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William Russell Flint 1880 - 1969 Pencil Signed Ltd Edition Colour Print / Lithograph. Titled ' A Question of Attribution ' Pencil Signed to Margin, Fine Art Trade Guild Stamp, Published In 1963. Ltd Edition of 850, K.A. Exhibition 1962. Image Size 21 x 17 Inches. Mounted and Framed Behind Glass.
§ Evelyn Gibbs (British, 1905-1991) The Farmer's Wife, 1929 signed within the print "Evelyn Gibbs 1929" and upper right "drawn direct on stone from life" lithograph, in a pale grey frame 40 x 30cm (16 x 12in) One of Evelyn Gibbs's most beautiful early works. It is believed there are only two copies in existence. Evelyn Gibbs and Elisabeth Vellacott were great friends at the Royal College of Art. Gibbs engraved two studies of Elisabeth Vellacott and one red chalk drawing. Evelyn Gibbs studied in Liverpool and at the Royal College of Art, before winning a Prix de Rome Scholarship for engraving, with which she spent two years in Italy. Supporting herself by teaching at a school for handicapped children, she wrote a book on art teaching illustrated by her pupils, and then became a teacher-training lecturer at Goldsmiths College. When Goldsmiths was evacuated to Nottingham during World War II, she created the Midlands Group of Artists: two exhibitions in a large empty building led to permanent gallery premises and a range of other activities supporting artists in the region.Condition is fine.
AFTER WILLIAM POWELL FRITH, RA (1819-1909) COMING OF AGE IN THE OLDEN TIME lithograph, 68 x 94cm and a pair of contemporary mid 19th c hunting prints, mixed method engravings, all in birds eye maple frames (3) ++Print after Frith in poor condition with repaired tears and small losses, laid down, frame with some repairs and many old knocks and scratches, the pair of hunting prints in much better condition with light overall time staining, in particularly attractive richly figured and well preserved birds eye maple frames
†CHARLES JOHNSON PAYNE, "SNAFFLES" (1884-1967) THE FINEST VIEW IN EUROPE lithograph, two versions both hand coloured, both signed by the artist in pencil, one also inscribed To Major Hawkins with my very best wishes for 1922, 47 x 72cm and 40 x 65cm (2)` ++Both in good condition, one with some thunder flies under the glass, in matching modern gilt frames
†CHARLES JOHNSON PAYNE "SNAFFLES" (1884-1967) TALLY-HO BACK lithograph, inscribed by the artist in pencil To Major Hawkins MFH from Snaffles Mar 20, 37.5 x 50cm ++Slight overall fading but undisturbed in the original walnut frame with on the reverse the printed label of Slades Picture Framing Department Northampton
Richardson (Charles James). Observations on the Architecture of England during the reigns of Queen Elizabeth and King James I, [first series], 1837, folding lithograph frontispiece (with closed tear), chromolithograph title, numerous lithograph plates, some spotting and toning, top edge gilt, publisher's half sheep, title label to upper board, rubbed and scuffed, 4to, together with Ruskin (John), The Stones of Venice, 3 volumes, new edition, 1874, numerous engraved plates, top edge gilt, remainder untrimmed, original cloth gilt, large 8vo, with Crisp Jones (Kenneth, edit.), The Silversmiths of Birmingham and their Marks 1750-1980, 1st edition, 1981, black & white and colour plates and illustrations, original cloth in dust jacket, folio, plus other antiques and art reference (a carton)
Hakewill (James). The History of Windsor, and its Neighbourhood, 1813, Extra-Illustrated containing a total of 44 engraved & lithograph plates and plans (few hand-coloured and some mounted), some spotting and offsetting, oval ink stamp of Manley Sims Eton Collection to upper blank margin of title, armorial bookplate of F. Manley Sims to upper pastedown, all edges gilt, contemporary morocco, gilt decorated spine, embossed gilt armorial of Henry Gee Barnard to centre of each board, extremities rubbed, large 4to (1)
Horrocks (Lieutenant-General Sir Brian, editor). Famous Regiments series, 23 volumes, 1968-72, monochrome illustrations to each volume, all original cloth, and all (except 2 volumes) in dust jackets, 8vo, together with A Short Narrative of the Fifth Regiment of Foot or Northumberland Fusiliers; with a chronological table and succession list of the officers, from 1st January, 1754, to 1st May, 1873, printed by Howard, Jones & Parkes, 1873, colour lithographic frontispiece, 5 colour lithograph plates of uniforms, brown chalk-glazed endpapers, original brown blindstamped cloth gilt, a little rubbed and minor fraying to extremities, 8vo, plus 11 volumes of Osprey Men-At-Arms Series, 1971-83 (35)
Baring-Gould (Sabine). Iceland: Its Scenes and Sagas, 1st edition, 1863, folding map, four colour lithograph plates, 12 wood-engravings, some scattered spotting, front endpaper and half title detached, front hinge broken, bookplate, all edges gilt, original burgundy cloth gilt, spine faded and torn at head, 8vo (1)
*Switzerland. Large panorama of Basel, circa 1870, large lithograph with contemporary hand colouring on two conjoined sheets, probably after J.J. Schnieder, slight creasing, laid on near contemporary card, trimmed to image, 330 x 1150 mm, framed and glazed with contemporary framers label to verso (1)
Charas (Moyse). [The royal pharmacopoea, galenical and chymical : according to the practice of the most eminent and learned physitians of France, and publish'd with their several approbations..., printed for John Starkey and Moses Pitt, 1678], lacking title, plates and tables, several leaves repaired, stained and soiled, modern half morocco, folio, together with Bible - English, The Holy Bible, contianing the Old and new Testaments...., Oxford: Printed by John baskett, 1723, general title and New Testament title, double-column text throughout, occasional mark, bound with The Whole Book of Psalms, collected into English metre by Thomas Sternhold, John Hopkins and others..., printed by T. Wood and S. Palmer, 1723, triple column text throughout, bound with The Book of Common Prayer and administration of the Sacraments..., Oxford: printed by John Baskett, 1719, double-column text, occasional minor mark and dust soiling, short closed tear to gutter-margin of title (just affecting text), free endpapers lacking, contemporary panelled calf, rubbed and worn, 4to, plus Lloyd (L.), Scandinavian Adventures..., 2 volumes, Richard Bentley, 1854, tinted lithograph frontispiece to each volume, contemporary ownership inscriptions to titles, numerous tinted lithograph plates, damp-staining and dust-soiling throughout, modern quarter calf, 8vo, plus other antiquarian titles including 18th and 19th century, mostly leather (a carton)
*Sierra Leone. [Needham Joseph & Laby A. Freetown, circa 1850], hand coloured lithograph with named features below image, 290 x 650 mm, mounted, framed and glazed, together with another five uncoloured 18th century engravings of Sierra Leone and Guinea, each approximately 150 x 240 mm, mounted, framed and glazed (6)

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