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§ Sir Terry Frost R.A. (British 1915-2003) Three Christmas Cards each inscribed in pen to Breon + Doreen [O'Casey] from Kath + Terry [Frost], and variously inscribed, one dated 1995 and one 2000, lithograph and gouache, collage and gouache and gouache on cardDimensions:the largest 13.5cm x 19cm (5 1/4in x 7 1/2in), unframed
§ Breon O'Casey (British 1928-2011) Divided Circles, 2003 signed and dated (lower right), inscribed PP I (lower left), lithograph on paper Dimensions:sheet 83.7cm x 55.8cm (33in x 22 in); plate 62.8cm x 40cm (24 3/4 in x 15 3/4 in) Provenance:Provenance Stoneman Graphics Ltd, where acquired by the current owner, December 2008. Note: Breon O’Casey was part of one of the later waves of young avant-garde artists drawn to the bustling fishing settlement of St Ives, arriving in his clapped-out orange Ford transit in 1959. A studio assistant of Denis Mitchell and of the inimitable Barbara Hepworth, O’Casey became a member of the Penwith Society of Arts and an active participant in the artistic life of the town. Highly productive and constantly experimental, O’Casey moved across different media with ease, with his visual language translating across such diverse artforms as painting, jewellery, printmaking, weaving and sculpture. This broad skillset made him relatively hard to pin down from a critical point of view and possibly explains why the spotlight took its time to home in on this fascinating and respected figure within the St Ives School. Since O’Casey’s death in 2011 however, curators and collectors have driven a wave of renewed appreciation of the work of this fascinating polymath.Unconstrained to one medium, simple shapes of undulating and geometric form recur across much of his work. So too does a distinctive palette of earthy brown tones disrupted by jewel-like reds, greens and blues. His reference points are diverse: from his family roots in the Celtic revival (his father was Irish dramatist Sean O’Casey) and his interest in ancient and non-Western culture (for example the Navajo-inspired geometric patterns which appear in his weaving), to the distilled modernist forms of the Bauhaus and the work of St Ives forebears like Ben Nicholson.One key recurring motif is the number three, which took on an almost magical quality for O’Casey. We can note this in the iconography of some of the pieces offered here. In the 1966 assemblage, Construction, we find three simple bands of colour reading as an abstracted, minimalistic take on a natural landscape, to the more monumental Duo, which places three band-like shapes to delineate space in the pictorial plane.Sculpture became an increasing preoccupation, with O’Casey commenting that it “…took the place of weaving and jewellery as the antidote to painting. At first as a sideline, a relief from the anxieties of paint. But gradually it has taken on a more important role and I can say now that it is at least as important to me as painting and I devote an equal amount of time and thought to it.” O’Casey also remarked that, unlike his wholly abstract work in two dimensions, he was almost always drawn to figuration in his sculptural work, very often depicting birds or animals. In the excellent examples offered here we find his deceptively simple balancing act between modern and ancient lexicons, as well as the sense of an artist revelling in the joy of his craft.
§ † Marino Marini (Italian 1901-1980) Giocoliere, 1951 (Guastalla L32) signed Marino (lower left) lithograph in colourProof aside from the edition of 200 Dimensions:48.5cm x 32cm (19in x 12 1/2in) [plate] Provenance:Provenance The Artist Gifted by the above to the British Consul in Florence, from whom acquired by the present owner Literature Giorgio and Guido Guastalla, Marino Marini: Catalogue ragionato dell'Opera grafica (Incisioni e Litografie) 1919-1980, Edizioni Graphis Arte, Livorno, 1990, no. L32, illustrated in black & white, pp. 144 and 234
§ Eduardo Chillida (Spanish 1924-2002) Untitled, 1999 signed in pencil (lower right) and numbered E 983/1000 (lower left) lithograph on die-cut Guarro paperFrom the edition of 1000 Published by Ediciones Poligrafa, Barcelona Dimensions:45cm x 32cm (17 3/4in x 12 1/2 in) Provenance:Provenance Private Collection, UK
§ Gino Severini (Italian 1883-1966) Arlecchino, 1965 signed in pencil (lower right) and numbered 70/80 (lower left)colour lithograph on wove paperDimensions:38cm x 28.4cm (15in x 11 1/4in) [image]; 64.5cm x 46cm (25 1/4in x 18in) [sheet]Provenance:ProvenanceHenry Moore O.M. and thence by family descent
§ Henry Moore (British 1898-1986), Three reclining figures, lithograph, signed and dated '72 lower right, inscribed Artists Proof lower left, plate 29.5 x 23cm. Framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information. Condition Report: Under glass, good overall appearance.
§ Salvador Dali (Spanish 1904-1989), La tierra viene a la vida de la serie Aliyah (1968), colour lithograph, signed, 60.5 x 44.5cm. Framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information. Condition Report: Under glass, paper slightly discoloured to margins, may benefit from cleaning.
Henry Moore (British, 1898-1986), Two Reclining Figures in Yellow and Green, from 'Meditations on the Effigy', lithograph, signed and dated '67 lower left, numbered 48/50 lower centre, plate 33 x 29cm. Framed and glazed.Condition Report: Under glass, generally good appearance, but there is a fine diagonal line visible at the bottom of the plate, possibly a blemish from the printing process.Slight ripple to paper
NO RESERVE Russia.- Oliphant (Laurence) The Russian Shores of the Black Sea, second edition, half-title, lithograph frontispiece, illustrations, 2 maps of which 1 folding, 16pp. advertisements at end, bookplate, small abrasion mark to bookplate, original cloth, a little rubbed, slight bumping to corners and extremities, 1853 § Gurowski (Count A. de) Russia and its People, bookplate, contemporary calf, cracked upper hinge, slight rubbing to corners and extremities, Edinburgh & New York, 1854; 8vo (2).
Middle East.- Nicohosoff (Alexander) Palestine, pre-War map of Palestine with inset map of the Sinai Peninsula, lithograph printed in colours, 840 x 630 mm (33 x 24 3/4 in), folding into original blue paper wrappers, scuffed, 8vo, [c.1942]; together with 4 folding maps of the region, including Nicohosoff's 'General Map of Egypt', Philips' 'Authentic Imperial Maps for Tourists and Travellers 'Egypt', Bartholomew's 'Map of the Middle East and Near East', a mid-20th century map of the 'Middle East' also by Bartholomew, and another, maps printed in colours, all folding, mainly early to mid-20th century (6)
Europe.- World War II.- Vlaanderen (André) L'Europe en Sept 1939, serio-comic map of Europe, lithograph with full original hand-colouring, no. 20 from an edition of 150, signed by the artist, sheet 610 x 860 mm (24 x 33 3/4 in), under glass, minor cockling, minor surface dirt, framed, Leon Burghgraeve, Bruges, 1939; together with an explanatory letterpress text sheet in English, framed (2)⁂ Scarce at auction. Britain is shown depicted as a woman with battleships on leads; France as Marianne, leading her troops into battle; Germany, with a swastika sash, stabbing a female Poland; and Russia as a Cossack holding a hammer and sickle, his arm around a large brown bear.
Europe.- World War I.- Bacon (George W., publisher) Serio-Comique Map of Europe at War. Hark! Hark! The Dogs do Bark!, comic map of Europe, with each nation represented by various breeds of dog, including the British bulldog, French poodle, German dachsund, and others, with the Tsar of Russia driving a large steamroller towards the rest of Europe, lithograph printed in colour on wove paper, sheet 560 x 755 mm (22 x 29 3/4 in), folding into original printed wrappers, some splits to folds, minor toning and faint damp-stains, wrappers with signs of damp-staining, rough edges, small losses and handling creases, worn, 8vo, designed and printed by Johnson, Riddle & Co., 1914.
West Indies.- South America.- Halliday (Sir Andrew) The West Indies: the Natural and Physical History of the Windward and Leeward Colonies ... before and after the Abolition of Negro Slavery, first edition, folding map frontispiece and 2 folding maps, one folding table, bookplate, scattered faint spotting, near contemporary calf, slight rubbing to corners and extremities, 1837 § Four Years' Residence in the West Indies, third edition, hand-coloured lithograph frontispiece and 6 hand-coloured lithographs, one folding table, scattered faint spotting, bookplate, later crushed-morocco, 1833 § Lewis (Matthew Gregory) Journal of a West India Proprietor, one or two faint spots, contemporary half-calf, slight rubbing to extremities, 1834; and others on the West Indies, and South America, 8vo & 4to (12)
Africa.- Ethiopia.- Portal (Sir Gerald) My Mission to Abyssinia, first edition, frontispiece, plates, folding map at end, short splits to folds with neat tape repairs verso, scattered spotting, cracked hinges, previous owner's ink signature, original cloth, rubbing to corners and extremities, 1892 Beke (Charles T.) The British Captives in Abyssinia, second edition, lithograph frontispiece, folding map, browned with chipping to edges, illustrations, ex-Kew College Library & ex New College Oxford with usual label and ink-stamps, original cloth, rebacked retaining original backstrip, a little rubbed, 1867 § Bent (J. Theodore) The Sacred City of the Ethiopians, half-title, frontispiece, plates (some folding), illustrations, folding map, scattered spotting, publisher's advertisements at end, original cloth, a little rubbed, slight bumping to corners and extremities, 1896; and others on Abyssinia, 8vo (7)
Africa.- Speke (John Hanning) Journal of the Discovery of the Source of the Nile, first edition, engraved portrait frontispiece, plates and illustrations, 2 maps, of which 1 folding at end, short tear at gutter, previous owner's ink signature, new endpapers, contemporary half-calf, a little rubbed, slight bumping to corners and extremities, Edinburgh & London, 1863 § Baker (Samuel White) The Albert N'Yanza, Great Basin of the Nile Sources, first edition, 2 vol. bound as 1, engraved portrait and tinted lithograph frontispieces, plates, illustrations, 2 colour maps, of which 1 folding with splits to tears, one split with old tape repairs verso, scattered spotting, strengthened at joints, contemporary half-calf, slight rubbing to corners and extremities, 1866 § Lander (Richard and John) Journal of an Expedition to Explore the Course and Termination of the Niger, 3 vol., half-titles to all but vol. 3, engraved frontispieces, 4 plates, illustrations, 2 maps, of which 1 folding, modern cloth, occasional faint off-setting, 1832; and 4 others similar, 8vo (9)
Africa.- Stanley (Henry Morton) Through the Dark Continent, 2 vol., first edition, 2 portrait lithograph frontispieces, plates and illustrations, 10 maps, of which 4 folding, 2 in pocket at end with foldines neatly strengthened at verso, new endpapers, original pictorial cloth, rebacked retaining original spine, slight bumping to corners, [Hosken p.189], 8vo, 1878.
America.- Johnstone (E.) The Unique Map of California, decorative map with 20 vignette views showing various places of interest such as the Golden Gate, Coronado, Lake Tahoe, Big Trees, and Yosemite Valley, lithograph printed in colours, sheet 685 x 535 mm (27 x 21 in), laid on thin conservation support with several losses restored, and other repaired nicks and tears, handling creases, unframed, Dickman and Jones Co., [1885].
NO RESERVE Voyages.- [Fernyhough (Thomas)] Military Memoirs of Four Brothers (natives of Staffordshire) engaged in the service of their country, as well as in the New World and Africa ..., first edition, lithograph frontispiece and 7 plates, list of subscribers, scattered spotting, one or two faint marginal abrasion marks, previous owner's ink signature to front free endpaper, contemporary drab boards, rebacked, bumping to corners, 8vo, 1829.⁂ Scarce in retail. The list of subscribers includes Robert Peel who at this time was serving as Home Secretary in the Duke of Wellington's government.
World.- Belzoni (Giovanni Battista) Narrative of the Operations and Recent Discoveries within the Pyramids, Temples, Tombs, and Excavations in Egypt and Nubia, second edition, 1 vol. only (of 2), lacking atlas vol., lithograph portrait frontispiece, 1 engraved plate, 1 folding engraved map, scattered spotting, ex-Tate Library with occasional ink-stamps, old bookplate retained and attached to front pastedown, modern half crushed-morocco, 1821 § Baker (Sir Samuel W.) The Nile Tributaries of Abyssinia, first edition, portrait frontispiece, plates (some misbound), 2 maps (1 folding), newspaper clipping on Lady Baker pasted to blank, new endpapers, original decorative cloth, rebacked retaining original backstrip, rubbed, 1867 § Ponting (Herbert G.) In Lotus-Land Japan, limited edition, plates, original pictorial cloth, slipcase, a little rubbed, Tokyo, 1985; and others, v.s (28)
Europe.- Paton (A. A.) Highlands and Islands of the Adriatic, 2 vol., lithograph frontispieces, vignette titles, 8 lithographs, one folding map, one double-page plan, scattered spotting, previous owner's printed label to front pastedowns, original cloth, a little mottled, slight bumping to corners and extremities, [Abbey, Travel 44], 1849 § Wilde (W. R.) Narrative of a Voyage to Madeira, Teneriffe, and along the Shores of the Mediterranean, 2 vol., first edition, 2 tinted lithograph frontispieces, 2 maps, 2 lithographs of skulls, illustrations, advertisements at beginning vol. 1, scattered faint spotting, original cloth, a little faded, small abrasion mark to vol. 2 upper cover, bumping to corners and extremities, Dublin & London, 1840; and another similar, 8vo (6)
Salvador Dali 1973 hand signed lithograph from 'Les songes drolatiques de Pantagruel (Pantagruel's Comical Dreams)' - frame 88cm x 66cm ~ Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol (1904–89) and based upon the 16th century 'The Five Books of the Lives and Deeds of Gargantua and Pantagruel' by François Rabelais (1483/94-1553)
David SHRIGLEY (1968) Life is Good Lithograph, 80 x 59cm. Frame size 99 x 78cm.Overall this lithographic print is in good condition and is well presented. There are some very minor signs of cockling to the paper, but nothing of major concern. The print is not signed by the artist. Please see additional images.
BANKSY (1974) Di Faced Tenner (2004) Offset lithograph in colours, 7.5 x 14.5cm. Frame size 25 x 34cm.Provenance: Criterion - from a charity auction Notting Hill Carnival 2011. There are no condition issues with this interesting piece, which is held in place by four small transluscent triangular sleeves attached to the glass. Double-sided view.
§ Laurence Stephen Lowry RA, RBA (1887-1976) Ferry Boatssigned 'L.S. Lowry' (lower right)offset lithograph, with Fine Art Trade Guild blindstampunnumbered from the edition of 500, published by Venture Prints Ltd., 197235 x 43cmNot examined out of the frame, outer margins are obscured by the mount so not available for inspection. Appears in very nice condition throughout.

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