Wainwright (John). Yorkshire. An Historical and Topographical Introduction to a knowledge of the Ancient State of the Wapentake of Strafford and Tickhill; with ample accounts of Doncaster and Conisbrough..., Sheffield: John Blackwell, 1829, engraved frontispiece and four plates, damp staining and some browning, top edge gilt, armorial bookplate of the Earl of Mexborough to verso of front free endpaper, near contemporary half calf, upper board detached, 4to, together with:Barber (Thomas), Barber's Picturesque Illustrations of the Isle of Wight, comprising views of every object of interest on the Island, London: Simpkin & Marshall, [1834], engraved title, double-page map and 40 engraved plates on India paper, occasional light scattered spotting and slight offsetting, all edges gilt, contemporary gilt decorated spine, extremities rubbed, 8vo,Phillips (John), The Rivers, Mountains, and Sea-Coast of Yorkshire. With essays on the climate, scenery, and ancient inhabitants of the county, Subscribers' edition, London: John Murray, 1853, 36 lithograph plates (including frontispiece, and one hand-coloured map), advertisements at rear, occasional light spotting, 20th century dark green half calf, gilt decorated spine, 8vo,Aubrey (John & Jackson, John Edward), Wiltshire. The Topographical Collections of John Aubrey, F.R.S., A.D. 1659-70, corrected and enlarged, Devizes: Wiltshire Archaeological and Natural History Society, 1862, engraved frontispiece, lithograph plates, folding pedigrees, light toning and spotting, armorial bookplate of Charles Penruddocke to upper pastedown, original cloth, large 4to, plus other topography etc., including Harmsworth Atlas, [1906-08]; Topographical and Statistical Description of the County of Wilts [& County of Hants], by G.A. Cooke, 2 volumes in one, [1819], plus some defective topography related, including two sets of Camden's Britannia, 2 volumes, Gibson edition, 1772, lacking all mapsQTY: (15)
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Yates (Major G. & Rennie Sir John). A View of Old London Bridge in 1823, after the Removal of the Water Works, 1823, publisher's printed paper wrappers with title, one uncoloured lithograph of London Bridge and three uncoloured lithographic plans and elevations of the 'new' London Bridge, bound with a very large folding lithograph after G. Scharf ' A View of High Street Southwark being the ancient Roadway from Old London Bridge, taken July 1830, previous to its Removal for the New Line of Approach', on four sheets, laid on linen, overall size 530 x 1500 mm, bound with an additional eight uncoloured lithographs of London Bridge by or after John Norden, John Visscher, W. Hollar, Sutton Nicholls, S. & N. Buck and Major G. Yates, all printed by R. Martin, some spotting and water staining throughout, each approximately 340 x 530 mm, text block detached, contemporary cloth gilt, worn and rubbed, oblong folioQTY: (1)NOTE:The first described part is Abbey Scenery number 223. This appears to be a privately created composite volume with the large panorama of Southwark High Street and the additional eight lithographs, not called for by Abbey.
Thomas Shotter Boys, NWS, British 1803-1874- Temple Bar from the Strand; hand-coloured lithograph on paper, published by T.S. Boys, London, 1842, 44 x 32 cm. Provenance: With Thomas Agnew & Sons, London, no.34103.; Private Collection, UK, since 1971.; By descent. Exhibited: London, Thomas Agnew & Sons, 1971 no.26. Note: Plate 22 from the artist's 'Original Views of London as It Is', 1842. Temple Bar, designed by Wren and erected in 1670-72, was removed in 1878-79. Behind it rises the tower of St Dunstan's-in-the-West. Please refer to department for condition report
'Snaffles' Charles Johnson Payne (1884-1967)/The Soldier, Nasty Steeplechasin' Devil/colour lithograph, 32cm x 31cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
'Snaffles' Charles Johnson Payne (1884-1967)/The Sportsman, Who Hunts for the Love Of It/colour lithograph print, 30cm x 32cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
David Hockney OM CH RA (British, b.1937) 'Fiesta 88', Bradford Festival, 1988, Offset lithograph, printed on thick, almost card-like paper. Unframed, measures 63 by 42.9 cm. This piece is an original authorised poster, printed in 1988 and rare to find especially in such good condition. This is not a later reproduction. Good condition in tube. ARR charges may be applicable
Banksy, (British, b.1974) 'Peckham Rock Postcard', Offset Lithograph on shaped wood. This edition is authorised by Pest Control/ Banksy and was created for the British Museum as part of the iObject exhibition in 2018 which was curated by Ian Hislop. Newly framed with description below. Measures 18 by 12 by 2cm. Frame 42 by 35cm. Condition is good. ARR charges may be applicable
Laurence Stephen Lowry RBA RA (British, 1887-1976) 'St Mary’s Beswick', Signed Limited edition of 500. Framed behind glass, measures 26 by 36cm. St. Mary’s Church is a lithograph from 1967 by L. S. Lowry that features a view of a church in a town called Beswick in Greater Manchester. New frame, with conservation quality acid free french bound mounting complete with UV blocking museum glass. Good condition print. Frame has signs of normal ageing. ARR charges may be applicable
Laurence Stephen Lowry RBA RA (British, 1887-1976) 'Level Crossing with Train', after the original 1946 painting, Signed lithograph. Limited edition on wove paper from edition of 750. Published by Patrick Seale Prints in 1973. Courtesy of Salford Museum and Art Gallery. Complete with conservation quality acid free french bound mounting. Unframed, mounted, measures 45 by 55cm. Good condition and colours, presented in a clear protective cover. ARR charges may be applicable
Harry Thubron (1915-1985) 'Salamanca', lithograph, pencil signed in the margin, dated '78 and numbered 57/70, 46 x 39cm (im), 103 x 74cm (sh); and John Henn (20th century) - 'Orange Roses', etching with aquatint in colours, pencil signed in the margin, titled and numbered 12/75, 45 x 29cm (2)
‡ PAUL PETER PIECH three colour lithograph - promotion of human rights organisation Survival International with anti-ethnocide sloganDimensions: 75 x 51cmsProvenance:private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalCondition Report:unframed, slight water damage
‡ PAUL PETER PIECH two colour lithograph - peace movement slogan 'Wars will end when men refuse to fight', signed and dated 1988Dimensions: 75 x 50.5cmsProvenance:private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalCondition Report:unframed, good overall without notable damage
‡ PAUL PETER PIECH three colour lithograph - homage to poet Walt Whitman (1819-1892) with text from 'Song of Myself', signed and dated 1988Dimensions: 51 x 75cmsProvenance:private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalCondition Report:unframed, very small margin tears, overall very good
‡ PAUL PETER PIECH three colour lithograph - homage to peace activists Hildegard Goss-Mayr and Jean Goss, signed and dated 1987Dimensions: 75 x 51cmsProvenance:private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalCondition Report:unframed, no notable problems, excellent
‡ GEORGE LITTLE two collagraphs and an artist's proof lithograph - (1) limited edition (2/6) collagraph print, titled to margin 'Gower Landscape', signed, (2) limited edition (6/6) collagraph print, lower Swansea Valley copper-works, (3) artist's Proof III lithographDimensions: (1) 18 x 18cms (2 & 3) 32 x 32cmsProvenance:consigned by the family of the artist, via our Cardiff officeCondition Report:each in good condition and mounted only
After Simon A Horn, ten various colour prints of Eton College life and associated activities in the sixties numbered 83/850 in pencil, framed 25.5 x 36cm, three various Japanese woodblock prints depicting traditional figures, 32 x 22cm and three frames having four woodblock prints and an early 19th century lithograph after Joseph Nash 1809-78 British, of an Elizabethan interior 29 x 41cm and a pair of coaching prints, all framed
Freedman (Barnett) Post Early in Christmas Week, colour lithograph, c.760 x 510mm., framed and glazed, General Post Office, 1937.⁂ One of several posters designed by Freedman for the Post Office. "These brightly-coloured designs have a freshness of design which still have considerable appeal some sixty-five years later. There are no pictorial elements in these eye-catching displays and their strengths lie in the bold lettering and background colours and textures which deliver the message in a totally uncompromising manner." Ian Rogerson, Barnett Freedman: the Graphic Art, Fleece Press, 2006.
![Freedman (Barnett) [The Seasons] Amid the Groves, under the Shadowy Hills.. [&] Tomorrow to Fresh Woods and Pastures New,](https://cdn.globalauctionplatform.com/5269b360-7d35-4fd1-844e-aebc010805cc/4c6d6bc1-7e96-4a59-8c7f-aebc010c17cd/468x382.jpg)
Freedman (Barnett) [The Seasons] Amid the Groves, under the Shadowy Hills.. [&] Tomorrow to Fresh Woods and Pastures New, pair of colour lithograph posters, each with two landscape scenes (Summer & Autumn; Spring & Winter) with quotations from Wordsworth and Milton respectively, c.1015 x 635mm., one or two very minor creases to edges, framed and glazed, London Transport, 1956.⁂ "Possibly his [Freedman's] last, and finest posters for them [London Transport] were printed in several colours on large sheets for display at stations on the Underground system...". Ian Rogerson, Barnett Freedman: the Graphic Art, Fleece Press, 2006.
China.- Shanghai.- Kelly & Walsh (Shanghai-based publishers, active 1876 to 20th century) Map of Shanghai, English-language map showing pre-Communist revolution Shanghai but post World War II, lithograph printed in colours, sheet 530 x 765 mm (20 7/8 x 30 in), folding with one or two minor splits and pin holes to corner folds, some browning and surface dirt, two printed advertisements affixed verso, with small losses, unframed, [circa 1946]
Saudi Arabia.- Saudi Aramco (publisher) Abqaiq, Saudi Arabia, lithograph printed in colours, text in English and Arabic, sheet 355 x 415 mm (14 x 16 1/4 in), minor handling creases, light surface dirt, unframed, [circa 1950s]; together 3 others, including two anonymous blueprint maps of Saudi Arabia, probably published by Aramco, both on a scale of 1:1,000,000, one showing the Northwestern part of Saudi Arabia bordering Iraq, the other of the Western Rub' Al Khali, lithographs, each approx. 760 x 730 mm (29 7/8 x 28 3/4 in), and with the Seventh Edition of The "Daily Mail" Special Map of the Far East, [20th century] (4)
Singapore.- National Mapping of Malaysia (published on behalf of Chief Surveyor, Singapore) Singapore and Johor, large scale survey map of Singapore on a scale of 1:25000, lithograph printed in colours, 8 sections presented in 4 strips, each affixed to folding wooden screen, total size approx. 1365 x 2465 mm (53 3/4 x 97 in), some browning and surface dirt, a few nicks and tears, signs of use and wear, 1966.
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