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70555 Los(e)/Seite
Sonia Handford (1925-2010): The Beatles, linocut, hand-signed to margin; together with an additional unsigned example of the same subject, each 30 x 45 cm; and a hand signed lithograph of a sleeping girl numbered 1/12 (3). Provenance: The artist's daughter. Note: Born to Russian Jewish parents who settled in England in the early 1900s, Sonia Handford was educated at Clapham County Girls’ Grammar School, and later at Wimbledon School of Art (1942-1945) under Lionel Ellis (1903–1988) where she received the ‘Painting with Merit’ award. She travelled widely during her life, beginning with France, Spain, Italy and Greece and later to Egypt, Russia, and the U.S.A. and exhibited at Wandsworth Town Hall (1963), Moriarty’s Wine Bar, West Hampstead (1989) and Shaftesbury Arts Centre (2004). She also had an extensive teaching career at Sydenham School for Girls, Whitechapel Art Gallery, Balls Park College of Education, St. Albans School for Boys and Hampstead Comprehensive. Major influences on her work include: Picasso, Robert and Sonia Delaunay, Cezanne and Van Gogh.
An oil painting on board an airship over Trearddur Bay (Anglesey) 1916, 15” x 12”, GC, in moulded gilt frame (chipped); a framed coloured oleograph of rural scene with added clouds and airship; a lithograph from a painting of Zeppelin ZR3 over New York in 1924; a small tapestry panel of an airship over a lake; and 4 various airship related prints, all framed. Average GC (8)
Salvador Dali (1904-1989). Framed coloured lithograph with drypoint etching signed by the artist in pencil. Entitled Abricot Chevalier from Flordali (Les Fruits). With Franklin Bowles Galleries certificate, year of publication 1969-70, 70cm x 47cm. Condition Report. To be used as a guide only. In very good condition.
After Toulouse Lautrec - Le Bon Jockey, by Romain Coolus, from Le Figaro Illustre, June 1895, lithograph pages, double sided, framed, 28 x 38cm approx; and another after Toulouse Lautrec - La Belle et la Bete, by Romain Coolus, from La Figaro Illustre, June 1895, lithograph pages, double sided, framed, 28 x 38cm approx. (2)
A coloured print after John Costigan showing a ploughing scene with family working in the field, with label verso - Fall ploughing, John Costigan Providence RI, 21 x 28 cm approx, a sepia coloured etching of a Bristol city scene with two masted sailing ship, a cathedral, etc, inscribed verso - Bristol by Sir Frank Short, 20 x 26 cm approx, a further 19th century coloured engraving showing Redcliffe Church and Basin, Bristol and a facsimile lithograph showing the Clifton Suspension Bridge, all framed
Thomas Worth, American 1834-1917- "Darktown Tally Ho- Straightened Out" Publ. by Currier & Ives, New York; lithograph with hand-colouring, signed in the plate, 33x44cm: together with three other hand-coloured lithographs by the same artist- "A Mule Trainon a Down Grade", " Two to Go" and "A Clean Sweep", Publ. by Currier & Ives, New York, signed in the plate, 26x36.5cm ea., (4) CONDITION REPORT: In wooden and glazed frame unexamined out of frame yellowing round the edges some spotting on the paper minor discolouration handling marks otherwise in good general condition Brown and gold glazed frame, with red mount discolouration round the print where the mount meets the paper yellowing time-fading otherwise in reasonable condition last two prints in matching gilded and glazed frames unexamined out of frame tears in both prints brown staiinging from backboards coming through discolouration/time-fading otherwise in reasonable condition
Marcel Janco, Israeli 1895-1984- "Fabulation Dada", publ Review Ou, Cinquième Saison, no. 38-39, 1971; lithograph, printed in colours, 52.5x58cm Provenance: Gifted by the artist to the father of the current owner; thence by descent CONDITION REPORT: in a glazed metalic frame circa late 20th century may or may not be stuck down as unexamined out of the frame some spotting top and bottom edges otherwise good condition
Kenneth Denton Shoesmith RI, British 1890-1939- "Prince Line" (Moorish Prince), printed by Carlton Printers Ltd., London c.1920; lithograph/poster printed in colours, unglazed in a oak frame, 65.2x77.5cm (VAT charged on the hammer price) Note: The Moorish Prince was built at Short Brothers in Sunderland, entering into service in May 1914. Kenneth Shoesmith elected RI in 1925, worked as an advertising artist and executed large scale decorative works for the RMS Queen Mary. CONDITION REPORT: in an oak moulding frame circa early-mid 20th century frame lacking glazing frame with damages to top and bottom left edges and corners with losses to the moulding mitres opened up on all corners sheet loose and has dropped in the frame sheet has ruckled throughout top edge is subject to small tears, chips and pin holes, damages to sheet to the right of the funnel and upper left on edge of sky superficial fine paint splattering on titling left further minor surface defects here and there in fair condition will require some restoration
Pierce Fix-Masseau (1905-1994) Venice Simplon Orient Express the complete set of twelve colour lithograph posters, edition 193/500, published by Collection Venice Simplon-Orient-Express 1985, printed on lithographic press of the Imprimerie IPA, in the original cloth slip case, the poster titled Venice is signed to margin No. 193/500, each plate to measure 51x31cm (12)
Published 1840. A lithograph by Honoré Daumier on white paper, taken from Charivari, number 33 in a series of 'Emotions Parisiennes' depicting a middle-aged gentleman sheltering in a doorway, annoyed at the failure of his self-opening umbrella to operate; subtitled 'Nouveau parapluie par Brêvet d'invention, ressorts perfectionnés, s'ouvrant avec une merveilleuse facilté (Voir aux annonces)'; published by Chez Bauger et Cie, printed by Aubert et Compagnie. 1.9 kg, 43 x 31cm (17 x 12.5"). Ex Steinberg collection; acquired London art market, 1960s-1970s. Walter Steinberg has been a well-known figure at fairs, sales and events for many years. Born in 1922 in Philadelphia, Walter has had a life-long passion for collecting. A long-time resident in London, he has now retired to New York and decided that the time has come to pass on the antiquities and coins he has collected over his lifetime. Walter acquired coins and artefacts that interested him, so his collection, although containing many lovely examples, also contains many affordable specimens. Much of the material has been unavailable to the market for 30 to 50 years. Walter hopes that the items he collected will now find new homes with the next generation of collectors. Fine condition.

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