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70553 Los(e)/Seite
*Estelle Thompson b.1960- "Moving Colour I "; lithograph printed in colours, signed, titled and dated 02, in pencil: together with two other lithographs printed in colours entitled Moving Colour II and III, 37x27cm each: Wendy Anderson late 20th century- "Untitled I, II and III"; oil on paper, circa 1998, 61x43cm, each, (6), (may be subject to Droit de Suite)
*Geoffrey Elliot, Australian b.1935- "Royal Crescent, Brighton"; lithograph printed in colours, signed, numbered 52/75 and titled in pencil: together with one other lithograph printed in colours entitled Royal Spa, Brighton, signed, numbered and titled in pencil, 57x78cm each, (2) , (may be subject to Droit de Suite)
Thomas Rowlandson 1756-1827 & Augustus Charles Pugin 1769-1832- "South Sea House, Divided Hall"; publ London Feb 1 1810, at Ackerman's Repository of Arts 101 Strand, plate 102; hand-coloured aquatint, 22x27cm: After David Barber 18/19th century, "Covent Garden Market, in the Year 1815"; publ by John Kendrick No 54, Leicester Square; hand-coloured crayon manner lithograph, printed by Engelmann & Co: Benjamin Cole c.1697-1783, "A View of the Guild Hall of the City of London and The Arch Bishop of Canterbury's Palace at Lambeth"; hand-coloured engravings, (4)
Circle of Charles Frederick Tunnicliffe RE 1901-1979- Study of Seagulls; watercolour, 35x52.6cm: After Sir Peter Markham Scott 1909-1989- Ducks in flight and ducks on a lake; reproductions printed in colours, a pair, both signed in pencil: Leonard O'Bussey mid 20th century- Haystacks, watercolour, signed: After Henri Mattisse 1869-1954- Abstract form; lithograph, signed within the plate, 34x25cm: After Henry Scott, British 1911-2005- "The Dreadnought" published 1973 by Venture prints Ltd of Bristol, reproduction printed in colours, signed in pencil and within the plate and with blind stamp, 66x78cm: together with a pair of early 20th century Art Deco style maple veneered photographic picture frames with chrome fittings, 33x27cm, ea. (10)
John Rocque d.1762- "Prospect of Greenwich Hospital from the River"; published 1739, hand-coloured engraving with text, 37x69cm: Robert Martin fl. mid-19th century- "A View of the West Side of London Bridge in the Year 1710..."; publ: 124 High Holborn, hand-coloured lithograph, after Sutton Nicholls 18th century: British school early 19th century- "The New London Bridge..."; publ: by R H Laurie, No 53 Fleet Street, hand-coloured etching with aquatint, (3)
Sam Kaner, American 1924-1990- Untitled abstract form; aquatint printed in colours, signed and numbered 10/40 in pencil, 21x17cm: together with one other aquatint by the same hand, signed and numbered 5/10 in pen, 13x18cm: Olaf Markussen, Danish 1912-1995- Interior cafe scene with figures; etching with aquatint, signed, titled and dated 39 in pencil, 30.5x24.5cm: William O'Hly, exh 1935-37- Factory workers at a night cafe; lithograph, signed, dedicated and dated 3 Apr 35 in pen, 42x33.5cm., (4)
*Max Bill, German 1908-1994- "Vier Glieder"; lithograph printed in colours, signed, numbered 27/50 and dated 73 in pencil, 60x50cm. Provenance: with L S Graphics according to label attached to the reverse of the frame: Erika Hegewisch, German b.1937- "Das Buch"; etching,signed , numbered 1/24 and dated 87 in pencil, 56x76cm. Provenance: with Waddington Graphics, London according to label attached to the reverse of the frame: Norman Stevens 1937-1988- "The Fox, Knightshayes"; etching with aquatint in colours, signed, titled, numbered 31/75 and dated 1982 in pencil, 40x56cm. Provenance: with Waddington Graphics, London according to label attached to the reverse of the frame, (3) (may be subject to Droit de Suite)
*Tom Phillips RE RA b.1937- "Curriculum Vitae"; lithograph printed in colours, signed and numbered 7/50 in pencil, 112x80.5cm. Provenance: with Waddington Graphics, London according to label attached to the reverse of the frame: Stephen Buckley b.1944- "Le Lendemain"; lithogra ph printed in colours, signed, numbered 12/45 and dated 1983 in pen, 106x74.5cm. Provenance: with L S Graphics, according to label attached to the reverse of the frame: Arturo di Stefano b.1955- "Atelier No 1"; woodcut in colours, signed and dated 2000 in pencil, 95.5x71cm., (3) (may be subject to Droit de Suite)
After Charles Mozley 1915-1991- "Life of Mademoiselle Mirabelle", publ by Leagrave Press, 1985; lithograph printed in colours, 63.5x45cm: together with eight colour lithographs by the same hand, each signed in black crayon, bears watermark, 59x88cm., ea: together with a calen dar titled 'Pennington Vintage Opera Almanack' containing colour lithographs after the same hand, publ by Pennington Fine Lithographers, London, 1986, (quantity), (unframed)
A collection of travel, tourism and festival posters, to include; a British Railways offset lithograph, depicting Balmoral, by Kenneth Steel, printed by Jarrold & Sons Ltd., Norwich, width 63cm, length 101cm, and another of Boston Cathedral, by Freda Marston, printed by John Waddington Ltd., Leeds & London, width 63cm, height 101cm, and a wide variety of further travel, tourism and festival related posters of European interest. (a lot)
Folio containing various loose prints - ltd ed 2/60 'Untitled' print by Norman Wade, pencil signed and dated '70; 'Sea birds' by Mary Onsom; ltd ed print 'Durham Cathedral', 21/50 by Norman Wade, pencil signed and dated '70; 'Elvet Bridge, Durham', ltd ed 9/60, pencil signed and dated '71; lithograph by B.M. Pennell, dated 1974; John Piper print; 'Yellow Sunflowers', by Zoe Image, ltd ed 6/25 etc (9)
Frank Henry Mason PRISON HULK IN AN ESTUARY artist's proof etching, 11cm x 27.5cm (4.25"x 10.75") CORVETTE artist's proof etching, 10cm x 27.5cm (4"x 6.25") SS GRIT IN ROVE FJORD, NORWAY artist's proof coloured lithograph another, three black and white lithographs after the same and another print (all unframed except the first)

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70553 Los(e)/Seite