70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Joan Miro (1893-1983) Untitled, from the lithograph portfolio 2, no.5, 1975 published by Weber Genf lithograph 31 x 24cm.

Elisabeth Frink (1930-1993) Hare (Wiseman 38), 1970 56/70, signed and numbered in pencil lithograph 50.5 x 64cm.

John Piper (1903-1992) India Love Poems signed by the artist and translator Tambimuttu 18 colour lithograph plates, on arches Velin Paradine, New York/Lyrebird Press from the edition of 200.

David Bromley (b.1960) The Washing Line 9/40, signed and numbered (lower left) lithograph 74 x 50cm.

Henri Laurens (1885-1954) Abstract, 1916 numbered in pencil (in the margin) lithograph 62 x 41cm.

Antoni Clave (1913-2005) Composition 54/75, signed and numbered in pencil lithograph 66 x 50cm.

César Manrique (1919-1992) Fish signed in pencil (lower right) lithograph 44 x 62cm.

Henry Moore (1898-1986) Seated Woman in Armchair, 1973 10/75, signed and numbered in pencil (in the margin) lithograph 30 x 25cm.

Laurence Stephen Lowry (1887-1976) The Arrest 483/850, numbered in ink, blindstamp lithograph 54 x 43cm.

David Gentleman (b.1930) Curlew Street, London 138/195, signed and numbered in pencil (in the margin) lithograph 52 x 40cm.

Feliks Topolski (1907-1989) Fountain Court, 1974 46/210, signed and numbered in pencil (in the margin) lithograph 64 x 45cm.

Barbara Jones (1912-1978) Fairground lithograph printed by Baynard Press for School Prints Ltd. 42 x 68cm.

YURI KEE JAPANESE ARTIST SIGNED LIMITED EDITION COLOURED LITHOGRAPH 'Kito', flock of cranes in flight Signed, titled and numbered 47/275 in pencil

Edwin La Dell (1914-1970) - 'Grantchester Meadows, Cambridge', lithograph, pencil signed to right hand margin, 52 x 69 cmGood condition, paper slightly rippled beneath glass, very faint discolouration overall

Three late 19th/early 20th century Carte de Visite albums: one with family portrait cards, another with photographs of a gentleman shooting, fishing and playing golf on his ground, the third unfilled with lithograph decorated pages (spines damaged).

A late Victorian black leather Carte de Visite album dated 'Xmas 1894': containing various photographs of family members and a card of W E Gladstone by Mendelssohns Studios, various photographers including Maull & Fox,London, lithograph landscape illuminated pages and a part filled Edwardian Carte de Visite album (2)

A late 19th/early 20th century 'Herborita' Carte de Visite album with floral lithograph decorated pages: part filled with family portraits, together with one other similar album (2)

A late 19th/early 20th century 'The Standard' tinplate magic lantern by Ernst Plank:, in original box, together with a collection of lithograph magic lantern slides (poor condition).

Britains No 1718 Searchlight on Mobile Chassis:, dark green with black treaded tyres and original cord bound copper wiring, in a lithograph printed box, (box damaged)

Wend-Al 'Unbreakable Toy Range' Farm Range Grass Cutter,: green two wheeled chassis with movable cutter and seated driver, brown workhorse with tack, inner base card with label, lithograph printed label to plain box.

A FRAMED AND GLAZED LITHOGRAPH ENTITLED LAGOPUS HYPERBOREUS, TOGETHER WITH A PAIR OF CECIL ALDIN DOG PRINTS (3)

Marguerite (GAMY) Montaut (1883-1936): Paris - Madrid 1911 - Vedrines le gagnant sur monoplane Morane-Borel Moteur Gnome, magneto Bosch, helice Chauvier. Original horizontal format lithograph, unframed, sheet size 17¾ x 35½-inches (45 x 90cm). An excellent impression, with good colour. Together with two further unframed lithographic aeronautical prints by the artist in the same size and format: Garros gagne le Grand Prix de L'Aero Club sur monoplane BLERIOT moteur GNOME magneto BOSCH helice CHAUVIERE, another excellent impression, with good colour, and an untitled print from 1910 of a dirigible flying over a broad landscape, with some staining and marginal damage. (3)

Marguerite (GAMY) Montaut (1883-1936): Raid Paris Boulogne 1912 - Andre Beaumont sur Hydroaeroplane 'Donnet Leveoue' helice Levasseur reservoir inexplosible Brionne. Original horizontal format lithograph, mounted but unframed, sheet size (partly obscured by the mount, particularly the lower margin, which conceals part of the title) 17¾ x 35½-inches (45 x 90cm). A good impression, but some surface damage and staining, notably in the top left-hand area of sky. Together with another unframed lithographic aeronautical print from 1909 by the artist in the same size and format: Les Dirigeables PARCEVAL et GROSS en manoeuvre a Cologne, with good colour but with a repaired vertical tear in the sky. Also, another mounted but unframed lithographic print of similar size and format by H. L. Roowy of War Preparations, 1914, depicting an early French airship above a port and harbour, with Dreadnoughts at dusk, good colour, but with some surface scratches. (3)

Marguerite (GAMY) Montaut (1883-1936): Grand Prix de la Champagne: HENRI FARMAN le gagnant sur son biplan moteur GNOME. Original horizontal format lithograph from 1909, unframed, sheet size 17¾ x 35½-inches (45 x 90cm), an excellent impression, with good, fresh colour. Together with another, vertical format unframed lithographic aeronautical print by the artist, also from 1909, entitled Juvisy - Paris De Lambert sur Biplane Wright-Ariel Magneto Lavalette Eisemann. Sheet size 35½ x 17¾-inches (90 x 45cm), an excellent impression, with good, fresh colour. (2)

Marguerite (GAMY) Montaut (1883-1936): Promainade Matinale - La Demoiselle de Santos Dumont Type Dutheil et Chalmers. An unusual horizontal format lithograph from 1909 with a surprisingly dreamlike quality, mounted but unframed, image size within the mount 14 x 30¼-inches (36 x 77cm). Good condition, but possibly a little faded. Together with another horizontal format framed and glazed lithographic print by the same artist from 1910, untitled, but depicting a biplane over a broad landscape and what appears to be a distant view of Paris on the horizon. Image size within the frame 15½ x 32½-inches (39½ x 83cm). A few slight surface blemishes and with some fading. (2)

Ernest Montaut (1879-1909): Szisz sur Voiture Renault gagnant du Grand Prix de l'A. C. F. (1906). Original lithograph mounted on board, 17 x 35-inches (43 x 89cm). Small damp-stain in blank lower margin, otherwise an excellent impression with good colour. (See L'Art et l'Automobile by Herve Poulain, p74, & Art and the Automobile by D. B. Tubbs, p38).

Ernest Montaut (1879-1909): Gabriel sur Mors gagnant La Course Paris-Madrid, 1903. Original lithograph, 17¾ x 35.75-inches (45 x 90cm). Some fading, and a 3 x 2-inch blank section missing from the top left-hand corner (not affecting the image)

Ernest Montaut (1879-1909): Le "Panhard et Levassor" gagnant du Championnat de la Mer en 1908. Original lithograph, 17¾ x 35½-inches (45 x 90cm). An excellent impression, with good colour

Ernest Montaut (1879-1909): Raid Paris-Verdun Le Dirigeable 'Ville-de-Paris' (1909). Original lithograph, 17¾ x 35½-inches (45 x 90cm). Some edge soiling, but good colour

Ernest Montaut (1879-1909): An unidentified scene of a blue Grand Prix chain-drive Peugeot numbered "5" being hotly pursued by another racing car (1907). Original lithograph mounted on board, 17 x 33½-inches (43 x 85cm).

Ernest Montaut (1879-1909): Grand Prix de l'A. C. F. Rigal sur Bayard-Clement 1er des voitures Francaises (1908). Original lithograph within a card mount, visible image size 15 x 32.75-inches (38 x 83cm). Some water-staining along the lower edge of the mount, but the print is a strong impression, with good colour

Ernest Montaut (1879-1909): An unidentified scene of a box-kite racing a car over a broad landscape. Original lithograph framed and glazed, visible sheet size within the frame 15½ x 33½-inches (39 x 85cm). A hand-written label on the reverse indicates that the work was presented to the Royal Aero Club by Hilda Lady Brabazon of Tara

Ernest Montaut (1879-1909): A Toute-Allure. Original lithograph, vertical format, framed, mounted and glazed, visible image size 23¾ x 17.75-inches (60½ x 45cm). Some fading, and four small spots of paper loss in the left-hand margin (not affecting the image), but still a good impression, nicely presented.

Cavendish and Concord Morton, View of Arreton Farm, colour lithograph, signed in pencil by both artists, image, 39.5 x 51cm, framed and glazed.

L M Cox Manufacturing (USA) Ready to Fly Thimble drone Spitfire:, light and dark green plastic camouflage body and wings, applied roundel, clear canopy red and black plastic propeller with glow plug engine, together with leather handle and line, instruction booklet and spare line in inner packing card, lithograph printed window box.

A tinplate clockwork fire engine,: with silver turntable and ladder, red lithograph printed cab, chassis, firemen and white tinplate 'Dunlop' wheels, in original box.

Michael D Barnfather (British 1934-) A vintage 20th century print of a oil on canvas painting by Michael D Barnfather - Walking the dog, St Anthony. The lithograph depicting a man walking the dog on a lake side. Gallery stamp to the bottom left and pencil signature to the right. Framed and glazed. Measures 72cm x 83cm. 

A framed and glazed lithograph titled 'A view of the shocking confusion at Saddlers Wells' published in 1807 by G. Thompson. 50x58cm

AFTER VALERIO ADAMI, PIROSMANI/THE MELANCHOLY, lithograph 37cm x 55cm Mounted, framed and under glass

The Beatles - London Palladium - A lithograph printed poster by Louis F. Dow Co. U.S.A for The Beatles Royal Command Performance 1963 at the London Palladium. 1964 NEMS Enterprises LTD printed to the bottom right. The poster depicting all four members of the band with litho printed signatures throughout. Measures 72cm x 53cm. 

JOAN MIRO Untitled, 1970, lithograph, printed by Maeght, 35cm x 55cm, framed and glazed.

HENRI MATISSE 'Tristesse du Roi', original lithograph from the 1954 edition after Matisse's cut outs, printed by Mourlot, 35cm x 50cm, framed and glazed.

ANDY WARHOL 'Rebel without a Cause', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed. (with faults)

MARC CHAGALL 'House in Our Village', 1960, original lithograph, ref: Mourlot 283, 30cm x 25cm, framed and glazed.

After William Collins, "The Stickleback Fisher", black and white lithograph, published 1822, 27 x 34cm, together with 2 similar (3)

Sir Robin Philipson RA, PRSA, FRSA, RSW, RGI, D.LITT, LLD (Scottish 1916-1992) "Original Christmas Card 1986" Colour Lithograph, Signed, 25cm x 20cm

A limited edition lithograph by Gordon King, signed lower right, titled 'Candlelight', No 400/850, mounted and framed, labelled to verso, 45.5cm high x 32.5cm wide (exc frames)

An early 19th century lithograph of a gentleman, indistinctly signed, 'J Anch...ard', bust length, wearing a jacket with velvet collar, within gilt wood and gesso frame, 23cm x 28cm (exc frame)

After W Duffield, 1859, A framed and glazed coloured lithograph entitled 'Game', 31cm x 42.5cm (exc frame)

Richard Bawden RWA NEAC RE (British, b. 1936): 'Dried Plants', signed and titled in pencil to lower margin, lithograph, limited edition 20/100, with original purchase invoice from Royal Academy Summer Exhibition 1975 for £16.00, 57 by 40cm, glazed and framed, 57 by 51.5cm.

Isaac Robert Cruikshank (1789-1856) - A dandy shoe maker in a fright, or the effects of tight lacing, hand-coloured etching (unglazed), published 1818 by Thomas Tegg, visible dimensions 24 x 32.5cm; together with John Doyle (1797-1868) (pseudonym HB) - A Great Economist, hand-coloured lithograph, published 1830 by Thomas McLean, depicting George IV reading a newspaper, satirising his extravagant expenditure, visible dimensions 27 x 31cm (2)

Hermann Max Pechstein 1881 Zwickau - 1955 Berlin Schnitter Reihe. 1927. Farbige Kreidezeichnung mit Tuschfeder über Bleistift. Rechts unten signiert und datiert. Unten mittig wohl von fremder Hand betitelt und bezeichnet. Auf Velin (mit Prägestempel). 62 x 49 cm (24,4 x 19,2 in). Unterlagekarton: 62,7 x 49,8 cm (24,7 x 19,6 in). Verso mit dem Fragment der Lithografie 'Fischer mit aufgerollter Leine' (1922, Krüger L381). Krüger schreibt: 'Lag nur noch in zwei Hälften vor, die als Unterlagekarton für Aquarelle oder Zeichnungen dienten' (S. 296). [CH]. • Aus dem Nachlass des Künstlers. • Verso mit dem Fragment der lithografischen Arbeit 'Fischer mit aufgerollter Leine'. • Ab 1927 verbringt Pechstein mehrere Sommer in dem kleinen Dorf Rowe, wo er fernab vom Tourismus ungestört an Darstellungen der pommerschen Landschaft, von Feldarbeitern und alten Fischerhäusern arbeitet. • Eine bedeutende Rowe-Landschaft befindet sich z. B. in den Staatlichen Kunstsammlungen in Dresden. Wir danken Herrn Alexander Pechstein, Max Pechstein Urheberrechtsgemeinschaft, für die freundliche wissenschaftliche Beratung. PROVENIENZ: Aus dem Nachlass des Künstlers. Privatsammlung Deutschland. Aufrufzeit: 12.12.2020 - ca. 17.37 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONHermann Max Pechstein 1881 Zwickau - 1955 Berlin Schnitter Reihe. 1927. Colored chalk drawing with India ink. Lower right signed and dated. Titled and inscribed in bottom center, presumably by a hand other than that of the artist. On wove paper (with embossing stamp). 62 x 49 cm (24.4 x 19.2 in). Backing board: 62,7 x 49,8 cm (24,7 x 19,6 in). Verso with fragments of the lithograph 'Fischer mit aufgerollter Leine' (1922, Krüger L381). Krüger notes: 'Preserved in two halves that served as backing for watercolors or drawings ' (p. 296). [CH]. • From the artist's estate. • Verso with the fragment of the lithograph 'Fischer mit aufgerollter Leine'. • From 1927 on, Pechstein spent several summers in the small village of Rowe, where, far away from tourism, he worked undisturbed on depictions of the Pomeranian landscape, of field workers and old fishermen's houses. • A significant Rowe landscape is in the State Art Collections in Dresden. We are grateful to Mr Alexander Pechstein, Max Pechstein Urheberrechtsgemeinschaft, for his kind expert advice. PROVENANCE: From the artist's estate. Private collection Germany. Called up: December 12, 2020 - ca. 18.38 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Marc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence L'Oranger. 1975. Farblithografie. Sorlier 737. Signiert und nummeriert. Eines von 50 Exemplaren. Auf festem Velin von Arches (mit dem Wasserzeichen). 48 x 32 cm (18,8 x 12,5 in). Papier: 65,5 x 47 cm (25,7 x 18,5 in). Herausgegeben von Éditions Maeght, Paris. [KT]. • Frühlingshafte Darstellung des wiederkehrenden Motivs des Liebespaares in Chagalls Œuvre. • Technisch ungemein variationsreiches Blatt, das die Meisterhaftigkeit des Künstlers in der Lithografie unter Beweis stellt. • Herausgegeben von einer der bedeutendsten Adressen künstlerischer Original-Lithografie in Paris. Aufrufzeit: 12.12.2020 - ca. 19.06 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONMarc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence L'Oranger. 1975. Lithograph in colors. Sorlier 737. Signed and numbered. From an edition of 50 copies. On firm wove paper by Arches (with the watermark). 48 x 32 cm (18.8 x 12.5 in). Sheet: 65,5 x 47 cm (25,7 x 18,5 in). Published by Éditions Maeght, Paris. [KT]. • Spring-like depiction of the recurring motif of the lovers in Chagall's oeuvre. • Technically extremely varied sheet that proves the artist's mastery of the lithograph technique. • Published by one of the most important printers of original artistic lithographies in Paris. Called up: December 12, 2020 - ca. 19.06 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Marc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Le Songe du Capitaine Bryaxis. 1961. Farblithografie. Mourlot 328. Cramer Livres 46. Signiert. Auf Velin von Arches. 42 x 64 cm (16,5 x 25,1 in). Papier: 53,5 x 75,5 c (21 x 29,7 in). Blatt 21 der Folge 'Daphnis und Chloé', aus der Suite neben der Buchauflage. Gedruckt bei Mourlot Frères, Paris, herausgegeben von Tériade Editeur, Paris. [EH]. • Die Folge 'Daphnis und Chloé' ist bis heute das größte Zeugnis der grafischen Meisterschaft Chagalls. • Zur Vorbereitung der literatischen Illustration reiste Chagall zwei Mal nach Griechenland. • Die Arbeit an den Lithografien zu 'Daphnis und Chloe' nahm drei Jahre in Anspruch. Aufrufzeit: 12.12.2020 - ca. 19.04 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONMarc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Le Songe du Capitaine Bryaxis. 1961. Lithograph in colors. Mourlot 328. Cramer Livres 46. Signed. On wove paper by Arches. 42 x 64 cm (16.5 x 25.1 in). Sheet: 53,5 x 75,5 c (21 x 29,7 in). Sheet 21 from the series 'Daphnis and Chloé', from the suite next to the book edition. Printed by Mourlot Frères, Paris, published by Tériade Éditeur, Paris. [EH]. • The series 'Daphnis and Chloé' is still the greatest testimony to Chagall's graphic mastery. • For the preparation of these illustrations Chagall visited Greece twice. • Work on the lithographs 'Daphnis and Chloe' took three years. Called up: December 12, 2020 - ca. 19.04 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Otto Mueller 1874 Liebau/Riesengebirge - 1930 Obernigk bei Breslau Mädchen auf der Liege (3). 1919. Lithografie. Karsch 93. Signiert und bezeichnet 'Probedruck'. Probedruck außerhalb der Auflage von 50. Auf festem Velin. 24,4 x 35 cm (9,6 x 13,7 in). Papier: 36 x 48,5 cm (14,1 x 19 in). [EH]. • Ab 1919 hat Otto Mueller eine Professur an der Kunstakademie Breslau inne. • Charakteristisches Motiv des Mädchenakts. • Nuancierter Probedruck. Wir danken Herrn Ergün Özdemir-Karsch für die freundliche Auskunft. Aufrufzeit: 12.12.2020 - ca. 18.40 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONOtto Mueller 1874 Liebau/Riesengebirge - 1930 Obernigk bei Breslau Mädchen auf der Liege (3). 1919. Lithograph. Karsch 93. Signed and inscribed 'Probedruck'. Trial proof aside from the edition of 50. On firm wove paper. 24.4 x 35 cm (9.6 x 13.7 in). Sheet: 36 x 48,5 cm (14,1 x 19 in). [EH]. • From 1919 Otto Mueller held a professorship at the Breslau Art Academy. • Characteristic motif of the nude. • Nuanced trial proof. We are grateful to Mr. Ergün Özdemir-Karsch for his kind support in cataloging this lot. Called up: December 12, 2020 - ca. 18.40 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Marc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Couple dans les mimosas. 1967. Farblithografie. Sorlier CS 32. Signiert und nummeriert. Im Stein bezeichnet 'CH. SORLIER SCULP.' und 'MARC CHAGALL PINX.'. Aus einer Auflage von 75 römisch nummerierten Exemplaren. Auf Velin. 61 x 45,5 cm (24 x 17,9 in). 74 x 53 cm (29,1 x 20,8 in). Blatt 7 aus der Folge 'Nizza und die Côte d’Azur'. Farblithografie, ausgeführt von Charles Sorlier nach einer Gouache von Marc Chagall, gedruckt von Mourlot (verso mit der typografischen Bezeichnung). [EH]. • Aus der berühmten Folge 'Nizza und die Côte d'Azur'. • In dieser Folge vereinigen sich in lyrischen Kompositionen die bevorzugten Motive Chagalls. • Entstanden nach Gouachen von Marc Chagall im Atelier Mourlot. Aufrufzeit: 12.12.2020 - ca. 19.07 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONMarc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Couple dans les mimosas. 1967. Lithograph in colors. Sorlier CS 32. Signed and numbered. Inscribed 'CH. SORLIER SCULP.' and 'MARC CHAGALL PINX.' in the stone. From an edition of 75 Roman-numbered copies. On wove paper. 61 x 45.5 cm (24 x 17.9 in). 74 x 53 cm (29,1 x 20,8 in). Sheet 7 from the series 'Nice and the Côte d´Azur'. Color lithograph, executed by Charles Sorlier after a gouache by Marc Chagall, printed by Mourlot (verso with typographic inscription). [EH]. • From the renowned series 'Nice and the Côte d'Azur'. • The series comprises lyrical compositions of Chagall's preferred motifs. • Made at Atelier Mourlot after gouaches by Marc Chagall. Called up: December 12, 2020 - ca. 19.07 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).

Marc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Paris de la fenêtre. 1969/70. Farblithografie. Mourlot 599. Signiert und nummeriert. Eines von 50 Exemplaren. Auf Velin von Arches (mit dem Wasserzeichen). 83 x 60 cm (32,6 x 23,6 in). Papier: 99,5 x 70 cm (39,1 x 27,5 in). [EH]. • Marc Chagall nennt Paris den Wiederschein seines Herzens. • Paris, diese zweite Heimat Chagalls, taucht immer wieder in seinen Werken auf. • Die Bildikonografie ist bei Marc Chagall immer von seinen persönlichen Gefühlen geprägt. • Marc Chagalls lithografisches Werk besticht durch seine außerordentliche Güte. PROVENIENZ: Privatsammlung Baden-Württemberg (seit 1971 in Familienbesitz). Aufrufzeit: 12.12.2020 - ca. 19.02 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONMarc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Paris de la fenêtre. 1969/70. Lithograph in colors. Mourlot 599. Signed and numbered. From an edition of 50 copies. On wove paper by Arches (with the watermark). 83 x 60 cm (32.6 x 23.6 in). Sheet: 99,5 x 70 cm (39,1 x 27,5 in). [EH]. • Marc Chagall calls Paris the reverberation of his heart. • Paris, Chagall's second home, appears again and again in his works. • Marc Chagall's pictorial iconography is always shaped by his personal feelings. • Marc Chagall's lithographic work impresses with its extraordinary quality. PROVENANCE: Private collection Baden-Württemberg. Called up: December 12, 2020 - ca. 19.02 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Ernst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Der Besuch der Freundin. 1912. Lithografie. Gercken 558 I (von II). Dube L 206. Schiefler L 194. Signiert und bezeichnet 'Handdruck'. Verso von fremder Hand bezeichnet 'L 194 I'. Eines von insgesamt fünf bekannten Exemplaren. Auf festem Velin von Johannot et Cie. Annonay (mit den Wasserzeichen). 42,5 x 31,7 cm (16,7 x 12,4 in). Papier: 55,5 x 42,8 cm (21,8 x 16,8 in). [CH]. • Seit 30 Jahren in süddeutschem Privatbesitz. • Eines von nur zwei bekannten Exemplaren des ersten Druckzustands. • Eines der insgesamt nur fünf bekannten Exemplare befindet sich im Kupferstichkabinett der Staatlichen Kunstsammlungen Dresden. • Besonders detailreiche und komplexe Atelierszene aus der 'Brücke'-Zeit. PROVENIENZ: Privatsammlung Süddeutschland (seit 1990, zuvor in Familienbesitz). Aufrufzeit: 12.12.2020 - ca. 18.50 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONErnst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Der Besuch der Freundin. 1912. Lithograph. Gercken 558 I (of II). Dube L 206. Schiefler L 194. Signed and inscribed 'Handdruck'. Verso inscribed 'L 194 I' by a hand other than that of the artist. One of date five known copies. On firm wove paper by Johannot et Cie. Annonay (with watermark). 42.5 x 31.7 cm (16.7 x 12.4 in). Sheet: 55,5 x 42,8 cm (21,8 x 16,8 in). [CH]. • In private Southern German ownership for 30 years. • One of only two known copies of the first printing state. • One of the only five known copies is in the Kupferstichkabinett of the Staatliche Kunstsammlungen Dresden. • Particularly detailed and complex studio scene from the 'Brücke' period. PROVENANCE: Private collection Southern Germany (since 1990, priorly family-owned). Called up: December 12, 2020 - ca. 18.50 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Marc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Le piège à loups. 1961. Farblithografie. Mourlot 312. Cramer Livres 46. Signiert und nummeriert. Eines von 60 Exemplaren. Auf festem Velin von Arches (mit dem Wasserzeichen). 42 x 32 cm (16,5 x 12,5 in). Papier: 54 x 38 cm (21,3 x 15 in). Blatt 6 der Folge 'Daphnis und Chloé', aus der Suite neben der Buchauflage. Gedruckt bei Mourlot Frères, Paris, herausgegeben von Tériade Éditeur, Paris. [KT]. • Die Folge 'Daphnis und Chloé' ist bis heute das größte Zeugnis der grafischen Meisterschaft Chagalls. • 1959-1961 illustriert Marc Chagall für Tériade die antike, bukolische Erzählung des Longus von Daphnis und Chloé. • Dynamische Zeichnung, die durch die leuchtend gelbe Farbwirkung des Blattes noch betont wird. Aufrufzeit: 12.12.2020 - ca. 19.13 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONMarc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Le piège à loups. 1961. Lithograph in colors. Mourlot 312. Cramer Livres 46. Signed and numbered. From an edition of 60 copies. On firm wove paper by Arches (with the watermark). 42 x 32 cm (16.5 x 12.5 in). Sheet: 54 x 38 cm (21,3 x 15 in). Sheet 6 from the series 'Daphnis and Chloé', from the suite next to the book edition. Printed by Mourlot Frères, Paris, published by Tériade Éditeur, Paris. [KT]. • The series 'Daphnis and Chloé' is still the greatest testimony to Chagall's graphic mastery. • From 1959 to 1961 Marc Chagall illustrated the ancient, bucolic tale of Daphnis and Chloé by Longus for Tériade. - Dynamic drawing, which is emphasized by the sheet's bright yellow color effect. Called up: December 12, 2020 - ca. 19.13 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Marc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Le jugement de Chloé. 1961. Farblithografie. Mourlot 315. Cramer Livres 46. Signiert und nummeriert. Eines von 60 Exemplaren. Auf festem Velin von Arches (mit dem Wasserzeichen). 42 x 64 cm (16,5 x 25,1 in). Papier: 54 x 75,5 cm (21,3 x 29,7 in). Blatt 8 der Folge 'Daphnis und Chloé', aus der Suite neben der Buchauflage. Gedruckt bei Mourlot Frères, Paris, herausgegeben von Tériade Éditeur, Paris. [KT]. • Die Folge 'Daphnis und Chloé' ist bis heute das größte Zeugnis der grafischen Meisterschaft Chagalls. • 1959-1961 illustriert Marc Chagall für Tériade die antike, bukolische Erzählung des Longus von Daphnis und Chloé. • Besonders zarte, atmosphärische Darstellung, erfüllt von der Luft und dem Licht Griechenlands. Aufrufzeit: 12.12.2020 - ca. 19.03 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONMarc Chagall 1887 Witebsk - 1985 Saint-Paul-de-Vence Le jugement de Chloé. 1961. Lithograph in colors. Mourlot 315. Cramer Livres 46. Signed and numbered. From an edition of 60 copies. On firm wove paper by Arches (with the watermark). 42 x 64 cm (16.5 x 25.1 in). Sheet: 54 x 75,5 cm (21,3 x 29,7 in). Sheet 8 from the series 'Daphnis and Chloé', from the suite next to the book edition. Printed by Mourlot Frères, Paris, published by Tériade Éditeur, Paris. [KT]. • The series 'Daphnis and Chloé' is still the greatest testimony to Chagall's graphic mastery. • From 1959 to 1961 Marc Chagall illustrates the ancient, bucolic tale of Daphnis and Chloé by Longus for Tériade. • Particularly delicate, atmospheric depiction, filled with the air and light of Greece. Called up: December 12, 2020 - ca. 19.03 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.