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Los 367

§ Patrick Hughes (British 1939-) Moonshine, 2009 signed in pencil (lower right) and numbered AP 6/7 (lower left), an Artist's Proof aside from the edition of 45, 3D lithograph with hand-colouring Dimensions:42.5cm high x 88cm wide x 17cm deep (16 3/4in high x 34 3/4in wide x 6 3/4in deep)

Los 42

§ Gerald Leslie Brockhurst (British 1890-1978) Head of a Girl (Dorette), 1942 (Fletcher L1) signed in pencil (lower right), and titled in pencil (lower left), lithograph on wove paper Dimensions:sheet 26.6cm x38.7cm (10 1/2in x 15 1/4in), unframed

Los 134

§ Sir Terry Frost R.A. (British 1915-2003) Three Christmas Cards each inscribed in pen to Breon + Doreen [O'Casey] from Kath + Terry [Frost], and variously inscribed, one dated 1995 and one 2000, lithograph and gouache, collage and gouache and gouache on cardDimensions:the largest 13.5cm x 19cm (5 1/4in x 7 1/2in), unframed

Los 126

§ Breon O'Casey (British 1928-2011) Divided Circles, 2003 signed and dated (lower right), inscribed PP I (lower left), lithograph on paper Dimensions:sheet 83.7cm x 55.8cm (33in x 22 in); plate 62.8cm x 40cm (24 3/4 in x 15 3/4 in) Provenance:Provenance Stoneman Graphics Ltd, where acquired by the current owner, December 2008. Note: Breon O’Casey was part of one of the later waves of young avant-garde artists drawn to the bustling fishing settlement of St Ives, arriving in his clapped-out orange Ford transit in 1959. A studio assistant of Denis Mitchell and of the inimitable Barbara Hepworth, O’Casey became a member of the Penwith Society of Arts and an active participant in the artistic life of the town. Highly productive and constantly experimental, O’Casey moved across different media with ease, with his visual language translating across such diverse artforms as painting, jewellery, printmaking, weaving and sculpture. This broad skillset made him relatively hard to pin down from a critical point of view and possibly explains why the spotlight took its time to home in on this fascinating and respected figure within the St Ives School. Since O’Casey’s death in 2011 however, curators and collectors have driven a wave of renewed appreciation of the work of this fascinating polymath.Unconstrained to one medium, simple shapes of undulating and geometric form recur across much of his work. So too does a distinctive palette of earthy brown tones disrupted by jewel-like reds, greens and blues. His reference points are diverse: from his family roots in the Celtic revival (his father was Irish dramatist Sean O’Casey) and his interest in ancient and non-Western culture (for example the Navajo-inspired geometric patterns which appear in his weaving), to the distilled modernist forms of the Bauhaus and the work of St Ives forebears like Ben Nicholson.One key recurring motif is the number three, which took on an almost magical quality for O’Casey. We can note this in the iconography of some of the pieces offered here. In the 1966 assemblage, Construction, we find three simple bands of colour reading as an abstracted, minimalistic take on a natural landscape, to the more monumental Duo, which places three band-like shapes to delineate space in the pictorial plane.Sculpture became an increasing preoccupation, with O’Casey commenting that it “…took the place of weaving and jewellery as the antidote to painting. At first as a sideline, a relief from the anxieties of paint. But gradually it has taken on a more important role and I can say now that it is at least as important to me as painting and I devote an equal amount of time and thought to it.” O’Casey also remarked that, unlike his wholly abstract work in two dimensions, he was almost always drawn to figuration in his sculptural work, very often depicting birds or animals. In the excellent examples offered here we find his deceptively simple balancing act between modern and ancient lexicons, as well as the sense of an artist revelling in the joy of his craft.

Los 1304

After William Frederick Yeames (1835 - 1918) "When did you last see your father?", a depiction of the son of a Royalist being questioned by Parliamentarians during the English Civil War, lithograph, in wooden frame under glass, 29 cm x 17.5 cm overall

Los 1554

Two Hunting Scene Photographs, a convex equestrian photograph on glass, two engravings, and lithograph. (6).

Los 283

Pulman, George P.R - The Book of the Axe, large folding map and 11 tinted lithograph plates, pub. 1854 in half leather

Los 5

§ † Marino Marini (Italian 1901-1980) Giocoliere, 1951 (Guastalla L32) signed Marino (lower left) lithograph in colourProof aside from the edition of 200 Dimensions:48.5cm x 32cm (19in x 12 1/2in) [plate] Provenance:Provenance The Artist Gifted by the above to the British Consul in Florence, from whom acquired by the present owner Literature Giorgio and Guido Guastalla, Marino Marini: Catalogue ragionato dell'Opera grafica (Incisioni e Litografie) 1919-1980, Edizioni Graphis Arte, Livorno, 1990, no. L32, illustrated in black & white, pp. 144 and 234

Los 23

§ Eduardo Chillida (Spanish 1924-2002) Untitled, 1999 signed in pencil (lower right) and numbered E 983/1000 (lower left) lithograph on die-cut Guarro paperFrom the edition of 1000 Published by Ediciones Poligrafa, Barcelona Dimensions:45cm x 32cm (17 3/4in x 12 1/2 in) Provenance:Provenance Private Collection, UK

Los 4

§ Gino Severini (Italian 1883-1966) Arlecchino, 1965 signed in pencil (lower right) and numbered 70/80 (lower left)colour lithograph on wove paperDimensions:38cm x 28.4cm (15in x 11 1/4in) [image]; 64.5cm x 46cm (25 1/4in x 18in) [sheet]Provenance:ProvenanceHenry Moore O.M. and thence by family descent

Los 1113

Vic Reeves (British, b. 1959), 'Lapwing Peewit Plover', lithograph in colours, unsigned, bearing Sky Editions blind stamp, 42 x 29.5cm.

Los 1133

Salvador Dali (Spanish 1904-1989), Fantastic landscape, colour lithograph, signed lower right, numbered 195/300 lower left, 41.5 x 59cm.Condition Report: Under glass, light foxing to margins, needs a clean.

Los 1142

Stanley Jones (British b.1933), Untitled, colour lithograph, signed and dated 1962 lower left, numbered 35/50 lower right, 47.5 x 71cm. Framed and glazed.Condition Report: Under glass, paper slightly discoloured.

Los 1141

Allin Braund (1915-2004), Atlantic Sunset, colour lithograph, signed, dated 1958 and numbered 21/30 lower right, inscribed lower left, 48 x 65.5cm. Framed and glazed.Condition Report: Under glass, generally good appearance.

Los 1110A

Salvador Dalí Scorpio, from "The Twelve Signs of the Zodiac" limited edition colour lithograph, signed and numbered XXXV/L in pencil, 63.5 x 47cm. framed and glazed Condition Report: § Under glass, slight rippling to paper

Los 1147

William Gear (Scottish 1915-1997), Abstract, colour lithograph, signed and dated '51 lower right, 14.5 x 22.5cm. Framed and glazed.Condition Report: Under glass, paper slightly discoloured.

Los 1138

Allin Braund (1915-2004), Sunset on a wood, colour lithograph, signed, inscribed and dated '53, numbered 1/6 lower centre, 46 x 63.5cm. Framed and glazed. Condition Report: Under glass, paper margins discoloured.

Los 1149

William Scott (British 1913-1989), Illustration from Book of Soldier's Verse, colour lithograph, 13 x 20cm. Framed and glazed,

Los 1131

§ Henry Moore (British 1898-1986), Three reclining figures, lithograph, signed and dated '72 lower right, inscribed Artists Proof lower left, plate 29.5 x 23cm. Framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information. Condition Report: Under glass, good overall appearance.

Los 1157

Josef Herman OBE RA, (Polish/British 1911-2000), Horses, colour lithograph, signed lower right, numbered 104/150 lower left, image 38 x 26cm. UnframedCondition Report: Generally good clean condition.

Los 1114

Vic Reeves (British, b. 1959), 'Crested Tit', lithograph in colours, unsigned, bearing Sky Editions blind stamp, 42 x 29.5cm.

Los 1129

Adrian Heath (1920-1992), Untitled, lithograph, signed, dated '64, numbered 18/40 lower right, 81 x 58. Framed and glazed.Condition Report: Under glass, some foxing and discolouration.

Los 1150

Geoffrey Clarke (1924-2014), Untitled, lithograph, signed lower right, dated 1950 and numbered 9/25, 25 x 17.5cm. Framed and glazed.Condition Report: Under glass, paper discoloured, marks to margin upper left.

Los 1134

Henry Cliffe (British 1919-1983), Group (Orange), colour lithograph, signed and dated '56 lower right, inscribed Proof lower left, 54 x 37cm.Condition Report: Under glass, paper slightly discoloured

Los 1128

§ Salvador Dali (Spanish 1904-1989), La tierra viene a la vida de la serie Aliyah (1968), colour lithograph, signed, 60.5 x 44.5cm. Framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information. Condition Report: Under glass, paper slightly discoloured to margins, may benefit from cleaning.

Los 1153

Andre Masson ((French 1896-1987), Alpine landscape, colour lithograph, signed lower left, numbered 20/30 lower right, 33 x 24cm. Framed and glazed.Condition Report: Under glass, margins discoloured, may benefit from a clean.

Los 1137

Robert Adams (British 1917-1984), Screen 11, 1963, lithograph, signed in pencil and dated 1963 lower left, numbered 38/50 lower right, 71 x 55cm. Framed and glazed.Condition Report: Under glass, generally good appearance.

Los 1146

Clifford Fishwick (British 1923-1997), Seated Figure, colour lithograph, signed, dated '51, numbered 5/12, 36 x 26cm. Framed and glazedCondition Report: Under glass, paper discoloured.

Los 1144

R. A. S. West (20th century), Silent Farms 1966, colour lithograph, 61 x 72cm.Framed and glazed.Condition Report: Under glass, fair appearance, some light rippling to paper.

Los 1154

Mary Fedden OBE, RA, RWA ( British 1915-2012), Cat on a Cornish Beach, 1991, offset lithograph on wove paper; published by Bow Art in 2000, with their blindstamp, signed lower left and numbered 467/500 lower right, 35.5 x 50cm. UnframedCondition Report: Good clean condition.

Los 1132

Henry Moore (British, 1898-1986), Two Reclining Figures in Yellow and Green, from 'Meditations on the Effigy', lithograph, signed and dated '67 lower left, numbered 48/50 lower centre, plate 33 x 29cm. Framed and glazed.Condition Report: Under glass, generally good appearance, but there is a fine diagonal line visible at the bottom of the plate, possibly a blemish from the printing process.Slight ripple to paper

Los 1135

Henry Cliffe (British 1919-1983), Yellow Abstract, colour lithograph, signed lower right, 49 x 74cm. Framed and glazed.Condition Report: Under glass, paper slightly discoloured

Los 1143

Stanley Jones (British b.1933), Abstract, colour lithograph, signed lower left, numbered 79/90 lower right, 75 x 50cm. Framed and glazed.Condition Report: Under glass, generally good appearance.

Los 226

NO RESERVE Russia.- Oliphant (Laurence) The Russian Shores of the Black Sea, second edition, half-title, lithograph frontispiece, illustrations, 2 maps of which 1 folding, 16pp. advertisements at end, bookplate, small abrasion mark to bookplate, original cloth, a little rubbed, slight bumping to corners and extremities, 1853 § Gurowski (Count A. de) Russia and its People, bookplate, contemporary calf, cracked upper hinge, slight rubbing to corners and extremities, Edinburgh & New York, 1854; 8vo (2).

Los 178

Middle East.- Nicohosoff (Alexander) Palestine, pre-War map of Palestine with inset map of the Sinai Peninsula, lithograph printed in colours, 840 x 630 mm (33 x 24 3/4 in), folding into original blue paper wrappers, scuffed, 8vo, [c.1942]; together with 4 folding maps of the region, including Nicohosoff's 'General Map of Egypt', Philips' 'Authentic Imperial Maps for Tourists and Travellers 'Egypt', Bartholomew's 'Map of the Middle East and Near East', a mid-20th century map of the 'Middle East' also by Bartholomew, and another, maps printed in colours, all folding, mainly early to mid-20th century (6)

Los 112

Europe.- World War II.- Vlaanderen (André) L'Europe en Sept 1939, serio-comic map of Europe, lithograph with full original hand-colouring, no. 20 from an edition of 150, signed by the artist, sheet 610 x 860 mm (24 x 33 3/4 in), under glass, minor cockling, minor surface dirt, framed, Leon Burghgraeve, Bruges, 1939; together with an explanatory letterpress text sheet in English, framed (2)⁂ Scarce at auction. Britain is shown depicted as a woman with battleships on leads; France as Marianne, leading her troops into battle; Germany, with a swastika sash, stabbing a female Poland; and Russia as a Cossack holding a hammer and sickle, his arm around a large brown bear.

Los 111

Europe.- World War I.- Bacon (George W., publisher) Serio-Comique Map of Europe at War. Hark! Hark! The Dogs do Bark!, comic map of Europe, with each nation represented by various breeds of dog, including the British bulldog, French poodle, German dachsund, and others, with the Tsar of Russia driving a large steamroller towards the rest of Europe, lithograph printed in colour on wove paper, sheet 560 x 755 mm (22 x 29 3/4 in), folding into original printed wrappers, some splits to folds, minor toning and faint damp-stains, wrappers with signs of damp-staining, rough edges, small losses and handling creases, worn, 8vo, designed and printed by Johnson, Riddle & Co., 1914.

Los 289

West Indies.- South America.- Halliday (Sir Andrew) The West Indies: the Natural and Physical History of the Windward and Leeward Colonies ... before and after the Abolition of Negro Slavery, first edition, folding map frontispiece and 2 folding maps, one folding table, bookplate, scattered faint spotting, near contemporary calf, slight rubbing to corners and extremities, 1837 § Four Years' Residence in the West Indies, third edition, hand-coloured lithograph frontispiece and 6 hand-coloured lithographs, one folding table, scattered faint spotting, bookplate, later crushed-morocco, 1833 § Lewis (Matthew Gregory) Journal of a West India Proprietor, one or two faint spots, contemporary half-calf, slight rubbing to extremities, 1834; and others on the West Indies, and South America, 8vo & 4to (12)

Los 38

Africa.- Ethiopia.- Portal (Sir Gerald) My Mission to Abyssinia, first edition, frontispiece, plates, folding map at end, short splits to folds with neat tape repairs verso, scattered spotting, cracked hinges, previous owner's ink signature, original cloth, rubbing to corners and extremities, 1892 Beke (Charles T.) The British Captives in Abyssinia, second edition, lithograph frontispiece, folding map, browned with chipping to edges, illustrations, ex-Kew College Library & ex New College Oxford with usual label and ink-stamps, original cloth, rebacked retaining original backstrip, a little rubbed, 1867 § Bent (J. Theodore) The Sacred City of the Ethiopians, half-title, frontispiece, plates (some folding), illustrations, folding map, scattered spotting, publisher's advertisements at end, original cloth, a little rubbed, slight bumping to corners and extremities, 1896; and others on Abyssinia, 8vo (7)

Los 63

Africa.- Speke (John Hanning) Journal of the Discovery of the Source of the Nile, first edition, engraved portrait frontispiece, plates and illustrations, 2 maps, of which 1 folding at end, short tear at gutter, previous owner's ink signature, new endpapers, contemporary half-calf, a little rubbed, slight bumping to corners and extremities, Edinburgh & London, 1863 § Baker (Samuel White) The Albert N'Yanza, Great Basin of the Nile Sources, first edition, 2 vol. bound as 1, engraved portrait and tinted lithograph frontispieces, plates, illustrations, 2 colour maps, of which 1 folding with splits to tears, one split with old tape repairs verso, scattered spotting, strengthened at joints, contemporary half-calf, slight rubbing to corners and extremities, 1866 § Lander (Richard and John) Journal of an Expedition to Explore the Course and Termination of the Niger, 3 vol., half-titles to all but vol. 3, engraved frontispieces, 4 plates, illustrations, 2 maps, of which 1 folding, modern cloth, occasional faint off-setting, 1832; and 4 others similar, 8vo (9)

Los 64

Africa.- Stanley (Henry Morton) Through the Dark Continent, 2 vol., first edition, 2 portrait lithograph frontispieces, plates and illustrations, 10 maps, of which 4 folding, 2 in pocket at end with foldines neatly strengthened at verso, new endpapers, original pictorial cloth, rebacked retaining original spine, slight bumping to corners, [Hosken p.189], 8vo, 1878.

Los 72

America.- Johnstone (E.) The Unique Map of California, decorative map with 20 vignette views showing various places of interest such as the Golden Gate, Coronado, Lake Tahoe, Big Trees, and Yosemite Valley, lithograph printed in colours, sheet 685 x 535 mm (27 x 21 in), laid on thin conservation support with several losses restored, and other repaired nicks and tears, handling creases, unframed, Dickman and Jones Co., [1885].

Los 264

NO RESERVE Voyages.- [Fernyhough (Thomas)] Military Memoirs of Four Brothers (natives of Staffordshire) engaged in the service of their country, as well as in the New World and Africa ..., first edition, lithograph frontispiece and 7 plates, list of subscribers, scattered spotting, one or two faint marginal abrasion marks, previous owner's ink signature to front free endpaper, contemporary drab boards, rebacked, bumping to corners, 8vo, 1829.⁂ Scarce in retail. The list of subscribers includes Robert Peel who at this time was serving as Home Secretary in the Duke of Wellington's government.

Los 297

World.- Belzoni (Giovanni Battista) Narrative of the Operations and Recent Discoveries within the Pyramids, Temples, Tombs, and Excavations in Egypt and Nubia, second edition, 1 vol. only (of 2), lacking atlas vol., lithograph portrait frontispiece, 1 engraved plate, 1 folding engraved map, scattered spotting, ex-Tate Library with occasional ink-stamps, old bookplate retained and attached to front pastedown, modern half crushed-morocco, 1821 § Baker (Sir Samuel W.) The Nile Tributaries of Abyssinia, first edition, portrait frontispiece, plates (some misbound), 2 maps (1 folding), newspaper clipping on Lady Baker pasted to blank, new endpapers, original decorative cloth, rebacked retaining original backstrip, rubbed, 1867 § Ponting (Herbert G.) In Lotus-Land Japan, limited edition, plates, original pictorial cloth, slipcase, a little rubbed, Tokyo, 1985; and others, v.s (28)

Los 109

Europe.- Paton (A. A.) Highlands and Islands of the Adriatic, 2 vol., lithograph frontispieces, vignette titles, 8 lithographs, one folding map, one double-page plan, scattered spotting, previous owner's printed label to front pastedowns, original cloth, a little mottled, slight bumping to corners and extremities, [Abbey, Travel 44], 1849 § Wilde (W. R.) Narrative of a Voyage to Madeira, Teneriffe, and along the Shores of the Mediterranean, 2 vol., first edition, 2 tinted lithograph frontispieces, 2 maps, 2 lithographs of skulls, illustrations, advertisements at beginning vol. 1, scattered faint spotting, original cloth, a little faded, small abrasion mark to vol. 2 upper cover, bumping to corners and extremities, Dublin & London, 1840; and another similar, 8vo (6)

Los 17

Graham Vivian Sutherland (1903–80) signed 1953 lithograph of Predatory form - frame 93cm x 72cm

Los 15

Alexander Calder (1898–1976) vintage lithograph as used for the 1976 poster advertising 'From Mobiles to Critters' exhibition at Rondanini Gallery (Rome) - frame 58cm x 48cm

Los 114

Salvador Dali 1973 hand signed lithograph from 'Les songes drolatiques de Pantagruel (Pantagruel's Comical Dreams)' - frame 88cm x 66cm ~ Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol (1904–89) and based upon the 16th century 'The Five Books of the Lives and Deeds of Gargantua and Pantagruel' by François Rabelais (1483/94-1553)

Los 5

Joan Miró i Ferrà (1893–1983) unsigned 1974 lithograph from the suite 'Les pénalités de l'enfer ou les nouvelles Hébrides' - frame 43cm x 33cm- Label to the reverse

Los 13

Josef Herman OBE RA (1911–2000) signed lithograph of a man digging - 80cm x 58cm

Los 76

Paul Peter Piech (1920-96) signed 1998 lithograph with Jack Davis words against Aboriginal oppression - 51cm x 76cm - unframed

Los 606

LITHOGRAPH AFTER HUGO SCHNARS-ALQUIST, DATED 1909 OF A THREE MASTED SAILING SHIP AND A PADDLE STEAMER. 60 x 93cms TOGETHER WITH A PRINT AFTER SAMUEL REID, SIGNED IN PENCIL AND BLIND STAMPED ARTRIST PROOF OF A RIVER SCENE, FIHSERMEN MENDING NETS. 42 x 58cms (2)

Los 367

David SHRIGLEY (1968) Life is Good Lithograph, 80 x 59cm. Frame size 99 x 78cm.Overall this lithographic print is in good condition and is well presented. There are some very minor signs of cockling to the paper, but nothing of major concern. The print is not signed by the artist. Please see additional images.

Los 406

John HOYLAND (1934-2011) Curwen Anniversary (2008) Lithograph, signed and dated '08, numbered 44/50, 65 x 52cm. Frame size 88 x 73cm. Printed by Stanley Jones at the Curwen Studio 2008.

Los 72

Karl WESCHKE (1925-2005) Je t'aime, 1971 Lithograph, signed and dated, paper size 78.5 x 56.5cm, framed 94 x 71cm The Artist's Estate (stamp verso)

Los 402

BANKSY (1974) Di Faced Tenner (2004) Offset lithograph in colours, 7.5 x 14.5cm. Frame size 25 x 34cm.Provenance: Criterion - from a charity auction Notting Hill Carnival 2011. There are no condition issues with this interesting piece, which is held in place by four small transluscent triangular sleeves attached to the glass. Double-sided view.

Los 556

§ Henry Moore OM, CH, FBA (1898-1986) Stonehenge XV; Dark Cavernsigned and dated 'Moore / 73.' (lower right)lithograph, unframed46 x 58cmGood condition

Los 598

§ Laurence Stephen Lowry RA, RBA (1887-1976) Ferry Boatssigned 'L.S. Lowry' (lower right)offset lithograph, with Fine Art Trade Guild blindstampunnumbered from the edition of 500, published by Venture Prints Ltd., 197235 x 43cmNot examined out of the frame, outer margins are obscured by the mount so not available for inspection. Appears in very nice condition throughout.

Los 557

§ Henry Moore OM, CH, FBA (1898-1986) Stonehenge XIII; Arm and Bodysigned and dated 'Moore / 73.' (lower right)lithograph, unframed46 x 58cmGood condition

Los 652

Braco Dimitrijevic (1948-) Passer-by, whom I met by chance at 9.12 a.m.dated 1975; numbered 41/80offset lithograph77 x 55cmSome dirt on glass, but otherwise in clean, presentable condition.

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