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Los 128
Wright & Mansfield (1861-1884); an Empire-style mahogany kneehole Bureau Plat of exhibition quality, the top with radiused corners and inset top (leather missing) fitted with four short and one long frieze drawer with corresponding faux drawers on the opposing side, each with ormolu swing handles with young merman detail and further gilt mounts throughout, fitted brushing slides to each end, supported on turned tapering and fluted legs with "Fletched" arrow moulding, terminating in simple collet feet. Bearing workshop stamps to the leading edge of the drawer fronts. 168 cm long x 79.5 cm deep x 77 cm overall height, 57 cm knee heightFor further contextual information on this maker please follow the link below,Wright and MansfieldCredit: The Furniture History Society. A private estate Wright & MansfieldGreat Portland Street and Oxford Street, London; cabinet makers and upholsterers (fl.1861-1884)Alfred Thomas Wright was probably born in Shoreditch in 1840, his father was paper stainer. From 1856 he was worked for and later a junior partner to Samuel Hanson, a cabinet maker and ‘antiquarian upholsterer’ of 16 John Street (later Great Portland Street) and 106½ Oxford Street.In 1858, George Needham Mansfield (b. 1828-d. 1895), the son of George Mansfield, a builder and decorator of Gray’s Inn Lane and Wigmore Street, joined the firm which then traded as Hanson, Wright and Mansfield until Hanson’s death in 1861. Thereafter the firm traded as Wright and Mansfield.They exhibited at the London International Exhibition of 1862 – where they won a first-class medal – and the accompanying catalogue by J. B. Waring included a full colour lithograph of an Erard piano in the ‘Adams’ style, together with a number of black and white illustrations of other furniture. The piano, which had been painted by Pincon and Prolisch, with the carving by R W Godfrey, (illus. Meyer (2006), p. 123), was bought by D. C. Marjoribanks, MP, of Guisachan House, Inverness-shire, and was part of a large commission of ‘Adams’ furniture made by the firm, the earliest so far documented. A particular feature of this cabinet furniture was the incorporation of Wedgewood plaques, including black basalt ware and the first documented use of Highland black cherry wood. Two cabinets, a candelabrum, clock and fireplace illus. The Art Journal Illustrated Catalogue of the International Exhibition, 1862, pp. 12 & 104. The firm furnished the Marjoribanks family London home at Brook House (1867) and Haddo House, Aberdeenshire (1880s), belonging to the 7th Earl and Countess of Aberdeen (Lady Aberdeen’s father was D. C. Majoribanks). At the 1867 Paris Exhibition, Wright and Mansfield won the only gold medal for art furniture awarded to a British firm. Their satinwood cabinet with porcelain plaques, designed by Mr Crosse and made for the Exhibition, was sold to the South Kensington Museum Credit: The Furniture History Society. The area of leather is split but this does not extend through the cross-banding.Four gilt metal inserts are missing from the legs, a small length of around 10 cm of gilt applique missing from the panel to the right-hand side of the kneehole on the "actual"l drawer side, three small holes (around 1.5 diam) to the top of each of the same panels on the opposite side, possibly former fixing holes from now vacant gilt appliques. The tab of the key is broken but I have tied it to the remainder of the key.The drawer fronts have some damage to borders.Two legs have top beaded mouldings missing.The left hand brushing slide has some movement through joint that will require glueing up to make good, it has caused a slight crack on the edge of the slide,The right hand side brushing slide has a split across the slide and both sides will pull right out because the stop/peg is missing from each sideThe right hand slide has some damage to the end faciaThere is a shrinkage line on the surround of the top.Please see the extra images that should mirror the points raisedThe draw bottoms have some splits from shrinkage, the drawers are rather stiff and will need easing, the key that is present doesn't seem to throw the keeper of the lock.Please see the extra images.
Los 64
Marc Chagall (1887-1985), 'Oh Happy Bridegroom', from 'In the Land of the Gods' (plate XII), lithograph, signed in pencil and numbered 46/75, image 45 cm x 36 cm, sheet 60 cm x 46 cm, frame and glazed 76.5 cm x 62 cmThe Estate of Dame Barbara Mary Quant, DBE CH FCSD RDIArches watermark visible on the right side, paper has discoloured with age. Small foxing mark next to watermark. Not inspected out of the frame. Frame and glass would benefit from cleaning. Very slight abrasions to the frame.
Los 84
Jim Dine (b.1935), American, 'Brush After Eating', signed, numbered 25/28 and dated 1963, lithograph, 75 x 106 cm, framed and glazed 77 x 108.5 cmThe Estate of Dame Barbara Mary Quant, DBE CH FCSD RDILithograph sealed in the frame and glazed - not inspected out of the frame. Slight staining around the edges visible and some slight warping of the paper. Desposits appear to be mainly on the glass. Condition generally commensurate with age. Frame and glass require cleaning.
Los 88
Paul Wunderlich (1927 - 2010), The Blue Angel, signed in pencil and numbered 8/75, also signed in the print, lithograph, 43.5 x 55 cm, framed and glazed 65 x 75.5 cm The Estate of Dame Barbara Mary Quant, DBE CH FCSD RDILondon Graphic Art Associates label verso Print is sealed in the frame and glazed, it has not been inspected out of the frame. Paper has discoloured slightly with age, but otherwise looks to be in good condition. Frame and glazing require cleaning, with some wear to the silvering on the frame.
Los 163
Andy Warhol (after) 'Marilyn Monroe' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 38/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Los 24
Andy Warhol (after) 'Elvis Presley' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 58/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Los 38
Giorgio De Chirico (after) 'Pegasus and Lampo' offset lithograph in colors, signed bottom right, pencil 'G. De Chirico', numbered bottom left with pencil, limited edition 10/99, bottom center publishing house stamp, cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed
Los 30
Edmé Jean Pigal, L' Artiste / Description: L'Artiste from the series professions of Paris "Métiers de Paris". Lithography made ca 1833 by Edmé Jean Pigal (French, 1798-1872), published in Paris by Aubert (French, 19th century), printed by Bénard (French, 19th century). Lithograph, with hand-colouring, on ivory wove paper on a full sheet. Good impression and nice coloured. / Dimensions: Page lithography 31, 0 cm x 24,0 cm / Condition: Lithograph, with hand-colouring, on ivory wove paper on a full sheet. Good impression and nice coloured. In good condition. / Literature: / Medium: lithography and aquarelle /Circa: 1833 150
Los 6
Théophile Alexandre Steinlen (1859-1923) - Lovers in Montmartre / Description: On the heights of Montmartre, lovers meet behind the fences. Lithograph printed in black. Format of the support sheet 26.40 x 22 cm. Work on plain white paper with all margins. Signed in the plate. Counter signet in pencil - numbered 113/200. Proof from the descendants of the family of the artist Francisque Poulbot (1879-1946). / Dimensions: 26,40 x 22,00 cm / Condition: Excellent condition. / Literature: / Medium: Lithography /Circa: Ca. 1890-1920 180
Los 59
Paul Delvaux - Reflextion - 1975 / Description: PAUL DEVAUX - REFLECTION- December 1975 -Reference: Mira Jacob 92 (only state). Lithographic crayon on transfer paper, transferred to zinc. Date on the plate , bottom right: 12-75. Created for the cataloguer raisonné 'Paul Delvaux - Graphic Work' published by André Sauret- Monte-Carlo and Rizollo New York. This original lithograph was printed on the press of Fernand Mourlot in Paris. Edition limited to 5000 + 100 wide-margin proofs. Zinc polished out. / Dimensions: 31,50 x 24,00 cm / Condition: Good impression on thick drawing book alike paper. In very good condition. / Literature: Mira Jacob 92 (only state) / Medium: Lithography /Circa: 1972 250
Los 49
Auguste Renoir - Auguste Renoir - 1894 / Description: Le Chapeau Épinglé (La fille de Berthe Morisot et sa cousine). Two girls fixing the other's hat with a hairpin; third version. 1894 Etching, with some surface tone. Renoir, Pierre-Auguste (French, 1841-1919), Le Chapeau Epingle, 1894, drypoint etching on laid paper, signed in the plate lower left corner. The models are Julie Manet, the daughter of Berthe Morisot and niece of Eduard Manet, and her cousin, Paulette Gobillard. / Dimensions: 11,80 x 8,10 cm / Condition: Very good condition. Good impression on a full sheet of laid paper with wide margins / Literature: Delteil / Le Peintre-Graveur Illustré (XIXe et XXe siècles) (8.II) --- First treated by Renoir as a painting 'Chapeaux d'été' (1892). There are three etched versions as well as a lithograph of the composition. / Medium: Etching /Circa: 1894 320
Los 1
The Beatles/Paul McCartney: A Limited Edition Lithograph of the Music Score for Yesterday,1965,signed by Paul McCartney and George Martin in pencil and numbered 322/500, in bespoke frame and box by David Linley, together with certificate signed by George Martin, Sheet 14 1/4in x 19 3/4in (36.5cm x 50cm)Framed 28 3/4in x 24in (73cm x 61cm)For further information on this lot please visit Bonhams.com
Los 766
John Nash (1893-1977) lithograph in colours on paper, Vinca, 24cm x 19cm, from his English Garden Flowers suite, one of twelve lithographs printed by W.S. Cowell,Ipswich in 1948, mounted, glazed and framed. Meticulously drawn from flowers in Nash’s own garden in the 1930’s these lithographs were not printed and published until 1948 due to the outbreak of war
Los 764
Edward Bawden (1903-1989), original colour lithograph on paper, The Market Gardener, from Life in an English Village, printed at the Curwen Press in 1949, 9.7cm x15.5cm, mounted. These drawings of his home village, Great Bardfield, were made directly on to lithographic zinc plates by Bawden for this famous work
Los 7
Robert Polhill Bevan (1865-1925)The Horse Dealers (Barbican No.2) (Dry 35)Lithograph, 1921, stamped with the artist's monogram in ink, from the edition of 70, on wove paper, with full margins, sheet 446 x 571mm (17 5/8 x 22 1/2in)Provenance: Colnaghi & Co., London [stock no.A66384 in pencil verso]
Los 79
δ Elisabeth Frink (1930-1993)Cormorant, from Images (Wiseman 13)Lithograph printed in colours, 1967, a proof aside from the edition of 25, printed by Curwen Studio, Haverhill, co-published by Alistair McAlpine and Waddington Galleries, London, on J Green mould-made paper, with full margins, sheet 594 x 795mm (23 3/8 x 31 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 209
δ David Shrigley (b.1968)VibesOffset lithograph in colours, 2018, signed in black ink, from the edition of 250, published by The Big Issue, London, on thin wove paper, the full sheet printed to the edges, sheet 700 x 500mm (27 1/2 x 19 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 144
δ David Hockney (b.1937)Hockney Paints the Stage, Hayward Gallery, 1985 (Baggott 116)Offset lithograph printed in colours, 1985, signed and dedicated "to Ian + Zoe" in red and blue felt-tip, from the edition of unknown size, printed by Howards Printers, published by Hayward Gallery, London, printed to the edges, trimmed along the lower edge of sheet, sheet 715 x 508mm (28 1/8 x 20in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 78
δ Elisabeth Frink (1930-1993)Hare, from Images (Wiseman 15)Lithograph printed in colours, 1967, a proof aside from the edition of 25, printed by Curwen Studio, Haverhill, co-published by Alistair McAlpine and Waddington Galleries, London, on J Green mould-made paper, with full margins, sheet 590 x 779mm (23 1/4 x 30 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 102
δ John Piper (1903-1992)Nursery Frieze II (Levinson 9)Lithograph printed in colours, 1936, published by Contemporary Lithographs Ltd., London, on wove paper, with full margins, image 460 x 1217mm (18 1/8 x 48in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 53
δ Laurence Stephen Lowry (1887-1976)Village on a HillLithograph, 1966, signed and dated in red felt-tip pen, numbered from the edition of 75 in pencil, on wove paper, published by Ganymed Originals, London, with full margins, sheet 973 x 643mm (38 1/4 x 25 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 77
δ William Scott (1913-1989)Odeon ILithograph printed in colours, 1966, signed and dated in pencil, numbered from the edition of 75, printed by Mathieu, Zurich, published by Editions Alecto, London, on wove paper, with full margins, sheet 635 x 769mm (30 1/4 x 24 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 156
δ Tracey Emin (b.1963)No SurrenderLithograph printed in colours, 2019, signed, titled and dated in pencil, numbered from the edition 75, printed by Counter Studio, Margate, on Somerset wove paper, with full margins, sheet 690 x 865mm (27 1/8 x 34in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 47
δ Henry Moore (1898-1986)Creole Lady (Cramer 321)Lithograph printed in colours, 1973, signed and inscribed 'E.A.' in pencil, artist's proof aside from the edition of 40, as included in La Poésie, printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris, on Arches paper, the full sheet printed to the edges, sheet 467 x 382mm (18 3/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 199
δ David Shrigley (b.1968)The WorldLithograph printed in colours, 2019, initialled and dated in pencil verso, numbered from the edition of 125 verso, on BFK Rives paper, the full sheet printed to the edges, sheet 747 x 558mm (29 3/8 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 130
δ David Hockney (b.1937)Celia Amused (MCA Tokyo 222)Lithograph, 1979, signed and dated in red pencil, numbered from the edition of 100, printed by G.E.L. Gemini, Los Angeles, with their blindstamp, on wove paper, with full margins, sheet 1015 x 740mm (40 x 29 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 136
David Hockney (b.1937) after.Ubu Roi, Poster for The Royal Court TheatreOffset lithograph printed in colours, 1966, printed by Echo Press Ltd., Loughborough, from the rare limited edition of unknown size, on wove paper, the full sheet printed to the edges, sheet 507 x 315mm (20 x 12 1/2in)Together with the accompanying theatre programme (2)David Hockney was head of design for this production at The Royal Court Theatre, London, 1966.
Los 5
Robert Polhill Bevan (1865-1925)The Horse Dealers (Ward's Repository No.1) (Dry 33)Lithograph, 1919, stamped with the artist's monogram in ink, from the edition of 80, on Antique de Luxe laid paper, with full margins, sheet 437 x 570mm (17 1/4 x 22 1/2in)Provenance: Colnaghi & Co., London [stock no.A66580 in pencil verso]
Los 88
δ Patrick Heron (1920-1999)Garden Print, from the Royal College of Art Artist's Choice PortfolioLithograph printed in colours, 1987, signed and dated in pink felt-tip pen verso, inscribed 'AP', an artist's proof aside from the edition of 48, printed and published by the Royal College of Art, London, on wove paper, the full sheet printed to the edges, sheet 305 x 305mm (12 x 12in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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70555 Los(e)/Seite