Gibbs (John). English Gothic Architecture; or, Suggestions relative to the designing of Domestic Buildings, Ornaments, Church-yard Memorials, Chimney Pieces, and Alphabets, Manchester & London, 1855, chromolithograph frontispiece, title in red & black, 19 lithograph plates, occasional scattered spotting, bound with at front, Property sale particulars, Moor Park Estate, Near Harrogate, Particulars and PLans of a Valuable Residential Estate, Distinguished and Well-known as Moor Park: To be Sold by Auction, by Messrs. Hardwick, Best & Young, 28th December, 1866, tinted lithograph plate and two plans, original cloth gilt, rubbed and some wear, slim folio (1)
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Wickes (Charles). A Handy Book of Villa Architecture: Being a Series of Designs for Villa Residences in Various Styles, London: Crosby Lockwood & Co., [1859], 30 lithograph plates, library ink stamps to title and plates, scattered spotting, endpapers renewed, all edges gilt, modern half morocco gilt retaining original cloth gilt covers, 4to, together with Stevenson (J.J.), House Architecture, 2 volumes, 1880, black & white plates and illustrations, original pictorial gilt cloth, 8vo, with Robson (Edward Robert), School Architecture. Being Practical Remarks on the Planning, Designing, Building, and Furnishing of School-Houses, 1874, wood engraved frontispiece and illustrations, modern green quarter calf, spine faded, 8vo (4)
Wild (Charles). Select Examples of Architectural Grandeur in Belgium, Germany, and France: A series of... Sketches Drawn on the Spot..., 2 parts in one, 1837, engraved plates on india paper, bookplate 'Augusta Thornton. Presented by Mrs Eliza Ford, of Clifton, 1848', original morocco backed cloth, morocco title label to upper cover, damp mark to upper cover, slim folio, together with Nesfield (Weden), Specimens of Mediaeval Architecture Chiefly Selected from Examples of the 12th and 13th Centuries in France & Italy..., 1862, decorative title and numerous lithograph plates, hinges repaired, all edge gilt, original gilt decorated cloth, sheep reback, folio, plus Shaw (Richard Norman), Architectural Sketches from the Continent, 1872, lithograph title and numerous plates, slight dampstaining at head & foot of initial leaves, all edges gilt, original gilt decorated cloth, sheep reback, folio (3)
[Dyde, William]. The History and Antiquities of Tewkesbury, from the Earliest Periods to the Present Time. Collected from Ancient Records and other Authentic Materials. To which is added, some account of the Medicinal Water, Near Tewkesbury, 1st edition, Tewkesbury: Dyde & Son, 1790, half-title, folding engraved frontispiece, two engraved plates and one folding table, spotting & toning to frontispiece & title, modern half calf gilt, small 8vo, together with Booker (Luke), A Descriptive and Historical Account of Dudley Castle and its Surrounding Scenery, Dudley, 1825, uncoloured aquatint illustration to title, two folding lithograph plans, six lithograph plates (2 double-page) and one engraved portrait, contemporary half calf, light wear to extremities, 8vo, Maynard (John), Maynard's Concise History of Epping Forest..., Published by the Author, School House, Theydon Bois, Essex, 1860, light marginal toning and spotting, 20th century cloth, slim 8vo (3)
Humphreys (Henry Noel and Westwood, John Obadiah). British Moths and their Transformations, 2 volumes, 1849, 120 (of 124) hand coloured lithograph plates (without plates 8,19,22 & 108), ex-library copy with blind stamp to titles, few text leaves and each plate, occasional finger-soiling, 20th century red half morocco gilt, Peel Park Library crest at head of spines and classification number at foot, 4to (2)
‡FRANK COLLINS ARCA (b.1938)Blue Fieldlithographpencil signed, inscribed , numbered 1/10 and dated 1962 in the lower margin15 ½ x 17 ½ in (39.4 x 44.5cm)The artist studied at the Camberwell School of Art 1954-1958. Later he studied etching with S.W. Hayter in Paris. He continued his studies at the RCA 1960-1963.
Royal Horse Artillery 'O' Battery (The Rocket Troop), a coloured lithograph with cartouches, 1899-1902, published by Lechertier Barbe Ltd, London, 80 by 68cm, framed size 85 by 72cm, together with a hand coloured engraving by W. Heath, published by J. Watson, 1820, 28 by 20cm, framed size 43 by 37cm. (2)Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family.
The Works of Alfred Tennyson, 1880. 8vo Hb. Fine binding, blue crushed morocco, aeg & gauphered, marbled eps; Suckling A. : History and Antiquities of the County of Suffolk, 1847. Vol II only, Fine qtr binding, teg, tinted lithograph plates; Abbe Terracon : Critical Dissertation Upon Homer's Iliad, 1722. Vol I only. Royal 8vo. Fine contemporary red morocco, gilt; Gilpin W. : Observations Picturesque Beauty of Mountains and Lakes of Cumberland and Westmoreland, 1788. Vol. II only. 8vo. Contemp. vellum, gilt; Moleville A. : Private Memoirs Lewis Sixteenth, France, 1797. 8vo. Vols. I & III. only. Fine crushed red morocco binding by Kalthoeber. CONDITION REPORT: Generally vg.
The Select Works of John Bunyan, Nd. C. 1870. Introductory notes by Maguire. Qto. Hb. Full leather binding, tree calf boards, gilt decorated spine & label, marbled edges and eps. Two volumes in one. Engraved title pages, frontispieces & plates. Includes Pilgrims's Progress, Holy War and other selected works. Together with a chromo - lithograph print of 'John Bunyan's Dream' featuring the author and locations from the Pilgrim's Progress with annotations. Framed and glazed. CONDITION REPORT: Some wear to ext of binding o/w sound. Light sporadic foxing.
§ Richard Sell (British, 1922-2008) The Spirit of British Maritime Commerce, colour lithograph, artist's proof I, signed and dated lower right "Richard Sell 1995", 43 x 32 cm (16.9 x 12.6in.); St Catherine's College, Cambridge, colour lithograph, artist's proof VI, signed and dated lower right "Richard Sell 1997", 40 x 38 cm (15.7 x 15in.); together with A Stage set for Ben Johnson's "Volpone", colour lithograph, 45.5 x 33.5 cm (17.9 x 13.2in.) A View over the Mediterranean, watercolour, signed "Richard Sell 1967" lower right, 48 x 38 cm (18.9 x 15in); A Standing nude - "Caroline" - conté crayon on buff paper, signed and dated "Richard Sell 2000" lower right, 54.5 x 25 cm (21.5 x 9.8in); Three Young Owls, lithograph, no. 15/15, signed and dated lower right "Richard Sell 1996", 43.5 x 37 cm (17 x 14.5in) (6) Richard Sell (1922-2008) spent his early childhood in India, returning to serve there in the Second World War. He trained at Chelsea School of Art, and studied lithography with Harold Jones. Moving to Cambridge in 1950 he taught art whilst supporting his family and continuing his practice as an artist. He specialised in watercolours and drawing, but especially in lithography, creating limited edition lithographs drawn by hand on stone and printed on his own Victorian press. He worked in a realistic style that showed his fine draughtsmanship, choosing a wide range of subjects, including a number of Cambridge scenes, some of which were commissioned by the Colleges, others chosen as an opportunity to explore form and light. He exhibited mainly in London and East Anglia and has work in the Government Collection as well as in private collections around the world.
AFTER ANTHONY BRANDT; a limited edition lithographic print, 'The Bringer of Clouds', third edition proof number 127, 55.5 x 69cm and two further limited edition lithograph prints after the same artist 'Crossed Legs', third edition proof number 160, 71 x 55cm and 'Conchita Dell Rosas', third edition proof number 84, 68 x 48.5cm, all framed and glazed (3).
ADRIENNE CRADDOCK; a signed limited edition coloured lithograph 'The Jockey', signed and dated '92 to lower right, numbered 2/10 to lower left, 53.5 x 75cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
Long Mahogany-Mounted Static Hand-Coloured Magic Lantern Slides, six showing wild animals and children's stories plus one with a Chinese puppet show, 310mm x 75mm; twelve showing comic scenes including stories and one with a man fishing, 263mm x 70mm and nine of which have been stamped with maker's name, G Walter, 538 New Oxford Street; and various toy lithograph lantern slides,(a lot) F-P
*Tracey Emin (British, b.1963)MORE MARGATE - MORE PASTLithograph, 2006, signed, titled, dated and numbered 41/50 in pencil, from the portfolio 'In the Darkest Hour There will be Light', works from Damien Hirst’s 'Murder Me' collection, published by Serpentine Gallery, London and Other Criteria, on wove paper, with full marginssheet 29.7 x 42cm, framed*Artist's Resale Right may apply to this lot.
*Henri Matisse (French, 1869-1954)UNTITLEDLithograph printed in colour, 1948, from Ronsard’s love poems 'Florilege des Armours', from an edition of 300, printed by Mourlet Freres, Paris, published by Skira, Paris,together with another lithograph from Verve,both on wove paper, the full sheetsimage 30 x 22cm and 30.5 x 16.5cm, framed (2)*Artist's Resale Right may apply to this lot.
*Banksy (British, b.1975)SAVE OR DELETEOffset lithograph printed in colours, 2002, originally commissioned by Greenpeace to highlight the problems of global deforestation, on wove paper, the full sheetimage 39.5 x 56.5cm, framedIncludes a set of eight original stickers and the original stencil (stencil not by Banksy) which accompanied the prints.*Artist's Resale Right may apply to this lot.
*Graham Sutherland (British, 1903-1980)FOSSIL WITH ROCKS AND FLAMESLithograph printed in colours, 1975, signed and number 35/99 in pencil, printed by Fernand Mourlot, Paris, published by Ediciones Poligrafa SA, Barcelona, on BFK Rives wove paper, with full marginsimage 27.5 x 55cm, framed*Artist's Resale Right may apply to this lot.
*Patrick Caulfield (British, 1936-2005)RED AND WHITE STILL LIFEOffset lithograph in colours, 1966, signed and numbered 87/100 in black pen, published by Robert Elkon Gallery, London, with their rubber stamp showing exhibition details to the reverse, on thin wove paper, the full sheetimage 41 x 55cm, framed*Artist's Resale Right may apply to this lot.
*Joan Miró (Spanish, 1893-1983)LA SÉANCE DE MUSIQUE FROM ALLEGRO VIVACE (MOURLOT 1230)Lithograph printed in colours, 1981, signed and inscribed 'EA', a proof before the edition of 100, published by Daniel Le Long, Paris, on Arches wove paper, with full marginssheet 89.6 x 61cm, framed*Artist's Resale Right may apply to this lot.
*Henry Moore (British, 1898-1986)THREE CHALKED FIGURES II (CRAMER 355)Lithograph, 1974, signed and numbered 12/30 in pencil, printed by Lacouriere et Frelaut, Paris, published by Gerald Cramer, Geneva, on BFK Rives wove paper, with full marginssheet 45.6 x 56cm, mounted*Artist's Resale Right may apply to this lot.
*John Piper (British, 1903-1992)WADDESDON (Levinson 423)Lithograph printed in colours, 1977, signed and numbered 40/75 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, on wove paper, with full marginsplate 101.5 x 67.8cm, framed*Artist's Resale Right may apply to this lot.
*Paula Rego (British/Portuguese, b.1935)BITING Lithograph printed in colours, 2002, signed in pencil, a proof aside from the edition of 35, from the series 'Jane Eyre - The Guardians', printed at the Curwen Studio, Chilford, on wove paper, with full marginssheet 90 x 62cm, unframed*Artist's Resale Right may apply to this lot.
*Henry Moore (British, 1898-1986)SEATED FIGURE (CRAMER 578)Lithograph printed in colours, 1980, a printer's proof aside from the edition of 50, stamped 'CURWEN STUDIO PROOF', printed by Curwen Studio, London, published by Raymond Spencer Ltd. For the Henry Moore Foundation, on TH Saunders wove paper, with full marginssheet 46.5 x 56.5cm, unframed*Artist's Resale Right may apply to this lot.

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