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70555 Los(e)/Seite
Los 1045
T Sutherland after H Alken ''Going Home'' a coloured lithograph, together with another example from the same series ''Cock Shooting'', four further coloured engravings T Sutherland after D Wolstnholme (plates I to IV) and four further miscellaneous sporting prints including examples after P Reinagle etc 33cm by 42cm and various other sizes (10)
Los 1046
R G Reeve after W P Hodges, Hare Hunting, coloured lithograph, plate I and II, together with a collection of various prints and engravings including W Ward, ''Outside of a Country Alehouse'' D Wolstenholme, Reynard, ''Seeking Refuge in the Church'' and other miscellaneous examples of shooting and hunting interest 32.5cm by 49.5cm and various other sizes (13)
Los 1047
J. Gould & H.C. Richter, ''Rock Pigeon'', coloured lithograph, together with ''Jay'' and a large collection of miscellaneous lithographs, prints and engravings, including A Butler after A.F de Prades ''Second Royal North British Dragoons'', ''The German Surrender'' after T.Cuneo etc (a collection)
Los 810
Roland Garros and Aviation Festivals at Cholet. A group of 3 scrap albums compiled by Charles Arnault, Vice-President du Comite permanent des Fetes, Cholet, 1910-14, the first folder of 7 pages including wrappers relating to the Grandes Fetes d'Aviation on 14-17 [& 24] July 1910, official programme cover and title pasted to upper wrapper, printed festival broadside and duplicate (22.5 x 28 cm) pasted and partly tipped in, other items tipped in including news cuttings relating to the event, a printed menu, a drawing 'Plan de l'Aerodrome de la Papiniere', two tickets, a printed letterpress poster on buff paper (122 x 40 cm), loose items including a letter on Charles Arnault letterhead, an official programme, 20 pp., Charles Arnault's visiting card, plus two letters from G. Frappier (Grand Garage, Cholet) to Arnault concerning meetings for the organisation of the event; the 1912 scrap album of 23 pp. concerning the meeting for Circuit d'Aviation de L'Anjou for the Cholet leg of the triangular race, 16-17 June 1912, printed broadside and two commemorative stamps pasted to upper cover, the other items in the album including two folded examples of a colour lithograph poster by Lessieux & Carrey, Grand Prix d'Aviation de l'Aero-Club de France, circuit d'Anjou, Les Editions Nationales, Paris, 1912, both tipped into album on facing leaves at rear with one small panel pasted in, colours largely bright and fresh, minor marks and marginal splits, a few old tape repairs to verso, the larger poster 160 x 119 cm (64 x 47.5 ins), the smaller poster with 'Cholet 16-17 juin 1912' strip pasted to lower margin, 104 x 75 cm (41.5 x 30 ins), a third large letterpress poster printed in red on yellow, 123 x 185 cm (49 x 74 ins), other items including numerous pasted in news cuttings, a tipped-in four page newspaper, Cholet d'Aviation, three duplicate small letterpress posters printed on green, blue and pink, each 42 x 15 cm, a plan of the course, a rules and prizes poster, 47 x 31 cm, eight commemorative stamps, five technical drawings/sketch designs on tracing paper (of pylons?), an official programme plus loose programmes published by Le Journal, Le Petit Parisien, Le Matin, three issues of the Vie au Grand Air, two tickets, and a few other items; the third album Grand Meeting d'Aviation de Cholet, 1914, 7 pp., including news cuttings, a letterpress place and date banner for the large poster in the following lot (41.5 x 122 cm), official programme tipped in and duplicate upper cover pasted to upper wrapper, all buff paper albums, folio, 61 x 34.5 cm (24 x 13.5 ins) A unique and historically important archive relating to early French aviation. The first of the three aviation meetings at Cholet in western France took place in July 1910. Three airmen were engaged to demonstrate flying distances, manoeuvres and altitude. The airmen were Leon Versepuy, Emile Obre and Roland Garros who had just gained his pilot's licence. The more famous second event took place in June 1912 when 35 machines were entered into a triangular race between Angers - Cholet - Saumur - Angers. It was a 97-mile circuit flown between 9 am and 7.30 pm, three times on Sunday, 16 June, and four times the next day, making a total of 684 miles. Of the 35 registered participants, 28 aviators qualified, and 11 took off. Due to poor weather conditions, the race was a disaster, but it was won by Roland Garros. At the back of the scrap album for the 1912 event are both size versions of the famous colour poster by Lessieux & Carrey. The third and final meeting in Cholet took place on 15 March 1914, just five months before the outbreak of the First World War. Once again poor weather interfered but not without Roland Garros attempting and succeeding in the newly fashionable loop the loop (see following lot). To an amazed audience of thousands the legendary Garros completes the manoeuvre and finally lands 'with the grace and lightness of a butterfly landing on a flower'. (3)
Los 313
Martin Sharp (1942-2013) Sex ! A BO2 King Kong poster offset lithograph on silver foil paper, produced by Big O Posters Ltd., London 75 x 49cm (29 x 19in) Some wear and tear to edges. Some of the corners slightly loose from the backing board. Some surface dirt marks and creases across the image.
Los 338
§ Adrian George (British, b.1944) Chinese Acrobat signed lower right "Adrian George 1983" and numbered numbered 56/100 lithograph 109 x 78cm (43 x 30in) Provenance: The Francis Kyle Gallery, 9 Maddox Street, London, W1 Other Notes: Adrian George was born in Cirencester in 1944 and educated at the Royal College of Art. Since 1988 he has lived in Paris. Adrian George studied at the Royal College of Art between 1961-64 and was taught by Peter Blake at Harrow Art School. He has exhibited extensively around the world and most recently at Chris Beetles Gallery in 2005. He was represented by Francis Kyle Gallery, 1978 -2000, with eleven one-man exhibitions, including Drawings (1978 and 1980); The Costume Party: works in pastel (1982); Works in oil and pastel (1984); In Arcadia (1985); Nuits blanches (1988); The South Seas (1990), Martinique (1992); Paris in August (1994); The Drawings (1996) and Paintings (1998). He has also participated in numerous theme exhibitions at Francis Kyle Gallery from Women Washing (1981) to Goethe's Italian Journey (1987), Charleston Revisited (1993) and The Art of Memory: Contemporary Painters in search of Marcel Proust (2000). In 1983 George showed oil paintings at the Museo Municipal, Madrid in Pintura Britannica Contemporanea. In 1984 he held his first exhibition in New York, showing there again in Mozart's Travels (1991) at the Lincoln Centre. Adrian George's drawings on subjects from the world of theatre and pantomime have twice been used by the British Post Office for series of postage stamps. In 1994 Paris in August; a diary with text and drawings by Adrian George was published by Peter Owen. Works by the artist are in the collections of the Victoria and Albert Museum and the National Portrait Gallery, London. Condition is fine - one small chip to the black frame.
Los 340
§ Glynn Boyd Harte (British, 1948-2003) Freesias signed lower right "Glynn Boyd Harte" and numbered 16/100 lithograph 60 x 85cm (23 x 33in) Provenance: The Francis Kyle Gallery, 9 Maddox Street, London, W1 Other Notes: Glynn Boyd Harte was born in Lancashire in 1948 and graduated from the Royal College of Art in 1973. He had over twenty one-man shows of drawings, prints and watercolours in London, Paris and New York. He wrote and illustrated two books - 'Glynn Boyd Harte's Venice' and 'Mr. Harte's Holiday' - the latter being about the north coast of France where he had a house and studio. He travelled extensively, from St. Petersburg to San Francisco, with frequent stays painting in Paris. More recently, Harte completed a commission to record in watercolour the progressive stages of the construction of the new Royal Opera House in Covent Garden. His work was then displayed in the finished building. Boyd Harte, represented by the Francis Kyle Gallery 1978-1987, reacted against predominant trends with his beautifully composed still-lifes and outdoor scenes showing everyday, yet uplifting scenes. From the mid-1970s, he also illustrated a number of books and from the 1990s contributed to The Daily Telegraph and The Times. Boyd Harte also exhibited a series of architectural studies at the Museum of London to mark the Millennium. Boyd Harte performed in cabaret with fellow artist Ian Archibald Beck and they collaborated on several pantomimes performed at the Art Worker's Guild - of which he was Master in 1995. One of his songs from his musical about the life of Edward Lear was played by his old tutor, Paul Hogarth, as one of his choices on Desert Island Discs. Boyd Harte divided his time between his homes in Fitzrovia, London and Normandy, France. Glynn Boyd Harte died on 16 December 2003. Condition is fine.
Los 342
§ John Glashan (Brtish, 1927-1999) Why ME? signed lower left "John Glashan '79" and numbered 95/150 lithograph 58 x 77cm (23 x 30in) Provenance: The Francis Kyle Gallery, 9 Maddox Street, London, W1 Other Notes: John Glashan was born in Glasgow on December 24th 1927. He was educated at Woodside School and studied drawing and painting at the Glasgow School of Art. He moved to London in the 1950s and began as a portrait and landscape painter, supplementing this with cartoon work. Some of his first cartoons appeared in Punch magazine in the 1950s and in Lilliput from 1959, followed by regular features in Queen magazine and Private Eye from 1961. He was a founder member of the British Cartoonist's Association in 1966. From the 1960s to 1990s John Glashan contributed to many magazines and newspapers including Harpers & Queen, The New Yorker, The Spectator, Town and Country, Tatler, Radio Times, The Observer and The Sunday Times. The longest running was his weekly cartoon for The Spectator from 1988 to 1998, printed half page colour. He continued to paint throughout this time and his cartoons become painterly in quality and some of his watercolour paintings contain a cartoon. The first exhibitions of his paintings and cartoons were held at the Francis Kyle Gallery in 1979 and 1983. He subsequently showed at the Cartoon Gallery in 1991, The Fine Arts Society in 1991 and 1994 and at the Grosvenor Gallery in 1995. John Glashan died in 1999. Glashan illustrated several books including Tonight and Other Nights, Sweet & Sour, Small Parts in History and Journal of a collector, and collections of his work were published in The Eye of the Needle, Speak up you Tiny Fool, The Penguin John Glashan and John Glashan's World. Condition is fine.
Los 366
§ Henry Trivick (British, 1908-1982) St John's Chapel, Red Lion Square, Camden, London, after bombing in the Second World War, June 1941 signed lower right "Henry Trivick" and inscribed with title and date "June 1941" lithograph 54 x 42cm (21 x 16in) Provenance: A gift from the artist to the vendor's mother and by descent. Browning around the edges and with creasing to the paper.
Los 415
§ After Pablo Picasso (Spanish, 1881-1973) Femme a la Collerette numbered in pencil lower left 373/500 and Estate signed "Collection Marina Picasso" from the collection of Marina Picasso in pencil lower right lithograph, 1980, edition 373/500, with two blindstamps, one for the Collection of Marina Picasso, (the artist's granddaughter), with certificate of authenticity from Inter Art Resources Ltd 68 x 52cm (27 x 20in)
Los 416
§ After Pablo Picasso (Spanish, 1881-1973) Femme Accoudee a Sa Fenetre numbered lower left in pencil 396/500 and Estate signed "Collection Marina Picasso" from the collection of Marina Picasso lower right in pencil lithograph on Arches paper, 1980, edition of 396/500, with two blindstamps, one for the collection of Marina Picasso, (the artist's granddaughter), with certificate of authenticity from Inter Art Resources Ltd 68 x 47cm (27 x 18in) Other Notes: The sitter may be Marie-Therèse Walter (1909-1977), with whom Picasso had a daughter whilst married to Olga Khokhlova
Los 417
§ After Pablo Picasso (Spanish, 1881-1973) Portraits Imaginaires inscribed "HC" lower left in pencil lithograph, 1970-71 , edition of 250, with certificate of authenticity from Inter Art Resources Ltd 69 x 49cm (27 x 19in) Condition in general is good. Dirt under the glass. A small abrasion to the paper above the inscribed "HC" lower left, a few very white spots of abrasion to the right of the figure. Some scratches and abrasions to the frame.
Los 424
§ After Salvador Dali (Spanish, 1904-1989) 'Narcissus Telephonans Inundis' inscribed lower left "EA" and bears signature in pencil lower right lithograph Condition in general is fine. A litle fading overall to the paper. Some minor surface scratches to the print. An Arches France blind stamp on the mount lower left
Los 487
Ernest Mountaut (French, 1879-1936) A Motor car in the French Alps, circa 1907 signed and dated lower left "E Mountaut / '07" and "Copyright MM Paris" hand-coloured lithograph 32 x 76½cm (12 x 30in) With glass. Old woodworm holes in the frame . Damage to corners and edges of papper and creasing throughout
Los 488
Ernest Mountaut (French, 1879-1936) Turcat-Méry cars, possibly racing in the 1904 Gordon Bennett Cup signed lower right within the print "E Mountaut" hand-coloured lithograph 28 x 80cm (11 x 31in) Other Notes: In May 1903 Henri Louis Rougier finished in 11th place in the Paris-Madrid race driving a 45 hp Turcat-Méry. He was also classified 9th in the heavy car class. On 17 June 1904 Rougier competed in the Gordon Bennett Cup race in Germany driving an 80 hp Turcat-Méry, finishing in third place. Rougier was victorious in the 1911 Monte Carlo rally, coming first place driving a Turcat-Méry 25 hp. The front grilles depicted in the present lithograph correlate with photographs of Turcat-Méry taken in 1904. Without glass. A little loose in the frame. Paper is browned
Los 297
Dallison (Ken). The Spirit, Celebrating 75 Years of the Rolls-Royce Motor Car, Foreword by Lord Montagu of Beaulieu, 1st edition, published by The Spirit Group, [1979], 24 colour lithograph plates after watercolours by Dallison, original light tan leather, minor marks, oblong folio (36 x 46.5 cm) Limited edition, 579/2000, signed and numbered on half-title page. (1)
Los 557
*Eaton (Isaac F.). Bicycling No. 1 & "Bicycling" No. 2, copyrighted by A.J. Fisher, 24 Vesey St., New York, 1880, a pair of colour lithograph cartoon prints, both a little spotted and soiled with a little damp staining to extremities and each with short closed tear to lower margin, 38 x 25 cm, framed and glazed (2)
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70555 Los(e)/Seite