After David Roberts RA, British 1796-1864- "Encampment of the Aulad-Sa`id", publ F G Moon, 20 Threadneedle St, Oct. 1st 1844; tinted lithograph, 41x59.2cm: together with a collection of further tinted lithographs after the same hand including those titled: `Sidon`, `Gaza`, `Caiphas looking towards Mount Carmel`, `Baalbec`, `Convent of St. Saba`, `Jerusalem from the Mount of Olives`, `The Church of the Purification`, `Tiberias`, `Jericho`, `Suez`, `The Convent of St Catherine Mount Sinai`, `Remains of a Triumphal Arch at Petra`, `Jaffa Looking South`, `Askelon`, `Tyre from the Isthmus`, `Nablous,, Ancient Shechem`, `Descent upon the Valley of Jordan`, Cape Blanco`, `Shrine of the Holy Sepulchre,`, all 41x59.2cm., ea., approx: together with a further approximately 40 smaller plates after the same hand, of Holy Land and Egypt scenes from the same or related edition, all with text to verso and sheets torn, (a lot) (unframed)
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George Race, British 1872-1957- The steam and sail drift trawler Homocea setting out to sea; oil on board, signed and dated 1930, 29x42.5cm., (unframed). Note: Launched in 1919 by A Hall & Co Ltd Aberdeen. Registered at Lowestoft in 1930 as `HOMOCEA` LT112 : British School, early 20th century- "On The Blue Atlantic"; oil on board, mounted in a glazed ebonised oak frame with titling in gilt, bears inscription on the reverse, label for W A Mansell & Co 405 Oxford Street London W1, 18x25.7cm: British Primitive School, 20th century- Looking out to sea; oil on board, signed with initials `LH` and dated indistinctly, bears inscription on the reverse `Andras Kalman Esq previous owner David Tomlinson Esq from his fabulous collection of Primitives 25.XII.62`, 32x24.5cm: British Provincial School- Little girl in a blue dress; watercolour, mounted in a 19th century maple veneered frame, 18x13.5cm: W Clerk Lith 202 High Holborn, British, 19th century- Child seated in a chair reading and smoking a clay pipe; hand-coloured lithograph, 22x18cm: P and P Gall, publ, British, 19th century- "Peace"; hand-coloured engraving, mounted in a glazed pressed brass frame, 15.5x20.5cm (6) (may be subject to Droit de Suite)
Jean Carzou, French 1907-2000- Orange Venice; lithograph, artist`s proof, signed and dated 66, 48x65.6cm: After Raoul Dufy, French 1877-1953- `Bather`; etching & aquatint in colours/BKF Rives paper, signed within the plate, 22x31cm: After Bernard Buffet, French 1928-1999- Village Street; lithograph, signed within plate, 31.5x24.2cm: After Paul Cézanne, French 1839-1906- `Le Déjuener sur L`Herbe`; lithograph in colours, 35.2x42.7cm: After Marc Chagall, Russian 1887-1985- `Moses Receiving the Tablets of the Law` 1956; lithograph, 35x26cm, Provenance: The Mark Gallery, London, according to label attached to the reverse of the frame(5) (part unframed) (may be subject to Droit de Suite)
Michael Fell, British b.1939- "People and Pilgrimages"; etchings with aquatint, 26 on a shared sheet, signed, titled and inscribed `A/P`, ea. 7.6x4.7cm and one 14x13.7cm: together with a quantity of other etchings with aquatints, some in colours, by the same artist, depicting figural and social commentary subjects and religious themes, various sizes, all signed, titled and inscribed `A/P` in pencil: Yves Brayer, French 1907-1990- Les Chevaux; lithograph printed in colours, signed and numbered 423/500, 36.5x26.6cm: After Josef Israels, Dutch 1824-1911- A family eating dinner around a table in an interior scene; etching, 23x27cm: together with a quantity of further, etchings and aquatints and prints by various hands (a lot) (unframed) (may be subject to Droit de Suite) Note: Michael Fell studied at St Martins and the City and Guilds School of Art. He has held one man shows at the Mall Gallery and Jordan Gallery, London. In 1972 his etchings were selected for the Modern Prints and Drawings exhibition at the British Museum and several remain in the permanent collection.
Andrea Gomez, Mexican b.1926- "Cantantes de la Villa"; linocut, signed in pencil, 50.7x65cm: together with four other linocuts by the same artist, "El Campesion", signed in pencil, with `Taller de Grafica Popular` stamp to verso, 65.3x50.4cm, "Nina de la basura", signed in pencil, 65.2x50.2, and two entitled "Mazateca con paloma", signed in pencil, 50.5x33cm and 32.5x25cm (sheet size): Sarah Jimenez Vernis, Mexican b.1928- "Dos ninas"; linocut, signed, 50.2x32.5cm: Alberto Beltran, Mexican 1923-2002- "Cantor de la caravana"; linocut, signed in pencil, 32.5x25cm: together with two other linocuts by the same artist both entitled "La Casa del Rayo", signed and titled in pencil, ea. 33x50.5cm and one lithograph, "Trapiche", signed in pencil, with `Taller de Grafica Popular` stamp to verso, 38.6x44.7cm: Maria Luisa Martin, Mexican, early/mid 20th century- "Madre con nino" 1956; linocut, signed in pencil, 50x32.5cm: together with two other linocuts by the same artist, "Cabeza de mujer", signed in pencil, 65x50.2cm, "Paz para mi hijo", signed in pencil, 65x50.2cm, (13), (unframed)
Pablo Esteban O`Higgins, American/Mexican 1904-1983- Man at work; lithograph, signed, numbered 31/35 and dated `59, 66x51.7cm: together with another lithograph by the same hand entitled "Campesina de Honolulu", signed, numbered 37/50 and dated `53 in pencil, 66x51.7cm: Celia Calderon, Mexican 1921-1969- "Mujer de Mitla"; woodcuts, two, signed in pencil, 64.5x50.3cm: together with three other woodcuts by the same artist entitled, "Cinco muchachas", signed in pencil, 50.2x65cm, "Hilandera", 65x50.2cm, "La puerta", 65x50.2cm: together with three other similar linocuts by the same or associated hands, unsigned, (10), (unframed)
Igancio Aguirre, Mexican 1900-1990- "Tren Revolucionario", two; linocuts, one signed in pencil, ea. 50x65cm: Fanny Rabel, Mexican 1922-2008- "Luto Humano"; linocut, 50x65cm: together with three other linocuts by the same artist, "En el Mezquital", signed in pencil, 50.2x65.5cm, "Danzantes", signed in pencil, 50x65cm, "Desgrando maiz", signed and dated 1954 in pencil, stamped `Taller de Grafica Popular` to verso, 50x65cm: Francisco Luna, Mexican b.1931- "La Torre"; linocut, 50x32.5cm: Elena Huerta, Mexican 1908-1997- "Llevando agua a la casa"; linocut, signed in pencil, 50x65cm: Angel Bracho, Mexican 1911-2005- "El puente"; linocut, 49.8x65cm: Raul Anguiano Valadez, Mexican 1915-2006- Portrait of a girl; lithograph, signed, numbered 37/40 and dated 1953, 66x50.5cm, (10), (unframed)
* After Natalia Gontcharova, Russian 1881-1962- "Grand Bal De Nuit, Salle Bullier Grand Bal Des Artistes", 1926, Imp. Joseph-Charles, Paris; lithograph/poster printed in colours, 118x78cm Note: The emigrant Russian artistic community in Montparnasse became very active in the years before World War One and the large ball they hosted every year in order to raise money for their association was one of the highlights of the Parisian avant-garde season. Gontcharova was the granddaughter of Alexander Pushkin, who lived her extravagant life with her partner Mikhail Larianov. Like Larionov in 1923, Gontcharova designed the poster for the artists` ball at Bullier in 1926. Using black, brown, and orange cut-outs, she has built a graphically-complex, cubist-inspired design of what looks like two figures crouched under a tree. Only a few copies before lettering are known which were produced after 1926. Ref: The Poster, Alain Weill, p.190, Le Peintre et L`Affiche, Union des Arts Decoratifs, Paris, 1988, p. 69.
* After Georges Annenkov, Russian 1889/90-1974- Study of two men smoking; lithograph, signed, inscribed and dated 1920 within the plate, 34.1x24.3cm: together with another lithograph after the same artist depicting a portrait of a man with a moustache, initialled and date 1919 within the plate, 34.1x24cm, (unframed) (2)
![AFTER SALVADOR DALI (1904-1989), `Le Chevalier Chretien` [The Christian Knight], lithograph, 52cm x 35cm, with printed signat](http://lot-images.atgmedia.com/SR/10049/2847483/285a-2012381835_468x382.jpg)
JAMES W OATLEY Watercolour, blue pool with the Woodbury estate in the distance, signed and inscribed on verso, 31cm x 42cm, also oil on canvas bridge over a river, manner of John Piper church spire and houses, 46cm x 31cm, lithograph Tower Of London and Sylvia Perriott figures on a beach titled `summer`, 39cm x 46cm (5)
Ephemera – lithographs A collection of 74 coloured antique lithograph portraits of various British Gentry from the mid 19th century, c1860-70s, all identified and inscribed on reverse, including W H Smith, Alfred Tennyson, Duke of Richmond, Duke of Sutherland, Archbishop of Canterbury, John Bright, Lord Cairns, Marques of Hartington, Titis Bart, Duke of Abercorn, Sim Reeves, Rt Hon Gladstone, Dean Westminster, Earl of Shaftesbury, William Hunt, Robert Browning, Robert Lowe, Bishop of Peterborough, Duke of Westminster, Lord Lytton, Duke of Beaufort, William Chambers, Earl Granville, Charles Reed, Cannon Farrah, Lord Penzance, Admiral Rous, John Blackie, Archbishop of York, Bishop of Gloucester & Bristol, Lord Hatherley, Duke of Argyll, Lord Napier Magdala, Thomas Carlyle etc.
India – Punjab Mix lot of Indian, European British – photos, lithos, articles and a painting. A large quantity of 19th century chromolithographs of British Nobles, an antique Indian miniature painting, article from the war showing two Sikh soldiers, a photograph of Josef Sudek along with a photo from his studio, a postcard of the Maharajah of Patiala and a 19th century lithograph of a Indian Scene. (qty)
India – Punjab large collection of Punjab, India, China and European ephemera – includes a rare engraving of the Baba Atal tower in Amritsar (1858). The tower originally a samadhi, or cenotaph, enshrining the remains of Baba Atal Rai, a son of Guru Hargobind, the sixth Guru of the Sikhs, it was transformed, with the passage of time, into a gurdwara, a small Indian manuscript in sanskrit, book on the Punjab and India by Jacquemont in French 1933 edition, a large 19th Century Lithograph of a Indian Scene, the poetical works of Sir Walter Scott, an English indenture, a collection of articles of the China British War of 1857-1858 with many views of Hong Kong and Canton, engraving of the Golden temple in Amritsar, early photograph (possibly a salt print) with an inscription verso, Evans and Ruffy Farmers Journal and other European ephemera.
Pinkerton (Robert). Russia: or, Miscellaneous Observations on the Past and Present State of that Country and its Inhabitants, 1st ed., 1833, eight hand coloured lithograph plates, title and half-title strengthened at inner margin with archival tape, 19th century crimson half-morocco, the spine gilt decorated and with raised bands, upper cover and first two leaves detached, 8vo. Abbey, Travel, 230. (1)
Aubrey (John). Manuscript volume entitled ÒAn Essay towards the Description of the North Division of WiltshireÓ. [edited by Thomas Phillips Esq], early 19th c., ff.[1], 224, manuscript transcript throughout with numerous pen and ink drawings, pedigrees and armorial bearings etc. within the manuscript text, edges untrimmed, contemporary cloth, covers detached, folio (Phillips Manuscript no.10490), together with Memoires of Naturall Remarques in the County of Wilts, To which are annexed Observations of the same kind in the County of Surrey and Flynt-Shire, by Mr. John Aubrey..., 2 vols., early 19th c., vol. 1 comprising 236pp. and vol. 2 comprising 203pp. of neatly written manuscript and forming transcripts of the original manuscript by John Aubrey, vol. 1 bound in contemp. qtr. calf, worn to spine and vol. 2 bound in contemp. boards with some wear and loss to spine, non-matching folio (Phillips Manuscript 10489), with an autograph letter signed W.G. Maton, 7 New Street, Spring Gardens, London, to Sir Thomas Phillips, Bart., Middle Hill, Broadway, Worcestershire, November 2nd, 1832, plus Memoirs of Natural Remarques in the County of Wilts, To which are annexed Observations of the same kind in the County of Surrey and Flyntshire, by Mr. John Aubrey, R.S.S. 1685, [ed. Sir Thomas Phillips], pub. Medio-Montanis [Middle Hill], 1838, pp.[iv], 124, edges untrimmed, original boards, neatly rebacked with printed paper label to spine, 4to, together with an additional volume of plates, containing fifteen lithograph plates., original boards, spine deficient, 4to, plus Memoirs of Natural Remarques in the County of Wilts, To which are annexed Observations of the same kind in the County of Surrey and Flyntshire, by Mr. John Aubrey, R.S.S. 1685, [ed. Sir Thomas Phillips], pub. Medio-Montanis [Middle Hill], 1838, pp.1-12 printed pages only [all published], loosely sewn, slim folio. (5). Provenance: The John Buchanan-Brown Collection. In 1660 Aubrey commenced writing a work on the antiquities of North Wiltshire in the style of Dugdale`s ÔWarwickshire`. The information for the work was gathered over a period of ten years and was deposited at the Ashmolean Museum, under the title of ÔHypomnemata antiquaria` in two volumes, Ôliber A` and Ôliber B`. The second volume Ôliber B` was borrowed by Aubrey`s brother William in 1703 and never returned. The lot above comprises three volumes of manuscript transcripts and two printed works relating to John Aubrey`s ÔCollections for Wilts` and ÔMemoires of Natural Remarques in the County of Wilts`, edited by Sir Thomas Phillips and published between 1821 and 1838. The first volume listed forms a manuscript transcript of John Aubrey`s original manuscript (Bodl. Oxf., Ms Aubrey 3, liber A). It formed part of the Phillips collection (no. 10490) and would have been used during the publication of Aubrey`s Collections for Wilts, published in two parts in 1821 & 1838. The Aubrey`s Collection for Wilts, Part 2, in this lot [edited by Sir T. Phillips] forms the 2nd revised printed proof of the work, containing numerous editing manuscript marks and annotations, which were corrected for the final printing. The letter addressed to Sir Thomas Phillips from William George Maton reads, ÒSir, Having, at present, in my possession Aubrey`s MS. History of Wiltshire (from the Library of the Royal Society), I have been made acquainted by Mr. Hudson, the Librarian, with the request contain`d in a letter from you to him, respecting a leaf which has been found wanting in the volume, and I have undertaken to communicate to you, myself the particulars necessary to guide you in your search for the detach`d part of the MS. The leaf missing is that of pages 67 and 68. The last line of page 66 is as follows... Ôbridge the Isle of Ely and other places, provided by nature to the`, the first line of page 69 is Ôfor a plain reason and therefore a dearth succeeds the yeare following`. The length of the folio is rather more than 14 inches, - the breadth about 10. I have the honor to be, Sir, your very obedient servant W.G. Maton. P.S. As I shall return the book to the Royal Society`s Library very shortly, you will perhaps be so good as to send the leaf that is missing (should you be successful in your search) to Mr. HudsonÓ. The physician William George Maton (1774-1835) was educated at Salisbury`s Free Grammar School and Queen`s College, Oxford. He undertook medical studies at Westminster Hospital and became a Fellow of the College of Surgeons in 1802. He was a physician at the Westminster Hospital, 1800-1808; Physician-Extraordinary to Queen Charlotte, 1816 and Physician-in-Ordinary to the Duchess of Kent and to the infant Princess Victoria, 1820. His writings included a catalogue of the plant and animal life around Salisbury, Wiltshire, which was published posthumously in 1843.
*Dutton (Thomas Goldsworth). The Line of Keel and Broadside Battery Twin Screw Armour Clad Corvette ÒMedusaÓ, pub. Wm. Foster, May 1st. 1866, lithograph with contemp. hand colouring, some repaired marginal closed tears affecting image, 410 x 630 mm, mounted, framed and glazed, together with Duncan (Edward), The Monarch Steam Ship, pub. W.J.Huggins, Feb. 9th 1835 [but slightly later impression], aquatint after W.J.Huggins, contemp. hand colouring, slight spotting to image, print folded at image margins with some cracking along old folds, 400 x 550 mm, mounted, framed and glazed, plus Rosenberg (C.), The Samuel Enderby of 422 tons, William Lisle Commander, Leaving Cowes Roads for London, Spetember 1834, pub. W.J.Huggins, June 12th 1835 [but 20th century impression], hand coloured aquatint after W.J.Huggins, slight dust soiling, 380 x 515 mm, framed and glazed (3)
*North American Indians. Greenough (F.W. pub.), Thayendanegea, The Great Captain of the Six Nations, Philadelpia, 1838, lithograph with contemp. hand colouring, originally published in T.L.McKenny & J.Hall`s ÔThe History of the Indian Tribes of North America`, closed tears professionally restored, slight staining, 340 x 260 mm, together with Chippeway Squaw & Child, pub. E.C.Biddle, 1837, lithograph with contemp. hand colouring, 410 x 300 mm, plus one other similar (3)
*Saddlers. Le Moniteur de la Bourrellerie et de la Selleriie, 10 Rue Beaurepaire, Paris, Diplome de Fondateur, Offert a Monsieur Albert Cornuault, Le Pay Notre-Dame, pub. Lemercier, Paris, n.d., c.1860, tinted lithograph with manuscript enhancement, very slight creasing and dust soiling, 380 x 530 mm, framed and glazed (1)
After W V Longe - `The Grand National 1912 - The Canal Turn and The Leaders at the Water` , a pair of coloured lithographs, 40cm by 59cm; `A Misty Morning at Newmarket ``Asking a Question```, coloured lithograph, 36cm by 53cm; `Anxious Moments for Backers - Bolted`, coloured lithograph, 27cm by 35cm (4- all in oak frames)
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