70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

An original poster for the 1928 IX Summer Olympic Games, Amsterdam, offset lithograph, designed by Joseph Rovers98 x 59.5cmBacked on to paper, there are a number of tears, the worst of which have been crudely repaired. Some foxing. See additional images.

A German jazz poster for the 'Rosenmontag' carnival, circa 1930s, lithograph in colours120 x 83.5cmFormerly folded into eights, and crease lines evident, water damage, tears and repairs along lower edge - see additional images.

An original poster for the 1968 XIX Summer Olympic Games, Mexico, designed by Lance Wyman (1937-), offset lithograph90.5 x 88.5cm

An original poster for the 1968 XIX Summer Olympic Games, Mexico, offset lithograph61.5 x 60cm

§ Fernand Léger (1881-1955) Mere et enfant (woman and child) signed 'F. Leger' (lower right); numbered 82/200lithograph 36 x 26cmProvenance:With The Redfern Gallery Ltd., where acquired December 6 1956

§ Jacques Villon (1875-1963) Vers la Chimère, 1962 lithograph48 x 39cmProvenance:With The Redfern Gallery, London, where acquired in December 1956

§ Le Corbusier (1887-1965) Modulorlithograph, published by Atelier Mourlot, Parisunnumbered from the edition of 20071 x 53cmProvenance:With The Redfern Gallery, where acquired in February 1964Not examined out of the frame, edges obscured by the mount so not available for inspection. The sheet with some minor and uniform age toning, some light negligible foxing noted, but overall in nice condition

§ Bernard Meadows (1915-2005) Study for Sculpturesigned and dated 'Meadows '78' (lower left); numbered 0/20lithograph34.5 x 30.5cm;together with The Watchersetching, unframed24 x 35cm (2)

§ Jean Cocteau (1889-1963) Blue Eaglenumbered 106/160; signed by Fernand Mourlot (lower right)lithograph, published by Mourlot Editions, unframed50 x 65cm

§ Max Ernst (1891-1976) Les Chiens ont Soiflithograph, unframed43.5 x 62cm

§ A mixed group of unframed contemporary works, to include: Gernot Kissel (1939-), Reclining Nude, signed 'G Kissel' (lower right), artist's proof, lithograph, 75 x 94.5cm; Shusaku Arakawa (1936-2010), Test Mirror, signed and dated 'Arakawa 75' (lower right), numbered 70/100, lithograph and silkscreen with embossing, 75.5 x 109cm; Christo (1935-2020), Wrapped Reichstag, offset lithograph with foil stamp, 40 x 30cm; Kenneth Coutts-Smith (1929-1981), Head Study, signed verso, mixed media, 37 x 30.5cm; and Carlo Rosberg (1902-1994), Port Scene, signed and dated 'Carlo Rosberg 75' (lower right), numbered, 78/290, lithograph, 57 x 73.5cm (5)

§ Georges Braque (1882-1963) Nature morte à la palettenumbered 194/250lithograph49 x 47cm

Henri de Toulouse-Lautrec (1864-1901) Le Coiffeurnumbered 'No.18' in red crayonlithograph, second state; printed by Eugene Verneau, published by Kleinmann, Paris, 189339 x 30cm

§ Elsie Henderson (1880-1967) Mountain lionssigned 'EHenderson.' (lower right)lithograph21.5 x 30.5cm

§ Edward Bawden CBE, RA (1903-1989) The Queen's Gardensigned 'Edward Bawden' (lower right); numbered 143/160lithograph50.5 x 63.5cmGood condition

§ Victor Pasmore CH, CBE (1908-1998) Points of Contact No.2signed with initials and dated '65' (lower right); numbered 36/70lithograph, unframed57.5 x 92cmTears across the top of the print, a lot of creases to the left of the image and a crease bottom right, overall discolouration

A group of seven unframed prints, to include: Josef Herman (1911-2000), Figure against a dark sky, signed 'Josef Herman' (lower right), numbered 10/70, lithograph, 57 x 80cm; Tom Phillips CBE, RA (1937-), Six Pieces OP. X, signed 'Phillips' (lower right), numbered 144/150, silkscreen, 76 x 56cm; Daniel Lang (1935-2013), Street Light, signed and dated 'Daniel Lang 1973' (lower right), numbered 109/150, screenprint, 55.5 x 70.5cm; Hans Erni (1909-2015), Artist's Studio, signed 'Erni' (lower right), numbered 20/75, lithograph, 56.5 x 76cm; Jean Carzou (1907-2000), Aurora, signed and dated 'CARZOU 70' (lower right), numbered EA 13/20, lithograph, 49.5 x 65.6cm; James Coignard (1925-2008), Untitled, signed 'J.Coignard' (lower right), numbered 28/75, carborundum etching, 76 x 58.5cm; and James Guitet (1925-2010), Untitled, signed and dated 'James Guitet 12.60' (upper right), numbered 1/20, etching with embossing, 50 x 39.5cm

§ Terry Frost RA (1915-2003) Exhibition poster for Austin Hayes Gallery, 1956offset lithograph63 x 49cmSold framed but not mounted. Sheet with light but fairly extenive creasing throughout, a small nibble to the top edge. Paper appears fairly yellowed in appearance, though it is not clear how much of this is typical age toning and how much is the paper stock itself. Otherwise in good condition.

§ Mary Fedden OBE, RA, RWA (1915-2012) The Orange Mug, 1996signed 'Fedden' (lower right); numbered 503/550offset lithograph on wove paper; published by Bow Art in 1996, with their blindstamp, unframed32 x 40.5cm

§ Graham Sutherland OM (1903-1980) Thorn treefacsimile signed (lower right); numbered 53/75lithograph, unframed76 x 55.5cm

§ Francis Bacon (1909-1992) an exhibition poster for Galerie Maeght showing Lying Figure, 1966offset lithograph70 x 44cm;together with another for Galerie Lelong, 1987, 67 x 50cm, unframed; and a Max Ernst (1891-1976) exhibition poster for Galerie Alphonse Chave, 1976, 76 x 48cm, unframed (3)

Ronald Brooks Kitaj RA (1932-2007) In his forthcoming book on relative deprivation (loneliness)signed 'Kitaj' (lower right); numbered 67/70screenprint83 x 49cm;and Safeguarding of Lifesigned 'Kitaj' (upper right); numbered 45/70offset lithograph, unframed72 x 104cm (2)Framed (Relative Deprivation): Not examined out of the frame, some creasing, most notably on the left hand side where some deep creasing has result in some minor pigment losses, but overall goodUnframed: Creased throughout with a particularly deep crease running the length of the sheet and resulting in pigment loss, the right hand edge with a small tear and all corners with minor edge damage

Yayoi Kusama (1929-) Exhibition poster for I Uendeligheden, Louisianaoffset lithograph, unframedshowing Guidepost to the New Space, 201284 x 59.5cm

§ Paul Rebeyrolle (1926-2005) Paper Collagesigned 'Rebeyrolle' (lower right); numbered 19/75lithograph53 x 75cm

§ Pablo Palazuelo (1915-2007) Untitled Abstractsigned and dated 'Palazuelo / 52' (lower right); numbered 19/50lithograph, unframed65 x 44cmThe surface with light and even age toning throughout, some very light scattered foxing, but overall in nice, clean condition with strong colours and free of creasing.

§ Raoul Ubac (1910-1985) Untitled, 1970signed 'R.Ubac' (lower right); numbered 7/75lithograph64.5 x 49.5cm

§ Terry O'Neill CBE (1938-2019) Monica Vitti - Modesty Blaise, 1966lithograph69 x 67.5cmFrame in a poor condition with knocks and losses to edges, remnants of adhesive tape along the the left hand size of the perspex glazing and with some debris collected beneath along the bottom edge of the frame. The print itself with some minor undulation but appears in good, clean condition

§ A group of four unframed architectural prints, to include: Gerd Winner (1936-), New York Wall, 1978, signed 'Winner' (lower right), screenprint, 99 x 66.5cm; Gerd Winner (1936-), Stage Proof, signed 'Winner' (lower right), screenprint, 78.5 x 83cm; Edwin La Dell (1914-1970), Meadows, Oxford, signed 'Edwin La Dell' (lower right), numbered 39/80, lithograph, 45 x 60cm; and Richard Beer (1928-2017), Covent Garden, signed 'Richard Beer' (lower right), numbered 63/100, etching and aquatint, 66 x 48.5cm

§ Sir Eduardo Paolozzi CBE (1924-2005) Central Park Eastsigned, numbered and dated 'Eduardo Paolozzi A/P 1972' (lower right)lithograph, unframed78 x 56.5cm

Roberto Matta (1911-2002) Untitled formsigned 'Matta' (lower right); numbered 80/100lithograph, unframed90 x 66cm

Walter Richard Sickert (British 1860-1942) - a scene from a stage play (possibly after Kenny Meadows) limited edition lithograph in colours. Signed in pencil by the artist to lower right margin. Fine Art Trade Guild blind stamp to lower left. Published by W J Stacey, London, circa 1930. Image size 19" x 15" (48 cm x 38 cm) excluding margins. Framed size 30" x 23" (75 cm x 58 cm) approx. In period wooden frame, with old gallery label verso for R Jackson & Sons - Printsellers, 18a Slater Street, Liverpool. Condition: strong colour, some age toning to mount.

Jacques Callot (1592 – 1635) The Crucifixion of Christ, copper plate engraving, plate 7.5cm x 6cm; together with Georg Jahn (1869 – 1941) Portrait of a woman in old Silesian national costume, original etching, circa 1900, image 28.5cm x 22.5cm; and Ethel Gabain (1883 - 1950) The Recluse, signed & titled in pencil, lithograph, proof edition of 12, image 37cm x 25.5cmQty: 3The collection of Joan Elizabeth Mary Streeter. Jahn purchased Elizabeth Harvey - Lee, November 2002. Gabain purchased Craddock & Barnard, December 1979.Gabain printed on thin brown paper, some paper discolouring showing signs of previous mounting, good wide border. Some whiter spots to the border and tears to the corners. Professionally repaired tear to the bottom of the border. Now mounted in a card folio with acetate front (not framed)Jacques Callot mounted on card (not framed), Georg Jahn mounted in a card folio with a loose acetate front (not framed)

James Abbot McNeill Whistler (1834 - 1903), Study of a standing female, lithograph, 1879, signed with butterfly motif, Way 15, image 25.5cm x 16cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, September 1974.Trimmed beyond the plate mark, brown spot top right, some slight discolouring with age in places. Framed & glazed, ready to hang. A handwritten ink inscription on the receipt reads 'Extremely rare, only 4 known, including BM, very high priced 1985 Sotheby's'Size with frame 46.5 x 32.5 x 2.5 cm

Eric Ravilious (1903-1942), High Street, 1938, lithograph, Curwen Press, 18 cm x 13cm, together with a lithographic print after Edward Ardizzone (1900-1979), 'Shelter Scene', 70 cm x 100 cm, each framed and glazed.Qty: 2

Dame Elizabeth Frink (1930-1993), 'Spinning Man', lithograph, numbered 13/30, 1965, 80 cm x 76 cm framed and glazed.No apparent faults

James Abbot McNeill Whistler (1834 - 1903), Millbank, Kennedy 71, original etching, circa 1861, on De Erven laid paper, plate 10cm x 12.5cm and Savoy Pigeons, Way 118, Levy 164, lithograph, circa 1896, butterfly mark, published by The Studio, with blind stamp, the page 28cm x 20.3cmThe collection of Joan Elizabeth Mary Streeter. Both purchased Elizabeth Harvey - Lee, January 2001 & April 2000 (The London Original Print Fair) respectively.No obvious faults.

KIRKEBY, Per(1938 Kopenhagen - 2018 Kopenhagen) Abstrakte KompositionFarblithografie. Bleistiftsignatur. [19]79. Exemplar: 13/150. Passepartoutausschnitt: 64 x 46 cm. Gerahmt & hinter Glas : 86 x 68 cm. Dänischer Geologe, Maler, Bildhauer, Architekt und Dichter; zählt zu den bekanntesten skandinavischen Künstlern unserer Zeit. KIRKEBY, Per(1938 Copenhagen - 2018 Copenhagen) Abstract CompositionColor lithograph. Pencil signature. [19]79. copy: 13/150. Passepartout detail: 64 x 46 cm. Framed & behind glass : 86 x 68 cm. Danish geologist, painter, sculptor, architect and poet; among the most famous Scandinavian artists of our time. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DORAZIO, Piero(1927 Rom - 2005 Perugia) Ohne TitelFarblithografie auf Bütten. Bleistiftsignatur. [19]81. Exemplar: 34/100. Blatt: 63 x 60 cm. Italienischer Maler, gilt als Wegbereiter der Abstraktion in Italien und gehört zu den bedeutendsten Künstlern Italiens. DORAZIO, Piero(1927 Rome - 2005 Perugia) Without titleColor lithograph on laid paper. Pencil signature. [19]81. copy: 34/100. Sheet: 63 x 60 cm. Italian painter, considered a pioneer of abstraction in Italy and one of the most important artists in Italy. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) Künstlermappe "Strandspaziergänge"15 Farblithografien. 1982. Exemplar: 614/1000. Mappe: 16 x 23 cm. Vollständiges Mappenwerk mit 14 losen Farblithografien und Titel-Faltblatt mit Farblithografie, Vorwort, Biografie und Inhaltsverzeichnis, herausgegeben vom Kulturbund der DDR, in Original-Mappe mit Prägedruck; Mappendeckel mit Widmung in Tinte "für Ralf Storandt, der nicht an den Strand geht - vor Arbeitseifer ONH August 1983". Deutscher Landschafts-, Stillleben- und Figurenmaler; gilt als bedeutendster Maler der Ostseeregion. "Diese Malerei, inspiriert von der Grenzwelt zwischen Land und Meer, weist zuvörderst auf sich selbst und erst dann auf den Gegenstand, den sie darstellt." (Prof. Dr. Lothar Lang über ONH, in: Malerei und Grafik in Ostdeutschland, Leipzig 2002). Literatur : https://www.atelier-otto-niemeyer-holstein.de. NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) Künstlerermappe "Strandspaziergänge"15 color lithographs. 1982. copy: 614/1000. Folder: 16 x 23 cm. Complete portfolio with 14 loose color lithographs and title fold-out with color lithograph, preface, biography and table of contents, published by the Kulturbund der DDR, in original embossed folder; folder cover with dedication in ink "for Ralf Storandt, who does not go to the beach - from work zeal ONH August 1983". German landscape, still life and figure painter; is considered the most important painter of the Baltic Sea region. "This painting, inspired by the border world between land and sea, points first to itself and only then to the object it represents." (Prof. Dr. Lothar Lang on ONH, in: Malerei und Grafik in Ostdeutschland, Leipzig 2002). Literature : https://www.atelier-otto-niemeyer-holstein.de. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SITTE, Willi(1921 Kratzau - 2013 Halle/Saale) Erotische SzeneFarblithografie auf Bütten. [19]86. Exemplar: 109/150. Blatt: 49,7 x 45 cm. Blatt 1 von 6 Darstellungen mit erotischen Szenen aus der Folge "Baals Lied" zu Liebesgedichten von Bertolt Brecht, 1986. Ecken minimal bestoßen. Deutscher Maler und Grafiker, zählt zu den bedeutendsten und umstrittensten Künstlern der DDR. "Man muss diesen Sitte nicht lieben, weder den Menschen, noch den Künstler. [...] und interessant ist Sitte aus zwei Gründen: wegen seiner exemplarischen Karriere im untergegangenen deutschen Staat, mit allem, was dazugehörte, besonders dem Unerquicklichen; und wegen seiner überquellenden Produktivität, deren Resultat noch der Sichtung harrt. Wenige andere Künstler dürfte es geben, wo das völlig Misslungene derart krass neben den überraschendsten und beglückendsten Funden steht. [...]" (Burkard Müller über WS, www.sueddeutsche.de). SITTE, Willi(1921 Kratzau - 2013 Halle/Saale) Erotic sceneColor lithograph on laid paper. [19]86. copy: 109/150. Sheet: 49.7 x 45 cm. Sheet 1 of 6 depictions with erotic scenes from the series "Baals Lied" to love poems by Bertolt Brecht, 1986.. Corners minimally bumped. German painter and graphic artist, is one of the most important and controversial artists of the GDR. "You do not have to love this custom, neither the man nor the artist. [...] and Sitte is interesting for two reasons: because of his exemplary career in the vanished German state, with everything that went with it, especially the unedifying; and because of his overflowing productivity, the result of which still awaits sifting. There are probably few other artists where the completely unsuccessful stands so blatantly next to the most surprising and gratifying finds. [...]" (Burkard Müller on WS, www.sueddeutsche.de). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRICKER, Dietrich(1928 - 2011) "Wintermode"Farblithografie. Bleistiftsignatur. im Druck signiert: [19]86. Exemplar: 50/50. Blatt: 21 x 21 cm, auf Karton montiert: 26 x 37,5 cm. FRICKER, Dietrich(1928 - 2011) "Winter Fashion"Color lithograph. Pencil signature. signed in print: [19]86. copy: 50/50. Sheet: 21 x 21 cm, mounted on cardboard: 26 x 37.5 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

TÜBKE, Werner(1929 Schönebeck/Elbe - 2004 Leipzig) "Im Kaukasus"Lithografie in Sepia. Bleistiftsignatur, im Druck signiert. Im Druck datiert: 7. März 1984. Exemplar: 56/60. Abbildung: 22 x 31 cm. Gerahmt & hinter Glas : 45 x 53 cm. Deutscher Maler und Grafiker. Er war einer der herausragendsten Künstler der DDR und schuf zwischen 1976 und 1987 das größte Gemälde Mitteleuropas - das Panoramabild "Frühbürgerliche Revolution in Deutschland" in Bad Frankenhausen, Thüringen. Das Kunstwerk zählt zu den bedeutendsten des 20. Jahrhunderts. Literatur : https://www.panorama-museum.de/de/monumentalbild.html. TÜBKE, Werner(1929 Schönebeck/Elbe - 2004 Leipzig) "In the Caucasus"Lithograph in sepia. Pencil signature, signed in print. Dated in print: March 7, 1984. copy: 56/60. Image: 22 x 31 cm. Framed & behind glass : 45 x 53 cm. German painter and graphic artist. He was one of the most outstanding artists of the GDR and created between 1976 and 1987 the largest painting in Central Europe - the panoramic painting "Early Civil Revolution in Germany" in Bad Frankenhausen, Thuringia. The work of art is one of the most significant of the 20th century. Literature : https://www.panorama-museum.de/de/monumentalbild.html. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MATISSE, Henry(1869 Le Cateau Cambrésis - 1954 Nizza) "Nu bleu"Farblithografie. In der Platte signiert. In der Platte datiert: [19]52. Passepartoutausschnitt: 58,5 x 45 cm. Gerahmt & hinter Glas : 69,5 x 56 cm. Aus einer Serie von ca. 12 abstrakten weiblichen Akten, die ursprünglich aus blau koloriertem Papier geschnitten wurden und zu den letzten Werken des Künstlers gehören. Er nannte diese Technik "mit der Schere zeichnen". Blatt knickspurig. Französischer Maler, Grafiker, Zeichner und Bildhauer; Wegbereiter des Fauvismus; zählt neben Pablo Picasso zu den bedeutendsten Künstlern des 20. Jh. "Wer eine Rose malen will, muß zuerst alle Rosen vergessen, die jemals gemalt geworden sind." (Zitat: HM, www.altertuemliches.at). MATISSE, Henry(1869 Le Cateau Cambrésis - 1954 Nice) "Nu bleu"Color lithograph. Signed in the plate. Dated in the plate: [19]52. Passepartout detail: 58.5 x 45 cm. Framed & behind glass : 69.5 x 56 cm. From a series of about 12 abstract female nudes, originally cut from blue colored paper, which are among the last works of the artist. He called this technique "drawing with scissors". Sheet creased. French painter, graphic artist, draftsman and sculptor; pioneer of Fauvism; counts, along with Pablo Picasso, among the most important artists of the 20th century. "Who wants to paint a rose, must first forget all the roses that have ever been painted." (Quote: HM, www.altertuemliches.at). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Rückgrat raus!"Lithografie. Bleistiftsignatur, roter Stempel" Clan-Presse". [1951/1960]. Blatt: 51,7 x 61,7 cm. "Rückgrat raus! Nach diesem Blatt entstand ein Gedicht von Hermann Mostar, das Weber 1961 zusammen mit dem Bild im "Kritischen Kalender" veröffentlichte: [...] Ein schneller Schnitt, dein Rückgrat fehlt,/ und was dich eben noch gequält,/ Ist jetzt direkt vergnüglich,/ Im Wehrdienst robbt sich's wie geschmiert,/ Im Amt kriecht sich's vorzüglich./ Und willst du wo geborgen sein,/ Du kriechst ganz mühelos hinein,/ Hat's doch der Arzt gestanden:/ Ein Rückgrat, das vermißt man kaum -/ Es war nie viel vorhanden [...]" Zitat entnommen auf A. Paul Weber - Museum: https://www.weber-museum.de/werk/gesellschaftskritik.html. Randbereich etwas knickspurig, verso mit Klebespuren. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. Literatur : https://www.weber-museum.de/html; vgl. auch Kirschstein (1993). WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Backbone out!"Lithograph. Pencil signature, red stamp" Clan Press". [1951/1960]. Sheet: 51.7 x 61.7 cm. "Backbone out!". After this sheet was a poem by Hermann Mostar, which Weber published in 1961 together with the picture in the "Critical Calendar": [...] A quick cut, your backbone is missing,/ and what you just tormented,/ Is now directly pleasurable,/ In the military service robbt's like lubricated,/ In office crawls's exquisite./ And if you want to be safe somewhere,/ You crawl in quite effortlessly,/ Hasn't the doctor confessed:/ One hardly misses a backbone -/ There was never much there [...]" Quote taken from A. Paul Weber - Museum: https://www.weber-museum.de/werk/gesellschaftskritik.html. Marginal area somewhat creased, verso with traces of glue. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". Literature : https://www.weber-museum.de/html; see also Kirschstein (1993). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Diskussionen am runden Tisch"Lithografie. Bleistiftsignatur, roter Stempel" Clan-Presse". [1959]. Blatt: 48 x 56,7 cm. Verso mit Klebespuren. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. Literatur : https://www.weber-museum.de/html; vgl. auch Kirschstein (1993). WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Discussions at the round table"Lithograph. Pencil signature, red stamp" Clan Press". [1959]. Sheet: 48 x 56.7 cm. Verso with traces of glue. German lithographer, draughtsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". Literature : https://www.weber-museum.de/html; see also Kirschstein (1993). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HOFER, Karl (Carl)(1878 Karlsruhe - 1955 Berlin) "Das Nest"Original-Lithografie. Im Druck monogrammiert, verso typografisch bezeichnet "Karl Hofer / Das Nest. Originallithographie.". [1921]. Blatt: 35 x 25,5 cm. Aus: "Genius. Zeitschrift für werdende und alte Kunst, 1/21". Randbereich minimal stockfleckig. Deutscher Maler des Expressionismus und des expressiven Realismus, dessen Werk unter nationalsozialistischer Diktatur als "entartet" diffamiert wurde. Literatur : https://www.karlhofer.info. HOFER, Karl (Carl)(1878 Karlsruhe - 1955 Berlin) "The Nest"Original lithograph. Monogrammed in print, typographically inscribed on verso "Karl Hofer / Das Nest. Original lithograph." [1921]. Sheet: 35 x 25.5 cm. From: "Genius. Zeitschrift für werdende und alte Kunst, 1/21". Minimal foxing in margins. German Expressionist painter and expressive realism, whose work was defamed under Nazi dictatorship as "degenerate". Literature : https://www.karlhofer.info. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CHAGALL, Marc(1887 Ljosna - 1985 Saint-Paul-de-Vence) "David und Bathseba"Farblithografie. Unsigniert. [1957]. Passepartoutausschnitt: 34 x 25 cm. Gerahmt & hinter Glas : 59,5 x 48 cm. "Die Beschäftigung mit biblischen Themen hatte von Beginn an als wichtige Voraussetzung Chagalls Erfahrung im Umgang mit der Bibel in jungen Jahren und die Beobachtung eines Lebens aus der Bibel an seinem Vater. Dazu kam, daß in dem Milieu, in dem er aufwuchs, das Wort der Bibel für viele Menschen Licht und Kraft in ihrem schweren Dasein war." (Achim Besgen über MC, www.herder.de). Französischer Maler russisch-jüdischer Herkunft. Er zählt zu den bedeutendsten Künstlern des 20. Jh. Literatur : Gauss (1998), WVZ Nr. 132, S. 91. CHAGALL, Marc(1887 Ljosna - 1985 Saint-Paul-de-Vence) "David and Bathsheba"Color lithograph. Unsigned. [1957]. Passepartout cut-out: 34 x 25 cm. Framed & behind glass : 59.5 x 48 cm. "The preoccupation with biblical themes had from the beginning as an important prerequisite Chagall's experience in dealing with the Bible at an early age and the observation of a life from the Bible at his father. In addition, in the milieu in which he grew up, the word of the Bible was light and strength for many people in their difficult existence." (Achim Besgen on MC, www.herder.de). French painter of Russian-Jewish origin. He is one of the most important artists of the 20th century Literature : Gauss (1998), WVZ No. 132, p. 91. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Landschaft mit BirkenAquarellierte Lithografie. Bleistiftsignatur (mittig im Bild). Abbildung: 30 x 41 cm. Gerahmt & hinter Glas : 38 x 50,5 cm. Blatt gebräunt. Deutscher Maler, Grafiker und Illustrator; 1913 als Professor für Grafik an die Hochschule der Bildenden Künste Weimar berufen, ihm sind wesentliche Verdienste beim Wiederaufbau der Kunsthochschule Weimar nach dem Zweiten Weltkrieg zuzuschreiben, er erhielt 1953 den Nordgau-Kulturpreis der Stadt Amberg in der Kategorie „Bildende Kunst". KLEMM, Walther(1883 Karlovy Vary - 1957 Weimar) Landscape with BirchesAquare lithograph. Pencil signature (centered in the image). Image: 30 x 41 cm. Framed & behind glass : 38 x 50.5 cm. Sheet browned. German painter, graphic artist and illustrator; appointed in 1913 as professor of graphics at the Weimar Academy of Fine Arts, he is credited with significant contributions to the reconstruction of the Weimar Academy of Art after World War II, he received in 1953 the North Gau Culture Prize of the City of Amberg in the category "Fine Arts". *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CLEREN, Jean-Paul(*1940 Belle-Ile en Mer) Surrealistisch-erotische SzeneFarblithografie. Bleistiftsignatur. Künstlerexemplar "e.a.", III/XV. Abbildung: 65 x 50 cm. Gerahmt & hinter Glas : 91 x 73,5 cm. CLEREN, Jean-Paul(*1940 Belle-Ile en Mer) Surrealist erotic sceneColor lithograph. Pencil signature. Artist's copy "e.a.", III/XV. Image: 65 x 50 cm. Framed & behind glass : 91 x 73.5 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KAESEBERG, (*1964 Leipzig) Ohne TitelFarblithografie auf Bütten. Bleistiftsignatur. [19]92. Exemplar: 14/30. Blatt: 54 x 71,5 cm. Zeitgenössischer deutscher Künstler. Literatur : https://www.kaeseberg.de/. KAESEBERG, (*1964 Leipzig) Without titleColor lithograph on laid paper. Pencil signature. [19]92. copy: 14/30. Sheet: 54 x 71.5 cm. Contemporary German artist. Literature : https://www.kaeseberg.de/. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Reservistenkrüge: Metz bzw. Neu-Ulm. Neu-Ulm "Schindele München" gemarkt. Je Porzellan mit Boden-Lithophanie, kolorierte Lithografie, Zinndeckel.. H 29 bzw. 28 cm. "Gefrt. Reiß, 9. Comp. Königl. Bayr. 4. Inft, Regt König Wilh. v. Württemberg, Metz, 1900-1902". Lithophanie mit König Ludwig II. von Bayern. Kaserne mit Wappen und Szenen mit Sprüchen, Deckel mit Infanterist neben Säule und Löwendrücker. / "Infanterist Johann Häsele, 12. Inf.-Rgt. "Prinz Arnulf", 12. Comp. Neu-Ulm, 1902-04". Lithophanie mit Abschiedszene, Stadtansicht mit Wappen und Schulterstück, Szenen und Sprüche, Deckel mit Infanterist neben Löwen und Löwendrücker. Metz etwas berieben und bestoßen, mit Retuschen. 2 reserve tankards: Metz and Neu-Ulm respectively. Neu-Ulm "Schindele Munich" marked. Each porcelain with bottom lithophane, colored lithograph, tin lid.... H 29 and 28 cm respectively. "Gefrt. Reiß, 9th Comp. Royal Bavarian 4th Inft, Regt King Wilh. v. Württemberg, Metz, 1900-1902". Lithophane with King Ludwig II of Bavaria. Barracks with coat of arms and scenes with sayings, cover with infantryman next to column and lion back / "Infantryman Johann Häsele, 12th Inf.-Rgt. "Prinz Arnulf", 12th Comp. Neu-Ulm, 1902-04." Lithophane with farewell scene, city view with coat of arms and shoulder piece, scenes and sayings, cover with infantryman next to lion and lion back. Metz somewhat rubbed and bumped, with retouching. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der Kongreß"Lithografie. Bleistiftsignatur, roter Stempel" Clan-Presse". [1958]. Blatt: 52 x 67,5 cm. Verso mit Klebespuren, rechter Rand mit kleinem Riss. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. Literatur : https://www.weber-museum.de/html; vgl. auch Kirschstein (1993). WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The Congress"Lithograph. Pencil signature, red stamp" Clan Press". [1958]. Sheet: 52 x 67.5 cm. Verso with traces of glue, right margin with small tear. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". Literature : https://www.weber-museum.de/html; see also Kirschstein (1993). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WENTZEL, Fr. "Berlin"Kolorierte Lithografie. Um 1870. Humbert, Paris. Blatt: 32,5 x 45,3 cm, im Passepartout: 37 x 47 cm. Biedermeierliche Ansicht mit Blick auf Berlin vom Kreuzberg aus, im Vordergrund Staffagefiguren und Kreuzbergdenkmal. Stockfleckig, rechter Rand mit Wasserschaden. WENTZEL, Fr. "Berlin"Colored lithograph. Circa 1870. humbert, Paris. Sheet: 32.5 x 45.3 cm, in passepartout: 37 x 47 cm. Biedermeier view with a view of Berlin from the Kreuzberg, in the foreground staffage figures and Kreuzberg monument. Stick stained, right margin with water damage. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ARCHIPENKO, Alexander(1887 Kiew - 1964 New York City) Figürliche KompositionOriginal-Lithografie. Verso typografisch bezeichnet "Archipenko / Figürliche Komposition. Originallithographie". [1921]. Blatt: 35 x 25 cm. Aus: "Genius. Zeitschrift für werdende und alte Kunst, 1/21". Ecken minimal gebräunt. US-amerikanischer Bildhauer ukrainischer Herkunft; zählt zu den Wegbereitern der modernen Bildhauerei. ARCHIPENKO, Alexander(1887 Kiev - 1964 New York City) Figurative CompositionOriginal lithograph. Verso typographically inscribed "Archipenko / Figural Composition. Original lithograph." [1921]. Sheet: 35 x 25 cm. From: "Genius. Zeitschrift für werdende und alte Kunst, 1/21". Corners minimally browned. US sculptor of Ukrainian origin; counts among the pioneers of modern sculpture. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BENEDIKT, Václav(*1952 Pilsen) "Zluty Totem"Farblithografie. Bleistiftsignatur. [19]93. Exemplar: 61/87. Gerahmt & hinter Glas : 65 x 51 cm. Abstrakte Komposition mit goldfarbenem Totem. Tschechischer Maler und Grafiker. BENEDIKT, Václav(*1952 Pilsen) "Zluty Totem"Color lithograph. Pencil signature. [19]93. copy: 61/87. Framed & behind glass : 65 x 51 cm. Abstract composition with golden totem. Czech painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KIRKEBY, Per(1938 Kopenhagen - 2018 Kopenhagen) Abstrakte KompositionFarblithografie. Bleistiftsignatur. [19]79. Exemplar: 13/150. Passepartoutausschnitt: 64 x 46 cm. Gerahmt & hinter Glas : 86 x 68 cm. Dänischer Geologe, Maler, Bildhauer, Architekt und Dichter; zählt zu den bekanntesten skandinavischen Künstlern unserer Zeit. KIRKEBY, Per(1938 Copenhagen - 2018 Copenhagen) Abstract CompositionColor lithograph. Pencil signature. [19]79. copy: 13/150. Passepartout detail: 64 x 46 cm. Framed & behind glass : 86 x 68 cm. Danish geologist, painter, sculptor, architect and poet; among the most famous Scandinavian artists of our time. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die tapfere Marionette"Lithografie. Bleistiftsignatur, roter Stempel" Clan-Presse". [ca. 1960]. Blatt: 62 x 70 cm. Oberer Rand knickspurig und rissig, etwas griffspurig, verso mit Klebespuren. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. Literatur : https://www.weber-museum.de/html; vgl. auch Kirschstein (1993). WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "The Brave Marionette"Lithograph. Pencil signature, red stamp" Clan Press". [ca. 1960]. Sheet: 62 x 70 cm. Upper margin creased and cracked, some grip marks, traces of glue on verso. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". Literature : https://www.weber-museum.de/html; see also Kirschstein (1993). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) Ohne TitelFarblithografie. Bleistiftsignatur, roter Stempel" Clan-Presse".Blatt: 54,5 x 46 cm.Verso mit Klebespuren.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus.Literatur : https://www.weber-museum.de/html; vgl. auch Kirschstein (1993).| Nachtrag 25.10.22: Titel "Nun rede, wenn du kannst" WVZ 1839 WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) Without titleColor lithograph. Pencil signature, red stamp" Clan Press".Sheet: 54.5 x 46 cm.Verso with traces of glue.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century".Literature : https://www.weber-museum.de/html; see also Kirschstein (1993).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DUNCAN, Joseph(*1920) Abstrakte KompositionFarblithographie. Im Druck signiert, verso mit Bleistift bezeichnet sowie undeutliche Zeichen (77/83?). Blatt: 50 x 65 cm. Gerahmt & hinter Glas : 48 x 73 cm. Blatt mit Lichtschaden. DUNCAN, Joseph(*1920) Abstract CompositionColor lithograph. Signed in print, inscribed in pencil on verso as well as indistinct marks (77/83?). Sheet: 50 x 65 cm. Framed & behind glass : 48 x 73 cm. Sheet with light damage. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Ansicht des Prebischtores in der Sächsischen SchweizKolorierte Lithografie. Kunsthandlung Ernst Arnold, Dresden. Abbildung: 16 x 24 cm. Gerahmt & hinter Glas : 27,5 x 36,5 cm. Biedermeierliche "Ansicht des Thores am Prebischgrunde in der Sächsischen Schweitz", ebenso in französischer Sprache betitelt "Vue du rocher dit Prebischthor dans la Suisse Saxonne". Stockfleckig. View of the Prebisch Gate in Saxon SwitzerlandColored lithograph. Kunsthandlung Ernst Arnold, Dresden. Image: 16 x 24 cm. Framed & behind glass : 27.5 x 36.5 cm. Biedermeier "View of the Gate at the Prebischgrunde in the Saxon Switzerland", also titled in French "Vue du rocher dit Prebischthor dans la Suisse Saxonne". Stick spotted. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.