RAY MAN: (1890-1976) American visual artist, a significant contributor to the Dada and Surrealist movements and a renowned pioneering fashion and portrait photographer. Vintage signed 9 x 13 lithograph by Man Ray, the abstract design printed in bistre on handmade Pescia paper and issued as one of ten lithographs by the artist in a limited edition of 49 to accompany Arturo Schwarz's volume of poems Il Reale Assoluto, which also included two lithographs by Marcel Duchamp and was published by Galleria Schwarz, Milan, 1964. Signed by Man Ray in pencil with his name alone to the base of the image. One very slight, minor crease to the upper left corner, otherwise about EX
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§ § Dame Barbara Hepworth (English, 1903-1975) Sun and Water (from the Aegean Suite)lithograph printed in colours, 1971,signed in pencil and numbered 6/60, on wove paper, co-published by Curwen Studio, London and Christies Contemporary Art, London, with their blindstamps, with margins76 x 54cm***CONDITION REPORT***Looks to be in honest untouched condition, some undulation of the paper so not laid down but possibly tab marks showing in the corners, full sheet is 81 x 59cm with acid staining running around the extreme edges, plain card mount and glazed oak frame with framer's conservation label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sir Terry Frost R.A., (British, 1915-2003) 'The Alhambra', [Kemp 62]lithograph on BFK Rives 1972signed in pencil and dated '72, 45/65 in pencil, printed at Emil Matthieu Atelier, published by Leslie Waddington Prints, London68 x 82cm***CONDITION REPORT***Good untouched condition, colours strong, no faults noted. Under glass in a gilt frame with typed label giving details of the work verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Laurence Stephen Lowry RBA RA (1887-1976) 'Crime Lake'offset lithograph in colours, 1972, on wove papersigned in pencil, from the edition of 500, printed by Max Jaffe, Vienna, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp46 x 61cm***CONDITION REPORT***Good clean condition, colours remain strong, visible sheet 48 x 61.5cm, housed in a stepped card mount and glazed white frame with a few chips at the corners, label verso from the Adam Collection Ltd giving details of the work.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lowes-Dickinson, after Emily Eden (1797-1869) - a hand-coloured lithograph - ‘’A Shootr-Suwar’’. Plate 20 from ‘’Portraits of the Princes and Peoples of India’’, published by J. Dickinson & Son, London, 1944, the plate commentary verso - ‘’This is the class of attendants on an Indian camp, whose services are of great value in carrying intelligence and dispatches. They will ride on their camels fifty or sixty miles a day, in an emergency’’, 30.5 x 36cm.Note: The title is an anglicized form of the Hindi term shutur-savar, meaning ‘’camel rider’’.Paper a little browned, but the plate is bright. Image not taken out of frame. PROVENANCE: Private collection Sussex. ***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Jean-Michel Basquiat Untitled (Triptych), 1983offset lithograph in colours, numbered '86/500' in pencil l.l., bears printed signature with Oro Cartier blind stampsheet 50 x 35cm, unframedCondition ReportPreviously rolled. Light handling creases to the bottom margin. Appears to be in otherwise good condition. The signature is printed.
▲ Joe Tilson RA (1928-2023) 'Liknon'etching and lithograph in colours, signed and dated 'Tilson 1987' in pencil l.r, numbered '35/48', from 'The Artist’s Choice Portfolio' published by the Royal College of Art, Londonsheet 30 x 30cmCondition ReportFramed: 54.5 x 54.5cmThe sheet appears to have been stuck down in the corners. There are some light brown spots and speckles behind the edition number in the lower left corner. Overall, presents well. Not examined out of glazed frame.
This outstanding color lithograph on wove paper is a rarely offered example of Abstract Expressionist Jackson Pollock's evolution that foreshadows his non-representational paintings. The easel portrait and the interior scene include dribbling and lyrical lines that Pollock mastered in the 1950's. Housed in a red and silver marbleized frame. Signature in plate and below image in pencil with edition number and dedication: To Judy & Walter R. Rey & Katrin (?) Pollock, 16 of 75. Artwork dimensions: 9.15"L x 6.15"H. Frame size: 11.50"L x 9.25"H x 0.80"W. Artist: Jackson Pollock (American, 1912-1956)Issued: c. 1940Edition Number: 16 of 75 Country of Origin: United StatesCondition: Age related wear.
‡ PAUL PETER PIECH two colour lithograph - for Amnesty International opposing the detention of prisoners of conscience and political prisoners, signed and dated 1988, 76 x 51cmsProvenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalComments: unframed
‡ PAUL PETER PIECH two lithographs - exhibition poster from 'The Old Fire Station, George Street, Oxford', supporting threatened tribal people, entitled 'Injustice Around the World', signed and dated 1987, 76 x 51cms, together with a three colour lithograph - stark image of figure with neck in noose and Christian cross suspended, with words from Australian Aboriginal Jack Davis' poem 'Aboriginal Australia', signed and dated 1988, 51 x 75cmsProvenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalComments: unframed, the old fire station print has a water stain top right corner, light creasing to both, no rips or tears
After David Roberts RA RBA (1796-1864) - five coloured lithograph prints from the Holy Lands series to include Sarda, Ancient Sidon, April 28th 1839 and others, engraved by Louis Haghe, all framed & glazed (5).Condition ReportThe size of the image is 48cm by 32cm and the frame is 70cm by 54cm. These are modern reproductions.
David Gentleman, 'St James's Palace', signed and numbered 133/195, lithograph, 62 x 50cm; together with Patricia Langmead, 'Wharf', signed, titled and numbered 115/200, aquatint, pl.35 x 45.cm; David Shepherd, 'On The Sub Nigel Mine in The Transvaal', signed and numbered 164/850, colour print, I.21.5 x 32cm. (3)
Giorgio De Chirico (after) 'Metaphysical Interior' offset lithograph in colors, signed bottom right, pencil 'G. De Chirico', numbered bottom left with pencil, limited edition 49/99, bottom center publishing house stamp, cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed
Andy Warhol (after) 'Chanel' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 84/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Andy Warhol (after) 'Turtle' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 10/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Andy Warhol (after) 'Mick Jagger' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 36/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Andy Warhol (after) 'Cow' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 35/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Andy Warhol (after) 'Michael Jackson' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 98/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Andy Warhol (after) 'Moonwalk' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 90/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Andy Warhol (after) 'Moonwalk' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 61/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Andy Warhol (after) 'Cow' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 45/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Andy Warhol (after) 'Parrot' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 21/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed
Russia.- Simpson (William) The Seat of War in the East, 2 vol., first edition, comprising first- and second-series, tinted lithograph titles, 79 tinted lithographs, tissue-guards (some captioned), occasional marginal spotting and water-staining, not affecting images, chipping to edges of some text ff., previous owner's ink signature and bookseller's label to front pastedown, gutta percha perished with plates and text ff. loose or becoming so, contemporary morocco-backed boards, a little rubbed, bumping to corners and extremities, [Abbey, Travel 237], folio, Paul & Dominic Colnaghi, 1855-56. *** Provenance: Inscribed to Lady Buchan, and dated ?Jan [18]57. Label of Messrs Fores Repository of Works of Art.
South America.- Wallace (Alfred Russel) A Narrative of Travels on the Amazon and Rio Negro, first edition, linen-backed colour lithograph frontispiece, 8 linen-backed lithographs, lacking folding letterpress table of vocabulary and advertisements at end, ex-Manchester Subscription Library with occasional discreet ink-stamps, faint abrasion mark to title, occasional faint marginal finger-soiling, one or two marginal pencil marks, new endpapers, contemporary half-calf, a little rubbed, slight bumping to corners and extremities, 8vo, 1853. *** A scarce first edition of Wallace's earliest work, which made his reputation. This work is all the more remarkable given that the majority of Wallace's notes and drawings from this expedition were lost in a cargo fire whilst returning to England.
Levant.- Goupil-Fesquet (Frederic Auguste Antoine) Voyage d'Horace Vernet en Orient, first edition, half-title, hand-coloured lithograph frontispiece and 15 hand-coloured lithographs, scattered spotting, previous owner's pencil signature to early blank, near contemporary calf-backed boards, a little rubbed, slight bumping to corners and extremities, [Blackmer 718], 8vo, Paris, [1843]. *** "Goupil-Fesquet travelled in company with the well-known French artist Horace Vernet and his nephew from October 1839 to February 1840. They visited Egypt, Palestine and Syria, passing through Syros, Santorini, Crete and Smyrna. One of the purposes of their journey was to take daguerreotypes for the publisher Lerebours and his projected photographic incunable Les Excursions Daguerriennes, 1842" (Blackmer).
Africa.- Daniell (Samuel) Seven plates from 'African Scenery and Animals', including 'The African Rhinoceros' and 'The Quahkah', etching and aquatint with hand-colouring, each platemark approx. 380 x 500 mm (15 x 19 3/4 in), all with good margins although some slightly trimmed, scattered spotting and surface dirt, handling creases, unframed, R. Havell, 1831; together with another lithograph after a drawing by Prince A. Soltykoff titles 'Ceylan. entre Colombo et Kandy Mai 1841', unframed, [1840s] (8)

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