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Preisdatenbank abonnierenJonas Wood (American 1977-), ‘Large Shelf Still Life Poster’, 2017, offset lithograph in colours on wove paper, published by Voorlinden Museum; sheet: 59.5 x 59.5cmsheet: 59.5 x 59.5cmIn very good condition No knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Tracey Emin (British 1963-), 'True Love Always Wins', 2016, lithograph in colours on 300 gsm Somerset Velvet paper, signed, dated, and numbered from an edition of 300 in pencil, published by Counter Editions; sheet: 76 x 60cm; 120 x 100cm inc frameARR sheet: 76 x 60cm; 120 x 100cm inc frame In very good condition No visible knocks, tears or creases to the sheet Minor markings to the sheets top left and right corners, these are visible upon very close inspection The work is framed in a black frame with a white mount, also float mounted leaving all edges and corners of the sheet visible This work has not been examined outside of the frame.
Stik (British 1979-), 'Holding Hands (Yellow)', 2020, lithograph in colours on wove paper, signed in black ink; sheet: 50 x 50cmARR sheet: 50 x 50cm ARR In good condition No knocks or tears to the sheet There are some light handling creases and minor creases to the corners of the sheet Minor markings verso, likely from time of production One horizontal and one vertical fold, as originally issued.
Stik (British 1979-), 'Holding Hands (Red)', 2020, lithograph in colours on wove paper, signed in black ink; sheet: 50 x 50cmARR sheet: 50 x 50cm In very good condition No knocks or tears to the sheet Minor waving to the centre of the sheet, visible in raking light Extremely minor imperfection to the upper right hand corner of the sheet, visible upon close inspection One vertical and one horizontal fold to the sheet, as originally issued This work has been stored folded and has not been framed.
Stik (British 1979-), 'Holding Hands (Blue)', 2020, lithograph in colours on wove paper, signed in black ink; sheet: 50 x 50cmARR sheet: 50 x 50cm In very good condition No knocks or tears to the sheet Light waving to centre of sheet, visible in raking light Very minor wear to upper right hand corner/edge of the sheet and one very minor mark to lower right section, visible upon close inspection One horizontal and one vertical fold to the sheet, as originally issued This work has been stored folded and has not been framed.
Tracey Emin (British 1963-), 'Just Waiting', 2023, lithograph in colours on 400gsm Somerset Velvet Warm White paper, signed, titled, dated and numbered from an edition of 50 in pencil, published by Counter Editions; sheet: 65 x 84cmARR sheet: 65 x 84cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat inside its original Counter Editions packaging and has not been framed.
Stik (British 1979-), 'Holding Hands (Teal)', 2020, lithograph in colours on wove paper, signed in black ink; sheet: 50 x 50cmARR sheet: 50 x 50cm In very good condition No knocks or tears to the sheet Light waving to the centre of the sheet, visible in raking light Very minor wear to the lower left hand corner, visible upon close inspection One horizontal and one vertical fold to the sheet, as originally issued This work has been stored folded and has not been framed.
Fernando Botero (Colombian 1932-), 'Il Ballo', 1987, offset lithograph in colours on wove paper, signed and numbered from an edition of 200 in pencil; 52 x 41.5cm inc frame52 x 41.5cm inc frameIn very good condition No visible knocks, tears or creases to the sheet Very minor wear to the upper left hand corner of the sheet, visible upon close inspection This work has been framed in a black frame and has been float mounted, leaving all corners and edges of the sheet visibleThis work has not been examined outside of the frame.
China.- Stanley (Henry E. J., editor) Chinese Manual: Sse tse ouen tsien tchou ... four Words Literature (with) commentary (or) explication, first edition, printed on blue paper, 8 preliminary pp. and 75 lithograph pp. with Chinese characters, with roman transliteration and translation in French and English, original yellow cloth, rubbed and soiled, spine darkened with slight loss at head and foot of spine, folio, 1854.
Middle East.- Bracebridge (Selina) Panoramic Sketch of Jerusalem Taken from the roof of the Governor's Palace, 16th December 1834, first edition, lithograph title and 5 plates, title heavily dust-soiled, plates creased and with some mostly marginal soiling, ledges slightly frayed, disbound but remnants of original stitching, [Blackmer 190; Bobins IV, 1302; Not in Abbey], oblong folio, Graf & Soret, 1834.*** A complete copy of this rare work, in need of some TLC. ‘Selina Bracebridge (née Mills) was a pupil of Samuel Prout; her husband was the Bracebridge celebrated in Washington Irving’s Bracebridge Hall. She and her husband travelled in the Levant in the mid-1830s [when this panorama was drawn in December 1833] and were settled for some years in Athens … In 1854 the Bracebridges were in the Crimea; Mr Bracebridge was Florence Nightingale’s uncle’ (Blackmer).
Africa.- Salt (Henry) Essay on Dr. Young's and M. Champollion's Phonetic System of Hieroglyphics, first edition, folding lithograph frontispiece and 6 folding lithographs, light spotting, occasional marginal dust-soiling, cracked hinges, later cloth-backed boards, defective spine head but holding firm, rubbed and worn, 8vo, 1825.
Africa.- Stanley (Henry Morton) In Darkest Africa, 2 vol., first edition, frontispieces, plates and illustrations, 3 maps only (of 4), of which 2 folding, one with tear and tape repair verso, previous owner's signature to front pastedown, vol. 1 lacking front free endpaper, scattered faint spotting, original pictorial cloth, bumping to corners and spine extremities, rubbed, 1890 § Cornwallis Harris (Captain William) The Wild Sports of Southern Africa, third edition, hand-coloured lithograph frontispiece, additional hand-coloured lithograph title, hand-coloured lithographs, one folding map, stain to title, occasional faint spotting, contemporary half-calf, rubbed, bumping to corners and extremities, 1841 § Dun (Major T. I.) From Cairo to Siwa, bookplate inscribed by author, plates and illustrations, original calf-backed pictorial boards, rubbed and worn, bumping to corners and extremities, Cairo, n.d.; and others on Africa, some defective, v.s. (c.60)
Khayyám (Omar) Rubáiyát, translated by Edward Fitzgerald, illustrations by Elihu Vedder, lithograph frontispiece, lithograph plate and 54 plates, spotting, marginal dust-soiling, original decorative cloth, remnants of dust-jacket, original decorative boards wrappers, rubbed and worn, chipping to corners and edges, folio, Boston & London, [1884].
London.- Bartholomew (John) The Hub Cycling Map of London District Reduced from the New Ordnance Survey, lithograph map, sheet 555 x 860 mm (21 3/4 x 33 3/4 in), mounted onto linen, folding into cloth boards, some splitting to folds, minor surface dirt, worn, 8vo, 1897; together with Davies's Map of the Environs of London, 1870, and The Waistcoat Pocket Map of Middlesex, 8vo and 16mo, 19th century (3)
ALLEN JONES RA (BRITISH B.1937) ⊕ BRIGITTE BARDOTsigned, dated and numbered 9/12 Allen Jones 63 lower left of central imagelithograph in colours on paper76 x 49.5cm; 30 x 19 1/2in 94 x 66cm; 37 x 26in (framed)Property from a London Collection ProvenanceEditions Alecto Ltd., LondonAcquired from the above by the present ownerAllen Jones was born in Southampton and studied painting and lithography at Hornsey College of Art, London (1955-1959) before enrolling at the Royal College of Art. Fellow students at the RCA included Peter Phillips, David Hockney and R.B. Kitaj who together with Jones were instrumental in the birth of British Pop Art.Jones is best known for his sculptures, paintings and prints incorporating female figures. His sexually charged works, with their provocative eroticism, have, over the years, given way to more stylised, lyrical compositions often involving elements of performance such as fashion shows, dance and cabaret. As a printmaker Jones worked mostly in lithograph and screenprint. The first major retrospective of his graphic work was held at the Barbican Art Gallery, London in 1995.
HOWARD HODGKIN RA (BRITISH 1932-2017) ⊕ HERE WE ARE IN CROYDONsigned and dated Hodgkin 79 and numbered 94/100 lower centrewatercolour, gouache and lithograph in colours on Moulin d'Auvergne hand-made paper 55.5 x 75cm; 22 x 29 3/4in81 x 101cm; 32 x 40in (framed)Property from a Private Collector, KensingtonLiteraturePat Gilmour, ‘Howard Hodgkin' in Print Collector's Newsletter, vol. 12, March-April 1981, p. 3Liesbeth Heenk, Howard Hodgkin Prints: A Catalogue Raisonné, London, 2003, no. 49The present lot depicts a room in an apartment that Hodgkin had visited in Tulsa, Oklahoma whilst on a trip to see David Hockney in Los Angeles. The room had been decorated by a husband of the film star Jean Harlow. According to Hodgkin, the title recalls a friend's witticism on visiting the apartment for the first time; a sarcastic remark poking fun at the ostentatious design and how it was very much not like Croydon. Hodgkin was deeply attuned to the interplay of gesture and colour. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth & Sons in London in 1962. In 1984 Hodgkin represented Britain at the Venice Biennale, and his exhibition Forty Paintings opened at the Whitechapel Gallery in 1985, the year he was awarded the Turner Prize.
Trade cards, Spain, Chocolates Tupinamba, 'Partidos Internacionales' (International Matches) 'L' size, (set, 33 cards), chromo lithograph cards all featuring famous International matches involving the Spanish National side, including games v England, Ireland, Brazil, France, Germany etc. See cromosdefutbol.net (one with staining to back, some others with sl marks and faults but gen gd). From the Phil Martin Collection.
Preston North End, a lithograph print by H S Hopwood showing Preston North End Players N J Ross and J Ross, framed and glazed with label to reverse, frame size 40cm x 50cm circa, this is an original extract from the Black & White magazine published in Manchester, edition dated 28th October, 1887. (vg). NOT SUITABLE FOR POSTING BUYER TO ARRANGE COLLECTION. From the Phil Martin Collection.
David Hockney R.A. (British, born 1937)Gregory Evans, from Friends (Scottish Arts Council 176; M.C.A. Tokyo 165; Gemini 712) Lithograph, 1976, on Arches wove paper, signed, dated and numbered 16/90 in pencil, printed by Anthony Zapeda, published by Gemini G.E.L., Los Angeles, with the artist's and the publisher's blindstamps, with Gemini's ink stamp verso the full sheet, framedSheet 1055 x 750mm (41 1/2 x 29 1/2in)Footnotes:ProvenanceLeslie and Johanna Garfield Collection, New York.The Leslie & Johanna Garfield Collection: A Celebration of David Hockney, Sotheby's, New York, 15th November 2023, Lot 62.Private collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Henry (Scottish Arts Council 145; Gemini 450) Lithograph, 1973, on Jeff Goodman handmade buff paper, signed, dated and numbered 35/50 in blue crayon (there were also 20 artist's proofs), printed by George Page, published by Gemini G.E.L., Los Angeles, with their blindstamp and the artist's copyright blindstamp, the full sheet, framedImage 273 x 210mm (10 3/4 x 8 1/4in)Sheet 405 x 302mm (16 x 11 7/8in)Footnotes:ProvenancePrivate collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)The Tribe of Joseph, from Twelve Maquettes of Stained Glass Windows for Jerusalem (Mourlot CS 22) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 105/150 in pencil (there were also 75 proofs), printed by Charles Sorlier, published by Mourlot, Paris, with the letter text verso, with wide margins, framedImage 616 x 462mm (24 1/4 x 18 1/8in)Sheet 695 x 527mm (27 3/8 x 20 3/4)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Roy Lichtenstein (American, 1923-1997)Red Lamp (Corlett 279) Lithograph in colours, 1992, on wove paper, signed, dated and numbered 3/250 in pencil (there were also 40 artist's proofs), printed by Tyler Graphics Ltd., Mount Kisco, with their blindstamp, co-published by the artist and Leo Castelli Gallery, New York, the full sheet, framed; together with the Castelli Gallery/Art Takes Care programme and the Benefit InvitationImage 405 x 470mm (15 7/8 x 18 1/2in)Sheet 546 x 610mm (21 1/2 x 24in)(3)Footnotes:ProvenanceCollection of the former Associate Director of Development, The Village Center for Care, New York, early 1990s.Thence by descent to the present owner.This edition was produced for the Art Takes Care Benefit in 1992 to mark the 35th anniversary of the Castelli Gallery and to raise funds for the Village Nursing Home in New York.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Henri Matisse (French, 1869-1954)Odalisque, Brasero et Coupe de Fruits (Duthuit 504) Lithograph, 1929, on Arches wove paper, signed and numbered 74/100 in pencil (there were also 19 proofs), the full sheetImage 279 x 376mm (10 7/8 x 14 3/4in)Sheet 380 x 570mm (14 7/8 x 22 3/4in)Footnotes:This lithograph is based on the composition of L'Odalisque Couchée, Harmonie Rouge, painted in Nice in 1927 and now in the Met, New York.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Man (Mirko 20) Lithograph, 1964, on BFK Rives wove paper, signed and numbered 50/60 in pencil, published by Galerie Krugier, Geneva, the full sheet, framedSheet 451 x 568mm (17 3/4 x 22 3/8in)Footnotes:ProvenancePrivate collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)The Tribe of Ruben, from Twelve Maquettes of Stained Glass Windows for Jerusalem (Mourlot CS 12) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 118/150 in pencil (there were also 75 proofs), printed by Charles Sorlier, published by Mourlot, Paris, with the letter text verso, with wide margins, framedImage 613 x 458mm (24 1/8 x 18in)Sheet 718 x 525mm (28 1/4 x 20 5/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Tracey Emin (British, born 1963)After The Shadow, from These Feelings Were True Lithograph in colours, 2020, on Somerset Velvet wove paper, signed, titled, dated and numbered 35/50 in pencil, printed by Counter Studio, Margate, published by Counter Editions, London, the full sheet, framedSheets 654 x 555mm (25 7/8 x 21 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Corbusier Chair and Rug (see Baggott 22) A rare offset lithograph in colours, 1969, on wove paper, signed and inscribed 'E.A.' in pencil (an artist's proof before the lettering for the exhibition poster David Hockney at Andre Emmerich, April 26 - May 15, 1969, New York), with margins, framedSheet 684 x 555mm (26 7/8 x 21 3/4in)Footnotes:This work is based on the 1969 drawing in crayon baring the same title.ProvenanceRex Irwin Gallery, Sydney, Australia.Private collection, U.K.ExhibitedBig Prints..., cat. no. 10, 1990, Rex Irwin Gallery, Sydney, Australia (gallery label).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Water Pouring into Swimming Pool, Santa Monica (Scottish Arts Council 38; M.C.A. Tokyo 38) Lithograph in colours, 1964, on handmade Japan paper, signed, dated and numbered 16/75 in pencil (there were also 16 artist's proofs), printed by Emil Matthieu Atelier, Zurich, published in 1965 by Editions Alecto, London, with their blindstamp, the full sheet, framedSheet 512 x 661mm (20 1/8 x 26in)Footnotes:This image refers to the painting Different kinds of water pouring into a swimming pool, Santa Monica, 1965.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Helen Frankenthaler (American, 1928-2011)Ochre Dust (Harrison 133) Aquatint and lithograph in colours, 1987, on wove paper, signed, dated and numbered 11/44 in ochre pencil (there were also 12 artist's proofs), published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheetSheet 621 x 839mm (24 1/2 x 33in)For further information on this lot please visit Bonhams.com
Allen Jones R.A. (British, born 1937)Thrill Me; Cut-a-way (Lloyd 50 and 75) Lithograph, 1969, on wove paper, signed, dated and inscribed '2/19 Trial Proof' in pencil (a trial proof aside of the numbered edition of 75), printed by E. Matthieu, Zurich, the full sheet, framed; together with Cut-a-way, screenprint in colours, 1976, on wove paper, signed, dated and numbered 15/70 in pencil (there were also 5 numbered artist's proofs), printed by Kelpra Studios, London, the full sheet, framedSheets 709 x 1043mm (27 7/8 x 41in)(and smaller)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234) Lithograph in colours, 1980, on Arches wove paper, signed, dated and numbered 997/1000 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, framedSheet 267 x 229mm (10 1/2 x 9in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Maurits Cornelis Escher (Dutch, 1898-1972)Three Worlds (Drei Welten) (Bool 405) Lithograph, 1955, on wove paper, signed and inscribed 'VAEVO' in pencil, from the unnumbered edition of 700 published in 1956 (there was also a numbered edition of 33), with margins, framedImage 362 x 247mm (14 1/4 x 9 3/4in); Sheet 444 x 306mm (17 1/2 x 12in)Footnotes:The VAEVO was an association founded in 1908 with the specific aim of fostering the cultural education of young people. The association is responsible for exposing large numbers of Dutch schoolchildren to Escher's work.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Keith Haring (American, 1958-1990)International Volunteer Day (Littmann p. 93) Lithograph in colours, 1988, on wove paper, signed, dated and numbered 626/1000 in pencil, printed by Emiliano Sorini, published by the World Federation of United Nations Associations, New York, with their blindstampsSheet 285 x 215mm (11 1/4 x 8 7/16in).Footnotes:ProvenanceMartin Lawrence Limited Editions, Inc., United States.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Pretty Tulips (Scottish Arts Council 115) Lithograph in colours, 1969, on wove paper, signed, dated, titled and numbered 18/200 in pencil, published in 1970 by Petersburg Press, London, the full sheet, framedSheet 725 x 505mm (28 1/2 x 19 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)The Tribe of Judah, from Twelve Maquettes of Stained Glass Windows for Jerusalem (Mourlot CS 15) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 90/150 in pencil (there were also 75 proofs), printed by Charles Sorlier, published by Mourlot, Paris, with the letter text verso, with wide margins, framedImage 615 x 460mm (24 1/8 x 18in)Sheet 740 x 525mm (29 1/8 x 20 3/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Henry at Table, from Friends (Scottish Arts Council 188; M.C.A. Tokyo 176; Gemini 736) Lithograph, 1976, on Arches wove paper, signed, dated and numbered 86/96 in pencil, printed by Serge Lozingot, published by Gemini G.E.L, Los Angeles, with the artist's and the publisher's blindstamps, with Gemini's ink stamp verso, the full sheet, framedSheet 753 x 1060mm (29 5/8 x 41 3/4in)Footnotes:ProvenancePrivate collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)The Bouquet (Mourlot CS 8) Lithograph in colours, 1955, on Arches wove paper, signed, dedicated and inscribed 'Pour Jean Marabini | 17 - 9 - 1956 | Marc Chagall' in pencil (a proof aside from the numbered edition of 300), printed by Charles Sorlier, published by Mourlot, Paris, with marginsImage 640 x 500mm (25 1/4 x 19 3/4in)Sheet 740 x 520mm (29 1/8 x 20 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney (British, born 1937)Coloured Flowers Made of Paper and Ink (Scottish Arts Council 119; M.C.A. Tokyo 113) Lithograph in colours, 1971, on Hodgkinson mould-made wove paper, signed, titled, dated and numbered 24/50 in pencil (there were also 11 proofs), printed by Ernst Donagh at Cook Hammond and Kell, published by Petersburg Press, London, with the artist's copyright blindstamp, the full sheet, framedSheet 990 x 950mm (39 x 37 3/8in)Footnotes:ProvenanceLumley Cazalet Ltd., London.This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Tree (Scottish Arts Council 61; M.C.A. Tokyo 61) Lithograph in colours, 1968, on mould-made BFK Rives paper, signed, dated and numbered 22/95 in pencil, printed by Atelier Desjobert, Paris, published by Petersburg Press, London, the full sheet, framedSheet 647 x 497mm (25 1/2 x 19 5/8in)Footnotes:ProvenancePrivate collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
After Marc Chagall (1887-1985) by Charles Sorlier (1921-1990)The Tribe of Simeon, from Twelve Maquettes of Stained Glass Windows for Jerusalem (Mourlot CS 13) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 102/150 in pencil (there were also 75 proofs), printed by Charles Sorlier, published by Mourlot, Paris, with the letter text verso, with wide margins, framedImage 610 x 460mm (24 x 18in)Sheet 690 x 523mm (27 1/8 x 20 5/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Tracey Emin (British, born 1963)Blue Madonna, from These Feelings Were True Lithograph in colours, 2020, on Somerset Velvet wove paper, signed, titled, dated and numbered 31/50 in pencil, printed by Counter Studio, Margate, published by Counter Editions, London, the full sheet, framedSheet 656 x 556mm (25 7/8 x 21 7/8in)Footnotes:This work is part of a series of eight self-portraits that Tracey Emin executed for Counter Editions in 2020. These 'reflections' are based on the artist's momentary, intimate, and ephemeral perceptions of herself. In an interview in the context of this edition release, she revealed that this print was born from her fascination with Picasso's Blue Madonnas.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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