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Φ Louis Le Brocquy (Irish 1916-2012) The Holy Family, a Christmas cardLithograph21.7 x 10.7cmTogether with Patrick Heron (1920-1999); Two boats; Signed, inscribed and dated Christmas Greetings from Patrick Heron 1955 (to verso according to label); Reproduction print; 12.2 x 16.9cm (2)Provenance:Private Collection, Wiltshire
AFTER NEL WHATMORE "Purple primula", lithograph, limited edition No'd. 63/500, signed in pencil lower right, bears certificate of authenticity verso, 22.5 cm x 21.5 cm, togehter with a companion pair "Yellow primula", AFTER JAILLETHEOY "Study of poppies in a vase", limited edition print No'd. 203/300, indistinctly signed and dated '77 lower right, 68 cm x 44 cm , together with various other floral studies, etc (9)
A 19th century mahogany tea caddy of sarcophagus form, 13 x 24.5cm, a 19th century light wood jewellery box with lithograph printed children to the front, 9 x 22 x 16cm, a glazed lidded top oak jewellery box with single drawer, 14.5 x 31 x 20cm and a 19th century red leather jewellery box with carry handle (lacking inner tray and key) (4).
Benjamin Chee Chee (Canadian, 1944-1977)'Friends'lithograph in colours on wove paper, 1974, signed and dated in the plate l.r.58 x 45cm visibleCondition Reportoverall: 76 x 62.5cmAcid discolouration visible to the edges where the print has been framed with an acidic mount. There are some specks of dirt trapped between the print and the glazing. In the centre of the print there is a faint brown vertical stain approximately 5cm in length with two black spots of dirt stuck to the reverse of the glass in the same area.
BRENTON, Edward Pelham - The Naval History of Great Britain, from the year MDCCLXXX111 to MDCCCXX11 : 5 volume set. Mezzotint portraits, lithograph plates, maps and tables. xxvii;(i) - 505; (i). xv; 505. xxi; 531; 576; xiii;483. Lacks three leaves of Directions to the binder,but otherwise complete Nineteenth century half tan calf with contrasting morocco labels, extra gilt within compartments. * Attractive set.(5)
HAGHE, Louis - Views of Tintern Abbey and Chepstow, Drawn From Nature and Lithographed By Louis Haghe, Esq : 10 lithograph plates ( 284 x 195 mm ). Foxing especially to margins and the first plate. Published by George Davey, Bristol. Original printed paper torn especially in the area of the spine
SEEBOHM, Henry - Coloured Figures of the Eggs of British Birds ... Edited by R. Bowdler Sharpe. Portrait frontispiece, 59 coloured lithograph plates, one other plate. Foxing to first few pages. Original red cloth. stout large 8vo. Sheffield, 1896. With - Berkeley, M. J. Handbook of British Mosses : 24 plates mainly in colour. Org. green cloth sl. weak spine. 8vo. Lovell Reeve & Co. 1863. With - Steuart, Sir Henry. The Planter's Guide. Frontispiece lightly damp stained. Org. linen backed paper covered boards with paper labels.8vo. 1828. Step, Edward. Bees, Wasps, Ant & Allied Insects of the British Isles : org.cloth in d/w. Illustrated. small 4to. 1932. With two others.(6)
DOMINGOS SEQUEIRA - 1768-1837 Portrait of the son of the Marquis of MarialvaDOMINGOS SEQUEIRA - 1768-1837, Portrait of the son of the Marquis of Marialva, graphite on paper, moisture stains, unsiged Notes: it is a study for the lithograph that the Author made in Paris in 1824, of the illegitimate son of the 6th marquis of Marialva. Cabral Moncada Leilões registers and thanks Dr. Alexandra Markl the confirmation of the Authorship of this work., Dim. - 16 x 15 cmi1. Back with handwritten inscription, signed by Luís Xavier da Costa, with the followingcontent: ""Desenho original do pintor Domingos Antonio de Sequeira para a litografiafeita em Paris, em 1824: Retrato do filho do marquês de Marialva / (Existia na colecçãoRebêllo Valente, do Porto, e foi-me oferecido em fevereiro de 1925 pelo Dr. A. VascoRebêllo Valente) / Veja os meus livros "A morte de Camões" e "A obra litográfica deDomingos Antonio de Sequeira" (Págs. 38 - 45 - 50-), onde vem reproduzido.";2. "A obra litográfica de Domingos António de Sequeira" to which the inscription referscorresponds to the Offprint of «Arqueologia e História» - IV». Composition and printing ofTipografia do Comércio. Lisbon, 1925;3. The story of this drawing, which led to a lithograph, is told by Luís Xavier da Costa in hisaforementioned study 'A obra litográfica de Domingos António de Sequeira';4. In short, the story is as follows: the last Marquis of Marialva had a natural son with acertain Madame d'Ayala, when he was already in Paris, in the last years of his life. As theMarquis died on November 24th, suddenly and unexpectedly, the said Lady and the child- who would have been little more than a year old - were in a weak financial situation.Sequeira, who was also in Paris at the time, made the lithograph in order to carry out akind of subscription among his friends to raise money to support the boy. In a letter to hisbrother-in-law, dated April 28, 1824, he writes 'o Retrato do filho do Marquês (destas vão4) e que vai reprezentado o inocente izolado no mundo no meio da França esperandosocorro' (daí estar representado com as mãos levantadas, como se estivesse a suplicare sobre um mapa...). In the meantime, there are a number of official contacts at thePortuguese Court to appoint a legal guardian for the child. It is all this documentation thatXavier da Costa publishes.In one of the last letters, dated March 1825, it is said that the child ended up dying on the1st of that month, due to 'a huma catharral complicada com a dentição'. The wholeprocess was then without effect and had no continuity.Cabral Moncada Leilões acknowledges and thanks Doctor Alexandra Markl for confirming theauthorship of the present
Travel. Africa. The Life and Explorations of David Livingstone, LL.D. London: Adam & Co. No date, circa 1870's. Two volumes in one. With 86 plates, a map and a lithograph title page/frontispiece. Re-bound in a full red cloth. With; Baker, Sir Samuel W. - The Nile Tributaries of Abyssinia, &c. London: 1868. 2nd edition. Re-backed. (2)
David Hockney OM CH RA (b.1937)'Dog Painting 43'offset lithograph in colours,1995, published for the 'David Hockney Dog Paintings' exhibition at 1853 Gallery, Salts Mill, Yorkshiresheet 52.7 x 64.7cm, unframedCondition ReportA couple of very light handling creases visible to the reverse, but this does not detract from the image.
David Hockney OM CH RA (b.1937)'Montcalm Interior at Seven O'Clock'offset lithograph in colours, 1988, published for the 'David Hockney' exhibition at 1853 Gallery, Salts Mill, Bradfordsheet 70 x 83.5cm, unframedCondition ReportSome light handling crease to the right edge which are only visible from behind and do not affect the image.
â–´ David Hockney and Stephen Spender'China Diary' number 53 of 1,000 copies, signed by Hockney and Spender, 158 illustrations, 84 in colour, original cloth, Thames & Hudson, London, 1982; with original folding five-colour lithograph 'Red Square and the Forbidden City' signed and dated 'David Hockney 82' and numbered '53/1000' in pencil, lithograph housed in original printed card folderbook and lithograph both housed in original card box with red printed label and numbered '53' in pencil
After Joan MiroUntitledlithograph in colours, on wove paper, after Lithograph VII, 1972sheet 33.7 x 50cm,together with:'Great Britain';'Portugal';a pair, lithograph in colours, complete with Nathan Daniel Isen, Philadelphia certificate of authenticitysheet 19.5 x 39.5cm, and'Star Scene' lithograph in colours, with Templeton and Rawlings Ltd., London, authentication label versoimage 40 x 57.5cm (visible) (4)Provenance: The first ('After Joan Miro'), with Andipa Gallery, London.Condition ReportUntitled:Framed: 58.5 x 74cmNot examined out of glazed frame, there is crease down the centre where the paper has been folded in half, otherwise well-presented and ready to hang.'Great Britain' and 'Portugal':Framed:44 x 63cmThe paper has been stuck down. Not viewed out of glazed frame.'Star Scene':Framed: 56 x 71cmTime staining and light rippling to the paper. Unexamined out of glazed frame.
Benjamin Chee Chee (Canadian, 1944-1977)'Spring Flight'lithograph in colours on wove paper, 1974, signed and dated in the plate l.l.50 x 63cm visibleCondition ReportFramed: 50 x 63cmUnexamined out of glazed frame. There are some very small specks of dirt trapped between the print and the glazing, however the work itself appears to be in good condition.
▴ Mary Fedden RA (1915-2012) ‘The Lamp’ lithograph in colours, signed ‘Fedden’ in pencil l.r., and numbered '79/250'image 56 x 40cmCondition ReportFramed 75.5 x 56.5cmIn apparently good overall condition. The print has an acidic mount and has not been examined out if its glazed frame.
â–´ Duncan Grant (1885-1978)'Still Life' lithograph in colours, published 1947, part of a series of lithographs by leading British artists, commissioned by J Lyons & Co. at the end of the Second World War to decorate their tea shops sheet 70.5 x 96cm, unframed Condition ReportThere is 1cm x 2cm piece missing to the left edge, and a 5 x 4cm piece missing to the bottom edge, please see images. Further small rips and tears to the edges with light surface scuffs and abrasions.
â–´ John Piper CH (1903-1992)'Florence Relief Landscape' (Levinson 184) lithograph in colours, 1967, signed 'John Piper' in pencil l.r., and numbered '4/50'image 43 x 62cm (visible)Provenance: Marlborough Graphics, London, 1974.Condition ReportFramed: 64 x 84cmLight time staining to the margins. There is a small 1cm scratch in the margin in the extreme lower right corner. Unexamined out of glazed frame. The work is well presented and ready to hang.
â–´ Dame Elisabeth Frink CH RA (1930-1993)'Spinning Man V' (Wiseman 6)lithograph, signed and dated 'Frink 65' in pencil l.r., numbered '7/65', with Curwen Studio blind stamp78 x 55.5cm visibleCondition ReportFramed: 99 x 73.5cmTime staining to the upper edge with aome light handling creases to the bottom half. Unexamined out of glazed frame.
â–´ Dame Elisabeth Frink CH RA (1930-1993)'Spinning Man VII' (Wiseman 8)lithograph, signed and dated 'Frink 65' in pencil l.r., numbered '7/50', with Curwen Studio blind stamp55 x 78cm visibleCondition ReportFramed: 77.5 x 97.5cmRippling with some light staining to the top edge, please see images. The work has been framed with an acidic mount. Unexamined out of glazed frame.
â–´ Philip Jackson FRBS (b.1944)'Study for Donna Anna'lithograph, signed 'Jackson.' in pencil l.r., inscribed with title and numbered '22/75'sheet 63 x 45cmCondition ReportOverall 77.5 x 56cmThe top of the sheet has been attached to a mount with non archival tape. The tape is on the reverse of the print and there is no visible damage apparent to the front which appears to be in good condition.
Rockwell Kent (American, 1882-1971)Lucrece - illustration for the Complete works of Shakespeare2 color lithograph black and green ink, 1936Signed in pencil lower right Rockwell KentEstate purchased Sheet Size: 9.5 x 7 in. Plate mark: 9 x 6.75 in. Overall Framed Size: 18.5 x 15.75 in. Framed behind glass.
Beck & Jung (Swedish, Holger Backstrom, 1939-1997 and Bo Ljungberg, 1939-2007) Lithograph / Collage. Numbered (42/125) and titled lower left. Signed and dated (1977) in ink lower right. Most famous are the variations of the three-dimensional grid in rainbow colors, which they designed as a test print for an early inkjet printers. These images (color cubes) were also sold as paintings. Sheet Size: 31.5 x 23.5 in. Unframed.
Beck & Jung (Swedish, Holger Backstrom, 1939-1997 and Bo Ljungberg, 1939-2007) "Morning Bell" Lithograph / Collage. Numbered (26/150) and titled lower left. Signed and dated (1978) in ink lower right. Most famous are the variations of the three-dimensional grid in rainbow colors, which they designed as a test print for an early inkjet printers. These images (color cubes) were also sold as paintings. Sheet Size: 31.5 x 23.5 in. Unframed.
Mihail Chemiakin (New York, Russia born 1943) "Untitled VIII" Color Lithograph. Numbered (38/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 20 x 17.25 in. Sheet Size: 30 x 21 in. Unframed.
Mihail Chemiakin (New York, Russia born 1943) "Untitled VII" Color Lithograph. Numbered (40/225) lower left. Pencil Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 19 x 16.5 in. Sheet Size: 30 x 21 in. Unframed.
Mihail Chemiakin (New York, Russia born 1943) "Nature Morte w/ Fish" Color Lithograph on Japan paper. Numbered (55/78) lower left. Signed lower right. Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 18 x 25.25 in. Sheet Size: 21 x 29.75 in. Unframed.
Nach Salvador DALI (1904 - 1989). 3 Blatt Graphik.Bis 55 cm x 37 cm im Ausschnitt. Lithographie. Siehe auch Gutachten. Nicht ausgerahmt. Versand kann organisiert werden.Based on Salvador DALI (1904 - 1989). 3 sheets of graphics. Up to 55 cm x 37 cm in cut-out. Lithograph. See also expert opinion. Not framed. Shipping can be organised.
Bernard BUFFET (1928 - 1999). Tower Bridge. London. England.45,7 cm x 76,2 cm. Nicht ausgerahmt. Original-Lithographie signiert und datiert (19)60. Versand kann organisiert werden.Tower Bridge. London. England. Not unframed. Original lithograph signed and dated (19)60. shipping can be organized.
Bauer, Karl (1868 Stuttgart - 1942 München, deutscher Graphiker, Maler und Lithograph, Studium a.d. KA Stuttgart u. a.d. AK f. Bildende Künste München) - "Goethe", um 1900, Porträt von Johann Wolfgang von Goethe (Frankfurt a. M. 28.8.1749 - Weimar 22.3.1832), Lithographie nach Kreidezeichnung von Karl Bauer nach Goethebildnissen um 1790, in der Platte signiert, mit Passepartout unter Glas gerahmt, Passepartout -Ausschnitt ca. 42,5 x 39 cm, Gesamtmaße ca. 61 x 51 cm

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70553 Los(e)/Seite