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Preisdatenbank abonnieren*PATRICK HERON (1920-1999) 'Curwen Anniversary Print, 1998', signed and numbered 6/40 in pencil to the margin, lithograph, printed and published by Curwen Studio, Chilford, with their blindstamp, on the occasion of the exhibition 'Forty Years at Curwen Studio: 1948-1998', 72cm x 92.2cm (sheet), Framed dimensions: 83cm x 103cmProvenance: With The New Academy Gallery, Windmill Street, Fitzrovia, London.
*LAURENCE STEPHEN LOWRY (1887-1976) 'Landscape with Farm Buildings', signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 298, limited edition offset lithograph from the edition of 850, printed in 1974 by Venture Prints Limited of Bristol, the image 40cm x 50cm, Framed dimensions: 79.8cm x 85.7cm
BENJAMIN CHEE CHEE (1944-1977) 'Friends', 1974, a study of three geese, signed and dated within plate lower right, lithograph, 50cm x 39cm,Framed dimensions: 64cm x 54.5cm Note: Benjamin Chee Chee was a self-taught Canadian artist of Ojibwa descent who is known as one of the most prominent figures of the Woodland School of Art. He was born on March 26, 1944 in Ontario, Canada. Chee Chee gained renown for his spare, elegant depictions of geese and other birds, insisting that these images did not carry symbolic meaning, describing them instead as “creatures of the present.”
*DAME ELISABETH FRINK (1930-1993) 'Man and Horse I', 1971, signed and numbered 46/70 in pencil, lithograph, on J Green mould-made paper, printed at Curwen Studio, published by Leslie Waddington Prints Ltd., the sheet 60.2cm x 79.8cm, Framed dimensions: 64.5cm x 83.5cm Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024), Literature: 'Elisabeth Frink, Original Prints, Catalogue Raisonné', Caroline Wiseman, 1998, number 50,
§ Laura Knight RA, RWS (1877-1970) Pas de Deuxsigned beneath the mountlithograph52 x 67cmThis is not an original Paper is toned overall, with acid-mat burn noted beneath the mount. Toning is overall even, though there are some lighter spots. There is a large and deep dog ear crease with some cleaving over the right hand corner, some small closed tears to the top edge margin. The mount board is adhered along the bottom edge (not in contact with the lithograph) so the lower margins are not available for inspection.
§ Gertrude Hermes OBE, RA (1901-1983) Welcome to the Avocetssigned and dated 'Gertrude Hermes 1948.' (lower right); artist's prooflithograph38.5cm diameterExhibited:London, Gertrude Hermes: Wood Engravings, Colour Prints, Drawings, and Sculpture 1924-1970, 12 January-11 February, 1993, cat. no.44Not examined out of the frame, outermost margins are obscured by the mount and are, therefore, not available for inspection. The paper support has an overall undulating appearance which should be corrected by reframing. There is some very negligible foxing noted in the lower margin. There is some possible fading to the palest values in the print, otherwise appears in nice condition overall.
§ HM King Charles III (1948-) Balmoral Castlesigned with initial and dated 91 (lower right); numbered p/plithograph printed in colours, printed by Curwen Studio, Chilford, published by Anna Hunter, Elstree, on Somerset wove paper24.5 x 59cmProvenance: Collection of the late Samuel Alper, OBE (1924-2002)Overall in good condition. In the right light, you can see a fait surface crease of about two inches which is in the white edge to the bottom left of the image
§ Eileen Cooper OBE, RA (1953-) Offspringsigned and dated 'Eileen Cooper 1992' (lower right); AP ix/xxxlithograph42 x 31.5cmIn a clip frame and would benefit from reframing. Each sheet edge deckled, with two indents to each paper edge where the clip frame has been in contact with the margins. Perhaps very slightly toned, though this is even and uniform in appearance throughout.
§ Tracey Emin CBE, RA (1963-) I Promise to Love Yousigned and dated 'Tracey Emin / 2014' (lower right); unnumbered from the edition of 500offset lithograph on glossy wove paper, published by Emin International, London69 x 49cmNot removed from frame for examination, appears to have a light scratch over the 'T' in the signature, and some possible abrasions along the left hand side and lower edge.
§ David Hockney OM, CH, RA (1937-) Remember That You Cannot Look At the Sun or Death for Very Longnumbered 2688/3000 to the reverselithograph printed in colours with screenprint in yellow, printed and published by Circa, London, unframed89.5 x 25.5cmProvenance:With Circa Economy, London, with the accompanying Certificate of Authenticity
Mel Ramos (1935-2018) French Fry Girl, 2002signed 'Mel Ramos' (lower right); numbered 290/444lithograph42 x 39.5cmProvenance:Sale; Bonhams, Vision 21, 16 March, 2011, lot 180Not examined out of the frame, the outermost margins obscured by the mount and, therefore, not available for inspection. The frame with numerous white paint fleck marks to the lower edge. Some very light foxing, though this is largely localised to the right hand margin, there is some light foxing noted to the woman's arm. Otherwise appears in good overall condition. See additional images.
Plastic & Tinplate, qty loco's & rolling stock. To include 0-4-0 LMS Maroon clockwork body, fitted with 3-rail mechanism, Hornby O gauge coaches fitted with recent lithograph labels to sides, 0-4-0 battery operated loco, various OO plastic rolling stock plus many other items, see photo. Conditions: Fair to Excellent. (Large Qty)
Bing, Basset Lowke & Marklin O Gauge Unboxed Coaches. Bing converted full coach into 6 wheel Luggage / Brake, Basset Lowke repainted & re- liveried with lithograph labels to sides BR crimson / cream M 5523 M & M 8953 M, Marklin for Gamages L&NWR full brake 1436 - roof repainted. Conditions: Fair to Good. (5)
* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), VALIANT offset lithograph on paperframed and under glassimage size 32cm x 26cm, overall size 51cm x 45cmNote: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.
* JUNE CAREY RSW RGI (SCOTTISH b. 1942), VISION AHEAD artist's proof lithograph on paper, signed, titled and numbered A/Pmounted, framed and under glassimage size 55cm x 46cm, overall size 86cm x 73cmNote: June Carey began her art education in the 1960s at The Glasgow School of Art. She has been exhibiting her work widely throughout Britain and abroad ever since. Her awards include The Scottish Arts Council 1998, McGrigor Donald Trust 1989, European City of Culture Woman 2000 (First Prize) 1990, Dundee District Council Purchase Prize 1991, British Council Assistance Grant 1992, The Hope Scott Trust Award 1993, Scottish Arts Club Award 1993, McDonald Orr Ltd 1993, Anne Redpath Award 1996, BP Aberdeen Assistance Grant 2002, Connell & Connell Sponsorship and in 2004, a Research Grant from the Scottish Arts Council, to visit India. June Carey's work can be found in the collections of Lady Thyne; Peter Gabriel, BBC Television, The Royal Bank of Scotland, The Scottish Arts Council, Oxford University, Teachers Whisky, Highland Region, Edwins Gallery Jakarta, Barclay Lennie Fine Art Ltd, MacTaggart & Mickel Ltd. Eastern General Hospital, McDonald Orr Ltd, Dundee District Council, Arts in Fife and Private Collectors at home and abroad.
* ELIZABETH BLACKADDER DBE RA RSA RSW RGI DLitt (SCOTTISH 1931 - 2021), FIFESHIRE FARM artist's proof lithograph on paper, signed and inscribed 'Artist's Proof' mounted, framed and under glass image size 51cm x 68cm, overall size 69cm x 87cm Note: Fifeshire Farm (1960) speaks to Elizabeth Blackadder’s fascination with nature that began during childhood. The wild and wind-beaten trees relate to the artist’s dislike of ‘effete’ garden flowers, and subsequent preference for a ‘laissez-faire’ gardening style, with resultant neo-Romantic landscapes a frequent subject of her work. Blackadder first experimented with printmaking whilst studying at Edinburgh in the early 1950s. She proceeded to produce various lithographs in the 1960s with the Curwen Studio, during a period of renewed interest in the medium. This particular print was made in the same year as Italian Landscape (1960) – a lithograph that shares the restrained colour palette and depiction of harsh-black trees. Recipient of a travel scholarship, Blackadder created these prints following nine months in Italy, beginning from summer 1955. The bare winter trees of Tuscany appealed to the artist, and this continued interest is apparent in Fifeshire Farm. Similar forms are transposed to depict the harsh shrubbery of Fifeshire (or Fife), an area of eastern Scotland and birthplace of her husband and travel partner, John Houston. Tate Britain hold a copy of Fifeshire Farm. Note 2: Dame Elizabeth Blackadder is widely recognised as one of Scotland's most significant twentieth-century artists. Born in Falkirk, she studied at Edinburgh College of Art under the tutelage of Sir Robin Philipson and William Gillies and lectured at the college from 1962 until her retirement in 1986. After graduating in 1954, Blackadder was awarded both a Carnegie Travelling Scholarship and an Andrew Grant Postgraduate Scholarship. She used these funds to spend three months travelling through Yugoslavia, Greece and Italy, where she researched classical and Byzantine art. This founded a passion for travel which has continued through her prolific career. Elected as a member of the Royal Scottish Academy in 1972 and the Royal Academy in 1976, she was the first woman to become a member of both institutions. Sixty-six of her works are known to be held in UK public collections.
* HANNAH FRANK (SCOTTISH 1908 - 2008), GARDEN (1932) lithograph on paper, signed in pencilmounted, framed and under glassimage size 32cm x 28cm, overall size 45cm x 35cm Note: "Garden (1932)" is one of the rarest Hannah Frank signed prints. A previous example of this print was sold (by McTear's) for £650 (lot 526 The Scottish Contemporary Art Auction 27th September 2020). Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), YOUNG AND OLD offset lithograph on paperframed and under glassimage size 32cm x 26cm, overall size 51cm x 45cmNote: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.
* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), HANDS UP offset lithograph on paperframed and under glassimage size 32cm x 26cm, overall size 51cm x 45cmNote: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.
Frühes Lottospiel "Der Hamburger Ausruf". Ungemarkt, vermutlich Christopfer Suhr, Hamburg. Mitte 19. Jh. Kolorierte Lithografien, teils mit Eiweiß?überzug. 3 x 19 x 13 cm. Kartenspiel „Der Hamburger Ausruf“ mit 40 Bild- und 40 Textkarten. Textkarten jeweils viersprachig in Platt, Deutsch, Französisch und Englisch. In Holzschuber mit kolorierter Lithografie auf dem Deckel, verso Verkaufsetikett: Aloys Busch, Alterwall No. 40, Hamburg. Kopie der originalen Spielanleitung und einige Spielmarken aus Bein anbei. Bespielt, teils mit Knickspuren. 17 Textkarten nachgefertigt. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 12:49 Uhr (CET)Early lottery game "Der Hamburger Ausruf". Unmarked, probably Christopfer Suhr, Hamburg. Mid-19th century Colored lithographs, partly with albumen overlay. 3 x 19 x 13 cm. Card game "Der Hamburger Ausruf" with 40 picture cards and 40 text cards. Text cards each in four languages in Platt, German, French and English. In wooden slipcase with colored lithograph on the cover, sales label on verso: Aloys Busch, Alterwall No. 40, Hamburg. Enclosed copy of the original instructions and some leg tokens. Worn, partly with creases. 17 text cards reproduced. Call time 24 | Oct. 2024 | probably 12:49 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
"Neues Verwandlungs-Bilderbuch". 27,5 x 22 cm. "Zur Unterhaltung und Belustigung der heiteren Jugend mit sechs Doppelbildern in lithograph. Farbendruck". Steinzeichnungen von W. v. Breitschwert. Verlag von J.F. Schreiber, Eßlingen (1875), 2. Auflage. Jedes Bild als klappbares Doppelbild, welches die Folgen der vorhergehenden Tat zeigt. Titelblatt und Block lose, stärkere Nutzungsspuren. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 12:57 Uhr (CET)"New transformation picture book". 27.5 x 22 cm. "Zur Unterhaltung und Belustigung der heiteren Jugend mit sechs Doppelbildern in lithograph. Color print". Stone drawings by W. v. Breitschwert. Published by J.F. Schreiber, Eßlingen (1875), 2nd edition. Each image as a folding double image showing the consequences of the previous act. Title page and block loose, stronger traces of use. Aufrufzeit 24. | Oct. 2024 | probably 12:57 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GURLITT, Fritz "Almanach auf das Jahr 1920" mit OriginalgrafikenVerlag Fritz Gurlitt. Berlin. 22,5 x 16,5 cm. Nummeriertes Exemplar 454/750. Mit 3 Originalgrafiken: Lovis Corinth Lithografie und Radierung (etwas stockfleckig im Randbereich), Max Pechstein, Holzschnitt. Sowie Kalendarium und viele weitere Texte und Abbildungen von Künstlern der Zeit. 216 Seiten, im gelben Pappeinband. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 14:21 Uhr (CET) GURLITT, Fritz "Almanach auf das Jahr 1920" mit OriginalgrafikenVerlag Fritz Gurlitt. Berlin. 22.5 x 16.5 cm. Numbered copy 454/750. With 3 original prints: Lovis Corinth lithograph and etching (somewhat foxed in margins), Max Pechstein, woodcut. As well as a calendar and many other texts and illustrations by artists of the time. 216 pages, in yellow paperback. Aufrufzeit 24. | Oct. 2024 | probably 14:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Original gesammeltes Jugendstil-PostkartenalbumMeist um 1900. 41 x 25 x 9 cm. Ca. 480 Karten, die alle an eine Adresse in Magdeburg gelaufen sind. Teils Chromolithografien, teils geprägt. Zumeist Genrebilder (häufig nach Gemälden), Tier- und Kinderdarstellungen, idyllische Landschaften, Blumen, einige Stadtansichten, wenige Schauspieler- und Dichterporträts. Lindgrüner Ledereinband, auf dem Deckel mit Goldprägung und eingelassener Farblithografie. Album mit Alters-/Gebrauchsspuren. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 14:32 Uhr (CET) Original collected Art Nouveau postcard albumMostly around 1900. 41 x 25 x 9 cm. Approx. 480 cards, all mailed to an address in Magdeburg. Partly chromolithographs, partly embossed. Mostly genre pictures (often after paintings), depictions of animals and children, idyllic landscapes, flowers, some city views, a few portraits of actors and poets. Lime green leather binding, cover with gold embossing and inset color lithograph. Album with signs of age/use. Call time 24 | Oct. 2024 | probably 14:32 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GROWALD, Martin (vermutlich) (geb. 1873) Bildnis Richard WagnerLithographie. In der Platte monogrammiert und Bleistiftsignatur unten rechts. Passepartoutfenster: 50 x 40 cm. Gerahmt & hinter Glas : 64,5 x 54,5 cm. Porträt des Komponisten Richard Wagner, einen Anzug tragend, im nach links gewandten Profil als Schulterstück. Stockfleckig, leichte Beschädigung durch Wasserflecken. Lithograph und Herausgeber von Postkarten. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:22 Uhr (CET) GROWALD, Martin (presumably) (born 1873) Portrait of Richard WagnerLithograph. Monogrammed in the plate and pencil signature lower right. Mounting window: 50 x 40 cm. Framed & behind glass : 64.5 x 54.5 cm. Portrait of the composer Richard Wagner, wearing a suit, in profile turned to the left as a shoulder piece. Stock stained, slight damage due to water stains. Lithographer and publisher of postcards. Call time 26 | Oct. 2024 | probably 10:22 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ZADKINE, Ossip(1888 Wizebsk, Kaiserreich Russland - 1967 Neuilly-sur-Seine) FrauenaktLithographie auf Bütten. Prägestempel "Erker Presse St. Gallen" und "Atelier Ossip Zadkine". 110/150. Passepartout: 90 x 68,5 cm; Blatt: ca. 76 x 56 cm. Abstrahierter Frauenakt. Russisch-französischer Maler, vor allem für seine kubistischen Plastiken bekannt. Er studierte sowohl in 1908 bis 1909 London als auch in Paris Bildhauerei an der École des Beaux-Arts, wo er nach seinen Exil-Jahren ab 1962 unterrichtete. Literatur : https://www.kuma.art/de/node/3593. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:25 Uhr (CET) ZADKINE, Ossip(1888 Wizebsk, Russian Empire - 1967 Neuilly-sur-Seine) FrauenaktLithograph on laid paper. Embossed stamp "Erker Presse St. Gallen" and "Atelier Ossip Zadkine". 110/150. Passepartout: 90 x 68.5 cm; sheet: approx. 76 x 56 cm. Abstract female nude. Russian-French painter, known above all for his cubist sculptures. He studied sculpture both in London from 1908 to 1909 and in Paris at the École des Beaux-Arts, where he taught from 1962 after his years in exile. Literature : https://www.kuma.art/de/node/3593. Aufrufzeit 26. | Oct. 2024 | probably 10:25 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HARTIG, Hans(1873 Karvin - 1936 in Berlin) "Pappeln im Sturm"Mischtechnik (Lithographie und Buntstift). Bleistiftsignatur unten rechts. [1905]. Motiv: 50 x 39 cm. Gerahmt & hinter Glas : 66 x 52.5 cm. Ansicht einer Ansammlung von Bäumen, wohl Pappeln, bei starkem Wind mit davonfliegenden Vögeln, einer Kuh und einer Figur im Mantel, dahinter ein Gehöft mit 2 erkennbaren Häusern, 1905. Blatt im Randbereich schwach fleckig. Deutscher Maler und Grafiker, der ab 1895 an der Berliner Akademie der Künste studierte. 1906 war er an der Berliner Secession beteiligt. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:33 Uhr (CET) HARTIG, Hans(1873 Karvin - 1936 in Berlin) "Pappeln im Sturm"Mixed technique (lithograph and colored pencil). Pencil signature lower right. [1905]. Motif: 50 x 39 cm. Framed & behind glass : 66 x 52.5 cm. View of a cluster of trees, probably poplars, in a strong wind with birds flying away, a cow and a figure in a coat, behind it a farmstead with 2 recognizable houses, 1905. Sheet slightly stained in the margin. German painter and graphic artist who studied at the Berlin Academy of Arts from 1895. He was involved in the Berlin Secession in 1906. Aufrufzeit 26. | Oct. 2024 | probably 10:33 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MARCKS, Gerhard(1889 Berlin - 1981 Burgbrohl) Selbstbildnis auf JapanpapierLithographie. Bleistiftsignatur unten rechts. 68/100. Blatt: 34 x 27,5 cm. Kleines Selbstporträt des Künstlers in späteren Jahren. Papier leicht braun gefleckt. Deutscher Bildhauer und Grafiker, 1919 bis 1924 Lehrer am Staatlichen Bauhaus in Weimar, ab 1925 Leiter der Bildhauerklasse an der Kunstschule Burg Giebichenstein Halle, unter nationalsozialistischer Diktatur als "entartet" diffamiert. Sein künstlerischer Nachlass wird im Gerhard-Marcks-Haus Bremen verwaltet: www.marcks.de. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:50 Uhr (CET) MARCKS, Gerhard(1889 Berlin - 1981 Burgbrohl) Self-portrait on Japanese paperLithograph. Pencil signature lower right. 68/100. Sheet: 34 x 27.5 cm. Small self-portrait of the artist in later years. Paper slightly brown stained. German sculptor and graphic artist, teacher at the State Bauhaus in Weimar from 1919 to 1924, head of the sculpture class at the Burg Giebichenstein art school in Halle from 1925, defamed as "degenerate" under the National Socialist dictatorship. His artistic estate is administered at the Gerhard-Marcks-Haus Bremen: www.marcks.de. Aufrufzeit 26. | Oct. 2024 | probably 10:50 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PICASSO, Pablo (nach/after)(1881 Málaga - 1973 Mougins) "Grande Maternité"Farblithografie auf Arches-Bütten. Im Druck signiert. Blindstempel: Editions Combat de la Paix, Paris, Blindstempel: "Copyrigt S.P.A.D.E.M. Paris". Blatt: 65,2 x 50 cm. Nach einer Farbstiftzeichnung 1963. Etwas stockfleckig. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:53 Uhr (CET) PICASSO, Pablo (after/after)(1881 Málaga - 1973 Mougins) "Grande Maternité"Color lithograph on Arches laid paper. Signed in the print. Blindstamp: Editions Combat de la Paix, Paris, blindstamp: "Copyrigt S.P.A.D.E.M. Paris". Sheet: 65.2 x 50 cm. After a colored pencil drawing 1963. Some foxing. Spanish painter, graphic artist and sculptor, one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Call time 26 | Oct. 2024 | probably 10:53 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MÜNZNER, Rolf(1942 in Geringswalde) "Verwandlung"Lithographie. Bleistiftsignatur unten rechts. (19)74. 27 x 36 cm. Gerahmt & hinter Glas : 43 x 51,5 cm. "Zu M. Bulgakow "Der Meister und Margarita". Surrealistische Komposition einer menschenähnlichen Gestalt, die eine junge Frau (Aktdarstellung) mit sich führt. Deutscher Grafiker, studierte von 1962 bis 1967 an der Hochschule für Grafik und Buchkunst Leipzig, wo er ab 1973 verschiedenste Lehraufträge - von Aktzeichnen, Illustration, Leitung der Druckwerkstatt bis zu Professur für Grafik - innehatte. Literatur : https://www.bundesstiftung-aufarbeitung.de/de/recherche/kataloge-datenbanken/biographische-datenbanken/rolf-muenznerhttps://galeriebose.de/rolf-muenzner/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:54 Uhr (CET) MÜNZNER, Rolf(1942 in Geringswalde) "Verwandlung"Lithograph. Pencil signature lower right. (19)74. 27 x 36 cm. Framed & behind glass : 43 x 51.5 cm. "To M. Bulgakov "The Master and Margarita". Surrealistic composition of a human-like figure carrying a young woman (nude). German graphic artist, studied from 1962 to 1967 at the Academy of Visual Arts Leipzig, where he held various teaching positions from 1973 onwards - from nude drawing, illustration, head of the printing workshop to professor of graphic art. Literature : https://www.bundesstiftung-aufarbeitung.de/de/recherche/kataloge-datenbanken/biographische-datenbanken/rolf-muenznerhttps://galeriebose.de/rolf-muenzner/. Aufrufzeit 26. | Oct. 2024 | probably 10:54 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HECKEL, Erich (1883 Döbeln - 1970 Radolfzell am Bodensee) "In der Muschelstube"Lithographie. Im Stein signiert. Passepartoutfenster 29 x 21,5 cm, Papier 34 x 27,5 cm. Gerahmt & hinter Glas : 49 x 38 cm. Paar am Tisch sitzend, in einer kargen Stube. Papier minimal fleckig. Undatiertes Gutachten von Frank-Thomas Gaulin, Lübeck: "Originallithographie des Künstlers 1916. Rückseitig Lithographie von August Gaul. Geschaffen für die Zeitschrift "Der Bildermann". WVZ Dube L 229I". / Deutscher Maler und Grafiker, Gründungsmitglied der Künstlergruppe "Brücke" in Dresden. Viele seiner Werke gingen durch die Aktion "Entartete Kunst" und Kriegsschäden verloren.. Literatur : https://kunstmuseen.erfurt.de/km/de/angermuseum/ausstellungen/dauerausstellungen/heckelraum/index.htmlhttps://www.bruecke-museum.de/de/sammlung/kuenstler/775/erich-heckel. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:54 Uhr (CET) HECKEL, Erich (1883 Döbeln - 1970 Radolfzell am Bodensee) "In der Muschelstube"Lithograph. Signed in the stone. Passe-partout window 29 x 21.5 cm, paper 34 x 27.5 cm. Framed & behind glass : 49 x 38 cm. Couple sitting at a table, in a barren parlor. Paper minimally stained. Undated expertise by Frank-Thomas Gaulin, Lübeck: "Original lithograph by the artist 1916. Lithograph by August Gaul on the reverse. Created for the magazine "Der Bildermann". WVZ Dube L 229I" / German painter and graphic artist, founding member of the artists' group "Brücke" in Dresden. Many of his works were lost as a result of the "Degenerate Art" campaign and war damage. Literature : https://kunstmuseen.erfurt.de/km/de/angermuseum/ausstellungen/dauerausstellungen/heckelraum/index.htmlhttps://www.bruecke-museum.de/de/sammlung/kuenstler/775/erich-heckel. Aufrufzeit 26. | Oct. 2024 | probably 10:54 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KLOSS, Maria(geb. 1940 in Ronsperg in Böhmen) Buntes Leben im ParkFarblithographie. Bleistiftsignatur unten rechts. 175/300. 52 x 61,5 cm. Gerahmt & hinter Glas : 66,5 x 76 cm. Sommerliche Szene im Park mit Ein-Mann-Kapelle und verschiedensten Passanten, mit Hunden, im Vordergrund ein Kind mit Ballon. Bildhauerin, Malerin und wichtige Vertreterin der Naiven Malerei. Sie erlernte die künstlerischen Techniken autodidaktisch. Literatur : https://www.hans-kloss.de/texts/maria-kloss.htm. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:57 Uhr (CET) KLOSS, Maria(born 1940 in Ronsperg in Bohemia) Colorful life in the parkColour lithograph. Pencil signature lower right. 175/300. 52 x 61.5 cm. Framed & behind glass : 66.5 x 76 cm. Summer scene in a park with a one-man band and various passers-by, with dogs, in the foreground a child with a balloon. Sculptor, painter and important representative of Naïve Painting. She learned the artistic techniques self-taught. Literature : https://www.hans-kloss.de/texts/maria-kloss.htm. Aufrufzeit 26. | Oct. 2024 | probably 10:57 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KLOSS, Maria(Geb. 1940 in Ronsperg in Böhmen) Winterlandschaft mit StaffageFarblithographie. Bleistiftsignatur unten rechts. 152/300. 52 x 61,5 cm. Gerahmt & hinter Glas : 67 x 75,5 cm. Spaziergänger mit Hund vor einer verschneiten Landschaft mit Reitern und Pferden, zwischen den Bäumen ein kleiner Hase. Bildhauerin, Malerin und wichtige Vertreterin der Naiven Malerei. Sie erlernte die künstlerischen Techniken autodidaktisch. Literatur : https://www.hans-kloss.de/texts/maria-kloss.htm. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:58 Uhr (CET) KLOSS, Maria(born 1940 in Ronsperg in Bohemia) Winter landscape with staffageColor lithograph. Pencil signature lower right. 152/300. 52 x 61.5 cm. Framed & behind glass : 67 x 75.5 cm. Walker with dog in front of a snowy landscape with riders and horses, a small hare between the trees. Sculptor, painter and important representative of Naive Painting. She learned the artistic techniques self-taught. Literature : https://www.hans-kloss.de/texts/maria-kloss.htm. Aufrufzeit 26. | Oct. 2024 | probably 10:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOULY, Marcel(1918 Paris – 2008) Südliches Interieur mit zwei FrauenFarblithographie. Bleistiftsignatur unten rechts. Probedruck. Papier: 22 x 22 cm; Motiv: 19,5 x 20 cm. Gerahmt & hinter Glas : 40 x 40 cm. Szene in einem Innenraum mit zwei Damen bei Tee und geöffnetem Fenster. Französischer Maler, Umkreis von Pablo Picasso, Marc Chagall und Yves Klein. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:58 Uhr (CET) MOULY, Marcel(1918 Paris - 2008) Southern interior with two womenColor lithograph. Pencil signature lower right. Proof print. Paper: 22 x 22 cm; motif: 19.5 x 20 cm. Framed & behind glass : 40 x 40 cm. Scene in an interior with two ladies having tea and an open window. French painter, circle of Pablo Picasso, Marc Chagall and Yves Klein. About 26 Oct 2024 | probably 10:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOULY, Marcel(1918 Paris – 2008) "Grünes Stillleben mit roter Flasche"Farblithographie. Bleistiftsignatur unten rechts. Probedruck. 19 x 19 cm. Gerahmt & hinter Glas : 42 x 41,5 cm. Stillleben mit Glas, Kanne, Flasche und Suppenterrine in einem grünen Raum. Französischer Maler, Umkreis von Pablo Picasso, Marc Chagall und Yves Klein. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:01 Uhr (CET) MOULY, Marcel(1918 Paris - 2008) "Green still life with red bottle"Color lithograph. Pencil signature lower right. Proof print. 19 x 19 cm. Framed & behind glass : 42 x 41.5 cm. Still life with glass, jug, bottle and soup tureen in a green room. French painter, circle of Pablo Picasso, Marc Chagall and Yves Klein. Call time 26 | Oct. 2024 | probably 11:01 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOULY, Marcel(1918 Paris – 2008) StilllebenFarblithographie. Frankreich. Bleistiftsignatur unten rechts. E.A.. Motiv: 18,5 x 12,5 cm. Gerahmt & hinter Glas : 48 x 41 cm. Buntes Stillleben mit Gitarre, Flaschen, einem Obstkorb und einem Buch vor einem Fenster, in Lila- und Rosa-Tönen, Gelb und Schwarz. Französischer Maler, Umkreis von Pablo Picasso, Marc Chagall und Yves Klein. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:01 Uhr (CET) MOULY, Marcel(1918 Paris - 2008) Still lifeColor lithograph. France. Pencil signature lower right. E.A.. Motif: 18.5 x 12.5 cm. Framed & behind glass : 48 x 41 cm. Colored still life with guitar, bottles, a fruit basket and a book in front of a window, in shades of purple and pink, yellow and black. French painter, circle of Pablo Picasso, Marc Chagall and Yves Klein. Call time 26 | Oct. 2024 | probably 11:01 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ALT, Otmar(geb. 1940 Wernigerode) Abstrakte KompositionFarblithographie. Bleistiftsignatur unten rechts. 117/150. 45,5 x 40 cm. Gerahmt & hinter Glas : 72 x 51,5 cm. Darstellung zweier bunter, amorpher Wesen, vergleichbar mit Vogelgestalten, links ein Vogelschädel, rechts ein Huhn. Deutscher Designer, Maler und Grafiker, studierte ab 1960 an der Hochschule für bildende Künste Berlin. Als freischaffender Künstler übernimmt Alt Aufträge verschiedenster Art, darunter Plastiken, Porzellan, Buchillustrationen, Entwürfe für Spielzeug, Bühnenbilder und Kostüme. Literatur : https://otmar-alt.de/otmar-alt/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:02 Uhr (CET) ALT, Otmar(born 1940 Wernigerode) Abstract compositionColor lithograph. Pencil signature lower right. 117/150. 45.5 x 40 cm. Framed & behind glass : 72 x 51.5 cm. Depiction of two colorful, amorphous creatures, comparable to bird figures, on the left a bird's skull, on the right a chicken. German designer, painter and graphic artist, studied at the Hochschule für bildende Künste Berlin from 1960. As a freelance artist, Alt takes on commissions of various kinds, including sculptures, porcelain, book illustrations, designs for toys, stage sets and costumes. Literature : https://otmar-alt.de/otmar-alt/. Aufrufzeit 26. | Oct. 2024 | probably 11:02 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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