*Cricket. A Cricket Match between Sussex and Kent, published S. Lipschitz, Hamburg and London, circa 1870, hand coloured lithograph, one marginal repaired closed tear, slight staining, 490 x 605 mm, mounted, framed and glazed A cricket match between Sussex and Kent played at Brighton. In the foreground is a gathering of spectators, each one a portrait of famous cricketers of the period including players, umpires and patrons. The print is taken from a larger engraving by G. H. Phillips which was published in 1849. (1)
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*Fairland (Thomas). Peter Simple by Arbutus (Grey), Dam by Sir Malagigi, published Mr. T. Walker, Grantham, 1841, hand coloured lithograph of a grey racehorse with jockey up after J. Fernely, proof before title and letters, legends added below image in pencil, title in manuscript in mount aperture, image size 420 x 540 mm, mounted, framed and glazed A scarce racing portrait, possibly commissioned by the owner - Mr T. Walker - of Barnaby cottage, Grantham, Lincolnshire. The horse ran in six Grand Nationals between 1841 and 1846. It never won but finished second in 1845 and 3rd in 1841 and 1842. (1)
*Angas (George French). Maori, Or, Native Swing, [from the New Zealander's Illustrated, 1857], hand-coloured lithograph, from the collection of 60 plates published by Thomas McLean in 1847, 255 x 310 mm (10 x 12.25 ins), with extensive later annotation in ink to verso, together with Baxter (George), Te po a Chief of Rarotonga, published by John Snow, [1839], Baxter print in oil colours by G. Baxter, from a painting by J. Williams Junior, [originally published in John Webber, Missionary Enterprises in the South Sea Islands, 1839], some light marks (generally in good condition), sheet size 185 x 120 mm (7.25 x 4.75 ins) See Abbey, Travel 589 for the whole work by Angas. (2)
*Coldstream Guards. Mansion (L. & Eschauzier L.), Officers of the British Army no. 4. Coldstream Guards (Winter dress), circa 1840, lithograph with contemporary hand colouring, slight dust soiling, 300 x 240 mm, mounted, framed and glazed, together with The Coldstream Guard's band, 1830, published W. Spooner, coloured by C. H. Martin, circa 1840, lithograph with contemporary hand colouring, some spotting, 420 x 320 mm, framed and glazed, with Reeve (R. G.), Military Incidents. The Baggage Guard in a fall of sleet. 'Tis comining in very fiercely - We had best let the guards put on their great coats', circa 1835, aquatint after C. B. Newhouse, contemporary hand colouring, 260 x 380 mm, mounted, framed and glazed, plus Carington Bowles (publisher), Here's a health to the Dutchess of York wherever she goes - Coldstream Guards, circa 1780, mezzotint with contemporary hand colouring, 145 x 110 mm, mounted, framed and glazed, with another four engravings and lithographs all relating to the Coldstream guards, all framed and glazed, various sizes and condition (8)
*Harris (Henry Hotham, 1805-1865). The Gathering of the Unions on New Hall Hill, Birmingham, published Edgbaston, August 20th 1832, uncoloured lithograph, some repaired marginal closed tears, slight dust soiling and staining, largely confined to title area, 410 x 560 mm, mounted, framed and glazed The Birmingham Political Union had taken the lead in the Parliamentary Reform agitation of 1830-1832 and the largest of the mass-meetings of the Political Unions which took place on 7 May, 1832, had an estimated attendance of 200,000 people. However, the Bill was defeated in the House of Lords that same evening and Earl Grey, the Prime Minister, resigned. After further agitation and demonstrations, particularly in the Midlands, Grey was recalled and the Bill reintroduced, finally receiving Royal Assent on 7th June 1832. (1)
*South Africa. Sayer (Robert, publisher), The Cape of Good Hope, circa 1780, engraving with contemporary hand colouirng, slight creasing and dust soiling, slight toning, 255 x 400 mm, mounted, framed and glazed, together with Walker (E.), This Picture representing the great meeting in front of the Commercial Hall, Cape Town on 4th July 1849..., hand coloured lithograph after Thos. W. Bowler, repaired closed tears affecting image, some loss to title, and letters, some toning and staining, 395 x 485 mm, mounted, framed and glazed, with, Ogilby (John), The Hottentots cloathing and their armes, [1670 or later], uncoloured engraving, slight creasing, 245 x 340 mm, plus Orme (Edward, publisher), Anecdote, Lion & Hottentot, 1813, aquatint by Dubourg after Howitt, contemporary hand colouring, 180 x 230 mm, with a map of African Islands by Emanuel Bowen and a map of the West Indies by Bonne, plus another map of Greece by Starck, each approximately 350 x 430 mm, plus one other untitled small engraving (8)
*Transport. The New Steam Carriage, published Thos. McLean, circa 1830, hand coloured aquatint after G. Morton, 290 x 400mm, mounted, framed and glazed, together with Stop him who can!! an English patentee introducing a French hobby-horse - or a bit of a push down Highgate-hill to Long acre, circa 1830, etching with contemporary hand colouring, trimmed to image, some creasing, repaired closed tears affecting image, 250 x 350 mm, mounted, framed and glazed, with Truminer (C., publisher), Ludwigs Eisenbahn von Nurnberg und Furth, circa 1840, early German railway lithograph with contemporary hand colouring, horizontal and vertical folds, 285 x 325 mm, mounted, framed and glazed (3)
*Dighton (Richard). A Lawyer & his Client, May 1812, etching with contemporary hand colouring, 275 x 215 mm, mounted, framed and glazed, together with Landseer (Thomas), Cow and Calf, published Darton & Clarke, circa 1870, hand coloured etching, 215 x 275 m, mounted, framed and glazed, with Dean & Co., (publishers), The Princess Royal on her favourite pony in the Duke of Athol's Park, circa 1842, lithograph with contemporary hand colouring, 215 x 270 mm, mounted, framed and glazed Provenance: Gerald Tyrwhitt-Wilson, 14th Lord Berners, Faringdon House, Oxfordshire. (3)
*Maritime. A collection of six caricatures all relating to sailors and the sea, 19th century, including Roberts (Piercy), Nautical Experience, published Thomas Tegg, 1818, etching with contemporary hand colouring, trimmed to plate mark and tipped on to later paper, 250 x 325 mm, mounted, together with Williams (C.), A Naval Enquiry with a Naughtical explanation, published S. W. Fores, 1805, etching with contemporary hand colouring, trimmed to image, some adhesion scarring to verso, 240 x 335 mm, mounted, with Tregear (G. S., publisher), Shiver my topsails mate, lend us your hand. I wish I may get it, circa 1825, lithograph with contemporary hand colouring, some staining and old watercolour marks to margins, 335 x 200 mm, mounted, plus Williams (C.), The Sailor's Defence, published Woodward, circa 1810, etching with contemporary hand colouring, one repaired closed tear affecting image, 240 x 350 mm, mounted, and Rowlandson (Thomas), A Sailor's Marriage, published R. Ackermann, 1805, etching with contemporary hand colourings, slight toning, 265 x 340 mm, mounted, with one other similar (6)
Beckford (William). Memoirs of William Beckford of Fonthill, Author of "Vathek", 2 volumes, Charles J. Skeet, 1859, lithograph portrait frontispiece to volume 1, ownership signature of Robert Gordon at head of titles with his armorial bookplate to upper pastedowns, some scattered spotting, contemporary red half calf gilt by Archer & Sons of Belfast, boards rubbed & scuffed, 8vo Provenance: Gerald Tyrwhitt-Wilson, 14th Lord Berners, Faringdon House, Oxfordshire. (2)
Rutter (John). Delineations of Fonthill and its Abbey, published by the author, Shaftesbury & London, 1823, half-title, 14 plates (including folding lithograph plan of the estate, and 3 hand-coloured aquatints, correct as list), wood engraved vignettes, double-page pedigree, list of subscribers at end, occasional spotting, one small ink mark to plate margin, last few leaves at rear with marginal stain to small area of upper outer blank corners, all edges gilt, contemporary gilt panelled and decorated dark green morocco, gilt decorated turn-ins, upper joint cracked & weak, worn at head & foot of spine, joints and extremities rubbed, 4to, together with Melville (Lewis), The Life and Letters of William Beckford of Fonthill, 1910, photogravure portrait frontispiece and black & white plates, signature of Gerald Tyrwhitt to upper pastedown, top edge gilt, remainder untrimmed, original cloth gilt, large 8vo, plus one other related Abbey, Scenery 418. Provenance: Gerald Tyrwhitt-Wilson, 14th Lord Berners, Faringdon House, Oxfordshire. (3)
Stourton Press. Grongar Hill, by John Dyer of Carmarthenshire, 1982, three tinted lithograph plates by John Piper, one double-page, original cloth-backed boards, gilt-lettered spine, folio, limited edition 58/175 copies, signed by the artist, together with Whittington Press, The Hunting of the Snark. An Agony, in Eight Fits, by Lewis Carroll, 1975, illustrations by Harold Jones, top edge gilt, original cloth gilt, slipcase, prospectus loosely inserted, folio, limited edition 91/750 copies, signed by the artist, plus Inky Parrot Press, Candide, by Francois Marie Arouet de Voltaire, illustrated by Wilton Priestner, translated by Richard Aldington, 1985, numerous black & white illustrations, some full-page, illustrated paper-covered boards, spine faded, slipcase, folio, limited edition 51/360 copies, signed by the artist, with Society of Private Printers, Chap-Books, Fifth Exchange, 1982-1986, 28 chap-books and index, some illustrations, original printed wrappers, contained in original cloth folder and slipcase with printed label, some fading to slipcase, 12mo, private presses include Cuckoo Hill Press (England), Adagio Press (U.S.A.), Brandywine Press (Australia), Old Stile Press (England), and 6 other private press publications including: Tone, Texture, Light and Shade, a Barnett Freedman Picture Album, Fleece Press, 2011; The Compleat Angler or the Contemplative Man's Recreation, by Izaak Walton, illustrations by Wilton Priestner, Hanborough Parrot, 1990, limited edition 6/25 copies signed and hand-coloured by the artist; Peverse Proverbs, numbers 1-10 in slipcase, published Lawley Roberts, 1987-1988, limited edition of 150 copies; Who Killed Cock Robin?, illustrated with Wood Engravings by Enid Marx, Incline Press, 1996 (10)
RENEE PREJELAN (1877-1968) LES CYCLES COTTEREAU SONT LES MEILLEURS, 1898 lithograph poster by G Gérin Fils Dijon-Paris, 99 x 141cm++Filing creases and small loss, close tears, etc. Lightly browned, laid down, unexamined out of ebonised frame, of satisfactory overall appearance and a genuine example of the period
BASIL JAMES NIGHTINGALE (1864-1940) PORTRAIT OF A HORSE signed and inscribed "The Favourite Hack of H E Wise Esq Shrubland Hall Feb 22 1916, a sketch from life", watercolour on coloured paper, 34.5 x 44cm, another drawing of a horse attributed to the same and a lithograph, after the same (3)++Some foxing and stains
†JOHN BRATBY, RA (1928-1992) SUNFLOWERS II lithograph, signed by the artist in pencil and numbered 6/75, 75 x 54cm ++In apparently good condition in what is probably the original frame with on the reverse the original printed trade label of Ganymed Original Editions Ltd and also that of Folio Fine Art Ltd, with pencil price 16.5.0.
WILLIAM LIONEL WYLLIE, RA, RBA, RE (1851-1951) THE MEDWAY etching, signed by the artist in pencil, 8.5 x 16cm, twenty one other etchings, all signed, including Sydney William Carline, Charles John Watson, RE and John Souter, a signed lithograph by Henry Moore, RA, RWS and two unsigned prints, sold in portfolio (25)++Variable, many good. Note the Whiley etching with two small spots of foxing
†HENRI MATISSE (1869-1954) MADONNA AND CHILD (LA VIERGE ET L'ENFANT), 1949 lithograph, with pencil initials, 20.5 x 36cm (irregular)Provenance: Mr & Mrs John Carr Doughty.++Print slightly irregularly cropped, tiny made up loss upper left and lower right corners where removed from a mount, unexamined out of frame; minor creases
†JOHN NORTHCOTE NASH, RA (1893-1977) THE CORNFIELD lithograph in colour, published by W Stacey London inscribed 'Printed in Dresden', signed by the artist in ink, FATG blindstamp, 50 x 55cm++In apparently very good condition with slight discolouration noticeable in the margins and a few stains along the lower margin, unexamined out of the frame
JOHN WEST GILES (FL 1830-1864) AFTER HENRY STRAFORD (FL 1833-1873) A SHORT HORNED PRIZE OX BRED AND FED BY THE RT HONBLE EARL SPENCER.... lithograph by C Hullmandel in contemporary colour, published by John Moore, c1841, 41 x 54.5cm, bird's eye maple frame++Minor marginal tear just touching image centre right and light stains mainly noticeable in the margins
A lithograph after John Bratby; 'Sunflowers II', limited edition of seventy-five and signed, 75 x 53cm, also a watercolour by William Selwyn; 'The Town Walls, Caernarfon', a pastel by local artist Peter Owen of Southport; 'Boathouse Interior', a screenprint after John Piper; 'The Pebble Alcove, Stowe', limited edition of seventy and signed and a number of further pictures (7). CONDITION REPORT No obvious signs of damage or repair to any items.
UNATTRIBUTED (NINETEENTH CENTURY NEOPOLITAN SCHOOL) HAND COLOURED LITHOGRAPH Horse drawn cart with two passengers and driver, Mount Vesuvius in the background, 'GALLYSO DI NAPOLI' 7 ¼" X 10 ½" (18.4cm x 26.7cm) B.E. LITCHFIELD COLOURED ETCHING 'Old Rouen Street' 8 ½" x 5 ½" (21.6cm x 14cm) And a colour print 'A bit of old Brixham' (3)
Alistair Grant (British 1925-1997), Moise Boulogne, lithograph/screenprint, signed to print and indistinctly numbered, 57cm x 77cm; and three others by the same artist; La Tendresse, Jean Baptiste, Jean Baptiste Blue, (4). Please note this lot is subject to VAT on the hammer G332- 148 G333- 149 G335- 150 G337- 151
Alistair Grant (British 1925-1997), La Majorie, lithograph and screenprint, signed to print and numbered 2/20, 57cm x 60cm; and three others by the same artist; Le Filibustier, Tit Blanc, Aigle Vert, (4). Please note this lot is subject to VAT on the hammer G323- 140 G324- 141 G325- 142 G327- 144
20th century school, Arab figure in garden, watercolour and bodycolour, signed 'M', 26cm x 37cm; and a mixed lot of prints and pictures to include; unknown artist print Summertime II; Print of a Flower in a vase; Print of a Daisy Bank; Michael Oelman print of a Surreal Landscape; Michael Oelman print Flight Out of Egypt VI; Print of a House; Michael Oelman print of Fire Night Glow; Print of a Landscape; Lithograph of Morning Light; Print of a House by Water; Vong Shore scene with boats, (12). Please note this lot is subject to VAT on the hammer U107- 453U118 U117- 460 U119- 461 U120- 462 U121- 463 U122- 464 U123- 465 U124- 466 U125- 467 U126- 468 V400- 529

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