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70553 Los(e)/Seite
Elizabeth Blackadder (b.1931) roman wall i the rare lithograph printed in colours" 1963 singed and dated in pencil numbered 23/30 the full sheet in good condition apart from some handling creases and staining at extreme edges of sheet 537 x 711mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.
Lynn Chadwick (1914-2003) seated figures on stripe lithograph printed in colours" 1972 signed and dated in pencil numbered 67/100 published by Erke Presse St. Gallen Switzerland with their blindstamp on BFK Rives paper the full sheet in good condition apart from a few minor handling creases in margins " sheet 500 x 165mm.
Mary Fedden (b.1915) pot of shells lithograph printed in colours" signed in pencil numbered from the edition of 70 on wove paper with full margins scuffing throughout 550 x 740mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.
Mary Fedden (b.1915) red sunset photo-lithograph printed in colours" 2000 signed in pencil numbered 163/500 published by Bow Art on wove paper with full margins in good fresh condition 290 x 360mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.
Mary Fedden (b.1915) the orange mug photo-lithograph printed in colours" 1996 signed in pencil numbered 387/550 published by Bow Art on wove paper with full margins in good fresh condition 230 x 275mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.
Anthony Howard after William Wyllie, THE GERMAN FLEET BEING ESCORTED TO SCAPA FLOW LED BY THE IRON DUKE, signed, artist proof lithograph, 31cm x 68cm (12.5" x 26.75"), the mount showing the individual names of the warships inscribed by Rear Admiral Sir William Nicholson, Captain of The Iron Duke
* European School, 18th century- Christ and disciples; engravings, twelve separate plates after the same hand: After Le Potre, 17/18th century- Venus and Diana; engraving: After Henry Thomas Alken I 1785-1851- Mamalukes on horseback; hand-coloured lithograph: Remigius Parr c.1723-1760- "True Valour Is Always Invincible"; Vertue Surmounts All Difficulties; Valour Is priz`d tho` Vanquish`d"; three engravings after Nicolas Le Brun II 1615-1660: Giovanni Battista Cipriani 1727-1785- Mythical scene; engraving: together with a large collection of further 18/19th century prints, engravings and ephemera to include various pages from "Tavola", a collection of letters and others, (a lot) (unframed)
* Circle of Henri Matisse 1869-1954- Circus; lithograph, on Japan, the full sheet on cream wove, bears various numbers/shelf marks in pencil verso, remains of a label for Collection of Marie-Thérèse Walter attached verso, various defects, tears and creasing mainly to the edges of the sheet, image unaffected, Note: Marie-Thérèse Walter (July 13, 1909- October 20, 1977) was the French mistress and model of Pablo Picasso from 1927 to about 1935, and the mother of his daughter, Maya Widmaier-Picasso. Their relationship began when she was seventeen years old; he was 45 and still living with his first wife, Olga Khokhlova. It ended when Picasso moved on to his next mistress, artist Dora Maar.
After Andy Warhol "Sticky Fingers, The Rolling Stones"; published by Atlantic Records 1971, Designer Craig Braun; Concept and Photography by Andy Warhol - off-set lithograph with metal zipper, bears signature in black felt pen, 32x32cm, (A/F) Note: New York 1969, Andy Warhol suggested to Mick Jagger that it would be amusing to have a real zipper on an album cover. A year later, Jagger proposed the idea for Sticky Fingers being the first release on the new Rolling Stones label.
British School early 20th century, London Underground Poster- "Lord Mayor`s Show"; original London Underground Transport poster, off set lithograph printed in colours, 28x35cm: together with two other London Underground posters to include Charles Burton c.1930- "Chestnut Sunday, Bushy Park" and an excursion poster for for days out at the Athletics, Speedway Racing and others, C.1930, (3) (unframe d)
Attributed to Andy Warhol 1928-1987- Mercedes Benz C111; off-set lithograph with screenprint printed in colours on possibly thin Kohler hand-made paper with woodchips, the full sheet with margins, bears signature and Mercedes Benz emblem with Swastik in white pen, numbered 3/50, bears signature in pencil lower right, 92x60cm
Christian Mischke, German b.1944- "Die Libelle"; aquatint signed, titled, inscribed `Epreuve d`Artiste VI/XII and dated 82 in pencil, 10x10.5cm: together with two further etchings by the same hand, one titled "Zu Gilendorf Gechichte VII", signed, titled, numbered 88/100 and dated 90 in pencil and the other titled `Kosca", signed, titled, numbered 66/80 and dated 87 in pencil, 14.5x11 and 25.5x19cm: After Kathe Kolwitz 1867-1945- Lovers; lithograph, bears facsimile signature, 30x28.5cm: After James Abbott McNeil Whistler 1834-1903- "St James`s Street", originally publ by Vanity Fair, 1878; reproduction print, 31x18cm: Helga Michie, mid-late 20th century- "Three Ways through our House"; etching with aquatint, signed, titled, inscribed `A/P` and dated 77 in pencil, 12x19.5cm: John Peltro 1760-1808- "The Happy Shepherd with a View of Child`s Hill, Middlesex"; engraving, publ by Robert Sawyer Oct 1 1786, 16x21cm., (7) (part unframed) (may be subject to Droit de Suite)

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70553 Los(e)/Seite