70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Larry Rivers (1923-2002) Poster for the New York Erotic Film Review, to include films by Andy Warhol and Paul Morrissysigned with initials; inscribed 'proof' (lower right)offset lithograph with ink and gouache95 x 63cm 

§ Dame Elisabeth Frink CH, RA (1930-1993) Guillemotsigned 'Frink' (lower right); numbered 46/50lithograph58 x 79cmCrack to glazing across the lower left-hand corner. Not examined out of the frame, appears to possibly be stuck down to the backboard. The left hand with deckled edge. Some overall toning to the image, most noticeably to the margins, where the discolouration is deeper in colour towards the outer edges and with some minor debris beneath glass having collected along the lower edge. The print itself appears very slightly faded, but otherwise in clean condition.

§ Ceri Richards CBE (1903-1971) Pianosigned and dated 'Ceri Richards 58' (lower right); numbered 105/150 and embossed with 'CR' blindstamplithograph, unframed64 x 47.5cm

§ Michael Rothenstein RA (1908-1993) Abstract; from the Seven Colours foliosigned 'Michael Rothenstein' (lower right); numbered A/P 16/20lithograph47.5 x 29.5cm;together with Parrotssigned 'Michael Rothenstein' (lower right); numbered 2woodcut, unframed88.5 x 61.5cm (2)

§ Salvador Dalí (1904-1989) Christ; from The Twelve Apostles (The Knights of the Round Table)signed 'Dali' (lower right); numbered 63/350lithograph with embossing, unframed64.5 x 47cm

§ Marc Chagall (1887-1985) Daniel with the Lions; from the Bible Serieslithograph, published by Verve, Paris and printed by Mourlot, 195434 x 25cmProvenance:With A.F. Roe & D. Moore Art and Illustrated Books, London

§ Graham Sutherland OM (1903-1980) Fossil with Rock and Flamessigned 'Sutherland' (lower right); numbered 13/15lithograph51.5 x 71cm

§ John Copley RBA (1875-1950) Group of actorssigned 'John Copley' (lower centre)lithograph50.5 x 28cm

§ Graham Sutherland OM (1903-1980) Exhibition poster for Graham Sutherland at the Tate Gallery, 1953 colour lithograph, printed by Day Glo License No 176 x 50.5cm

Lovis Corinth (1858-1925) Self Portrait in a Soft Hat lithograph 32.5 x 24cm Provenance: With William Weston Gallery, London

§ Michael Rothenstein RA (1908-1993) Cockerel in a landscape, 1948signed 'Michael Rothenstein' (lower right)lithograph22.5 x 42cmNot examined out of the frame, outer margins obscured by the mount so unavailable for inspection. Some minor undulation visible along the top edge which could be corrected by remounting. The paper support with overall toning, this is largely uniform though deepening in colour where the paper support meets the mount. Slightly faded but otherwise in clean condition.

§ Georges Braque (1882-1963) Tete de Femme lithograph, published by Mourlot, unframed35cm x 26cm

§ Sir Eduardo Paolozzi CBE (1924-2005) Untitledsigned and dated 'E Paolozzi 1976' (lower right); A/Plithograph55 x 17cm;together with an untitled etchingsigned 'E Paolozzi' (lower right)25.5 x 34.5cm (2)Provenance:From the estate of Freda Paolozzi (née Elliott)

§ Mary Fedden OBE, RA, RWA (1915-2012) Red Sunset, 1994signed 'Fedden' (lower left); numbered 348/500offset lithograph on wove paper; published by Bow Art in 2000, with their blindstamp, unframed35.5 x 49.5cm

§ Laurence Stephen Lowry RA, RBA (1887-1976) Burford Churchsigned 'L. S. Lowry' (lower right); numbered 356/850offset lithograph, published by Grove Galleries Ltd., Manchester, bearing Fine Art Guild blindstamp63 x 47cmNot examined out of the frame, outer margins are obscured by the mount so not available for inspection. Some minor discolouration to the margins and perhaps some very slight fading, but overall in very nice, clean condition.

§ Banksy (British) Di-Faced Tenner, 2004offset lithograph7.5 x 14.5cmProvenance:with Laz Emporium, London and accompanied by a certificate of authenticity

Roberto Matta (1911-2002) Fog, Gog and Magogsigned with monogram (lower right); numbered 50/100lithograph49 x 61.5cm

§ Mary Fedden OBE, RA, RWA (1915-2012) The Orange Mug, 1996signed 'Fedden' (lower right); numbered 513/550offset lithograph on wove paper; published by Bow Art in 1996, with their blindstamp, unframed32 x 40.5cm

Ethel Gabain (1883-1950) La Vénitiennesigned 'Ethel.Gabain' (lower right)lithograph37 x 28cmProvenance:With P&D Colnaghi & Co., LondonNot examined out of the frame. Paper support with an overall and uniform toned appearance, apart from at the left hand border, which appears paler and with some scattered foxing. The image appears in largely good order though there are two small white spots in the sky (see images), otherwise in good condition.

§ Barnett Freedman CBE, RDI (1901-1958) The Window Box; a design for Lyons Teashopsfacsimile signed and dated 'Barnett Freedman 54' (lower right)lithograph70.5 x 96cm

Two unframed exhibition posters, to include: Jean Dubuffet (1901-1985), poster for C.N.A.C, 1974, offset lithograph 69.5 x 49cm; and David Hockney OM, CH, RA (1937-), Celia, for 'Contemporary British Drawings', Tel Aviv Museum, 1980, offset lithograph 69 x 50cm J Dubuffet- Handling creases visible to the reverse and recto under raking light. Edges and corners with slight knocks, the lower edge with remnants of tape, and some ingrained dirt visible in the paler areas.Hockney- Shallow handling creases visible under raking light. Some grubby handling marks visible to the lower left-hand edge and upper right-hand corner. The paper support slightly toned overall but this is even and unformed throughout.

Roberto Matta (1911-2002) D'Yeuxsigned with monogram (lower right)lithograph, unframed76 x 54cm

§ Pablo Picasso (1881-1973) exhibition poster for Vallauris, Biennale Internationale, 1974offset lithograph, unframed65 x 46cm

Roberto Matta (1911-2002) Les Venusiennessigned with monogram (lower right); numbered 173/300lithograph46 x 61cm

Roy Lichtenstein (1923-1997) Brushstroke Still Life With Apple Poster; an exhibition poster for Galerie Daniel Templon, 1983signed 'R Lichtenstein' (lower right)offset lithographThis poster is close framed in a very slim metal frame, measuring 1cm deep, with no mount. The outside of the frame measures 63cms High x 76cms wide.

Graham Vivian Sutherland (1903–80) signed 1953 lithograph of Predatory form - frame 93cm x 72cm

Alexander Calder (1898–1976) vintage lithograph as used for the 1976 poster advertising 'From Mobiles to Critters' exhibition at Rondanini Gallery (Rome) - frame 58cm x 48cm

Salvador Dali 1973 hand signed lithograph from 'Les songes drolatiques de Pantagruel (Pantagruel's Comical Dreams)' - frame 88cm x 66cm ~ Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol (1904–89) and based upon the 16th century 'The Five Books of the Lives and Deeds of Gargantua and Pantagruel' by François Rabelais (1483/94-1553)

Joan Miró i Ferrà (1893–1983) unsigned 1974 lithograph from the suite 'Les pénalités de l'enfer ou les nouvelles Hébrides' - frame 43cm x 33cm- Label to the reverse

Josef Herman OBE RA (1911–2000) signed lithograph of a man digging - 80cm x 58cm

Paul Peter Piech (1920-96) signed 1998 lithograph with Jack Davis words against Aboriginal oppression - 51cm x 76cm - unframed

Mayson's Ordnance Model of The Lake District c1870s-80- The scarce poster advertises a three dimensional model of the Lake District - a plaster relief model using the ordnance survey 6" to the mile maps [hence the name] - the model showed the actual physical lay of the land so visitors could plan excursions- An attractive lithograph poster with fern details to the borders [quite the fashion in the 19th century] also partially highlighted with metallic gold ink- Printed in Edinburgh McFarlane & Erskine Lithog-rs, size 11.5" x 15.25"

"Views of The Isle Of Wight" c1870s- Book with 12 Baxter style multicoloured print style lithograph by T Nelson & Sons plus the sewn 96 page booklet of descriptive text and map- In cloth board cover size 6" x 4"

A David Hockney poster for 'Parade: Metropolitan Opera 1981', colour off-set lithograph, printed by Petersburg press England, 97 cm x 65.5 cm, unframed.Features a unique design made to advertise Parade, for which Hockney worked as a designer. In good, clean condition, having been well looked after by the vendor's family. Stored flat

After Phillipe Noyer (French 1917-1985) 'La Closerie des Lilas', limited edition lithograph print (water mark), 76cm x58cm

Henri de Toulouse Lautrec (1864-1901) Elles lithograph. 1896, condition B+/A-; backed on japan, framed Dimensions:64 x 49 cm.

Rare prototype poster for the 'Centenaire de l'Orient Express', depicting the famous painting used in the 'Golden Arrow' poster after William Spencer Bagdatopoulos, 92cm x 61cm; 'Through Connection and Through Bookings, early 20th century lithograph poster for LYR (Lancashire & Yorkshire Railway) and LOR (Liverpool Overhead Railway) pub. c1910, 75cm x 52cm (2)

Large rare map of Hong Kong with road maps of Kowloon and Hong Kong, colour lithograph pub. c1977, retailed by Timothy Oulton 150cm x 200cm

Five Victorian educational banners printed for the Working Men's Educational Union, lithograph on cotton, including 'Fighting Chiefs' no. 15, 'NZ Blind Ch' (New Zealand Blind Cheif) no. 11, 'Ind Fak Swing' (Indian Fakia Swing) no. 6, 'Mission India' no. 31 and 'Briton First Missionary' no. 1, four bearing stamp "Published by Working Men's Educational Union 43 Skinner Street, Snow Hill, London 1852" and one stamped "24 and 25 King William Street, Trafalgar Square, London" titled in ink verso, some with brass eyelets for hanging, 117cm x 90cm maxThe Working Men's Educational Union was a philanthropic society established in 1832 with the objective of “the elevation of the working classes, as regards their physical, intellectual, moral and religious condition”. Their chief means of achieving this was to encourage popular literary and scientific lectures “by preparing suitable diagrams and other aids to lectures.”

3 Oblaten-Alben.  Farblithografien zumeist geprägt. Einbände 2x mit Prägeornament und 2x mit Farblithografie. Maximal 37 x 29 cm. Je nach Themen sortiert dicht mit Luxuspapieren beklebt, u.a. Sakrales (Madonnen, Heilige, Andachtsbilder, Kreuze usw.), Blumen, Tiere, Damen, Mode, galante Szenen, Kinder, asiatische Motive, betitelte Literatur- und Opernszenen, Karikaturen usw. Alben mit einigen Alters-/Gebrauchsspuren, Ledereinband teils erneuert.Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:36 Uhr (CET)3 Oblate albums.  Color lithographs mostly embossed. Bindings 2x with embossed ornament and 2x with color lithograph. Maximum 37 x 29 cm.According to topics sorted densely pasted with luxury papers, including sacred (Madonnas, saints, devotional images, crosses, etc.), flowers, animals, ladies, fashion, gallant scenes, children, Asian motifs, titled literary and operatic scenes, caricatures, etc. Albums with some signs of age / use, leather binding partly renewed.Call time 26th | Oct 2023 | probably 15:36 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Konvolut Kärtchen Luxuspapier. 19. Jh.Maximal 17 x 18 cm. 8 Aquarelle bzw. aquarelliert, 12 kolorierte Lithografien (darunter 3 Zugkarten), 7 Karten aus geprägtem und bemaltem, teils goldstaffiertem Papier kleinteilig zusammengesetzt, in zumeist prächtiger Rahmung, 1 geprägte Farblithografie mit 2 kaschierten Blumen-Oblaten. Wenige mit starken Alters-/Gebrauchsspuren (Einrisse, Faltspuren, Stockflecken, 1x beschnitten).Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:37 Uhr (CET)Convolute card luxury paper. 19th centuryMaximum 17 x 18 cm. 8 watercolors or watercolored, 12 colored lithographs (including 3 train maps), 7 cards from embossed and painted, partly gold-staffed paper composed in small parts, in mostly magnificent framing, 1 embossed color lithograph with 2 laminated flower wafers. Few with strong signs of age / use (tears, fold marks, foxing, 1x trimmed).Call time 26th | Oct 2023 | expected 15:37 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

 Undeutlich signiert: Architektonische Darstellung eines klassizistischen BauwerksFarblithografie. Bleistiftsignatur. Exemplar: 5/75.Druckplatte: 40 x 60 cm. Gerahmt & hinter Glas : 64 x 82 cm.Nachtrag 21.10.23: Es handelt sich um den Künstler Peter Paul (1943 - 2013) Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:08 Uhr (CET) Indistinctly signed: Architectural depiction of a classicist buildingColor lithograph. Pencil signature. Copy: 5/75.Print plate: 40 x 60 cm. Framed & behind glass : 64 x 82 cm. Call time 26 | Oct 2023 | expected 17:08 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HOFFMANN, Ludwig von(1861 Darmstadt - 1945 Pillnitz) HarpyienLithografie. Bleistiftsignatur. Exemplar: 26/50. Druckplatte: 15,7 x 11,9 cm, Blatt: 27,9 x 20,4 cm. Blatt leicht lichtgebräunt, minimal stockfleckig. Deutscher Maler und Grafiker des Symbolismus; Vorreiter der Bewegung "Neues Weimar", die zeitgenössischen Künstlern der Moderne Entfaltungsmöglichkeiten in Weimar bot. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:13 Uhr (CET) HOFFMANN, Ludwig von(1861 Darmstadt - 1945 Pillnitz) HarpyiaLithograph. Pencil signature. Copy: 26/50. Print plate: 15.7 x 11.9 cm, sheet: 27.9 x 20.4 cm. Sheet lightly light browned, minimal foxing. German painter and graphic artist of Symbolism; pioneer of the movement "New Weimar", which offered contemporary modern artists opportunities for development in Weimar. Call time 26 | Oct 2023 | expected 17:13 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SHAW, Elisabeth(1920 Belfast - 1992 Berlin) "Herbert Ihering"Lithografie. Bleistiftsignatur. Blatt: 60,1 x 41,6 cm, im Passepartout: 84 x 58,5 cm. Irische Grafikerin und Kinderbuchautorin. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:23 Uhr (CET) SHAW, Elisabeth(1920 Belfast - 1992 Berlin) "Herbert Ihering"Lithograph. Pencil signature. Sheet: 60.1 x 41.6 cm, in mount: 84 x 58.5 cm. Irish graphic artist and children's book author. Call time 26 | Oct 2023 | expected 17:23 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Dachauer BäuerinnenLithografie. Bleistiftsignatur, im Druck monogrammiert. Im Druck datiert: [19]09. Passepartoutausschnitt: 22 x 17,5 cm. Gerahmt & hinter Glas : 44,5 x 34,5 cm. Bereibung an Stelle der Datierung und des Monogramms. Deutscher Maler, Grafiker und Illustrator; 1913 als Professor für Grafik an die Hochschule der Bildenden Künste Weimar berufen, ihm sind wesentliche Verdienste beim Wiederaufbau der Kunsthochschule Weimar nach dem Zweiten Weltkrieg zuzuschreiben, er erhielt 1953 den Nordgau-Kulturpreis der Stadt Amberg in der Kategorie „Bildende Kunst". Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:24 Uhr (CET) KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Dachau peasant womenLithograph. Pencil signature, monogrammed in print. Dated in print: [19]09. Passepartout detail: 22 x 17.5 cm. Framed & behind glass : 44.5 x 34.5 cm. Ambering in place of the date and monogram. German painter, graphic artist and illustrator; appointed in 1913 as professor of graphic arts at the Weimar College of Fine Arts, he is credited with significant contributions to the reconstruction of the Weimar College of Art after World War II, he received the North Gau Culture Prize of the City of Amberg in 1953 in the category "Fine Arts". Call time 26 | Oct 2023 | expected 17:24 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LIEBERMANN, Max(1847 Berlin - 1935 Berlin) "Verwundung"Original-Lithografie. Im Druck signiert. Blatt: 31,7 x 25,6 cm, im Passepartout: 46 x 39 cm. Blatt minimal knickspurig. Deutscher Maler und Grafiker, Präsident der "Berliner Secession"; gehört zu den bedeutendsten Vertretern des deutschen Impressionismus. Literatur : WVZ Schiefler (1991) Nr. 207. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:25 Uhr (CET) LIEBERMANN, Max(1847 Berlin - 1935 Berlin) "Wounding"Original lithograph. Signed in print. Sheet: 31.7 x 25.6 cm, in mount: 46 x 39 cm. Sheet minimally creased. German painter and graphic artist, president of the "Berlin Secession"; one of the most important representatives of German Impressionism. Literature : WVZ Schiefler (1991) No. 207. Call time 26th | Oct 2023 | expected 17:25 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SCHAD, Christian(1894 Miesbach - 1982 Stuttgart) "La fenestra"Lithografie. Bleistiftsignatur. [19]16. Passepartoutausschnitt: 27 x 20 cm. Gerahmt & hinter Glas : 45 x 37 cm. Etwas stockfleckig. Deutscher Maler der Neuen Sachlichkeit und Pionier auf dem Weg zur Abstraktion nach dem Ersten Weltkrieg; er entwickelte die sogenannte Schadographie, eine Technik, um Objekte ohne Kamera auf lichtempfindlichem Papier zu belichten und somit abzubilden. In Aschaffenburg befindet sich das Christian-Schad-Museum. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:33 Uhr (CET) SCHAD, Christian(1894 Miesbach - 1982 Stuttgart) "La fenestra"Lithograph. Pencil signature. [19]16. Passepartout detail: 27 x 20 cm. Framed & behind glass : 45 x 37 cm. Slightly foxed. German painter of the New Objectivity and pioneer on the road to abstraction after the First World War; he developed the so-called Schadographie, a technique to expose objects without a camera on light-sensitive paper and thus depict. Aschaffenburg is home to the Christian Schad Museum. Call time 26 | Oct 2023 | expected 17:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CORINTH, Lovis(1858 Tapiau - 1925 Zandvoort) Vertrautes PaarFarblithografie. Bleistiftsignatur. Blatt: 40 x 31 cm. Randbereich etwas lichtgebräunt. Deutscher Maler, Zeichner und Grafiker, zählt zu den wichtigsten Vertretern des deutschen Impressionismus: "Das höchste ist in der Kunst, sich von der Wirklichkeit zu entfernen." (Zitat: LC, gesehen auf Deutschlandfunk Kultur - https://www.deutschlandfunkkultur.de). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:33 Uhr (CET) CORINTH, Lovis(1858 Tapiau - 1925 Zandvoort) Familiar CoupleColor lithograph. Pencil signature. Sheet: 40 x 31 cm. Marginal area somewhat light browned. German painter, draftsman and graphic artist, counts among the most important representatives of German Impressionism: "The highest thing in art is to move away from reality." (Quote: LC, seen on Deutschlandfunk Kultur - https://www.deutschlandfunkkultur.de). Call time 26 | Oct 2023 | expected 17:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KUBIN, Alfred(1877 Leitmeritz - 1959 Zwickledt) LöwenjagdLithographie. Im Stein signiert. Blattgröße: 35,5 x 48 cm. Exemplar aus der nummerierten Mappe (202/250) Kreis Graphischer Künstler und Sammler, Ausgabe C, Verlag Arndt Beyer, Leipzig 1922, Blatt Nr. 1, Passepartout. Am oberen Rand montiert. Kubin, Maler, Grafiker, Zeichner, Illustrator, studierte in München. Mitglied der Münchner Künstlergruppe "Der blaue Reiter" und der Wiener Sezession. Mit seinen Federzeichnungen und Lithographien profilierte er sich als einer der großen Zeichner des 20. Jahrhunderts * Partnerauktion Bergmann. Literatur : De Gruyter (2014). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:37 Uhr (CET) KUBIN, Alfred(1877 Leitmeritz - 1959 Zwickledt) Lion HuntLithograph. Signed in the stone. Sheet size: 35.5 x 48 cm. Copy from the numbered portfolio (202/250) Kreis Graphischer Künstler und Sammler, Edition C, Verlag Arndt Beyer, Leipzig 1922, sheet no. 1, passepartout. Mounted at the upper edge. Kubin, painter, graphic artist, draftsman, illustrator, studied in Munich. Member of the Munich artists' group "The Blue Rider" and the Vienna Secession. With his pen and ink drawings and lithographs, he distinguished himself as one of the great draftsmen of the 20th century * Partner auction Bergmann. Literature : De Gruyter (2014). Call time 26 | Oct 2023 | expected 17:37 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KANOLDT, Alexander(1881 Karlsruhe - 1939 Berlin) Olevano VLithographie. 22,5 x 17,5 cm. Unsigniertes Exemplar aus der nummerierten Mappe (173/250) Kreis Graphischer Künstler und Sammler, Ausgabe C, Verlag Arndt Beyer, Leipzig 1925, Blatt Nr. 8, Passepartout. Am oberen Rand montiert. Kanoldt, Maler und Grafiker, Sohn und Schüler des Edmund. Studierte an der Akademie in Karlsruhe, seit 1909 in München ansässig. 1925-1930 Professor an der Akademie in Breslau, 1933-1936 Direktor der Kunstschule in Berlin. Einer der bedeutendsten Vertreter der Neuen Sachlichkeit * Partnerauktion Bergmann. Literatur : De Gruyter (2013). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:39 Uhr (CET) KANOLDT, Alexander(1881 Karlsruhe - 1939 Berlin) Olevano VLithograph. 22.5 x 17.5 cm. Unsigned copy from the numbered portfolio (173/250) Kreis Graphischer Künstler und Sammler, edition C, Verlag Arndt Beyer, Leipzig 1925, sheet no. 8, passepartout. Mounted at the upper margin. Kanoldt, painter and graphic artist, son and pupil of Edmund. Studied at the Academy in Karlsruhe, since 1909 resident in Munich. 1925-1930 professor at the Academy in Breslau, 1933-1936 director of the art school in Berlin. One of the most important representatives of the New Objectivity * Partner auction Bergmann. Literature : De Gruyter (2013). Call time 26 | Oct 2023 | expected 17:39 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MENSE, Carl(1886 Rheine - 1965 Königswinter) Italienische LandschaftLithographie. 29 x 37 cm. Unsigniertes Exemplar aus der nummerierten Mappe (173/250) Kreis Graphischer Künstler und Sammler, Ausgabe C, Verlag Arndt Beyer, Leipzig 1925, Blatt Nr. 7, Passepartout. Am oberen Rand montiert. Mense, Maler und Grafiker, studierte an der Akademie in Düsseldorf. 1908 im Atelier von Lovis Corinth in Berlin. Ab 1910 Mitglied der Kölner Sezession, 1918 der Vereinigung "Das Junge Rheinland". Bereiste Europa, 1925-1933 Professor an der Akademie in Breslau. Werke in zahlreichen deutschen Museen * Partnerauktion Bergmann. Literatur : De Gruyter (2016). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:39 Uhr (CET) MENSE, Carl(1886 Rheine - 1965 Königswinter) Italian landscapeLithograph. 29 x 37 cm. Unsigned copy from the numbered portfolio (173/250) Kreis Graphischer Künstler und Sammler, edition C, Verlag Arndt Beyer, Leipzig 1925, sheet no. 7, passepartout. Mounted at the upper margin. Mense, painter and graphic artist, studied at the Academy in Düsseldorf. In 1908 in the studio of Lovis Corinth in Berlin. From 1910 member of the Cologne Secession, 1918 of the association "The Young Rhineland". Traveled Europe, 1925-1933 professor at the Academy in Breslau. Works in numerous German museums * Partner auction Bergmann. Literature : De Gruyter (2016). Call time 26 | Oct 2023 | expected 17:39 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LIEBERMANN, Max(1847 Berlin - 1935 Berlin) Selbstbildnis mit SchirmmützeLithographie. Monogrammiert. etwa 29 x 23 cm. Aus der Mappe Freunde graphischer Kunst, Leipzig 1924, Blatt Nr. 4. Passepartout mit Prägestempel Freunde graphischer Kunst Leipzig e.V.. Am oberen Rand montiert. Liebermann, deutsch-jüdischer Maler, Grafiker. Studierte an der Akademie in Weimar, gründete 1898 mit Walter Leistikow die Berliner Sezession, 1920-1933 Präsident der Berliner Akademie. Werke in zahlreichen internationalen Museen * Partnerauktion Bergmann. Literatur : De Gruyter (2015). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:40 Uhr (CET) LIEBERMANN, Max(1847 Berlin - 1935 Berlin) Self-portrait with peaked capLithograph. Monogrammed. about 29 x 23 cm. From the portfolio Freunde graphischer Kunst, Leipzig 1924, sheet no. 4. mount with embossed stamp Freunde graphischer Kunst Leipzig e.V.. Mounted at the upper edge. Liebermann, German-Jewish painter, graphic artist. Studied at the Academy in Weimar, founded the Berlin Secession with Walter Leistikow in 1898, 1920-1933 President of the Berlin Academy. Works in numerous international museums * Partner auction Bergmann. Literature : De Gruyter (2015). Call time 26 | Oct 2023 | expected 17:40 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HOFER, Carl(1878 Karlsruhe - 1955 Berlin) SchlafendeLithographie. 26 x 25 cm. Unsigniertes Exemplar aus der nummerierten Mappe (202/250) Kreis Graphischer Künstler und Sammler, Ausgabe C, Verlag Arndt Beyer, Leipzig 1922, Blatt Nr. 9, Passepartout. Am oberen Rand montiert. Hofer, Maler und Grafiker, studierte an der Akademie in Karlsruhe. 1903-1907 in Rom, 1908-1913 in Paris tätig, ab 1914 in Berlin ansässig. 1919-1933 Professor an der Akademie in Berlin. 1943 durch Bombenangriff Vernichtung fast des gesamtes Werkes, seit 1945 Präsident der Berliner Akademie * Partnerauktion Bergmann. Literatur : De Gruyter (2012). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:40 Uhr (CET) HOFER, Carl(1878 Karlsruhe - 1955 Berlin) SleepingLithograph. 26 x 25 cm. Unsigned copy from the numbered portfolio (202/250) Kreis Graphischer Künstler und Sammler, edition C, Verlag Arndt Beyer, Leipzig 1922, sheet no. 9, passepartout. Mounted at the upper margin. Hofer, painter and graphic artist, studied at the Academy in Karlsruhe. 1903-1907 in Rome, 1908-1913 active in Paris, from 1914 resident in Berlin. 1919-1933 professor at the Academy in Berlin. 1943 by bombing destruction of almost the entire work, since 1945 President of the Berlin Academy * Partner auction Bergmann. Literature : De Gruyter (2012). Call time 26 | Oct 2023 | expected 17:40 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ANTES, Horst(*1936 Heppenheim) Sitzende Figur mit SchleierFarblithographie. Signiert. 61 x 47 cm. Gerahmt & hinter Glas : 95 x 70 cm. Blatt aus der Mappe "Quadraturen" zum 10jährigen Jubiläum der Edition Volker Huber, Offenbach am Main 1979, nummeriert: 411/1500. Passepartout, verglaster Profilrahmen. Antes, Maler, Grafiker und Bildhauer, studierte an der Akademie in Karlsruhe. Schüler von HAP Grieshaber. Seit 1967 Professor an der Akademie in Karlsruhe, erhielt diverse europäische Auszeichnungen, Werke in internationalen Museen * Partnerauktion Bergmann. Literatur : Saur (1992). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:42 Uhr (CET) ANTES, Horst(*1936 Heppenheim) Sitting figure with veilColor lithograph. Signed. 61 x 47 cm. Framed & behind glass : 95 x 70 cm. Sheet from the portfolio "Quadratures" for the 10th anniversary of Edition Volker Huber, Offenbach am Main 1979, numbered: 411/1500. mount, glazed profile frame. Antes, painter, graphic artist and sculptor, studied at the Academy in Karlsruhe. Student of HAP Grieshaber. Since 1967 professor at the Academy in Karlsruhe, received various European awards, works in international museums * Partner auction Bergmann. Literature : Saur (1992). Call time 26 | Oct 2023 | expected 17:42 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

TÁPIES, Antonio(1923 Barcelona - 2012 Barcelona) Composition-LettresFarblithographie. Signiert. 36,5 x 47,5 cm, Blattgröße: 54 x 74 cm. Gerahmt & hinter Glas : 61 x 81 cm. Mit E.A. bezeichnet (10% der Auflage, Epreuve d'artiste, Künstlerdrucke außerhalb der verkauften Auflage, für den Künstler selbst gedruckt). Die limitierte Auflage ist 90. Verglaster Wechselrahmen. Tápies, Maler und Grafiker. 1848 Mitbegründer der Gruppe "Dau al Set" in Barcelona. Seit 1948 regelmäßig auf internationalen Ausstellungen vertreten, erhielt diverse Preise, 2010 erblicher Adelstitel Marqués de Tapies * Partnerauktion Bergmann. Literatur : Benezit (2006). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:43 Uhr (CET) TÁPIES, Antonio(1923 Barcelona - 2012 Barcelona) Composition-LettresColor lithograph. Signed. 36.5 x 47.5 cm, sheet size: 54 x 74 cm. Framed & behind glass : 61 x 81 cm. Inscribed E.A. (10% of the edition, Epreuve d'artiste, artist prints outside the sold edition, printed for the artist himself). The limited edition is 90. glazed interchangeable frame. Tápies, painter and graphic artist. In 1848, co-founder of the group "Dau al Set" in Barcelona. Since 1948 regularly represented at international exhibitions, received various awards, 2010 hereditary title of nobility Marqués de Tapies * Partner auction Bergmann. Literature : Benezit (2006). Call time 26 | Oct 2023 | expected 17:43 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Noch einen?"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". Im Druck datiert: 20.2.62. Blatt: 54 x 43,7 cm. Nach einem Holzschnitt der 1920er Jahre, einer Federzeichnung für das Titelblatt eines geplanten, aber nicht gedruckten Eulenspiegel-Buches sowie einer Kreidelithografie für die Neufassung der Illustrationen desselben Projektes, das Motiv befindet sich ebenso als Ölbild in Privatbesitz. Blatt beschnitten, oberer Rand etwas lichtgebräunt, Ecke unten rechts etwas bestoßen. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Dorsch WVZ 1818. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:45 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Another one?"Lithograph on laid paper. Signed in print, purple stamp on verso "Estate A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan Press". Dated in print: 20.2.62. Sheet: 54 x 43.7 cm. After a woodcut of the 1920s, a pen and ink drawing for the title page of a planned but not printed Eulenspiegel book and a chalk lithograph for the new version of the illustrations of the same project, the motif is also as an oil painting in private ownership. Sheet trimmed, upper margin somewhat light browned, corner lower right somewhat bumped. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Dorsch WVZ 1818. Call time 26th | Oct 2023 | probably 17:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der Sammler"Lithografie auf Bütten. Bleistiftsignatur. [1950]. Blatt: 63,4 x 48,7 cm. Das Motiv wurde als Signet der Griffelkunst-Vereinigung Hamburg für Postkarten, Briefpapier, Stempel und Wasserzeichen verwendet. Randbereich leicht griffspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 2087. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:46 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The Collector"Lithograph on laid paper. Pencil signature. [1950]. Sheet: 63.4 x 48.7 cm. The motif was used as a signet of the Griffelkunst-Vereinigung Hamburg for postcards, stationery, stamps and watermarks. Margin slightly grip-marked. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 2087. Call time 26 | Oct 2023 | probably 17:46 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der Schachspieler (II)"Lithografie auf Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse". Blatt: 64,5 x 50 cm. Minimal knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : Vgl. Dorsch WVZ 2114. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:46 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The Chess Player (II)"Lithograph on laid paper. Pencil signature, red stamp "Clan Press". Sheet: 64.5 x 50 cm. Minimally creased. German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : Cf. Dorsch WVZ 2114. Call time 26 | Oct 2023 | probably 17:46 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Das Spiel beginnt"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [1977]. Druckplatte: 19 x 16 cm. Gerahmt & hinter Glas : 45,5 x 35,5 cm. auch "Trau, schau wem". Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : vgl. Dorsch WVZ 2268. Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:47 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The game begins"Lithograph. Pencil signature, red stamp "Clan Press". [1977]. Print plate: 19 x 16 cm. Framed & behind glass : 45.5 x 35.5 cm. also "Trau, schau wem". German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : cf. Dorsch WVZ 2268. Call time 26 | Oct 2023 | probably 17:47 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "... und segne, was du uns bescheret hast"Aquarellierte Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [1970]. Druckplatte: 24 x 21 cm. Gerahmt & hinter Glas : 45,5 x 35,5 cm. vgl. Dorsch WVZ 2481. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:48 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "... und segne, was du uns bescheret hast"Aquarelle lithograph. Pencil signature, red stamp "Clan Press." [1970]. Print plate: 24 x 21 cm. Framed & behind glass : 45.5 x 35.5 cm. cf. Dorsch WVZ 2481. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Call time 26 | Oct 2023 | expected 17:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.