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70553 Los(e)/Seite
Los 553
* Pablo Picasso, Spanish 1881-1973- "Colombe Volant (Flying Dove)" (Bloch 712), 1952; lithograph printed in colours, signed and dated 10.10.52 within the plate, signed and numbered 133/200 in pencil beneath the plate, 55x76.2cm, (unframed), (may be subject to Droit de Suite). VAT charged on hammer price.
Los 633
David Hockney RA, British b.1937- "Hollywood Bowl Calif. A Hollywood Collection David Hockney Editions Alecto 1965", off-set lithograph/poster printed in colours, signed and dated 1966 in pencil, 76.5x56.5cm: together with one other example of the same poster, also signed and dated 66 in pencil, 76.5x56.5cm., (rolled): After David Hockney RA, British b.1937- "Olypische Spiele München 1972", publ Edition Olympia 1972 GMBH 1970 Matthieu AG Zürich; lithograph/poster printed in colours, 102x64cm., (3) (part unframed) (may be subject to Droit de Suite)
Los 679
Henri Hayden, Polish/French 1883-1970- "The Red Hill"; lithograph printed in colours, signed, dated 1968 and numbered 53/75 in pencil, 36.5x51.4cm: together with two further lithographs printed in colours by the same hand entitled "The Sun" and "Courtablon", ea. signed, dated 1968 and `69 and numbered 64/75 and 69/75 respectively, 37.5x56.7cm and 36.3x49.6cm respectively, (3), (may be subject to Droit de Suite) Note: see Tate Gallery items "The Red Hill": P01160, "The Sun": P01166 and "Courtablon": P01168 for examples of the same
Los 728
Townsend, British, No 2 King Str Manchester, Publ July 6th 1831- "The Effects of the Rail Road on the Bute Creation"; lithograph, in a glazed oak frame with gilded oak slip, bears label for C Rowley & Co Limited Carvers and Gilders Luna Street New Cross Manchester, 34x48cm: British School, early 19th century- Two horses in a stable with a dog; overpainted print laid down on panel, in an early 19th century ebonised moulding frame with carved gilt slip, 24x35cm: Wright, Grafton Street, Dublin, Publ, early-mid 19th century- "Winter"; hand-coloured stipple engraving, 32.5x26.7cm: Pietro Bonato, Italian 1765-1820- "Spring"; stipple engraving, in an early 19th century glazed gilt composition moulding frame, 28.2x19.3cm: Luigi Schiavonetti, Italian 1765-1810- "Two Bunches a penny primroses two Bunches a penny", from Cries of London, after Francis Wheatley RA, publ July 2 by Colnaghi & Co No 35 Pall Mall; stipple engraving printed in colours, 39.7x30cm: Anthony Cardon, British 1772-1813- "A New Love Song", from Cries of London, after Francis Wheatley RA; stipple engraving printed in colours, 36x28cm: Francesco del Pedro, Italian 1740-1806- "L`Assaut et la Prise de Seringapatam le 4 de Mai 1799", after Henry Singleton, publie le 30 Juin 1804 par A Suntach; engraving, 28x38cm: Francesco del Pedro, Italian 1740-1806- "Le Corps du Sultan Tippoo reconnu par sa famille", after R K Porter, publie le 30 Juin 1804; engraving, 28x38cm: British School, late 18th century- "Sussex Light Dragoons Commanded by Lt Col John Baker Holroyd...", c.1779; engraved poster on laid, 34.5x21cm., (9) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Los 775
Julian Otto Trevelyan RA, British 1910-1988- "Villa Joyosa" (Turner 277); etching with aquatint printed in colours, signed, titled and numbered 35/50 in pencil, 35.4x47.5cm: Note: a number of proofs were taken in 1973 and signed `Artist Proof`, the plate was editioned in 1982 as part of the portfolio 35 Artists Printmaking, edition 50, 5 APs and 1 HC, on Whatman mouldmade, published Royal College of Art, London: Carl Toms, British 1927-1999- Covent Garden Opera House; lithograph printed in colours, signed and numbered 97/100 in pencil, 76x56cm, (2), (unframed), (rolled) (maybe subject to Droit de Suite)
Los 47
Lithograph of the Lebaudy airship “Morning Post” over Brighton. Printed in colour, finished by hand. Framed, mounted and glazed, (91cmx57cm). In 1910, the British Newspaper “The Morning Post” raised a subscription to purchase one of the new Lebaudy Military Airships being built by the French Sugar Manufacturers Lebaudy Brothers. The ship was purchased for the British Army, and named “Morning Post”. On 26 October 1910, the “Morning Post” was flown from Moisson (France) to Aldershot (England), covering 370 km in five and a half hours. The poster shows the “Morning Post” crossing the English coast at Brighton. Printed by Mabileau and Co of Paris the legend at bottom right reads “Le MORNING POST passé a Brighton le 26 Octobre 1910. Moteur PANHARD LEVASSOR, tissu HUTCHINSON” (sic). The poster has suffered damage over the last 103 years, but has been restored during framing. See Plate 3
Los 48
Lithographic Print of the Speiss-Zodiac Airship. Lithograph printed in colour, finished by hand and signed Gamy. Framed, mounted and glazed (101cmx58cm). Titled “Le dirigeable Rigide Speiss - Zodiac-Moteurs Chenu” this is a work attributed to Marguerite (Gamy) Montaut, the widow of the artist Ernest Montaut, printed by Mabileau and Co of Paris in 1914. The Speiss-Zodiac was the first and only French-built rigid airship. Conceived by Joseph Speiss (a French engineer) in the 1870’s, it was finally built in 1913. Speiss presented the airship to the French Government as a gift, but after trials with the Army, it was not accepted, and eventually broken up (probably in 1914). The picture depicts the airship flying at speed over the Sacre-Coeur Basilica in Montmartre with Paris in the background. Some age markings evident. See Plate 3
Los 52
“Le Zodiac” Hand coloured lithograph print by E Montaut, mounted, framed and glazed. (101cm x 58cm). “Le Zodiac” depicts an early Zodiac Dirigible flying at speed over an empty road under a cloudless sky. Signature is lower left and reads “M=E Montaut” (sic) below which is “Copyright – Montaut - Aubois 1910 – Colombes”. Redwood moulded frame with gilt inner. GC but slightly faded. See Plate 3
Los 53
“Le Zodiac” Handcoloured lithograph print by E Montaut, framed and glazed. (90cm x 45cm). “Le Zodiac” depicts an early Zodiac Dirigible flying at speed over an empty road under a cloudless sky. Signature is lower left and reads “M=E Montaut” (sic) below which is “Copyright – Montaut - Aubois 1910 – Colombes”. Stained oak frame. GC but title has faded, some staining and age spots. See Plate 3
Los 54
“Vision d’avenir” Hand coloured lithograph print by Gamy, mounted, framed and glazed. (101cm x 58cm). “Vision d’avenir” (bottom right) appears to be a publicity poster for the “Office d’Aviation, 3 Avenue de l’Opera”(bottom left) and depicts a group of gentlefolk sitting in, or standing near their luxury motorcar (, gazing at a technological wonderland comprising an early dirigible, a Bleriot XI monoplane, an unidentified monoplane, a Curtis type biplane, and (oddly) a Motorboat called “Wolseley” flying the White Ensign. Signature is lower right and reads “Gamy” No copyright nor date is visible. Redwood moulded frame with gilt inner. GC with strong colours. See Plate 3
Los 55
“Zeppelin” Hand coloured lithograph print by E Montaut, mounted, framed and glazed. (101cm x 56cm). The title “Zeppelin” is at bottom right. The lithograph shows LZ3 flying at speed up a lake under a sunset. Startled herons are scattering in the path of the giant flying machine, while ruined castles on each peak catch the last of the day’s fading light. No copyright or date is visible. Signature to lower right. Redwood moulded frame with gilt inner. GC although the strong flaming sunset has been muted by time and exposure. See Plate 4
Los 56
Lithographic Print of the Speiss-Zodiac Airship. Lithograph printed in colour, finished by hand and signed Gamy. Framed, mounted and glazed (95cmx50cm). This is a work by Marguerite (Gamy) Montaut, the widow of the artist Ernest Montaut, printed by Mabileau and Co of Paris in 1914. The Speiss-Zodiac was the first and only French-built rigid airship. Conceived by Joseph Speiss (a French engineer) in the 1870’s, it was finally built in 1913. Speiss presented the airship to the French Government as a gift, but after trials with the Army, it was not accepted, and eventually broken up (probably in 1914).The picture depicts the airship flying at speed over the Sacre-Coeur Basilica in Montmartre with Paris in the background. Some age markings evident. See Plate 3
Los 57
“En Visite” Hand coloured lithograph print by E Montaut, framed 88cm x 47cm. Ernest Montaut (1879-1909) was a French artist who built his reputation as an illustrator of the early machine age, documenting early automobile and air races; he is credited with creating artistic techniques such as speed lines and foreshortening which are still used by artists today to give the impression of speed and movement. After his death, the Montaut studio was run by his wife Marguerite, who signed the works “Gamy”. “En Visite” depicts a Hirondelle Renault below the French Dirigible “Clement Bayard”. See Plate 4
Los 611
Eugene Karlin Worker lithograph Eugene Karlin (American, 1918-2003) "Worker," c. 1950, lithograph, 9" x 11.5", pencil signed lower right, titled lower left, unframed free sheet; loss to paper at all edges, most extreme at upper right quadrant, into image; toning and staining to paper; remnants from previous adhesive Starting Price: $100
Los 612
Charles Keller Miners lithograph Charles Keller (American, 1914-1978) "Miners," 1939, lithograph, 12.5" x 9.25", pencil signed and dated lower right, titled lower left, unframed taped to backing board at all four corners; loss to paper at upper left corner; toning to paper; mat burn Starting Price: $200
Los 616
Helen Maris The Good Shepherds lithograph Helen Maris (American, 20th century) "The Good Shepherds," 1946, lithograph, 12.5" x 16", pencil signed and dated lower right, titled lower left, unframed free sheet; heavy staining in margins; toning to paper; remnants from previous adhesive on verso Starting Price: $100
Los 617
Helen Maris John Brown`s Body lithograph Helen Maris (American, 20th century) "John Brown`s Body," 1946, lithograph, 16.5" x 12.75", pencil signed and dated lower right, titled lower left, unframed free sheet; creasing, toning, and staining to paper in margins; minor tears to paper in margins, away from image Starting Price: $100
Los 652
Francisco Zuniga Grupo de Mujeres color lithograph Francisco Zuniga (Mexican, 1912-1998) "Grupo de Mujeres," 1977, color lithograph, 21.5" x 29.5", signed, dated and numbered in pencil lower left, edition of 100 framed not examined out of frame; appears to be in good condition Starting Price: $400
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70553 Los(e)/Seite