NO RESERVE Toulouse-Lautrec (Henri de) Elles, number 318 of 1250 copies, membership certificate of the 'Toulouse-Lautrec Circle' and addiitonal mounted plate loosely inserted, 11 tipped-in colour lithograph plates, all numbered in pencil, bookplate, original cloth-backed pictorial boards, slip-case, a little bumped and rubbed, folio, 1969.⁂ The additional plate is from an edition of 5000. The membership of the 'Toulouse-Lautrec Circle' was set at 5000 at this time, presumably meaning that a copy of the additional plate was sent to every member.
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NO RESERVE Mushrooms.- Badham (Charles David) A Treatise on the Esculent Funguses of England, first edition, hand-coloured lithograph frontispiece, 20 plates, most hand-coloured, occasional faint off-setting, original decorative cloth, rebacked retaining original backstrip, a little rubbed, slight bumping to corners and extremities, 8vo, 1847.
John (Augustus) Fifty-Two Drawings, with an introduction by Lord David Cecil, one of 150 copies signed by John and Cecil, lithograph tipped to half-title, portrait frontispiece and 50 plates, original half-vellum by Zaehnsdorf, small lithograph pasted to upper cover, original slipcase a little rubbed, folio, 1957.-
NO RESERVE Williamson (George C) Bryan's Dictionary of Painters and Engravers, 5 vol., lithograph and plain plates, occasional light spotting or foxing, vol. 5 lower hinge weak, original cloth, spine gilt, spine ends bumped, 1909 § Hind (Arthur M.) The Etchings of D. Y. Cameron, etched and plain plates, original pictorial cloth, gilt, 1924 § Hodnett (Edward) English Woodcuts 1480-1535, book label, original cloth, a few small stains to spine, 1973; and a quantity of others on etching, engraving, illustration and printmaking, v.s. (qty)
[FOUGASSE]: (1887-1965) Cyril Kenneth Bird. British cartoonist remembered for his warning propaganda posters of World War II. An original 8 x 12.5 (20 x 32 cm) colour lithograph poster designed by Fougasse and published by the Ministry of Information, London, c.1940, the image depicting two ladies in conversation over tea and cakes against a backdrop of wallpaper featuring recurring images of Adolf Hitler, with the printed text Don't forget that walls have ears! below and the caption Careless Talk Costs Lives at the base. Some very light, extremely minor age wear, VG
[WORLD WAR I]: An original colour lithograph 32 x 10” World War I recruitment poster printed by H. W. & V. Ltd., and published by the Parliamentary Recruiting Committee, London, c.1914/15, numbered Poster No. 8, with the Royal cipher of King George V printed in blue at the head, the title also in blue, 'A Call to Arms', and the subtitle printed in red, 'Your Country Needs You To-Day', the whole on a white background and framed with narrow red and blue borders. Some light creasing and age wear, particularly to the edges. Folded. About VG
[WORLD WAR I]: An original colour lithograph 19 x 29” World War I recruitment poster printed by Haycock-Cadle Co., Camberwell and published by the Parliamentary Recruiting Committee, London, c.1914/15, numbered Poster No.32, printed with blue and red backgrounds and the white title in cursive script to the upper half, 'If you cannot join the Army -' and the white subtitle in identical script to the lower half, 'Try & get a Recruit'. Small area of paper loss to the lower left corner, several minor tears to the edges (repaired with tape in places to the verso) and at the folds, about G
A framed and glazed black and white lithograph with replica of Nelson Mandela's Key at Robin Island, limited edition No'd. 76/3000, signed in pencil by Mandela, 26 cm x 40 cm CONDITION REPORTS All have some light general wear and tear. Glass in need of a clean. See images for further detail.
HANNAH FRANK (SCOTTISH 1908-2008) WOMAN WITH BIRDS Lithograph, signed, 36 x 29cm Condition Report:Slight discolouration evident around the edges of the margins at the mount with a few very small foxing spots with the image area appearing relatively clean with one or two ting foxing spots in evident on very close inspection.
HANNAH FRANK (SCOTTISH 1908-2008) WRAP THY FORM IN A MANTLE GREY Lithograph, signed, 38 x 29cm (15 x 11.25"), together with another framed card by Hannah Frank with lithographic quality depicting 'Dance' (1950) (2) Condition Report:The margins appear quite discoloured with some foxing and the image appears mildly discoloured by comparison with some light foxing.
A silk programme for A Gala Concert in aid of the Edward Boyle Memorial Trust Sunday 6th February 1983 at the Royal Opera House Covent Garden, in which the Amadeus Quartet were appearing, designed by Michael Szell, 54 x 36cm; a classical music advertising poster for the Amadeus Quartet at the Wigmore Hall, variously signed; and 20th century Continental school - The Amadeus Quartet, lithograph in monochrome, indistinctly signed and numbered 4/6, 76 x 52cm (3)
Leonard Brewer (1875-1935)The Manchester Royal Exchange, etching, pencil signed by the artist, 36 x 29.5cm; together with two satirical prints - 'The Ray of Hope' after Woodward and 'Another Stage in the March of Intellect', lithograph by John Doyle; and a map of Oxford after Michael Burghers (re-strike) (4)
AFTER LUKE CLENNELL "The decisive charge of The Life Guards at The Battle of Waterloo", hand-coloured etching by William Bromley, published 18th June 1819, impression size 32 cm x 50 cm, two Vanity Fair prints "Croppy" and "The Might", AFTER R SIMKIN "The Royal Escort in 1742", lithograph by Emrick & Binger and another framed and glazed military print
A framed and glazed “Impressions of Nelson Rolihlhla Mandela Collection” (1918-2003) entitled “Coloured Left Hand”, black and white lithograph, limited edition No'd. 359/500, published by Ross MacLean Calder Cape Town 2003, signed by Mandela, 50 cm x 65 cm CONDITION REPORTS All have some light general wear and tear. Glass in need of a clean. See images for further detail.
AFTER J GOULD and H C RICHTER "Eriocnemis Godini", a botanical study, with hummingbirds, colour lithograph, 50 cm x 35 cm, together with two further botanical studies of birds on branches "Pine Grosbeak" and "Kentucky Warbler", two chromolithographs by J Bien New York 1859, 53 cm x 37 cm (3)
A framed and glazed “Impressions of Nelson Rolihlhla Mandela Collection” (1918-2013) entitled “Right Hand”, signed by the artist, black and white lithograph, limited edition No'd. 359/1000, published by Ross MacLean Calder Cape Town 2003, signed by Mandela, 50 cm x 65 cm CONDITION REPORTS All have some light general wear and tear. Glass in need of a clean. See images for further detail.
Ardizzone (Edward, 1900-1979). Shelter Scene, published National Gallery, 1941, colour lithograph, showing crowds of people sheltering underneath railway arches, a few short edge tears and nicks some minor marginal repairs with clear adhesive tape, 75 x 100 cm (29.5 x 39.5 inches)Qty: (1)Footnote: NAP 72. This scene depicts 'The Tilbury' - a huge series of wine cellars underneath railway arches at Stepney that were popular shelters during the war.
Ireland (Samuel). Picturesque Views, on the River Medway, from the Nore to the vicinity of its source in Sussex: with observations on the public buildings and other works of art in its neighbourhood, London: T. & J. Egerton, 1793, sepia aquatint frontispiece and 28 hand-coloured aquatint plates, single-page map, woodcut illustrations, modern dark terracotta red morocco, gilt decorated spine, 4to, together with:Page (John Lloyd Warden), An Exploration of Exmoor and the Hill Country of West Somerset, with notes on its Archaeology, London: Seeley & Co., Ltd., 1890, half-title, mounted etched frontispiece, 17 plates (including three etched plates, remainder monochrome), folding map at rear, verso of front free endpaper with ownership signature of Walter D. Watney 26 March 1891, top edge gilt, remainder untrimmed, original cloth-covered boards with modern gilt-decorated morocco spine, 8vo (limited Large paper edition 72/250),Pinks (William J.), The History of Clerkenwell ... with additions by the editor Edward J. Wood, 2nd edition, London: Charles Herbert, 1881, wood engraved portrait frontispiece, plate and illustrations, hand-coloured folding lithograph map, endpapers renewed, original gilt and blind blocked cloth-covered boards with modern polished sheep spine, 4toQty: (3)
Pratt (Anne). The Flowering Plants, Grasses, Sedges, and Ferns of Great Britain, and their allies the club mosses, pepperworts, and horsetails, 6 volumes, London: Frederick Warne and Co., [1873], numerous chromolithograph plates including frontispieces and one uncoloured lithograph plate, occasional scattered spotting, all edges gilt, contemporary green calf by Bickers & Son, gilt decorated spines with contrasting labels, rubbed, scuffed and some wear mostly to boards, 8vo, together with:[Howard, Maria Matilda], Ocean Flowers and their Teachings, Bath: Binns and Goodwin; London: Whittaker & Co; Edinburgh: Johnstone; Dublin: W. Curry Jun. & Co., 1846, mounted seaweed specimen frontispiece and 38 mounted specimens (some fragile and with loss), some offsetting, original cloth, boards detached, spine worn with loss, board edges worn and frayed, 8vo,Stephens (Henry), The Book of the Farm, detailing the labours of the farmer, farm-steward, ploughman, shepherd, hedger, farm-labourer, field-worker, and cattle-man, 6 volumes, 4th edition, revised, and in great part rewritten, Edinburgh & London: William Blackwood & Sons, 1889, engraved portrait frontispiece, numerous lithograph plates (some double-page), wood engraved illustrations to text, original cloth, some covers marked, 8voQty: (13)
Landon (Laetitia Elizabeth). The Golden Violet, with its tales of romance and chivalry: and other poems, London: Longman, Rees, Orme, Brown, and Green, 1827, lithographic frontispiece, lightly spotted, library stamp to title, contemporary red calf gilt, gilt borders and turn-ins, rubbed and marked, 8vo, together with:Giles (Jacob). The Poetical Register: or, the lives and characters of all the English poets, 2 volumes, London: A. Bettesworth..., 1723, portrait frontispieces, 12 engraved plates, endpapers renewed, lightly spotted and toned, contemporary Cambridge panelled calf, rebacked, worn, 8vo, withLandon (Laetitia Elizabeth). The Improvisatrice, and other poems, London: Hurst, Robinson & Co, 1824, additional title with lithograph vignette, lithographic frontispiece, half-title, contemporary ownership inscription to verso of front blank, preliminary leaves damp-stained, title cropped affecting text, lightly spotted, contemporary brown half calf over marbled boards, rebacked with original spine laid on, worn, 12mo, with 18 other antiquarian volumes related to poetryQty: (22)
Bindings. Dictionnaire Ge?ne?ral en une seule se?rie alphabe?tique des communes de France et des Colonies, comprenant la nomenclature comple?te des communes, by Arthe?me Fayard, 2 parts in one, Paris: Librairie Historique, Scientifique et Ge?ographique, [1878], 207 coloured lithograph maps & plans (few double-page), double-page celestial plan, title bound-in at rear, some browning/toning throughout, modern maroon morocco, gilt decorated spine, 4to, together with:Fontaine (Jean de La), Oeuvres de J. de La Fontaine, The?atre, Fables, Poe?sies, etc., new edition, Paris: Laplace, Sanchez et cie., 1877, hand-coloured engraved portrait frontispiece, numerous engraved plates, occasional scattered spotting, all edges gilt, contemporary dark green morocco-backed cloth, gilt decorated spine, large 8vo,Stahl (P.J. & Grandville, J.J.), Vie prive?e et publique des animaux, edition complete, revue et augmentee, Paris: J. Hetzel, 1880, engraved frontispiece and illustrations, some toning and scattered spotting, all edges gilt, contemporary red morocco-backed cloth, large 8vo, and other 19th century leather bindings (mostly Continental)Qty: (32)
Cahiers d'Art, numbers 1 & 2, Paris: Editions "Cahiers d'Art" 1949, colour stencil and lithograph in issue 1, colour stencil in issue 2, monochrome illustrations, original pictorial wrappers, a few light spots, 4to Qty: (2)Footnote: Issue 1 contains a colour stencil after Fernand Léger and colour lithograph after Joan Miro, issue 2 contains a colour stencil after Max Ernst.
Venturi (Lionello). Cezanne, Son Art, Son Oeuvre, 2 volumes, Paris: Paul Rosenberg editeur, 1936, numerous monochrome illustrations, original printed wrappers, a little frayed to extremities with slight loss to head of spine of first volume and foot of spine of second volume, 4to, together withLa Fresnaye (Roger de). Dessins et Gouache (1919-1925), Notice de Waldemar George, Paris: Librairie de France, 1927, thirty colour and monochrome plates (some with two tipped-images to the page), some minor chips to extreme edges, plates, and introductory printed text loosely contained in original publishers cloth-backed boards, with ties, printed paper label to upper cover, covers somewhat faded and with a little wear to extremities, large folio, plus other early 20th century publications mainly on modern French artists, including Waldemar George, Georgio de Chirico, Paris: 1928, Carl Einstein, Georges Braque, Paris: 1934, André Salmon Modigliani, Paris, 1926, Georges Charensol Rouault, Paris, 1926, Marcel Jouhandeau Marie Laurencin, Paris, 1928, Maximilien Gauthier, André Bauchant, Paris, Editions du Chene, 1943 (with colour lithograph frontispiece), André Malraux, Pyschologie de l'Art, 2 volumes (Le Musée Imaginaire/La Creation Artistique, 1947/48), etc., mainly original cloth/original wrappers, 4to & folioQty: (approx. 50)
Vollard (Ambroise). La Vie & l'Oeuvre de Pierre-Auguste Renoir, Paris: Chez Ambroise Vollard, 1919, etched frontispiece (with Renoir's stamped signature), 51 monochrome plates, 1 colour lithograph by Auguste Clot after Renoir, original printed wrappers, glassine wrapper (vertical split and a few chips along spine), 4to Qty: (1)Footnote: Limited edition 802/1000 on beau papier teinté.
Dale (Thomas Francis). The Game of Polo, Westminster: Archibald Constable & Co., [1897], photogravure portrait frontispiece, monochrome plates, original green cloth, 8vo, together with:Robert-Houdin (Jean-Euge?ne), The Secrets of Conjuring and Magic or how to become a Wizard, translated and edited with notes by Professor Hoffmann, 4th edition, London: George Routledge & Sons Ltd., circa 1880, numerous illustrations throughout, original cloth, spine faded and a few marks, 8vo,Cook (William), "Billiards", London: Burroughes & Watts, [1884], monochrome portrait photograph, colour and monochrome plates, original gilt-blocked green cloth, 8vo,MacLean (John Patterson), An historical account of the settlements of Scotch Highlanders in America prior to the peace of 1783, together with notices of Highland regiments and biographical sketches, Cleveland: Helman-Taylor Co., 1900, lithograph frontispiece, few illustrations to text, original cloth, spine faded, 8vo,M'Clymont (James Alexander), Greece painted by John Fulleylove, London: A. and C. Black, 1906, colour frontispiece and plates, tissue guards, occasional scattered spotting, original cloth gilt, 8vo,De La Mare (Walter), To Lucy, London: Faber & Faber Ltd., 1931, colour plate by Arthur Rutherston, original yellow boards, spine worn, slim 8vo (signed large paper limited edition 182/275),Fléchon (Dominique), The Mastery of Time, a history of timekeeping..., Paris: Flammarion, 2011, colour and monochrome illustrations, original boards in dust jacket, 4to, plus other miscellaneous mostly 19th & early 20th century cloth-bound books including Verne (Jules), The Chase of the Golden Meteor, London: Grant Richards, [1909], monochrome plates, original pictorial cloth, 8voQty: (a carton)
§ EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) JESUS COLOUR BY NUMBERS, from Off-set lithograph, 1/350, signed and numbered and another, 'An Empire of Silly Statistics . . . A Fake War for Public Relations, from General Dynamic F.U.N.- 1965-70,' Off-set lithograph, 1/350, signed and numbered in pencil to margin, published by Editions Alecto, London and printed by Richard Davis, London(each 37.5cm x 25cm (14.75in x 9.75in))
§ EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) INSIDE DOWN UNDER . . . WHAT ARE THE Off-set lithograph, 1/350, signed and numbered in pencil to margin; and another 'Will Man Desert the Dog for the Dolphin? from General Dynamic F.U.N. - 1965-70,' Off-set lithograph, 22/350, signed and numbered in pencil to margin, published by Editions Alecto, London and printed by Richard Davis, London(each 37.5cm x 25cm (14.75in x 9.75in))

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