§ Jean Dubuffet (French, 1901-1985) Red, blue, white, lithograph on card, 81 x 57 cm (31.9 x 22.4in) (2); together with two Brutalist sketches of Buildings, watercolour, 40 x 56 cm (21.2 x 21.6in); and of Waves, watercolour, 54 x 55 cm (21.2 x 21.6in) (4) Provenance: From the collection of Victor Musgrave, Gallery One, LondonOther Notes: Art Brut is a French term that translates as 'raw art'. It was invented by the French artist, Jean Dubuffet, to describe art such as graffiti or naïve art which is made outside the academic tradition of fine art.Dubuffet made a large collection of Art Brut, and in 1948 founded the Compagnie de l’Art Brut to promote its study. His collection is now housed in a museum - La Collection de l’Art Brut in Lausanne, Switzerland. Another major collection, using the term Outsider Art, is the Musgrave Kinley Outsider Art Collection, now on loan to the Irish Museum of Modern Art, Dublin, Ireland.Condition report: All unframed and with a little discolouration and dirt. All are unsigned. (Two are the same image - red, white and blue). The Brutalist two are watercolours. Four in the lot.
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§ Robert Tavener, RE (British, 1920-2004) London Park No. 2 signed in pencil lower right "Robert Tavener" and inscribed "Artist's proof" lithograph 54 x 74cm (21 x 29in) Robert Tavener was born in Hampstead, London. After six years of war service, he attended Hornsey College of Art in 1946. He studied lithography and gained his art teacher's diploma from London University. In 1953 he took up a teaching post at Eastbourne College of Art and Design and later became Vice-Principal until his retirement in 1980. Tavener also taught at St Martin's School of Art for one day a week. He did much illustration work as well as commissions for organisations such as Shell, the BBC, London Transport and Penguin Books. He was a Senior Fellow of the Royal Society of Painter/Printmakers and had thirty-five solo exhibitions during his lifetime. Fine.
§ Henry Cliffe (British, 1919-1983) Standing Figure signed lower right "Henry Cliffe '59" and inscribed "Proof" lithograph 75 x 52cm (29 x 20in) Other Notes: Henry Cliffe was born in Scarborough in 1919. Whilst serving in the Army during the Second World War, he met the painter, William Scott, and after the war he enrolled as a student at the Bath Academy of Art where Scott was teaching. He later joined the teaching staff at Bath alongside William Scott, Peter Lanyon, Terry Frost, Bryan Winter, Howard Hodgkin and Adrian Heath. Cliffe enjoyed a long and influential career at Bath as well as exhibiting his own work. He exhibited his work in the British Pavilion at the 1954 Venice Biennale. His first one-man exhibition was at the Redfern Gallery in London in 1956. Fine.
§ Walter Hoyle (British, 1922-2000) St John's, Cambridge signed lower right "Walter Hoyle" lithograph 58 x 58cm (23 x 23in) Walter Hoyle was a painter and printmaker. He was born in Lancashire and studied at Beckenham School of Art from 1938. He then gained a place at the Royal College of Art in 1940 where he studied under Edward Bawden. They became close friends and Hoyle later moved to Great Bardfield to live and work alongside Bawden. He held many exhibitions and his work is in collections such as the Tate. He taught at the Cambridge School of Art, placing great emphasis on printmaking, from 1964 until he retired in 1985 Missing glass. Paper slightly crinkled.
TWO FRAMED 19thC PRINTS inc 18th ROYAL IRISH REGT at AMOY A coloured print of the 18th Foot Storming the Fortress of Amoy August 26th 1841. A label on the reverse states 'At the Storming of the Fortress of Amoy, August 26th 1941. A lithograph in colours 8.3/4" by 12.1/8" (Pictorial Surface). Lithographed by J H Lynch after M A Hayes. Published by W Spooner circa 1841. £4.10.0. We are placing these two prints in reserve in the hope that you will favour us with a further visit, when of course, there will not be the slightest obligation on your part to purchase if not entirely satisfactory. We beg to remain, Sir Always at your service. pp Bowen Lawton (W L Richardson). C1937 date. The second print of the 88th (Connaught Rangers) in matching frame and size. Again with Bowen Lawton of Piccadilly label, dated May 28th 1937. Addressed to Col A L B Anderson at the Cavalry Club. Sir, With reference to your kind visit here yesterday afternoon, and your enquiry for an old costume plate of the 88th The Connaught Rangers. We now have the pleasure to inform you that we have managed to obtain the print we mentioned at the time of your call- the 'Oblong' Spooner Plate of the 88th Regiment- we can offer it to you at the same figure we quoted for the 18th Royal Irish Regiment, namely the moderate price of £4.10.0. It is a mint state impression in perfect condition, and has large margins. Again the lower label states the previous sizes etc. (2)
*Henri Mirande (1877-1955), 'Scorching'. An original colour lithograph by Fortier et Marotte, depicting two children racing down a village street in their battered home-made car, a puppy balanced on the rear, the resulting image being quite surreal. This is one of Mirande's celebrated humorous works. Good condition, though somewhat browned, and with a short (3cm) vertical abrasion in the middle of the top edge (not affecting the main image). Artist's signature lower right-hand corner. Framed, mounted and glazed, published March 1906, Sheet size 45 x 53cm (1)
Seemann (Berthold). Narrative of the Voyage of H.M.S. Herald during the Years 1845-51, under the Command of Captain Henry Kellett, R.N., C.B.;Being a Circumnavigation of the Globe, and Three Cruizes to the Arctic Regions in search of Sir John Franklin, 2 volumes, 1st edition, 1853, two tinted lithograph plates, folding colour map (all linen backed along with titles), bound without half titles and advertisements, some offsetting, spotting and marginal toning, later red cloth, spines faded, 8vo Hill 1546; Howes S271; Sabin 78867. Seemann was the naturalist aboard the Herald, which set out to measure the hydrography of the Pacific Ocean and subsequently searched for the lost Franklin Arctic expedition. (2)
Stowe - Buckinghamshire. Nineteen Days' Sale at Stowe..., The Ducal Estate of Stowe Near Buckingham..., Messrs. Jackson Stops will sell by Auction, at Stowe House, on Monday, July 4th, 1921, at 1 o'clock the Freehold of the Historic Mansion & Estate Extending to about 1,400 Acres..., on the Eighteen Days following (from July 5th to July 28th Excluding Saturdays, at 11 o'clock Precisely each day) will be Sold the Contents of the Mansion..., 1921, colour lithograph plans (some folding), black & white plates, light spotting to endpapers and hinges cracked, original cloth-backed boards, printed upper board with inset pictorial panel and stamped catalogue number 1380, short tear to upper joint, light fraying to extremities, folio (1)
*Bath. Hawkins (G.), Bath from Beacon Hill, published Wm. Everitt, Pultney Bridge, Bath, circa 1840, uncoloured lithograph after J. Syer, some spotting, largely confined to margins, 300 x 430 mm, together with Byrne (W. & Schuman J.),South East View of the City of Bath, published W.Byrne, 1792, uncoloured engraving after T.Hearne, some spotting, largely confined to margins, 360 x 480 mm (2)
*New Zealand. Wilson (Fredk. J. Wilson, publisher), Dunedin from Little Paisley, circa 1850, lithograph with contemporary hand colouring, 205 x 280 mm, mounted, framed and glazed Rare.Otago was founded as a Free Church of Scotland settlement, but most of the settlers came to escape hardship or advance themselves economically rather than for religious reasons. The weaving industry in Paisley was in recession through much of the 1840s, and many left there for New Zealand, particularly Otago and this resulted in part of Dunedin became known as Little Paisley. (1)
Baker (Samuel White). The Albert N'Yanza, Great Basin of the Nile and Explorations of the Nile Sources, 2 volumes, 1st edition, 1866, portrait frontispiece to volume I, colour lithograph frontispiece to volume II, two colour maps (one folding), wood-engraved illustrations, a few minor spots, volume I frontispiece and title detaching at gutter, bookplate to volume I (residue from bookplate removal to volume II), original green cloth gilt, spine ends a trifle rubbed, one or two corners bent, 8vo, together with The Nile Tributaries of Abyssinia, and the Sword Hunters of the Hamran Arabs, 1st edition, 1867, portrait frontispiece (top margin partially excised) two maps (one folding), wood-engraved plates, a few spots, endpapers renewed, original blue cloth gilt, rebacked with part of spine relaid, 8vo (3)
Warburton (Eliot). The Crescent and the Cross; or, Romance and Realities of Eastern Travel, 2 volumes, 1st edition, 1845, tinted lithograph frontispieces, advertisement leaf at end of each volume, wood-engraved illustrations, light spotting at front, original blindstamped cloth gilt, spines faded, small shelf number label at head of volume I spine, 8vo Blackmer 1771. (2)
CHILDREN AND ILLUSTRATED: 1. MILES, W. J: Modern Practical Farriery. W. Mackenzie, nd, c1880; with colour lithographs and other plates; p:538, 90. Original gilt pictorial cloth; vg+/FINE copy; 2. Hardy, E S(ill): Stories from Hans Andersen. Ernest Nister, nd, c1898 (inscription date); with 6 colour lithograph plates + ill. pp:288; original red pictorial cloth, aeg; damp stained; first gathering loose; 3. Greenaway, Kate (4 works): Almanack for 1883. Routledge; G+; Language of Flowers. Nd, inscribed 1884; foxing; Under the Window; Routledge, nd, c1880; covers little worn; Another copy: A/F; 4. Crane, Walter: Flora's Feast. Cassell, 1889, original pictorial covers; edges chipped ; 5. Sloper’s Comic Kalendar for: 1877, 78, 79, 81 and 82. Original wrappers; 79 worn & torn; o/w G; Plus 2 others. (14)
Goodsir (Robert Anstruther). An Arctic Voyage to Baffin's Bay and Lancaster Sound, in Search of Friends with Sir John Franklin, 1st edition, John Van Voorst, 1850, half-title inscribed 'To Mr Robert Macadam from the author', tinted lithograph frontispiece, folding map, 8pp. publisher's adverts at rear, removed oval ink stamp to title and adhesive stain to final advert leaf, dust & finger soiling, some spotting & marks throughout, endpapers renewed, original cloth gilt, neatly rebacked preserving original spine and corners repaired, 8vo Sabin 27931. One of the scarcer titles relating to the Franklin rescue efforts. The volume consists of extracts from a journal kept in 1849. (1)
Kane (Elisha Kent). The U.S. Grinnell Expedition in Search of Sir John Franklin, A Personal Narrative, 1st edition, New York: Harper & Brothers, 1853, 552,[8]pp., 3 maps & charts (including one folding), 5 mezzotint plates (including frontispiece), 8 tinted lithograph plates, one wood engraved plate and numerous wood engraved vignettes to text, 8 pages of adverts at rear, scattered spotting throughout, original cloth gilt, joints and head & foot of spine strengthened & repaired, some refurbishing to spine and corners, light cracking to joints, 8vo Sabin 36998. Very rare first edition of the classic of arctic exploration, more often found in the re-issue of 1854. 4,000 copies were originally printed and bound awaiting distribution in Harper's warehouse when a fire destroyed the building and majority of copies on December 10, 1853. The plates were stored in a vault and escaped damage. Harper's quickly printed a new edition bearing the 1854 date. Only a few copies of the 1853 edition had been issued before the fire. (1)
Laurence Stephen Lowry 1887 - 1976 Artist Pencil Signed Ltd Edition Colour Lithograph - Titled ' Street Scene ' Ltd Edition of 850. Published by The Adam Collection, Printed by Chorley and Pickersgill, Stamped by The Fine Art Trade Guild, Signed by the Artist In The Margin. Mounted and Framed Behind Glass. Print Size 10 x 8 Inches.
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