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Dominic Winter Auctions
Los 748

Liebermann (Max). Hollandisches Skizzenbuch, Text von Oscar Bie, Berlin: Verlag von Julius Bard, 1911, original lithograph frontispiece depicting the artist sketching in a landscape, 83 photolithographic illustrations, including some full-page, untrimmed, original publisher's linen, with pictorial upper cover, lightly rubbed with some light soiling and discolouration, ties present, oblong folio (26 x 32 cm) (Qty: 1)NOTESProvenance: Eduard Rosenbaum (1887-1979), Anglo-German economist and librarian. Schiefler 110, iii. Number 435 of 500 copies.

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Chalkwell Auctions
Los 71

A Contemporary framed Chinese lithograph, framed size 79 x 74cm.

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Chalkwell Auctions
Los 188

A framed artist's proof lithograph entitled 'Budgerigars', pencil signed Winifred Austen (English 1876-1964), framed size 46 x 40cm.

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Chalkwell Auctions
Los 624

A framed lithograph signed Laura Nobleck '94, framed size 95 x 70cm.

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Tate Ward
Los 1

Ai Weiwei (Chinese b.1957), ‘The Odyssey’, 2017, offset lithograph on paper, published by Public Art Fund, from an edition of 1000; sheet: 95.5 x 65.5cm inc frame

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Tate Ward
Los 108

Roy Lichtenstein (American 1923-1997), 'Whamm!!', 1963, diptych, offset lithograph in colours on Huntsman Superwhite Cartridge paper, published by The Tate Gallery, printed by Lautrec Photo Lito Ltd Leeds, bearing printed title, date and publishing information to the lower edge of both sheets, from an un-numbered edition of 3000; sheet: 64 x 74.5cm each; total image: 64 x 149cm (2)

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Tate Ward
Los 121

Tracey Emin (British b.1963), ‘The Kiss Was Beautiful’, 2016, offset lithograph in colours on 250 gsm silk finish paper, signed in silver pen, from an edition of 500, published by Emin International, London; sheet: 70 x 50cm ARR

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Tate Ward
Los 131

Yoshitomo Nara (Japanese b.1959), 'Marching On A Butterbur Leaf', 2019, offset lithograph in colours on archival paper, from an edition of 1000, published by Dallas Contemporary; sheet: 61 x 45.5cm

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Tate Ward
Los 143

Banksy (British b.1974), ‘Tesco Value Petrol Bomb’, 2011, offset lithograph in colours, from an un-numbered edition of 2000; sheet: 50 x 40cm ARR

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Tate Ward
Los 203

Hebru Brantley (American b1981), 'Boy On Rocket', 2018, lithograph on colours in 300 g BFK Rives paper, signed and numbered from an edition of 99 in pencil, published by Print Them All; sheet: 76 x 76cm

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Tate Ward
Los 228

Keith Haring (American 1958-1990), ‘Andy Mouse’, 1986, offset lithograph in colours, published by The Estate of Keith Haring; sheet: 80 x 60cm

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Tate Ward
Los 229

Keith Haring (American 1958-1990), ‘Barking Dog’, 1994, offset lithograph in colours on paper. published by The Estate of Keith Haring; sheet: 65 x 90.5cm inc frame

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Tate Ward
Los 230

Keith Haring (American 1958-1990), ‘Untitled (Best Buddies)’, 1987, offset lithograph in colours, published by The Estate of Keith Haring; sheet: 80 x 60cm

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Tate Ward
Los 307

Christopher Wool & Felix Gonzalez-Torres (Collaboration), ‘untitled (The Show Is Over)’, 1993, offset lithograph on paper; sheet: 142 x 94cm

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Tate Ward
Los 309

Damien Hirst (British b.1965), ''The Last Supper', 2005, offset lithograph in colours on smooth wove paper, signed in white pencil, from an open edition, published by Paul Stolper and Other Criteria; sheet: 152 x 200cm ARR

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Tate Ward
Los 361

Banksy (British b.1974), ‘Monkey Parliament', 2009, offset lithograph in colours on smooth wove paper; sheet: 53 x 84cm (framed) ARR

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Tate Ward
Los 74

JR (French b.1983) 'The Ballerina Jumping In Containers, Le Harce, France, 2014', 2018, lithograph in colours on 250 grms BFK Rives White paper, signed, dated and numbered from an edition of 250 in pencil, stamped with Artists stamp, published by Social Animals; sheet: 36 x 46cm ARR

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Tate Ward
Los 8

Antony Micallef (British b.1975), 'Uzi Lover 1', 2007, lithograph in colours on wove paper, signed and numbered from an edition of 400 in pencil, published by Lazarides; sheet: 68 x 65cm (framed) ARR

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Warrington & Northwich Auction
Los 826

Framed and glazed limited edition 281 / 850 lithograph Pinza 52 x 40 cm

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Bonhams
Los 113

Francis Bacon (1909-1992)Autoportrait (Sabatier 12) Lithograph in colours, 1977, on Arches wove paper, signed in felt-tip pen, numbered 132/180 in pencil (there were also a few artist's proofs), published by Galerie Claude Bernard, printed by Mourlot, Paris, the full sheet, pale time staining to sheet edges, the signature slightly faded, otherwise in good condition, framed Image 850 x 635mm. (33 1/2 x 25in.); Sheet 1020 × 723mm. (40 1/8 x 28 1/2in.)This lot is subject to the following lot symbols: AR

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Bonhams
Los 117

David Hockney (born 1937)Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234) Lithograph in colours, 1980, on Arches wove paper, signed, dated and numbered 529/1000 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framedSheet 265 x 228mm. (10 5/8 x 9in.)This lot is subject to the following lot symbols: AR

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Bonhams
Los 32

Paul Signac (1863-1935)Saint-Tropez: Le Port (Kornfeld & Wick 19) Lithograph in colours, 1897-98, on wove paper, signed and numbered n.91 in pencil, from the edition of 100 published by Ambroise Vollard, printed by Auguste Clot, Paris, with wide margins, pale mount and light-staining, the colours slightly attenuated, a repaired plughole to the centre-left of the image in the doorway, a small repaired paper split in the signature with associated slight rubbing of the 'P', otherwise in good condition, framedImage 438 x 330mm. (17 1/4 x 13in.); Sheet 521 x 400mm. (20 1/2 x 15 3/4in.) This lot is subject to the following lot symbols: *

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Bonhams
Los 36

Georges Braque (1882-1963)Le Cygne (The Swan), from Cahier de Georges Braque 1916-1947 (see Vallier 36, p.82) Lithograph with extensive hand-colouring in black and white gouache, 1947, on heavy wove paper, signed in black crayon, a working proof before the edition, published as the tailpiece for Cahier de Georges Braque, 1947, the sheet trimmed to an octagonal form (as issued), in good condition, framedSheet 250 x 230mm. (9 3/4 x 9in.)This lot is subject to the following lot symbols: AR

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Bonhams
Los 37

Pablo Picasso (1881-1973)Inès et son Enfant (Bloch 414; Mourlot 60) Lithograph, 1947, on wove paper, signed and numbered 9/50 in pencil (there were also five artist's proofs), printed by Mourlot, Paris, the full sheet with upper and lower deckle edges, minor time staining, generally in good condition, framedSheet 654 x 497mm. (25 3/4 x 19 5/8in.)This lot is subject to the following lot symbols: AR

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Bonhams
Los 38

Marc Chagall (1887-1985)La Femme du Peintre (Mourlot 630) Lithograph in colours, 1971, on Arches wove paper, signed and dated 7/50 in pencil, the full sheet with a deckle edge at right, with pale light-staining, otherwise in good conditionImage 660 x 500mm. (26 x 19 5/8in.); Sheet 757 x 586mm. (29 3/4 x 23in.)This lot is subject to the following lot symbols: AR

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Bonhams
Los 39

Marc Chagall (1887-1985)La Caverne des Nymphes, from Daphnis et Chloé (Mourlot 321; Cramer books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 45/60 in pencil (there was also an unsigned, unnumbered edition of 250 without margins), published by Tériade Editeur, printed by Mourlot, Paris, the full sheet with a deckle edge below, with backboard and light-staining, the colours slightly attenuated, otherwise in good condition, framedImage 423 x 644mm. (16 5/8 x 25 3/8in.); Sheet 539 x 759mm. (21 1/4 x 29 3/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 40

Marc Chagall (1887-1985)La Leçon de Philétas, from Daphnis et Chloé (Mourlot 323; Cramer books 46) Lithograph in colours, 1962, on Arches wove paper, signed and numbered 46/60 in pencil (there was also an unsigned, unnumbered edition of 250 without margins), published by Tériade Editeur, printed by Mourlot, Paris, the full sheet with a deckle edge below, with minor backboard staining and light-staining, some foxing, the colours slightly attenuated, framedImage 425 x 325mm. (16 3/4 x 12 3/4in.); Sheet 539 x 379mm. (21 1/4 x 14 7/8in.) This lot is subject to the following lot symbols: * AR

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Bonhams
Los 41

Marc Chagall (1887-1985)Paravent (Mourlot 390) Lithograph in colours, 1963, on four sheets of wove paper mounted in the original waxed oak folding screen, signed and numbered 93/100 in black ink at the lower right corner of the right hand panel, published by Gerald Cramer, Geneva, the full sheets, with time and light-staining, the colours slightly attenuated, with foxing, otherwise in good conditionOverall 1470 x 1908mm. (57 7/8 x 75in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 46

Joan Miró (1893-1983)One plate, from Oda a Joan Miró (Mourlot 907; Cramer Books 175) Lithograph in colours, 1973, on wove paper, signed and numbered 13/75 in pencil (there was also an edition of 25 with wider margins), printed and published by Polígrafa, Barcelona, possibly the full sheet, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, with pale time staining at extreme sheet edges, otherwise in good conditionSheet 874 x 608mm. (34 3/8 x 24in.)This lot is subject to the following lot symbols: AR

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Bonhams
Los 48

Joan Miró (1893-1983)Défilé de mannequins à Bahia (Mourlot 628) Lithograph in colours, 1969, on wove paper, signed and numbered 23/75 in pencil, published by Maeght, Paris, the full sheet, minor time and backboard staining, with creases principally visible in the margins, otherwise in good condition, framed Sheet 1251 x 865mm. (49 1/4 x 34in.)This lot is subject to the following lot symbols: AR

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Bonhams
Los 49

Joan Miró (1893-1983)Horse Ride - Violet Red (Mourlot 610) Lithograph in colours, 1969, on BFK Rives wove paper, signed and numbered 40/75 in pencil, printed and published by Maeght, Paris, printed to the edges of the full sheet, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, in very good conditionSheet 851 x 605mm. (33 1/2 x 23 3/4in.)This lot is subject to the following lot symbols: AR

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Bonhams
Los 74

Marc Chagall (1887-1985)Cheval Vert (Mourlot 698) Lithograph in colours, 1973, on Arches wove paper, signed and numbered 38/50 in pencil, published by Editions Maeght, Paris, the full sheet with deckle edge below, with pale time and light-staining, otherwise in good condition, the colours still strongImage 335 x 260mm. (13 1/8in. x 10 2/8in.); Sheet 543 x 413mm. (21 3/8 x 16 1/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 75

Marc Chagall (1887-1985)Couple sur Fond Noir II (Mourlot 707a) Lithograph in colours, 1973, on Japon nacré paper, signed and numbered 23/50 in pencil, published by Editions Maeght, Paris, the full sheet with deckle edges at right and below, in good condition Image 325 x 250mm. (12 3/4 x 9 7/8in.); Sheet 550 x 421mm. (21 5/8 x 16 1/2in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 76

Marc Chagall (1887-1985)Autoportrait (Mourlot 709) Lithograph in colours, 1974, on Arches wove paper, signed and numbered 27/50 in pencil (there were also ten artist's proofs on japan), with wide margins and deckle edges at right and below, trimmed 5mm. into the upper sheet edge, with time and light-staining at sheet edges, otherwise in good condition, the colours still strongImage 590 x 450mm. (23 1/4 x 17 3/4in.); Sheet 755 x 540mm. (29 3/4 x 21 1/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 77

Marc Chagall (1887-1985)La Nuit de Saint Paul (Mourlot 958) Lithograph in colours, 1980, on Arches wove paper, signed and numbered 34/50 in pencil, published by Mourlot, Paris, with their blindstamp, the full sheet with a deckle edge below, minor time staining, otherwise in good condition Image 500 x 380mm. (19 5/8 x 15in.); Sheet 640 x 476mm. (25 1/8 x 18 3/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 78

Marc Chagall (1887-1985)L'Atelier de Nuit (Mourlot 961) Lithograph in colours, 1980, on Arches wove paper, signed and numbered 33/50 in pencil, published by Mourlot, Paris, with their blindstamp, the full sheet with a deckle edge below, in good condition Image 500 x 380mm. (19 5/8 x 15in.); Sheet 650 x 478mm. (25 5/8 x 18 3/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 79

Marc Chagall (1887-1985)Les Amoureux (Mourlot 994) Lithograph in colours, 1982, on Arches wove paper, signed and numbered 30/50 in pencil, the full sheet with a deckle edge below, in good condition Image 360 x 280mm. (14 1/8 x 11in.); Sheet 557 x 438mm. (21 7/8in. x 17 1/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 80

Marc Chagall (1887-1985)Le Violoniste au Coq (Mourlot 1000) Lithograph in colours, 1982, on Arches wove paper, signed and numbered 28/50 in pencil, the full sheet with a deckle edge at right, in good conditionImage 490 x 340mm. (19 1/4 x 13 3/8in.); Sheet 658 x 500mm. (25 7/8in. x 19 5/8in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 81

Marc Chagall (1887-1985)Evocation (Mourlot 1001) Lithograph in colours, 1983, on Arches wove paper, signed and numbered 23/50 in pencil, the full sheet with a deckle edge below, in good conditionImage 495 x 340mm. (19 1/2 x 13 3/8in.); Sheet 650 x 478mm. (25 5/8 x 18 3/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 82

Marc Chagall (1887-1985)Fleurs d'Art (Mourlot 1006) Lithograph in colours, 1983, on Arches wove paper, signed and numbered 22/50 in pencil, the full sheet with a deckle edge below, very pale time staining at sheet edges, otherwise in good condition Image 490 x 335mm. (19 1/4 x 13 1/8in.); Sheet 650 x 480mm. (25 5/8 x 18 6/8in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 83

Marc Chagall (1887-1985)Songe d'Été (Mourlot 1005) Lithograph in colours, 1983, on Arches wove paper, signed and numbered 23/50 in pencil, the full sheet with a deckle edge at right, in good conditionImage 380 x 530mm. (15 x 20 7/8in.); Sheet 478 x 652mm. (18 3/4 x 25 5/8in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 84

Marc Chagall (1887-1985)Nu au Visage Double (Mourlot 1013) Lithograph in colours, 1983, on Arches wove paper, signed and numbered 17/50 in pencil (there were also 12 artist's proofs in black), the full sheet, with pale time staining, otherwise in good condition Image 400 x 300mm.(15 3/4 x 11 6/8in.); Sheet 650 x 475mm. (25 5/8 x 18 5/8in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 85

Marc Chagall (1887-1985)Peintre au Chapeau (Mourlot 1010) Lithograph in colours, 1983, on Arches wove paper, signed and numbered 23/50 in pencil, the full sheet with a deckle edge below, in good condition Image 465 x 310mm. (18 1/4 x 11 1/4in.); Sheet 650 x 478mm. (25 5/8 x 18 3/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 86

Marc Chagall (1887-1985)Hyménée (Mourlot 1017) Lithograph in colours, 1983, on Arches wove paper, signed and numbered 17/50 in pencil (there were also 12 artist's proofs in black), the full sheet, in good conditionImage 340 x 255mm. (13 3/8 x 10in.); Sheet 540 x 438mm. (21 1/4 x 17 1/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 87

Marc Chagall (1887-1985)L'Artiste a la Chèvre (Mourlot 1026) Lithograph in colours, 1984, on Arches wove paper, signed and numbered 14/50 in pencil (there were also 12 artist's proofs in black), the full sheet with a deckle edge below, in good conditionImage 320 x 240mm. (12 5/8 x 9 1/2in.); Sheet 540 x 425mm. (21 1/4 x 16 3/4in.)This lot is subject to the following lot symbols: * AR

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Bonhams
Los 88

Salvador Dalí (1904-1989)Le Grand Tournoi (Field 74-13; Lopsinger 587) Etching with drypoint and stencil, 1973, on Richard de Bas paper, signed and numbered HC XXIX/L, one of 50 hors-commerce impressions aside from the edition of 100, published by Vision Nouvelle, printed by Ateliers Rigal, Paris, the full sheet, with pale time staining to sheet edges, some soft handling creases, otherwise in good overall condition; together with Deux Nus (Gémeaux), lithograph in colours, 1970, on japan paper, signed and numbered XXIV/XXV in pencil (there was also the edition of 175 on Rives paper), published by Musée de l'Athénée, Geneva, printed by Desjobert, Paris, with pale, scattered foxing, in overall good conditionPlate 405 x 592mm. (15 3/4 x 23 1/4in.); Sheet 579 x 790mm. (22 3/4 x 31 1/8in.) (2)This lot is subject to the following lot symbols: AR

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Forum Auctions
Los 10

δ Barbara Hepworth (1903-1975)ArgosLithograph printed in colours, 1969, signed in pencil, numbered from the edition of 60, on Barcham Green wove paper, printed and published by The Curwen Studio, with their blindstamp, with full margins, 816 x 587mm (32 x 23 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 11

δ Henry Moore (1898-1986)Two Rock Reclining Figures (Cramer 102)Lithograph, 1967, signed and numbered from the edition of 50 in pencil, on Bacham Green paper, printed by J E Wolfensberger, Zurich, published by the Henry Moore Foundation, Much Hadam, the full sheet, 598 x 485mm (23 1/2 x 19in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 15

** δ Paula Rego (b.1935)Girl Who Has Been Sick Resting with Her Favourite Cuddly (Rosenthal 281)Lithograph, 2000, signed and numbered from the edition of 260 in pencil, on wove paper, published by the Serpentine Gallery, London, the full sheet, 318 x 380mm (12 1/2 x 15in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Forum Auctions
Los 26

δ Richard Hamilton (1922-2011)Marcel Duchamp (Lullin p.264)The rare monochrome offset lithograph laminated with silver foil, 1967, one of a few proofs before the text was added, the full sheet 697 x 569mm (27 3/8 x 22 3/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 27

δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, on thick wove paper, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, with full margins, sheet 1150 x 640mm (40 x 25 1/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 30

δ David Hockney (b.1937)Mo Mcdermott (Tokyo 167)Lithograph, 1976, signed, dated and numbered from the edition of 100 in pencil, on Arches paper, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp and with the work number in pencil verso, the full sheet printed to the edges, 825 x 603mm (32 ¼ x 23 ¾in) (framed) Whilst being an accomplished artist in his own right, Mo Mcdermott was also Hockney's long-time assistant and was present in Los Angeles when many of the artist's career defining paintings were produced, whilst in Los Angeles he was heavily featured in Jack Hazan's seminal 1974 film A Bigger Splash which documented Hockney and his close circle of friends. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 31

δ David Hockney (b.1937)Celia Looks (Tokyo 247)The scarce lithograph, 1980, signed, dated, inscribed 'A.P.' and numbered in numerals from the edition of XIV in pencil, an artist's proof aside from the edition of 54, on tan HMP koller paper, printed and published by Gemini G.E.L., Los Angeles, with full margins, sheet 267 x 273mm (10 5/8 x 10 ¾in) (unframed)Celia Birtwell first met David Hockney in Los Angeles in 1964, she has since then been a muse for the painter appearing in hundreds of images by the artist. The tender non sexualised depictions of her often feature her dressed in clothes designed by her former husband Ossie Clark made of fabrics with patterns designed by her. Hockney said of her "she's a very feminine woman, not a masculine woman, and a very sweet-natured, gentle person"δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 32

δ David Hockney (b.1937)Big Celia Print #2 (Tokyo 253)Lithograph, 1981, signed, dated and inscribed AP in pencil, an artist's proof aside from the edition of 100, on wove paper, printed and published by Gemini G.E.L., Los Angeles, the full sheet printed to the edges, 1334 x 1461mm (52 5/8 x 57 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 44

δ Francis Bacon (1909-1992)Triptych (Sabatier 33)Offset lithograph printed in colours, 1976, signed and inscribed in felt tip pen, a proof aside from the edition of 100, on Arches paper, published by the Musee Cantini, Marseille, with full margins, 650 x 497mm (25 1/2 x 19 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 5

δ John Hoyland (1934-2011)Large Swiss RedLithograph printed in colours, 1968, signed and numbered from the edition of 100 in pencil, on wove paper, with full margins, sheet 540 x 810mm (21 ¼ x 31 7/8in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 52

** δ Anthony Gormley (b.1950)Sexual Field: Asexual FieldLithograph printed in colours, 2001, signed and numbered from the edition of 200 in pencil, on wove paper, the full sheet printed to the edges, 315 x 412mm (12 2/5 x 16 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

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Forum Auctions
Los 9

δ Barbara Hepworth (1903-1975)Sea FormsLithograph printed in colours, 1969, signed in pencil, numbered from the edition of 60, printed and published by The Curwen Studio, with their blindstamp, on Barcham Green wove paper, with full margins, 816 x 587mm (32 x 23 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Sworders
Los 11

WILLIAM PARROT (1813-1869) THE POOL OF LONDON, LOOKING TOWARDS LONDON BRIDGE A Preparatory study for a lithograph, pencil and wash 20.5 x 40.5cm

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Sworders
Los 125

A PAGEANT OF LONDON FOR LONDON'S CHILDREN, 1926, a London Underground transport lithograph poster, designed by Elijah Albert Cox (1876-1955), numbered 1391-5000-14-9-26, backed on linen, poster size 128 x 100cm Born in Islington, London, Cox studied at Whitechapel People's Palace and at the London College of Printing. Having worked as an assistant to Frank Brangwyn, and as a designer for a manufacturing chemist, he became a mural and poster designer. Elected to the Royal Society of British Artists in 1915, commissions came from London Underground, the Empire Marketing Board and others. He also illustrated books, mostly historical and heroic adventures.

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