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70555 Los(e)/Seite
Los 257
AFTER JEAN ETIENNE LIOTARD La Chocolatier, coloured lithograph, published by Zolmmer of Dresden, 16" x 10 3/4"; after Paul Gavarni, `Petite Servante` from the Physionomies Parisiennes, published by Le Mercier of Paris, 11 1/4" x 7 1/2", another Gavarni lithograph, `Therese`, from Etudes d`Enfant, 8 x 6 1/4"; after Felicine Rops, `Beurre d`Isiguy aux Halles`, signed in the margin and dated November `75, etching, 6 3/4" x 5"; and nine further prints (13)
Los 30
J.M. HEATHCOTE, C.G. HEATHCOTE, E.O. P.-BOUVERIE & A.C. AINGER, TENNIS, LAWN TENNIS, RACKETS, FIVES, Badminton Library of Sports and Pastimes, London: Longmans, Green & Co., 1903, 8°, new edition, plates and illustrations, some wood-engraved (ownership stamp on title), original blue half morocco gilt (lightly rubbed); OTWAY EDWARD WOODHOUSE (patentee). Letters Patent to Otway Edward Woodhouse...for an Invention of "Improvements in handles for rackets or lawn tennis bats", London: Her Majesty's Stationery Office, 1881, 8°, four pages of text and one double page photo-lithograph illustrating handles manufactured to Woodhouse's specification (some browning to margins, disbound). With another printed patent "for washing lawn tennis balls" (1882) (3), Provenance: A.E. Reid May 1905, ownership inscription on front blank; Alex W. Percy, inscription on front blank and stamp on title, Christie's South Kensington: Tennis and Racket Sports, 16 June 1995, Lot 14
Los 1865
A group of assorted prints and engravings, including a Perspective view of the inside of The Royal Exchange, London by Bartolozzi after Chapman; London Bridge, lithograph after E. Walker; A North East view of the New General Post Office after James Pollard; London plate II (Tower of London) after William Daniell; the Tower of London after C. E. Holloway; St Pauls after John Fullwood; Southwark Iron Bridge after J. Gendall; and London Bridge after Thomas Shotter Boys. (qty)
Los 117
Walker (Thomas A.). The Severn Tunnel: its Construction and Difficulties 1872-1887, 1st ed., 1888, five eng. ports., ten tinted lithograph plts., twenty-nine maps, plans, and diagrams, some of them folding, tipped-in autograph letter signed from the author, ink library stamps to verso of plts., plans and title etc., ownership inscriptions to title, adhesive tape repairs to some inner margins, 20th c. half morocco, library numbers to spine and with gilt title stating ‘vol.1’, 8vo. Ottley 2564. (1)
Los 299
* Bruckner (Max, 1888-). Bayrauther Buhnenbildr, a set of eight fine chromo. lithograph illustrations of set designs by Paul Joukowsky and Max Bruckner for the operas of Richard Wagner, at Bayrauth, published by Dr. G. Henning’s Graph. Kunstanstalt, Greiz, n.d., c. 1900, image size 13 x 17.5 cm, each tipped-onto grey mount with printed details to lower margin, framed as two sets of four images, (overall dims. 33 x 110 cm), glazed. From the set of thirteen chromolithograph plates specially printed in 15 colours after the original designs by the painter Max Bruckner, who designed all the sets for the Bayrauth Festivals between 1882 and 1909. (2)
Los 300
* Brunel (Isambard Kingdom). The Leviathan; Ready for Sea, Designed and Constructed by Scott Russell Esq. - Engineer, I.K.Brunel Esq. F.R.S., c.1858, lg. tinted lithograph of Brunel’s famous steamship, the ships dimensions and statistics are listed under the title, slight browning, overall size 495 x 610 mm, framed and glazed. Although launched with the name Leviathan she was better known as ‘The Great Eastern’.A ship which was to have a troubled birth, launch and maiden voyage. Scott Russell, the constructor was declared bankrupt, having seriously underestimated the cost of construction. The ship took four attempts to lauch and on her maiden voyage down the channel, one of her boilers blew with such force that it threw no.1 funnel into the air. The explosion also killed several stokers. On her first crossing of the Atlantic, she had only thirty-five passengers (and 419 crew), and the voyage was delayed as the Captain refused to leave port because most of his crew were drunk. Her history was chequered and included a period as a troop ship and cable layer as well as being a passenger liner. She never really made enough money for her owners and she was eventually scrapped in 1890. Her top mast was purchased by Liverpool football club as a flag pole and still stands at the Kop end at Anfield. (1)
Los 332
* Oxford. Nicholson (William), Wadham College, Front Quad, pub. Stafford Gallery, c.1905, lithograph signed in ink in lower left margin, blind stamp in lower right margin, slight surface dirt 260 x 350 mm, mounted, together with Radclyffe (William), South East View of the Taylor Building & University Galleries, c.1840, hand col. eng., trimmed to image, 225 x 355 mm, framed and glazed, with a good etching of Brasenose College & Radcliffe Camera, titled, blind stamped and indistinctly signed in pencil, together with another eight etchings, prints and engravings of Oxford colleges and buildings, various sizes and condition, mostly framed and glazed. Not examined out of frames. (11)
Los 351
* Snaffles (pseud. Charles Johnson Payne.). The Gunner, “Good hunting old sportsman”, c.1916, lithograph with body colour, two remarques of a bi-plane and a column of horse drawn artillery, some spotting and browning to margins, overall size 430 x 305 mm, framed and glazed in contemp. stained oak frame (1)
Los 534
A group of decorative tennis collectibles, comprising: a Victorian silver plated ashtray with tennis racquet decoration, the circular tray with raised centre surmounted by a model tennis ball and supporting cigarette rests modelled as Demon fishtail racquets, diameter 10cm., 4in; a silver plated cigarette case engraved as a prize M.A.C., TENNIS TOURNAMENT, 1ST. PRIZE SINGLES, 1913, WON BY, L.F. TURNBULL, the cover monogrammed, 10cm., 4in.; a late 19th century Continental spelter figure of boy playing tennis, the base bearing an indistinct signature, double toned bronze patina, height 32cm., 12 1/2in.; an American etching of Helen Wills at East Hampton, signed in pencil, dated 1924 in the plate, with legend reading HELEN WILLS AT EASTHAMPTON NO.1 (6 7/8" high, 4 7/8wide) PROOF IN POSSESSION OF MISS HELEN WILLS; an American colour lithograph of a lady playing tennis, published by Frederick A. Stokes Company, 1890, 27.5 by 21.5cm., 10 3/4 by 8 1/2in.; and a boxed Centenary Wimbledon Tennis Championships (1877-1977) porcelain plate by Spode, from a limited edition numbered 681 of 1,977, printed decoration incorporating details from the men's and ladies' trophies and hydrangeas, extensive gilding, diameter 27cm., 10 1/2in., complete with original box, certificate of authenticity and. sales booklet
Los 643
Macmillan and Co Ltd., circa 1940's, Publisher- "Unloading Cotton at the Manchester Docks"; "The Sennar Dam on the Blue Nile"; off-set lithograph printed in colours, for 'Today and Tomorrow, Creative Activities', 43x53cm: together with further educational posters by Macmillans intended for use as classroom visual aids all circa 1940's from the same or similar edition, examples depicting either stories from the Bible or pictures showing "Contented and grateful indigenous peoples the world over enjoying the benefits of being subject to the power of the British Empire"; to include The Railways, A Dog and Her Puppies, The Opening of the Stockton and Darlington Railways, Sheffield Steel, Pulling Flax in Northern Ireland, At A British Rope Works and others, after various hands to include MacTatchell, Cornwell, Norman Howard, Paul B Mann amongst others, (a lot) (unframed)
Los 653
Bernard Larjou, French 1908-1986- Head study; lithograph printed in colours, with full margins on wove paper, signed and numbered 14/35, 59x37cm: Raffi Kaiser, Israeli/French b.1931- "La Paix"; lithograph printed in colours, full sheet with margins, on Arches wove, signed and dated 1972, titled and dedicated in pencil, numbered EA, 55x76cm: together with one other lithograph by the same hand titled "A Hilda et Hilary"; etching, signed, dated 1979 and numbered HC in pencil, by the same hand: M F Crowther, late 20th century- "Petra", etching, signed, titled and numbered 2/10, (4) (unframed (may be subject to Droit de Suite)
Los 662
Michael Heindorff b. 1949- "Untitled; lithograph, Proof, signed in red crayon, 41x65cm: together with six other similar lithographs by the same hand: David Jarvis, late 20th century- "Reflection", lithograph printed in colours, A/P, signed and titled in pencil, (11) (unframed) (may be subject to Droit de Suite)
Los 666
Kip Gresham, British, b.1951- "Gamma"; lithograph printed in colours, signed and dated 94, 52x58cm: together with further similar lithographs by the same hand: Ruth O'Donnell, Irish, b.1952- Still-life of pots; aquatint, A/P, signed, together with one other example by the same hand: Megan Fishpool, late 20th century- "Score Red Vonal KSZ"; etching with aquatint printed in colours, signed, (15) (unframed) (may be subject to Droit de Suite)
Los 668
Evelyn Pottie, Scottish b.1945- "Broomhill"; silk-screen, signed, titled, dated 94 and numbered 34/46, 33x54, together ten further signed and numbered multiple copies of the same print: L W Williams, late 20th Century- "Daffodil Fields", lithograph printed in colours, signed, titled and numbered 9/30 in pencil and one other by the same hand and three further screenprints by Joan Wilson, late 20th Century- "Moonrise, Snow moon and Green Barley, (15) (unframed) (may be subject to Droit de Suite)
Los 768
Alisa Findlay, late 20th century- "Place Henna, Marrakesh"; giclee print in colours on canvas, signed and inscribed 'A/P' within the plate, signed with initials within the plate, 93x68.5cm: together with eight other 20th century artist's prints including: Patrick Hughes b.1939- "Colour Process"; screenprint in colours, signed, titled and numbered 178/250 in pencil: Michael John March- "Azure Trio"; lithograph in colours, signed, titled and numbered 74/75 in pencil: Mario Minichiello, Italian b.1961- "Nesting"; woodcut, signed in pencil: David Koster b.1939- "Lynxes"; lithograph in colours, signed, dated '65 and numbered 2/16 in pencil: Denise Wylie- "Friston-Morning"; screenprint i colours, signed, titled and numbered 20/20 in pencil: Mark Unsworth- "Mediterranean Breeze"; lithograph printed in colours, signed, titled and numbered 4/10 in pencil: Colin Rufffell b.1939- "Blackfriars Bridge"; lithograph printed in colours, signed, titled and numbered 18/250 in pencil: Maggie Milner- "Leopard Skin"; c-print in colours, signed and dated '96 within the plate, all the above artists late 20th/early 21st century, (9) Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
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70555 Los(e)/Seite