CERI RICHARDS R.A. [1903-71]. The Story Lost in the Snow, 1971. lithograph, edition of 100, proof. 45 x 32 cm. Unframed. Provenance: private collection, UK. Tate Gallery collection includes this print. [Very good condition]. Buyers premium of 20% + VAT is payable. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.
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JOSEF HERMAN R.A. [1911-2000]. Bird 1, 1999. Lithograph, edition of 50, 5/50; signed in pencil. 30 x 22 cm - frame 35 x 30 cm. Provenance:the artist; private collection, UK. [very good condition]. Buyers premium 20% + vat payable. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.
JOSEF HERMAN R.A. [1911-2000]. Bird 3, 1999. lithograph, edition of 50, 5/50; signed in pencil. 30 x 22 cm - frame 35 x 30 cm.. Provenance: the artist; private collection, UK. [Very good condition]. Buyers premium 20% + vat payable. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.
JOSEF HERMAN R.A. [1911-2000]. Bird 5, 1999. lithograph, edition of 50, 5/50; signed in pencil. 30 x 22 cm - frame 35 x 30 cm. Provenance: the artist; private collection, UK. [very good condition]. Buyers premium 20% + vat payable. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.
JOSEF HERMAN R.A. [1911-2000]. Bird 6, 1999. lithograph, edition of 50, 5/50; signed in pencil. 30 x 22 cm - frame 35 x 30 cm. Provenance: the artist; private collection, UK. [very good condition]. Buyers premium 20% + vat payable. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.
REG BUTLER [1913-1981] Tower, 1968. Lithograph on Arches wove paper, signed and dated in pencil, a Curwen studio proof aside from the edition of 65, printed at Curwen Studio, published by Wolfgang Ketterer, Munich. 64.5 x 47.5cm image, 65.5 x 50cm sheet [unframed]. Provenance: Curwen Studio stamp on the reverse. Collection: Tate Gallery. [Good original condition commensurate with age, some old tape to the reverse, minor handling creases to margins.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.
ALBERT HOUTHUESEN [1903-1979] Clown and Seagulls, 1969. Lithograph on Arches wove paper, signed and inscribed H/C in pencil, a proof aside from the edition of 50, printed at Curwen Studio, London [with their studio stamp on the reverse]. Note: this is a rare signed proof, the edition was unsigned. 66 x 58cm sheet [unframed]. Provenance: acquired directly from the Curwen Gallery. [Good condition, a thin wedge of time staining to the lower left corner, well away from the image.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.
TERRY FROST RA [1903-1992] Colour on the Side, 1969 [Kemp 49]. Lithograph on BFK wove paper, signed, dated and inscribed I Artist's proof in pencil, aside from the edition of 75, printed at Emil Matthieu Atelier, Zurich, published by Leslie Waddington Prints, London. 76.3 x 56.2cm image, 105.8 x 75.6cm sheet [unframed]. Provenance: acquired directly from the artist's studio. Collections: Tate Gallery; Peter Scott Gallery, Lancaster University. [Good condition, image great, some staining to margins well away from image.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.
CLIFFORD & ROSEMARY ELLIS [1907-1985 & 1910-1998] Teignmouth, 1947. Lithograph, signed in the plate, published by Lyons & Co., printed by Chromoworks Ltd, London. Rare. 74.5 x 99cm sheet [unframed]. [Good original condition commensurate with age, fresh unfaded colours, some small nicks and handling creases to margins.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.
ALEXANDER CALDER [1898-1986] Les Affichistes, 1965. Lithograph on Arches wove paper, signed and numbered 58/75, published by the Musée Natinal d'Art Moderne, Paris. 65.4 x 50cm sheet [unframed]. Provenance: Bloomsbury Auctions Modern and Contemporary Prints 27 June 2013 lot 141. [Good condition.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.
WILLIAM SCOTT R.A. [1913-89]. Odeon 1V, 1966. lithograph, edition of 75, artist's proof; signed in pencil. sheet size 63 x 76 cm - frame 76 x 95 cm. . Provenance: private collection, UK. [condition - some time toning to the paper - a few soft handling creases - staining at extreme edges, presumably from previous framing/backboard - slight signs of old tape on reverse top corners - a mount would cover these - unexamined out of frame - the framed photo has some reflections in the glass]. Buyers premium of 20% + VAT is payable. ARR 4%.
EUGENE BERMAN [1899-1972]. Obelisk in Delirio, 1949. lithograph, edition of 25, artist's proof; signed in pencil. 46 x 34 cm - frame 52 x 44 cm. Provenance: private collection, US. Berman was a Neo-Romantic artist who influenced UK Neo-Romantics like Michael Ayrton and John Minton. very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
HENRY MOORE [1898-1986]. 6 Sculpture studies, 1963. lithograph, edition of 75, proof 6/10; signed and dated in pencil. image 46 x 59 cm [overall including frame 83 x 92 cm]. Provenance:private collection, UK. [good condition - some time toning to the paper - black paint on the frame in places - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
Advertising. Poster - Lockwood Brewery Huddersfield Estd. 1795 Proprietors Bentley & Shaw Limited, c1900, lithograph in colour, printed by Sir Joseph Causton & Sons Ltd London, 71.5 x 97.5cm, contemporary oak frame and two enamel advertising signs - Brooke Bond Dividend Tea and (unsigned) pictorial beers, wines and spirits (3) Poster with vertical stains from backboards and slightly creased, long undisturbed in frame with wooden backboards
Theodor Hellwig (1815-?), in Halberstadt geb. Genre- und Porträtmaler sowie Lithograph, studierte ab 1834 und erhielt seine künstlerische Ausbildung als Schüler von Adolph von Menzel, Franz Krüger und Eduard Magnus. Bildnis eines Mädchens im 3/4-Profil im Oval, Öl auf Lwd., u. re. sign. u. dat. 1854, ein Kratzer und eine Blessur auf der Stirn, 44 x 37 cm, ger. 49 x 42 cm
Jan Altink (Groningen 1885 - 1971), Portrait of Johan van Zweden, signed (bottom right), and annotated 'own print' (bottom left), in pencil. Lithograph. Provenance: Obtained directly from the artist by J.H.M. Rolink (inv. no.: 'AL-160-L), then by inheritance to the current owners.sheet 43 x 36,5 cm.
Johann Nepomuk Strixner: Altötting 1782 - 1855 München. Zeichner, Lithograph und Kupferstecher. Studium an der Münchner Kunstakademie.>br>Motiv: Historisierende Szene mit römischen Soldaten und Gefangenen. Auf einem Thron sitzender militärischer Befehlshaber, dem die Häftlinge zugeführt werden. >br>Lithographie, unten rechts im Stein signiert „N. Stixner del.“, links bezeichnet „Paggi“. Ca. 15 x 11 cm (Plattenformat), unter Glas gerahmt.>br>Lit.: I. Feldhaus, Die Lithographien Johann Nepomuk Strixners, in: A. Gethmann-Siefert (Hg.), Kunst als Kulturgut, München 2011, S. 233-262; Thieme/Becker Bd. 32, S. 193.
Ludwig Eduard Lütke: Berlin 1801 - 1850. Landschafts-, Marine- und Architekturmaler, Lithograph. >br>Motive: 1. „Vom Brauhausberge nach dem Neuen Palais“. 2. „Die Pfaueninsel bei Potsdam“. 3. „Aussicht vom Königlichen Pavillon auf dem Pfingstberge bei Potsdam“ 4. „Aussicht von Behlerts-Brücke bei Potsdam, gegen Süden“. >br>Alle unten links bezeichnet „Lütke Jun.“, datiert zwischen 1824 und 1827, unten rechts jeweils bezeichnet „Berlin, bei C. G. Lüderitz“, gedruckt im „Königl. Lith. Institut Berlin“. Aus der Folge „Ansichten von Potsdam und der Umgebung“.>br>Motiv - Formate je ca. 18 x 25 cm, Blattgröße je ca. 31,5 x 45,5 cm. Alle ungerahmt, unkoloriert, mit Altersspuren etc. Lit.: Thieme/Becker Bd. 23, S. 452.
Möglicherweise Johann Carl August Richter: Dresden 1785 - 1853. Landschafts- und Architekturmaler, Radierer, Kupferstecher, Lithograph.>br>Motiv: „Ansicht der neuen Anlage vor dem Zwinger Thor zu Dresden“. Wohl um 1800/1810. >br>Altkolorierte Radierung, unten rechts in der Platte bezeichnet, ca. 8,5 x 13,5 cm (Motiv), Passepartout, unter Glas gerahmt.>br>Vgl. Thieme/Becker Bd. 28, S. 294.
Ausstellungs-Poster von Helmut Newton "They are Coming"Museo d'Arte Contemporanea, Castello di Rivoli. 98 x 132 cm, verglast und gerahmt 102 x 136 cm, Offset-Lithographie von LEM, Mailand. Start Price: EUR 240 Zustand: (1-2/-)They are Coming Exhibition Poster by Helmut NewtonMuseo d'Arte Contemporanea, Castello di Rivoli. 38 ½ x 52 in., glazed and framed 40 1/8 x 53 1/2 in., offset lithograph by LEM, Milano. Start Price: EUR 240 Condition: (1-2/-)
La Vérité sur Marilyn, von Jean Lagarrigue, 1975Die Wahrheit über Marilyn, Frankreich, Lithographie, Nr. 54/99, rechts unten mit Bleistift signiert, Format 75 x 55 cm, verglast und gerahmt. Start Price: EUR 120 Zustand: (2-3/-)La Vérité sur Marilyn, by Jean Lagarrigue, 1975The Truth about Marilyn, France, lithograph, no. 54/99, signed in pencil lower right, 29 ½ x 21 2/3 in., glazed and framed. Start Price: EUR 120 Condition: (2-3/-)
Polyphon-Plattenspieldose mit Spiralfeder-Antrieb (!), um 1902Hersteller: Polyphon Musikwerke, Leipzig. Modell 43D, Nr. 215, für 39,8cm-Platten, 154 Töne im Doppelkamm (komplett!), Nußbaumgehäuse mit Intarsien auf dem Deckel, Lithographie in Kopie, mit Abdeckung des Mechanismus, Geschwindigkeitsregler, mit 20 Platten. - Sehr gut spielender Zustand. Sehr selten mit diesem Antrieb! Start Price: EUR 800 Zustand: (3+/2-3)Polyphon Disc Musical Box with Spiral Spring-Drive, c. 1902Polyphon Musikwerke Leipzig. Style 43D, no. 215, for discs of 15 ½ in., with 154 teeth in duplex music comb (complete), walnut case with inlay on lid, mechanism cover, copy lithograph, with speed control, very good playing condition, with 20 discs. Scarce with this unusual spring drive! Start Price: EUR 800 Condition: (3+/2-3)
Plattenspieldose Symphonion Nr. 60NO, um 1900Symphonion Musikwerke, Leipzig. Für Blechplatten 33,5 cm, 60 Töne im Stahlkamm (komplett), Zither-Aufsatz, Nußbaumgehäuse mit Original-Lithographie im Deckel, Seiten mit Messingornamenten und -bändern, Deckel mit Motiv aus gepreßtem Holz, gut spielender Zustand, mit 42 sehr gut erhaltenen Platten. Start Price: EUR 450 Zustand: (2-3/3)13 1/4-Inch Symphonion No. 60NO Disc Musical Box, c. 1900Symphonion Musikwerke, Leipzig. 60 teeth in music comb (complete), zither attachment, with walnut case, sides with brass ornaments and banding, pressed walnut bombé lid, original lithograph in lid, good playing condition, with 42 discs in very good condition. Start Price: EUR 450 Condition: (2-3/3)
Optischer Spielzeugtelegraph nach Claude Chappe, um 1845Les Petits Télégraphes, Paris, französisches Spielzeug bestehend aus 2 Miniatur-Zeigertelegraphen auf gedrechseltem Holzsockel und 3 Anleitungen mit Zeichenalphabet, in aufwendig gestalteter Original-Schachtel mit kolorierter Lithographie. - Äußerst seltenes Spielzeug aus der Frühzeit der Telekommunikation. Start Price: EUR 1.800 Zustand: (2-3/2)French Optical Toy Telegraph according to Claude Chappe, c. 1845Les Petits Télégraphes, Paris, a game of telecommunication, containing 2 miniature optical telegraphs on drilled wood bases and 3 code instructions, in decorative original box with colored lithograph on lid. - An extremely rare and early communication toy. Start Price: EUR 1.800 Condition: (2-3/2)

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