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Los 1

HENRY MOORE Figures. Lithograph. Dated 1946. 12 x 9 1/2ins.

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*Hoytema (Theodoor van, 1863-1917). Apes in the Zoo, 1900, lithograph on toned card, signed in pencil, image size approx. 420 x 510 mm (16.5 x 20 ins), some surface marks, together with Célos (Julien, 1884-1953), Dutch village scene in the evening, colour etching, signed in pencil, plate size approx. 450 x 585 mm (17.75 x 23 ins), some surface marks, plus Honoré (Paul, 1885-1956), Gentleman on horseback, distributing largesse, tinted woodcut, on japan, signed and inscribed 'To Hugh Walpole whose gifts are extended as greatly as this chap's', image size approx. 190 x 190 mm (7.5 x 7.5 ins) with margins, some marks, and two early 20th c. etchings (a landscape by Gertrude Martin Hodges, and a group of urchins with London in the distance, by Doris A. Davis, dated 1918), and a wood engraving of flowers and butterflies, entitled 'The Net', by B. Moray Williams, signed, titled and dated '34 (6)

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*Lear (Edward). Great Egret. Ardea Alba, hand-coloured lithograph, printed by C. Hullmandel after Edward Lear, approx. 345 x 520 mm (13.5 x 20.5 ins), framed and glazed (1)

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Charles Johnson Payne (1884-1967) Snaffles colour lithograph The Stone Faceder signed in pencil 19.5 x 17 ins.

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EDWARD GORDON CRAIG (1872-1966) THE PIED PIPER Woodblock print initialled in pencil and dated 1924 pencil inscribed '1901' bears label verso 'limited edition 39/150' 19cm x 15cm; together with an early 20th century school watercolour and bodycolour 'We also bless thy holy name' embellised with gilt signed 'C. Barnes' 30cm x 19cm; and a framed lithograph 'Logging' by Michael Rothenstein 41cm x 67cm (3)

Los 1

WILLIAM NICHOLSON (1872-1949) PERSIMMON Lithograph in colour 17cm x 18cm

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GEORGE EDWARDS (1694-1773) THE PARAKEET FROM CARRACCAS Coloured lithograph 26cm x 20cm and another four (5)

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PETER TANJE (1706-1761) SHELLS Colour lithograph 30cm x 45cm and two others (3)

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STANLEY CURSITER(1887-1976) THE MOON'S FIRST TRIP Lithograph, signed and inscribed 34cm x 42cm

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SIR DAVID WILKIE (1785-1841) MADAME GUISEPPINA Lithograph 44cm x 32cm Provenance: Fine Art Society Exhibited:Fine Art Society Ltd 1980, 'Travellers: Beyond the Grand Tour'

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HANDCOLORED LITHOGRAPH. Brightly colored print of parrots titled Rosenberg's Lory. Initialed on the plate JGK (Johannes Gerardus Keulemans, Dutch, 1842-1912). Professionally framed with a label on the back ...by S.J. Mivart after J.G. Keulemans. From A Monograph of the Lories...London, 1896. Not examined out of frame. 19 3/4h. 17'w.

Los 1

HANDCOLORED ENGLISH PRINT. Large folio lithograph by Robert Dodd of the sea battle between the English ship Glatton and a French squadron, published in 1796. Matted and framed. 31 1/2h. 37 1/2w.

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LITHOGRAPH BY THOMAS HART BENTON. An image of African Americans entering a country church. Signed in pencil below the plate Benton (Thomas Hart Benton, Missouri, 1889-1975, N.A.) Titled Sunday Morning on an Associated American Artists label (removed from original backing paper and placed on later frame). Not examined out of frame. 17 3/4h. 19 3/4w.

Los 1

LITHOGRAPH BY GEORGE BELLOWS. An elderly woman wearing a bonnet. Titled and signed in pencil Old Irish Woman, Geo. Bellows (George Wesley Bellows, born Columbus, Ohio, 1882-1925, N.A.) Also signed by the printer, Bolton Brown. Modern mat and frame. 18 1/2h. 15 5/8w.

Los 1

HANDCOLORED LITHOGRAPH BY GOULD AND RICHTER. Hummingbirds and nest painted in deep rich colors of green and blue. Titled Hylocharis Cyaneus by J. Gould and H.C. Richter. Professionally matted and framed. 34h. 27 1/4w.

Los 1

DECORATED BRIDE'S BOX. Bentwood with laced seams. The lid has a handcolored decoupaged lithograph of a couple under an arch with Psyche & Cupid. The rest of the box has colorful hand painted flowers on an orange/red ground. Branded on the bottom SH in a heart. Minor damage and a repaired split in the lid. 12 1/4 x 18 1/4. 7 1/4h.

Los 1

HAND COLORED LITHOGRAPH BY N. CURRIER. Large folio The Road - Winter C no. 5171 (one of the Old and New Best 50). Signed by O. Knirsch on the stone. The couple in the sleigh are supposed to be Nathaniel Currier and his wife, Laura. Wide margins with minor darkening around the edges. Glued down with a faint stain in the bottom margin. 23 1/2h. 31 3/4w. Framed. 26h. 34w.

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@After M. TERRY (fl. mid 19th Century) freetown coloured lithograph by A. Laby and J. Needham, in generally good condition pl. 10 1/2 x 25 1/2in (26.7 x 64.8cm)

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A late 19th Century colour lithograph, 'St Mary Redcliff, Bristol', within a Hogarth style frame.

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Jan Le Witt - 'Axial Image', lithograph printed in colours, signed, titled and inscribed.

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Marek Laczynski - 'The Great Father III', monochrome lithograph, signed, titled, editioned 7/7 and dated 1974, together with eight other works by the same hand.

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After William Faden - 'A Topographical Map of the Country Twenty Miles Round London', late 18th Century lithograph coloured in outline, published by W. Faden, backed onto linen.

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W. Russell Flint; lithograph, dancers, signed to the margin.

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After Picasso, Figures and bird, Lithograph, Bears a signature, date and inscription. 49cm x 36cm.

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Robert Tavener (20th century), Salisbury Cathedral, Lithograph, Signed, inscribed and numbered 20/25 in pencil, 42cm x 56cm. Best Bid

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Robert Tavener (20th century) Poppies & Farmhouse, Lithograph, Signed and inscribed in pencil, 48cm x 59cm. Best Bid

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Theo Tobiasse (Israeli/French b.1927), Portrait de Dame avec Cerise, Colour lithograph, Signed and numbered 44/75 in pencil, 73cm x 56cm. Together with a book on the artist.

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Greek modernist lithograph, of a town scene, indistinctly signed.

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C19th French coloured lithograph - PETIT TRIANON, VUE DU PAVILLON DE MUSIQUE - 10.6 by 13.6ins., in glazed frame; together with another French black & white engraving, in matching frame; seven further prints; and a small silk picture (10).

Los 1

A golfing wall clock by The De Luxe Clock Mfg. Co. lithograph with a scene of a golfer and caddie on a golf course circa 1900 18.2cm high

Los 1

Knight Henry Gally The ecclesiastical architecture of Italy. London: Henry Bohn 1843 folio volume I only colour lithograph title 40 lithograph plates contemporary half morocco worn hinges split water staining throughout [along upper margins]

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Fullerton and Co The Royal Illustrated Atlas of Modern Geography. London: A. Fullerton and Co [c. 1865] folio 76 lithograph maps [74 numbered plus 2 supplemental] engraved title contemporary half green morocco gilt a.e.g. marble endpapers bookplate of John George Bartholomew rubbed inner hinges strengthened foxing to title pagebrowning throughout map 31 torn along centre fold some small tears to edges of other maps Provenance: From the collection of J.G. Bartholomew map publisher. Note: Compared with the earlier edition of ca. 1860 some of the maps are new and others have been updated. The 'Royal illustrated tlas’ is an expanded version of 'The companion atlas to the gazetteer of the world’ by G.H. Swanston. Maps drawn by J. Bartholomew J. Hugh Johnson J. Macnab Augustus Petermann G.H. Swanston and A. Thom. (BM)

Los 1

Shelley G.E. A handbook to the birds of Egypt. London: John Van Voorst 1872 8vo 14 hand coloured lithograph plates after J. G. Keulemans later half morocco gilt red label decorative gilt stamps of birds to backstrip endpapers foxed

Los 1

Sitwell S. & Blunt W. Great flower books 1700-1900 A bibliographical record of two-centuries of finely-illustrated flower books. London: Collins 1956 folio 36 plates original half green cloth gilt dustwrapper torn at edges interior clean; Frères Pauquet Modes et costumes historiques. Paris 1967 4to lithograph title 100 plates original red cloth inner hinge weak occasional spotting bookplate [offset onto opposite endpaper] (2)

Los 1

Roberts David The Holy Land Syria Idumea Arabia Egypt & Nubia. London: Day & Son 1855 4to 6 volumes in 3 250 tinted lithograph plates [inc. portrait frontispiece] contemporary morocco gilt extra armorial gilt stamps to upper and lower boards backstrips faded rubbed at edges water staining to edges of volume I/II foxing gutter perchtas perishing (3)

Los 1

Manner of Thomas Sutherland early 19th century- 'Eleanor, Property of Sir Charles Bunbury Bart', etching with aquatint, 39x50cm: Dadley 18th century- Chinese cobbler, hand-coloured lithograph, after publ-Qua, set of three,various trades, Publ: May 1799 by W Miller, Old Bond Street, London. (4)

Los 1

British School 18th century- 'A Poor Man Loaded with Mischief, or Matrimony'; hand-coloured engraving, 33x24cm: W S Fores 21 Piccadilly publ. Feb 9th 1827- 'D_d Angelic pon honour-fascinating Creature monstrous hansome!! D_m me if she isn't a Divinity!!; hand-coloured etching: D Hodgson, 111 Fleet St, publ.- 'Master says I aint to let you go out till you pays for the four basins of Soup & three Plates of Weals& Taters!...'; hand-coloured lithograph, (3)

Los 1

C Starcke, early 19th century- 'Dilettanti- Theatricals;_er_ a Peep at The Green Room...', after Gillray; hand-coloured engraving, 25.4x39.5cm: Thomas McLean, publ., early 19th century- 'Ennui'; hand-coloured lithograph, 23x34cm., (2)

Los 1

British school 19th century- 'H M S Iron Duke', publ Sept. 1 1872 by Griffin & Co Portsmouth; lithograph printed in colours, 17x19cm: together with three other similar colour lithographs of maritime subjects to include those titled 'H M S Volace', 'H M S Inconstant' and 'H M S Captain', 17x19cm., ea: After Charles Dixon RI 20th century- 'New York Gives A Hero's Welcome To Admiral George Dewey', publ London June 1976, by Colin Denny Limited; reproduction print, numbered 216/850, 62x92cm., (5)

Los 1

Manner of Henry Thomas Alken 1785-1851- Pheasant shooting; hand-coloured chalk lithograph: together with three other prints of hunting scenes from the same or similar suite, 7x9cm., ea., (4)

Los 1

After Henry Moore 1898-1986- 'Basement Shelter' after the original works from The Shelter Sketch Book; offset lithograph printed in colours, titled within the plate, 18x15cm: together with three other similar offset lithographs after the same suite, 18x15cm ea., (4)

Los 1

After Henri de Toulouse-Lautrec 1864-1901- 'Couverture', lithograph printed in brown, together with ten other lithographs each with watermark and all numbered in pencil 522/1250, 56x43cm., ea., loose as issued in a bound cloth binding, publ Elles, first publication of the Toulouse-Lautrec Circle of London, issued November 1969 in an edition to 1250 copies for the world, (one bound volume)

Los 1

After Henry Thomas Alken I 1785-1850- 'All The Difference' , publ London, June 1823, by S & I Fuller, 34, Rathbone Place; hand-coloured chalk lithograph: together with three further plates from the same suite, (4)

Los 1

Bartolozzi, sepia lithograph, two young girls, first published 1792

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JOHN PIPER "The Tamar Bridge from Devon", colour lithograph, signed in pencil in the margin and marked A/P XIII/XV, 193/4" x 283/4".

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EDMUND KAPP "Frederick Delius", lithograph, signed and no. 3/100 in pencil in the margin and inscribed by the artist, 161/2" x 121/2"

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EDMUND KAPP, "Sir Henry Wood", lithograph, signed and no. 5/40 in pencil in the margin and inscribed by the artist, 161/2" x 121/2"

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After John Cameron - General Butler and Dexter, lithograph in colour and finished by hand on wove, published by Currier & Ives, late 19th c, 53 x 68cm ++ Unevenly stained, heavily water stained around the margins. In maple frame

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A J Munnings IKEY BELL, HUNTSMAN TO THE KILKENNY HOUNDS (an equestrian figure in a landscape, with hounds and other huntsmen beyond) an artist's proof lithograph

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F A Stewart FULL CRY an artist's proof lithograph

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A coloured Lithograph, printed on a tile, ship foundering in a stormy sea

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A coloured Lithograph, a ventriloquist and his punch dummy

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A LEATHER CASED SINGLE DRAW TELESCOPE BY E. W. SEAGROVE the leather casing inset with polychrome lithograph of divisional compass signal flags and numeral flags, with manufacturers stamp and signed 'J.D.P. French R.N.', 44cm long.

Los 1

THREE CIRCULAR SHELL ENCRUSTED SOUVENIRS each with a polychrome lithograph of a sailing ship, in a domed case, also a 20th Century sailors valentine box of heart outline (4).

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AFTER JAZEIL JOHNSTON A polychrome lithograph of the Eddystone lighthouse.

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AFTER LIEUT O. J. JONES (19TH CENTURY) "Her Majesty Queen Victoria's Tour through the Fleet in the Harbour of Cork, on the 3rd of August 1849", a coloured lithograph, 55cm x 73cm, unframed.

Los 1

After Karl V. Appen - 'Le Cercle de Craie Caucasien' (Theatre Poster for the Berliner Ensemble), mid-20th Century lithograph printed in colours with printed signature and date 1954.

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After Bartolozzi - 'Pomona' and 'Ceres', a pair of tondo colour engravings, both within gilt frames together with a lithograph.

Los 1

A mid-19th Century hand-coloured lithograph, View of the Opening of Cumberland Basin, Bristol.

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