReportFramed: 83 x 66.5cmThe print is attached to a sheet of mount board with pieces of tape applied to the top edge and the upper left edge, please see images. It has been framed with an acidic mount which has resulted in some staining to the margins of the print. The margins also have some light smudges of surface dirt. The sheet has the title '"St. Luke's Church, Old Street, London E.C." by L.S. Lowry' underneath the mount. The edition number is written in reverse i.e. 850/492 ( it would normally be written as 492/850).
▴ Laurence Stephen Lowry RBA RA (1887-1976)'Deal'offset lithograph in colours, signed 'L.S.Lowry' in pen with the Fine Art Trade Guild blind stamp l.l., published by Venture Prints, 1973sheet 17.5 x 25cm Condition ReportFramed 36.5 x 43cmSlight cockling where the work has been attached the the board. It appears to have been stuck down with small pieces of tape in each corner. In otherwise apparently good condition, not viewed out of glazed frame.
▴ HM King Charles III (b.1948)'Wensleydale from Moorcock'lithograph in colours, printed at Curwen Chilford Prints by Stanley Jones on Somerset paper, signed with monogram and dated '90' in pencil l.r., numbered '195/295' with blind stamp of Prince of Wales crest l.l. sheet 45.5 x 60cm, unframed, in original blue presentation folioCondition ReportThere is a very small brown speck to the top margin, but the printed area is unaffected, please see images. In good condition as has never been framed and kept in original presentation folder.
▴ HM King Charles III (b.1948)'The Hüreli, Klosters, Switzerland'lithograph in colours, signed with monogram and dated '95' in pencil l.r., numbered '50/100' with blind stamp of Prince of Wales crest l.l. image 24.5 x 35.5cmCondition ReportOverall 64 x 75cmPrint appears to be in good overall condition. Unexamined out of glazed frame.
▴ Julian Trevelyan RA (1910-1988)'The Lock-Keeper's Cottage'lithograph in colours, 1975, signed 'Julian Trevelyan' in pencil l.r., numbered '55/100'image 50.5 x 38cmCondition ReportFramed: 71 x 56.5cmThe print has an acidic mount but appears to be in good condition. Unexamined out of glazed frame.
▴ John Piper CH (1903-1992)'Île-d'Elle' (Levinson 110)lithograph in colours, 1958, signed 'John Piper' in pencil l.r., and numbered '58/75'image 42.5 x 56.5cm (visible)Condition ReportFramed: 64 x 84cmSome very light spots and speckles of surface dirt. There is a faint dirty mark to the upper right margin but this does not affect the printed area. In otherwise good condition and well presented. Unexamined out of glazed frame.
▴ John Piper CH (1903-1992)'Ironbridge' (Levinson 178)lithograph in colours, 1966, proofsheet 57.5 x 78.5cm;together with:'Rudbaxton, Pembrokeshire: 17th Century Monument, 19th Century Furnishings' (Levinson 131)lithograph in colours, 1964, proofsheet 59.5 x 81cm (2)Provenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportIronbridge: Time staining and foxing with handling creases to the margins, and a fold to the bottom left corner. The left and right margins are marked with black registration crosses and small 1cm cuts, there is a 7cm brown stain to the centre of the bottom margin, please see images.Rudbaxton: Spots and speckles of surface dirt with some foxing starting to emerge. The print has deckled edges and there are light handling creases to the margins, there is a faint crease running along the length of the top edge.
▴ John Piper CH (1903-1992)'Gaddesby, Leicestershire: Medieval Stonework' (Levinson 123)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., and numbered '58/70'image 66.5 x 46.5cm (visible)Condition ReportFramed: 90 x 67cmSome paper discolouration, there is a small brown stain to the lower left margin. The print has an acidic mount and has not been examined out of the frame.
▴ John Piper CH (1903-1992)'Oxburgh Hall' (Levinson 266)lithograph in colours, 1977, signed 'John Piper' in pencil l.r., numbered '23/120' with Christie's Contemporary Art and National Trust blind stamps image 57 x 44cmCondition ReportFramed: 78.5 x 61cmDiscolouration and time staining to the paper. The print is framed with a roughly cut, acidic mount. Unexamined out of glazed frame.
▴ John Piper CH (1903-1992)'Westminster School II' (Levinson 115)lithograph in colours, 1961, signed 'John Piper' in pencil l.r., and numbered '86/100'image 41.5 x 58cm (visible)Condition ReportFramed: 64 x 84cmPaper discolouration and some light foxing visible to the lighter areas. Unexamined out of glazed frame.
▴ Keith Vaughan (1912-1977)'The Walled Garden'lithograph in colours, signed and dated 'Keith Vaughan' in ink l.r., and inscribed 'Artist's proof' l.l.image 39 x 49.5cmCondition ReportFramed 60.5 x 69cmSome light surface scratches to the dark green areas upper right, please see images, however the printed area appears to be in otherwise good condition. A very minor handling crease to the exteme right margin and another small handling crease to the bottom margin. Unexamined out of glazed frame.
▴ David Hockney CH RA (b.1937)'The Print Collector (Felix Mann)'lithograph,1970, studio proof, signed 'David Hockney' in pencil l.r.sheet 66 x 53.5cmProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThe print has deckled edges. There are light handling creases to the top edge and bottom left corner and some very small spots of light surface dirt, please see images.
Steve McCurry (American, b.1950)Afghan girloffset lithograph in colours, signed 'Steve McCurry' in pen l.r.image 49.3 x 32.5cmSteve McCurry's portrait of Sharbat Gula was taken at Nasir Bagh refugee camp in Peshawar, Pakistan, in 1984, as Afghans fled the conflict in their homeland. It appeared in June 1985 on the cover of the National Geographic and Gula became a powerful symbol of displaced refugees around the world.Condition ReportOverall 73 x 53cmIn good condition.
▴ Stik (b.1979)'Holding Hands', orangeoffset lithograph in colours, 2020, signed 'Stik' in pen l.r.sheet 50 x 50cm, unframedSold with a copy of 'Hackney Today' newspaper, 21 September 2020, in which they were distributed.Condition ReportWith original creases from being folded and distributed in 'Hackney Today' newspaper, 21 September 2020. In otherwise good condition.
TRAVEL AGENT'S POSTER FOR THE WHITE STAR LINE MAJESTIC, CIRCA 1932after William J. Aylward, published by O. de Rycker, Brussels-Forest, chromolithograph framed and glazed -- pl. 29½ x 19in. (75 x 48cm.); together with a monochrome lithograph of Majestic after Wallace Thomas in travel agent's frame with label -- 23 x 29in. (58.5 x 74cm.)(2)
BIBLE: The Holy Bible Translated from the Latin Vulgate: The New and Old Testament, with notes by G. Leo Haydock, correct and unabridged edition. New York, Thomas Kelly, Catholic publisher, no date C1880’s (The “presented to” lithograph page at the front has 188 date). Over 1660 pages, with numerous plates, full page colour illustrations, text ill, lithograph pages for marriage, etc, and two lithograph pages for mounting portraits. Full leather over boards, with gilt decorations and two brass clasps, Very good.
ROBERTS, DAVID: THE HOLY LAND, in three divisions/volumes. Cassell, Petter, Galpin & Co, no date, c1889. Complete with 120 tinted lithograph Plates by Louis Haghe from original drawings by David Roberts, Vol.1- Jerusalem & Galilee; Vol.2- The Jordan & Bethlehem, and Vol.3- Idumea & Petra. The Text by Rev George Croly, Large 4to. (325 X 250mm). Contemporary half leather, with gilt decoration to spines and all edges gilt. Covers a little rubbed; otherwise a very good and clean se. (3)
Colored lithograph print featuring the U.S. Mail Steamer, used for army transport during the Civil War. Printed at the bottom: Lit. of Endicott & Co. NY; New York and Havre Steam Ship Co.; U.S. Mail Steamer Fulton; 2300 tons; Eng d for the Journ l of the Franklin Inst e Vol 31 Third Series. Issued: ca. 1856Dimensions: 10.5"L x 8.25"WCountry of Origin: United StatesCondition: Age related wear.
Original vintage travel advertising poster - verso il Canada con la Sabena / to Canada with Sabena (the national airline of Belgium from 1923-2001) - featuring a colourful mid-century design showing a smiling Canadian Mounted Police officer wearing the iconic red jacket and brown hat looking towards a traditional carved totem pole and teepee / tipi tent in front of trees and white snow topped mountains on the horizon, a plane flying across the blue sky above and the title text in black lettering with the Sabena logo below. Lithograph by Linsmo Brussels, Belgium. Excellent condition. Country of issue: Belgium, designer: Gaston van den Eynde, size (cm): 34x24, year of printing: 1950s.
Original antique lithograph print featuring an elegantly dressed lady golfer in a red jacket swinging a golf club. Printed by The Gray Litho Co, New York in 1908, No. 80A written on the bottom right corner. Excellent condition. Country of issue: USA, designer: Maud Stumm, size (cm): 32.5x25.5, year of printing: 1908.
A collection of approx 23 publications relating to Heman Brood. To include poetry books, gallery publications and catalogues as well as a copy of Woedend Licht van Herman Brood which includes a signed lithograph print signed by Brood.HERMAN BROOD - BOEKENCOLLECTIE. Een verzameling van circa 23 publicaties met betrekking tot Herman Brood. Met daarin poëziebundels, galerie brochures en catalogi alsmede een exemplaar van ‘Woedend Licht’ van Herman Brood met daarin een door Brood gesigneerde lithoprint.
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