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*A Schuco tinplate clockwork Examico 4001 toy car, German, 1940s, with steering mechanism, gear shift and brake, finished in cream and red, approx. 6 in (15 cm) long, together with a Schuco lithograph tinplate garage, fitted with telephone and pull-string door-opening mechanism Lacking windscreen and winding handle. (2)
Fellows (Charles). An Account of Discoveries in Lycia, being a Journal Kept during a Second Excursion in Asia Minor, 1840, John Murray, 1841, lithograph frontis., two maps and thirty-six lithograph or etched plates, some of them double-page or folding, one coloured, foxed, line-engravings in the letterpress, orig. black cloth, gilt, a trifle rubbed at extrems., front hinge sprung, large 8vo (1)
Maps. Philip (George & Son Ltd.), Philips' New Large Print Map of London and its Outer Districts, c.1900, colour printed folding map laid onto linen, some fold repairs, the whole approx. 950 x 1140 mm, together withEndicott (G. & W.), Agricultural Map of the State of New-York, c.1854, hand coloured lithograph map, approx. 470 x 600 mm, together with other maps including a Tallis map of England and Wales, county maps by Moule, Fullarton and Dugdale, and others various (approx. 70)
*Scrap album. A mid-19th c. Victorian scrap album belonging to Miss Elizabeth Morley, dated January 1st 1846, containing approx. 100 leaves, partly unused, but including various embossed and colour printed valentine and Christmas cards, a few mounted photographs of scenery and a seafront with pier, several uncoloured engravings of young beauties, two colour lithograph coaching prints, entitled 'Quite Full' and 'Mail in a Storm', trimmed to margins, two hand-decorated Japanese silk doilies with painted embroidery and bone scene of Japanese women around a table to each, (some damage), etc., a.e.g., orig. gilt-dec. dark green full morocco (by Stocken, 53 Quadrant), a little rubbed, 4to (1)
AFTER DON CORDERY "Spectacled owl",limited edition lithograph numbered 84/200, pencil signed by the artist, published by Messrs Christies, 24" x 18", three further similar lithographs after the same artist and six others after H Warren, Susan Jameson and Trevor Grimshaw (x4) and Brian Organ, all unframed (10)
MARC CHAGALL (1887-1985), Cover for L'Atelier Mourlot", lithograph in five colours, 1964/65, signed in the stone from the edition of 1150 impressions, issued for the album L'Atelier Mourlot by Jean Adhemar, published by Mourlot, Paris 1965, 10"x 7 1/2". Provenance: Ex. William Weston Gallery 1995.
Charles Bartlett (b.1921) ‘Blue Foreshore’ Aquatint and colour etching Signed Titled to verso Limited edition 24/100 42cm x 51cm Jeremy King (born 1933) River scene Lithograph Signed 30cm x 63cm. (2) Bartlett - Painter and printmaker. Royal College of Art 1946-50. President of the RWS. Showed regularly at the RA. Examples of his work found at the V&A, National Gallery of South Australia and others. See Buckman, D. p.116. King - has exhibited widely throughout England, including the Royal Academy. His work can also be found in the Tate Gallery’s print collection.
Hugh Collinson (b.1909) ‘Forest Pools’ Oil on board Signed 34cm x 49cm; Garrick Palmer ‘Hedgerow Series’ Lithograph Signed 39cm x 54.5cm. (2) Collinson - Painter and illustrator. Royal College of Art 1929-32. Exhibited at RA and extensively in the provinces. See Buckman, D. p.282 Palmer - Illustrator, printmaker, photographer and teacher. Studied at the Royal Academy schools 1955-7. Exhibited widely and illustrated a number of books. See Buckman, D. p.939.
Allen Jones, RA (b.1937) ‘Allen Jones Complete Graphics’ Screenprint 78.5cm x 53cm; Ronald King (b.1932) ‘Cangesali’ Silkscreen 57.5cm x 47cm; Geoffrey Elliott ‘Malta Suite’ Lithograph Signed Limited edition 6/9 48cm x 60cm. (3) Jones - Painter, draughtsman and printmaker, sculptor and teacher. Hornsey College of Art 1955-9. Royal College of Art 1960. Exhibited internationally, now famous for his Pop Art posters. Made RA in 1986. See Buckman, D. p.665. King - Printmaker, painter and teacher. Exhibited widely including the RA, British Museum, V&A, Washington’s Library of Congress and other institutions hold his work. See Buckman, D. p.699. Elliott - Painter, muralist, draughtsman, printmaker, and teacher. Won the Italian Government Travelling Scholarship 1969. Exhibited worldwide. Emigrated to Australia. See Buckman, D. p. 392.
Jahrbuch der Jungen Kunst, 1922, Herausgebegen von Prof. Dr. Georg Biermann, published by Verlag von Klinkhardt & Biermann, contains original lithograph after Max Beckmann ‘Liebespaar’, frontispiece: Die Kunst des Jahres 1904, published by Verlagsanstalt F. Bruckmann A.-G.: Deutsche Kunst und Dekoration, published by Verlagsanstalt Alexander Koch, Darmstadt, nine bound volumes 43-52, lacking volume 46, for April 1919- march 1923, including eight loose copies from the 1920’s, (a lot), (in one box)
W. Woodgate - Lithograph - “Guy Fawkes at Gravesend on 5th November” - A group of revellers outside “The Prince of Orange Inn”, with cart to foreground and hanging figure of Guy Fawkes, 15.75ins x 20ins, printed by C. Hullmandel and published by W. Woodgate, Gravesend, and Rodwell & Martin, New Bond Street (signed in plate with initials and dated 1823), in modern Hogarth frame and glazed
W. Walton (fl. mid 19th Century) - Coloured lithograph - “St. Michael’s Mount, Cornwall”, 9ins x 13.75ins, printed by C. Hullmandel and published by J. Tonkin, Penzance, September 1832, in ebonised frame and glazed, and one other engraving - “Church of Sutton St. Mary, Lincoln”, 8.5ins x 13ins, in Hogarth frame and glazed
After Cecil Aldin (1870-1935), 'The Exeter Road - The White Hart at Hook', coloured lithograph, signed in pencil to the margin and blind stamped 'Proof no. 8', with printed remarque but no lettering, sheet size 42 x 63cm (16 1/2 x 25in), oak frame, together with an unsigned but lettered copy of the same print (2)
CHAGALL MARK 1887-1985 Mayakovsky hand signed in pencil by the artist and inscribed Epreuve d'Artiste Hand painted original lithograph 63 by 45 cm. One of the five artist proofed lithographs produced in addition to the limited edition of 15. Provenance: Family of the artist. Literature: Mourlot and Sorlier Chagall Lithograph: 1962-1968 p. 36 illustrated Ref.: Mourlot 389.
Early colour Lithograph of North British Railway 0-4-2 Tender Loco, Hawthorn & Co Patent Expansion Engine, dated 1849. Together with a quite historic Swindon Drawing Office Tracing number 43490 of Articulated Mallet 4-4-6-2 Locomotive for the Atchison, Topeka & Santa Fe Railway with note for approx cost if built at Swindon, of £7700. Also an ink tracing from the GNR Doncaster Drawing Office no 6159 of a 2-6-0 Loco built by Baldwin Loco Works, Philadelphia for the GNR, dated 9/8/00. Finally, qty 6 GWR Loading Blueprints for a variety of locos including The Great Bear.
Robert Pollard and Robert Wilkinson after Dominic Serres (18th century) His Majesty's Ship Mediator Bearing Down at Sunrise on the Morning of the 12th December 1782, to Attack the Five Sail of the Enemy] Extensively inscribed and published by R. Pollard, Braynes Row, Spa Fields, 3rd January 1784, black and white engraving, 43.5cm by 56cm (17 1/4in by 22in); together with three further prints ["The Morning of the 12th April 1782 Representing That Gallant Scene between Dominica and Guadeloupe in the West Indies"] Extensively inscribed and printed for R. Sayer and J. Bennett, no. 53 Fleet Street, as the act directs, 21st March 1783, 41cm by 56cm (16in by 22in) ["The Close of the Battle with the Setting Sun Representing the Ville de Paris, Striking Her Colours to the Barfleur, Admiral Lord Flood"] Extensively inscribed and printed for R. Sayer and J. Bennett, no. 33 Fleet Street as The Act Directs, 21st March 1783, black and white engraving, 41cm by 55.5cm (16in by 21 3/4in) [Charles Hullmandel after G.P. Reinagle "The Common-Hard, Portsmouth" (The Victory Flagship)] Inscribed, black and white stone lithograph, 34.5cm by 44.5cm (13 1/2in by 17 1/2in) (4)

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