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70553 Los(e)/Seite
Los 998
Norman Rockwell (American, 1894-1978) , "House of Spanish Steps: View of Rome from My Hotel Window (Atop Spanish Steps)", 1971, lithograph on paper, pencil-signed and numbered "176/200" lower margin, label with artist and title en verso, sight 15 in. x 14 in., matted and framed . Provenance: Private Collection, Shreveport, LA
Los 345
John McCrady (American/Louisiana, 1911-1968) , "Swing Low, Sweet Chariot", lithograph on paper, pencil-signed and titled lower margin, initialed in plate lower right, "Associated American Artists" label en verso, image 10 7/8 in. x 14 3/4 in., sheet 13 in. x 17 5/8 in., framed . Ill.: Marshall, Keith. John McCrady: 1911-1968. New Orleans Museum of Art, 1975, p. 104
Los 316
Samuel Augustus Mitchell (American, 1792-1868) , "Map of Mexico, Including Yucatan & Upper California, exhibiting the Chief Cities and Towns, the Principal Travelling Routes &c.", Philadelphia, 1847, third issue, hand-colored lithograph pocket map, with inset map of "Battle Field of Monterey"; "Map of the Principal Roads..." and "Profile of the Road between Mexico and Vera Cruz", 32 1/4 in. x 23 3/4 in. Ref.: Rumsey, 4594. Note: This pocket map was produced by Mitchell to satisfy the public’s interest in the Mexican American War, which resulted from the United States’ annexation of the newly independent Texas in 1845, territory which Mexico claimed as its own. This third issue is larger and more up-to-date than either predecessor, including the additional map showing the principal roads accessing Mexico City from Vera Cruz and a road profile. This information was vital for the final U.S. assault on Mexico City, which had not yet occurred at time of publication. Mexico City fell in October and led to the Treaty of Guadalupe Hidalgo in February 1848, which ended the question of US/Texas sovereignty in the region. Additionally, Mexican control from California to New Mexico was lost as well, paving the way for additional westward expansion by the U.S. Ref.: Rumsey, 4594.
![[New Orleans Map of Sixth District] , William H. Williams (American, 1817-1886), "Map of the Sixth District and Carrollton C](https://cdn.globalauctionplatform.com/efdfc895-8340-4703-b9bf-a7050154ce0f/1171a07b-8f5c-4769-fc06-15531f33de15/468x382.jpg)
Los 337
[New Orleans Map of Sixth District] , William H. Williams (American, 1817-1886), "Map of the Sixth District and Carrollton Compiled from Actual Surveys and the Best Authorities by Wm. H. Williams", 1871, lithograph by L. Manouvrier & D. Simon, with keys noting various structures, old names vs. new names and explanations of divisions, 30 in. x 23 3/4 in., framed. Provenance: Estates of Milburn and Nancy Calhoun, owners of Pelican Publishing Company, New Orleans, LA
Los 940
Robert John Curtis (American/Charleston, 1816-1877) , "Portrait of William J. Gerald (1811-1874)", oil on canvas, pencil-signed "R.J. Curtis of Charleston SC", sitter identified and inscribed "Intendant of the town of Camden S.C. from April 1866 to April 1868" and "Newman Galleries , Philadelphia" labels en verso, 30 in. x 25 in., framed. Provenance: Descended in the family of the sitter. Note: Robert J. Curtis, known for his portraiture in Charleston and the surrounding areas, was trained in Philadelphia under John Neagle (1796-1865). In the early 1830s, Curtis began advertising in the Charleston Courier and by the late 1830s had received critical acclaim from the same publication. His 1838 portrait of the Seminole Indian Osceola was widely praised and reproduced in lithograph form by William Keenan (b. 1810). William J. Gerald, a merchant in Camden, SC, married Eliza Jane Clarkson in 1833; the couple had nine children. After his wife’s death and the end of the Civil War, Gerald acted as Intendant (a past term for mayor) of Camden for two years following his efforts, along with residents of Augusta, GA, and Newberry, SC, to provide goods for the citizens of Columbia, SC. The city of Columbia had been looted and burned by some of General Sherman’s troops in the aftermath of the war. Ref.: Charleston Courier. Charleston, SC. Feb. 21 and Apr. 26, 1838; The Daily Phoenix. Columbia, SC. Apr. 22, 1865.
Los 3
Robert Rauschenberg, American (1925-2008) Color lithograph "Malaysia". This is an exhibition poster created for Rauschenberg's Overseas Culture Interchange (ROCI). Signed in gold marker upper right. Good condition. Full sheet measures 35" x 24-1/4", frame 36-3/4" x 26-1/4". Shipping: Third party. (estimate $300-$500)
Los 437
Xeroxography, collage, pastel and pencil, by Stephanie Weber - "Moon Figure", signed; together with numbered colour lithograph, by Darwood - "Abstraction 1"; and a colour etching, by Donald Wilkinson - "Derwent Water Reflection", signed and numbered proof; together with and a colour lithograph - "Low Tide", signed and numbered proof, by J. Mallman. (4)
Los 385
Charles H.J. Mayo (19th/20th Century) - Uncoloured lithograph - Great Western Railway Poster - "This England of Ours. Cheddar Gorge", printed by John Waddington Ltd., Leeds and London, 40.25ins x 50ins, and Edward Pond (20th Century) - Coloured lithograph - Network South East Railway Poster - "Hastings by Train". 40ins x 25.25ins, (both unframed)
Los 389
Charles Shepherd (1882-?) - Known as "Shep" - Coloured lithograph - "Southern Railway Poster" - "Canterbury by Southern Railway" - Showing view of Bell Harry Tower, Canterbury Cathedral, 40ins x 50ins, printed by the Baynard Press, London, SW9, 1938, (unframed and torn) Note: An example of this poster was sold in The Canterbury Auction Galleries - 8th December 2015 - Lot 494
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70553 Los(e)/Seite