70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
70555 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
70555 Los(e)/Seite
A collection of assorted 18th and 19th century prints, including Samuel Buck Barlings Abbey, dated 1726, Illustrated London News, 1857, Rutland Ploughing Meeting, Uppingham, bookplates of Piranesi's works, England Displayed of Durham Castle, Alex Hogg plate of Durham and York, a lithograph of Welby Rectory, dated 1835, Wothorpe Ruins, and another by H.G.Fitches, dated '97, and four reproductions of Australian views including 'Timber' by Harold Herbert, and Noarlunga by Harry Gill, together with a small quantity of topographical bookplates. (q)
'View From Kensington Gardens, Looking Down the Kings Road', 19th century lithograph hand coloured engraved by Robert Carrick and Day & Son after Philip Brannan pub. Ackermann, London 1851, 33cm x 48.5cm Condition Report Click here for further images, condition, auction times & delivery costs
Théophile Alexandre Steinlen (French/Swiss, 1859-1923),'Le Journal: La Traite des Blanches',colour lithograph, 1899,printed by Charles Verneau,68 x 58 cm (reduced)*This poster was advertising the sensational novel 'White Slavery'. It depicts a pimp with three of his victims, one is arguing for her freedom, one has accepted her fate, whilst one is in despair. This is an pre-censored, smaller format version of the poster, identical to the larger except bearing additional text on an extended sofa and an additional frame to the image. In later versions, Steinlen was obliged to cover up the exposure. CONDITION REPORT: Two significant tears to edges, some losses to bottom left corner, text along top removed. Fold lines. Mounted by two small squares of tape to bottom corners and a larger section along the rear to a backing board.Examples of this edition with bare breasts and additional text can be seen at auction in America in the late '90s/early noughties by Sothebys, Butterfields etc.
Disney Interest. Comprises Christmas Bauble In Original Box, Includes Walt Disney's Masterpiece Fantasia - Deluxe Commemorative Edition - Complete with Large Brochure, Commemorative Lithograph of Original Concept Painting Fantasia 1939, 2 VHS & 2 x Soundtrack Fantasia Cds - In Original Box & The Big Disney Board Game for Disney Family Film Friends - Story Board. ( 3 ) Lots In Total - Please See Photo.
Royal Staffordshire Art Deco Period Set of Seven ( 7 ) Biarritz Plates ' Chloris ' Design, Multi-Coloured Lithograph Clarice Cliff Design. c.1932. Reg 784849. Comprises 2 Large Plates Each 10.25 Inches Diameter, 2 Medium Size Plates Each 9 Inches Diameter, 3 Small Size Plates, Each 7.25 Inches Diameter. All Plates are Free From Damage and In Overall Good Unrestored Condition.
Pablo Picasso(1881-1973) Signed Lithograph Baigneuses Au Ballon Small vintage lithograph depicting bathers with ball 1928. Red ink stamp 'Galerie Beyeler Paris' to bottom left. Signed by artist in brown ink to bottom right. 8 x 6 inches. Good overall condition some discolouration indicative of age to edges.
L.S. Lowry 1887 -1976 Pencil Signed Limited Edition Colour Lithograph/Print Titled Ferry Boats From an original oil painting in Bristol City Art Gallery. Limited edition print of 500 only. Blindstamp to bottom left by the Fine Art Trade Guild. Published by venture prints 1972. Image size 12 x 16 inches. Size with frame 22 x 25 inches.
After Pablo Picasso, Spanish (1881-1973) Color lithograph "Adam and Eve" on Arches paper. Unsigned. Arches watermark, Picasso Baigneuses, Imprimerie Moderne du Lion, Cercle D'art Paris 1962 Imprime En France on lower edge. Heavy stock paper with deckled edge. Toning from age, thumbtack holes in corners, light foxing. Measures 19-1/2" x 25-1/2". Shipping $125.00 (estimate $400-$600)
AFTER JAMES POLLARD (1792-1867) LONDON FIRE ENGINES THE NOBLE PROTECTORS OF LIVES AND LIBERTY aquatint, hand coloured, c50 x 70cm and a lithograph by Currier & Ives, The Night Alarm, 1854, 43 x 66cm (2) ++The smaller of the two prints stained, reasonably unfaded, the other print in apparently good condition. Neither examined out of the frame
HRH Charles, The Prince of Wales (British, b. 1948)'Double Haven Bay, Hong Kong from HMY Britannia', lithograph in colours with Royal and publisher's blindstamps, printed by Stanley Jones and Serena Castle at Curwen Chilford Prints on Somerset wove paper, no 21 from an edition of 100, numbered, titled and signed 'C' and dated '98 by the artist in pencil, pub. Anna Hunter, 9 7/8 x 15.25in. (25 x 38.75cm.), in original blue cloth case with silver gilt Prince of Wales feathers and inner wove paper folio, signed and numbered by the publisher.
‡ Pablo Picasso (Spanish 1881-1973) Portrait of Paloma, Christmas 1952, Picasso's daughter Signed in pencil, numbered 7 in pencil from the edition of 50 (5 proofs were also issued) Chalk drawn lithograph in black ink Drawn on zinc at Vallauris December 24th 1952, edition printed at the Atelier Mourlot, Paris 1953 57 x 47cm (sheet size); 47 x 37.5cm (to mount) In this study Paloma is 3½ years old. Her mother was Françoise Gilot, who Picasso met in 1943 when she was 21 and he was 61. They had two children together, Claude in 1947 and Paloma in 1949. She left Picasso in 1953. This sensitive portrait was drawn when Picasso returned for Christmas to Vallurais in 1952 and is a delightful and very personal example of his lithography from this period, perhaps his best period in this medium. Provenance: William Weston Gallery, London The Collection of Dr. Peter Mangold Literature: Mourlot Picasso Lithographs no. 230 Hatje-Rau Picasso Lithographs no. 564 Bloch Picasso Catalogue No. 728 ++Good condition
‡ Henri Matisse (French 1869-1954) Nu Bleu sur Fond Jaune, 1952 Signed with initials within the plate Colour lithograph derived from the cut paper original, by Tériade for Verve, Paris 1958 28 x 26cm Provenance: William Weston Gallery, 14.5.2014, No. 018199 The Collection of the late Dr. Peter Mangold Created and editioned at the Mourlot Studio, Paris 1954, under the supervision of Matisse ++Good condition -

-
70555 Los(e)/Seite