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Los 1101
Original vintage advertising poster for the Universal Exhibition in Brussels - Exposition Universelle Bruxelles Mai-Novembre 1910. Exposition Universelle et Internationale was a world's fair held in Brussels in 1910 from 23 April to 1 November. This was just thirteen years after the previous Brussels world's fair. It received 13 million visitors, covered 220 acres and lost 100,000 Belgian Francs. A major site for the exhibition was the Mont des Arts, although the site was largely demolished during the post-war construction process of Brusselization. The fine art section included modern art loaned by the French including 3 works each by Monet, Rodin and Renoir and 2 works by Matisse. Painters who participated included the Belgian Alo‹s Boudry who won a silver medal, and the French Adrien Karbowsky. The altarpiece of the St. Jan Berchmans Church, Brussels was presented. The Belgian engineer Jean-Baptiste Flamme (fr) exhibited his new Type 10 pacific locomotive. There was a big fire on 14 and 15 August which gutted several pavilions. Stone lithograph poster printed by De Rycker & Mendel, Bruxelles and designed by Charles Michel. Good condition, repaired tears, holes on margins, printed on three panels, main poster 160 x 120cm, two side panels 160 x 60cm. Belgium, 1910.
Los 1305
Original lithograph large vintage advertising poster promoting alcoholic white wine liqueur Kina Lillet. ' Kina Lillet - Au vin blanc de la gironde' appears below artwork of a woman with the product. Lillet (French pronunciation: French pronunciation: ?[li'le]), classed as an aromatised wine within EU law, is a French wine-based aperitif from Podensac. It is a blend of 85% Bordeaux region wines (Semillon for the Blanc and for the Rosé, Merlot for the Rouge) and 15% macerated liqueurs, mostly citrus liqueurs (peels of sweet oranges from Spain and Morocco and peels of bitter green oranges from Haiti). The mix is then stirred in oak vats until blended. During the aging process, Lillet is handled as a Bordeaux wine (undergoing fining, racking, filtering etc.). In the original Kina Lillet formulation (so named with respect to its status as a quinquina), quinine liqueur made of cinchona bark from Peru was included among its ingredients. Its manufacturers removed the quinine-containing cinchona bark from their recipe in 1985, drastically altering what was the core bitter element in an effort to keep pace with changing preferences. It seems that the above has changed; quoting the back label of the bottle, "Each bottle contains only the finest, carefully-selected wines, which are blended with macerated fruits and QUINQUINA, all from a secret award-winning recipe that has been passed down through generations." This contradicts the previous statement. "Lillet" belongs to a family of aperitifs known as tonic wines because of the addition of quinine liqueur. The image is in excellent condition, minor creases, backed on linen, white margins of this poster were trimmed off. Country: France Year:1937 Designer: Robys Size: 191x122
Los 1800
Exactitude Art Deco Fix Masseau Poster designed by Fix Masseau (Pierre Felix Masseau, 1905-1994) featuring an elegant Art Deco image of a steam train pulling into a station with ETAT written on the red bumper in front of the train. Official lithograph re-issue from the 1932 original by Studio Editions, printed by Bedos, Paris. Excellent condition. Advertising Poster, France, 1982, design by Fix-Masseau, size (cm)99x62.
Los 2002
Original vintage travel poster promoting holidays in Oban, Scotland. Most likely printed by the Caledonian Railway, the poster shows ajor attractions: Loch Tay and Loch Awe, Great Western Hotel in Oban and othe hotels and destinations. The Caledonian Railway (CR) was a major Scottish railway company. It was formed in the early 19th century with the objective of forming a link between English railways and Glasgow. It progressively extended its network and reached Edinburgh and Aberdeen, with a dense network of branch lines in the area surrounding Glasgow. It was absorbed into the London, Midland and Scottish Railway in 1923. Many of its principal routes are still used, and the original main line between Carlisle and Glasgow is in use as part of the West Coast Main Line railway (with a modified entry into Glasgow itself). Stone lithograph poster in poor condition, large paper loss at the top of the poster, tears and staining on margins, slight fold marks. Country: UK Year: 1900s. Designer: Unknown: Unknown Size:100.5x63cm
Los 2204
Original vintage stone lithograph poster Travel Poster St Moritz by Edward Stiefel (1875-1968). St. Moritz ( Sankt Moritz, San Murezzan, San Maurizio, Saint-Moritz ) is a high Alpine resort in the Engadine in Switzerland, at an elevation of about 1,800 metres (5,910 ft) above sea level. It is Upper Engadine's major village and a municipality in the district of Maloja in the Swiss canton of Graubünden. St. Moritz lies on the southern slopes of the Albula Alps below the Piz Nair (3,056 m or 10,026 ft) overlooking the flat and wide glaciated valley of the Upper Engadine and eponymous lake: Lej da San Murezzan (Romansh for Lake of St. Moritz). It hosted the Winter Olympics in 1928 and 1948. Good condition, minor tears and creases in margins, bottom of the poster with printer's details trimmed off. Country: Switzerland. Year: 1924. Artist: Edward Stiefel. Size (cm): 91x64.
Los 2800
Poster for Nord Express Railway. Dynamic Art Deco design by the notable poster artist A.M. Cassandre (1901-1968), featuring a steam train locomotive advancing past the viewer. Nord Express, Londres, Bruxelles, Paris, Liege, Berlin, Riga, Varsovie. Official lithograph re-issue from 1927 by the grandson of the artist, Henri Mouron, Studio Editions. Printed in France by Bedos, Paris. Excellent condition, minor creases on margins. France, 1980, designed by Adolphe Mouron Cassandre, size (cm):102x70
Los 4100
Jewish Pogrom Victims Original vintage lithograph propaganda poster: Jewish Pogrom Victims - het poolsche volk in pogromwaanzin vergrijpteich aan de jooden. The poster most likely referrs to the Lwow pogrom (Polish: pogrom lwowski, German: Lemberg pogrom), a pogrom of the Jewish population of the city of Lwow (since 1945 Lviv, Ukraine) that took place on November 21–23, 1918 during the Polish–Ukrainian War. Jugendstil style image of a Jewish person being led away by a Polish military figure with the Polish eagle in the top right corner and Star of David in the left corner. Good condition, restored loss, backed on linen. Propaganda Poster, Netherlands, 1919, design by D Hart, size (cm)85x59.5.
Los 98
Lithograph re-issue of a 1930s poster promoting French Domestic Airlines / Lignes Aeriennes Interieures. Colourful Art Deco design using angles to depict an orange plane flying down above a white propeller plane flying up against a blue sky background with the text below in stylised green letters. Excellent condition. . Country: France, 1980s, design by Unknown Artist, size (cm): 102x70
Los 10
Joseph Friedrich Lentner (1814-1852)VEDUTEN AUS TIROL UND OBERÖSTERREICH1842-184317 Blätter. Lithografie auf Papier, 345x265 mm, gezeichnet im Druck „Gedruckt b. J. Oberer in Salzburg.“, 15 Blätter gezeichnet im Druck „Lentner 842“ und „Lentner 843“. „Darstellungen aus den Hochlanden Tirols, Salzburgs und des Salzkammerguts in Ober-Österreich, nach der Natur aufgenommen, und auf Stein gezeichnet von Joseph Lentner. 1842-1843. Gedruckt bei Jos. Oberer in Salzburg."Joseph Friedrich Lentner (1814-1852)VIEWS OF TYROL AND UPPER AUSTRIA1842-184317 sheets. Lithograph on paper, 345x265 mm, marked in print „Gedruckt b. J. Oberer in Salzburg.“, 15 sheets marked in print „Lentner 842“ and „Lentner 843“. „Darstellungen aus den Hochlanden Tirols, Salzburgs und des Salzkammerguts in Ober-Österreich, nach der Natur aufgenommen, und auf Stein gezeichnet von Joseph Lentner. 1842-1843. Gedruckt bei Jos. Oberer in Salzburg.“
Los 30
Antonín Procházka (1882-1945)REITER – TRIBUT FÜR K. H. MÁCHA1936Lithografie auf Papier, 200x246 mm (Passepartout-Ausschnitt), rechts unten im Druck gezeichnet: „AP“, links unten mit Bleistift signiert: „Ant. Procházka“.Passepartout.Antonín Procházka (1882-1945)RIDER – HOMMAGE À K. H. MÁCHA1936Lithograph on paper, 200x246 mm (mount aperture), marked lower right in print „AP“, signed in pencil lower left „Ant. Procházka“.Mounted.
Los 41
Ota Janeček (1919-1996)FRÜHLING1954Lithografie auf Papier, 274x368 mm, gezeichnet in Bleistift links unten „Jaro 1954“ und signiert rechts unten „Ota Janeček“.Ota Janeček (1919-1996)SPRING1954Lithograph on paper, 274x368 mm, marked in pencil lower left „Jaro 1954“ and signed lower right „Ota Janeček“.
Los 63
Kamil Lhoták (1912-1990)ÄNNCHEN DIE ELFIN UND STROH-HUBERT1975Lithografie auf Papier, 480x350 mm, gezeichnet rechts unten in Bleistift „174/200“, signiert und datiert links unten „Kamil Lhoták 1975“.Kamil Lhoták (1912-1990)ANIČKA SKŘÍTEK A SLAMĚNÝ HUBERT (ANNIE THE ELF AND STRAW HUBERT)1975Lithograph on paper, 480x350 mm, marked lower right in pencil „174/200“, signed and dated lower left „Kamil Lhoták 1975“.
Los 78
Miroslav Štolfa (1930-2018)MAUER1996Lithografie auf Papier, 408x304 mm (Passepartout-Ausschnitt), signiert und datiert rechts unten „21/70 Miroslav Štolfa 96“.Passepartout.Miroslav Štolfa (1930-2018)WALLS1996Lithograph on paper, 408x304 mm (mount aperture), marked, signed and dated lower right „21/70 Miroslav Štolfa 96“.Mounted.
Los 1361
•EDWIN LA DELL, ARA (1914-1970) KING'S PARADE, CAMBRIDGE Colour lithograph, signed and dated 56 34 x 46.5cm. with a colour aquatint of `Chateau Rauzan Segla` by Patrick Procktor, 1989, signed and inscribed, 29.5 x 40cm. (2) ++ Each in generally good condition, La Dell with some pale staining
Los 553
DAVID HOCKNEY (b1937) Brooke Hopper Signed and dated 1976, Lithograph on Arches, No. 92 of an edition of 92 with 33 proofs, pub. Gemini, 97x 71cm *ARR*Provenance, The Open Eye Gallery CONDITION REPORT: No glass protection. Three to four dark finger prints, very slightly yellowed at very edge of paper. Impressed mark bottom right C and II. Paper very slightly wobbly.
Los 942
David Shepherd Artist Signed Ltd and Numbered Edition Colour Lithograph / Print. Titled ' Lone Wanderers of The Arctic ' No 263 of 1,500 Copies. Fine Art Trade Guild Stamp to Bottom Left of Margin, Pencil Signed by David Shepherd to Lower Right Margin. Mounted and Framed Behind Non Reflective Glass. Lithograph / Print Size 19 x 28.75 Inches. Size with Frame 28 x 38 Inches. All Aspects of Condition Is Excellent.
Los 973
Tom Merry Framed Colour Lithograph Presentation Cartoon 'Elopement Extraordinary' From St Stephens Review November 15th 1884 Polychrome lithographic Cartoon by Tom Merry, framed and mounted under glass in later wood frame with gilt fluted inner detail. Published by Gilbert & Rivington, Limited London. Tom Merry, also known as William Mecham was an illustrator and political satirist, his work was reproduced in The St Stephens Review which was in circulation in the UK from 1883 to 1892. 14 x 10 inches, some areas of staining and foxing to print margins.
Los 979
Tom Merry Framed Colour Lithograph Presentation Cartoon 'The Return Of The Prodigal Son' From St Stephens Review August 30th 1884 Polychrome lithographic Cartoon by Tom Merry, framed and mounted under glass in later wood frame with gilt, fluted inner detail. Published by Gilbert & Rivington, Limited London. Tom Merry, also known as William Mecham was an illustrator and political satirist, his work was reproduced in The St Stephens Review which was in circulation in the UK from 1883 to 1892. 14 x 10 inches, some areas of staining and foxing to print margins.
Los 981
Tom Merry Framed Colour Lithograph Presentation Cartoon 'The Road To Ruin Or Too Fast To Last' From St Stephens Review January 12th 1884 Polychrome lithographic Cartoon by Tom Merry, framed and mounted under glass in later wood frame with gilt, fluted inner detail. Published by Judd & Co, Lith London. Tom Merry, also known as William Mecham was an illustrator and political satirist, his work was reproduced in The St Stephens Review which was in circulation in the UK from 1883 to 1892. 14 x 10 inches, some areas of staining and foxing to print margins.
Los 982
Tom Merry Framed Colour Lithograph Presentation Cartoon 'Will It Come To This (A Radical's Vision Of The Future)' From St Stephens Review October 11th 1884 Polychrome lithographic Cartoon by Tom Merry, framed and mounted under glass in later wood frame with gilt, fluted inner detail. Published by Gilbert & Rivington, Limited London. Tom Merry, also known as William Mecham was an illustrator and political satirist, his work was reproduced in The St Stephens Review which was in circulation in the UK from 1883 to 1892. 14 x 10 inches, some areas of staining and foxing to print margins.
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70555 Los(e)/Seite