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JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (383/500) COLOURED LITHOGRAPH, (PUBLISHED TRYON GALLERY), Winter Landscape with Pheasant and Woodcock, 13” x 18”; plus JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (252/500) COLOURED LITHOGRAPH, (PUBLISHED TRYON GALLERY), Woodland at Winter with Woodcock in Flight, 19” x 13”; plus one further COLOURED PRINT BY THE SAME ARTIST (3)
JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (351/500) COLOURED LITHOGRAPH, Winter Landscape with Pheasant and Woodcock, 13” x 18”; plus DOROTHEA BUXTON-HYDE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (545/850) COLOURED ARTIST’S PROOF WITH PUBLISHER’S BLIND STAMP, “Tawny Owl”, 15” x 22” (2)
RAVILIOUS (ERIC) AND J M RICHARDS HIGH STREET lithograph illustrations, boards printed in blue, brown and black, London: Country Life Ltd, 1938 One of the most highly prized British illustrated books of the 20th century, the initial print run of 2000 was not repeated due to the imminent outbreak of the Second Word War, during which the litho stones were lost in the Blitz.
LEEDS, YORKSHIRE. AN EXTENSIVE GROUP OF GENEALOGICAL AND OTHER RECORDS, LETTERS, PHOTOGRAPHS AND MEMORABILIA OF THE NUSSEY FAMILY OF POTTERNEWTON HALL late 18th-early 20th c (please refer to online catalogue for details) Provenance: The principal collector of these and other papers (i) would appear to have been Agnes Georgina Nussey (b1875) the sister of Mary Anne Leathley Nussey (b1868), daughters of Samuel Leathley Nussey (1835-1895) of Potternewton Hall, a bibliophile who ran a small private press from his house (see following lot) and his wife, Agnes Clark (m 1864); thence by descent to James M Nussey (d1970) of Bromsgrove, by whose widow bequeathed to the present vendor. A name which can be regarded as `woven` into the history of Leeds and the West Riding of Yorkshire, the Nussey family has claimed descent from William the Silent (1533-1584). The name Nussey or Nussé is thought to be a corruption of that of Nassau. Certainly by the 17th century, and for 200 years they were actively involved in the dying and manufacture of wollen cloth in West Yorkshire. In the early 19th century, its prosperity assured, several members of the family played a prominent role in the civic and religious life of the area. Obadiah Nussey, JP, of Morley House, Headingley served as Mayor of Leeds in 1863/64 and was `father` (ie founder) of the town`s Royal Exchange. Sir Thomas Nussey, a baronet (cr. 1909) was MP for Pontefract (1893-1910) and earlier in the century, John Nussey was appointed Apothecary to George IV. It is however, undoubtedly Ellen Nussey (1817-1897) of Birstall, the lifelong friend of Charlotte Bronte, who has the greatest claim to posterity. Potternewton Hall, an exceptionally fine early 18th c brick mansion, was demolished in 1935 for urban development. i) Records of the Clarke family, c1800-1905 of Widewath, near Cumbria, with some Nussey and Murdock-related material, were deposited at Cumbria Record Office by J N Booth & J M Nussey in 1983 (see also lot 305). The lot principally comprises the following:- 1. Photographs a) Three albums containing 130 cartes-de-visite of (mainly Clark and Nussey families, many identified), mostly by Leeds and Yorkshire photographers, in particular Hanson of Leeds. Two of the albums (one of mother of pearl, the other embossed leather) in exceptional, `as new` condition. The former with the engraved monogram of S L Nussey (1835-1895) b) About 70 loose cartes de visite, similar to the above c) A group of about 12 fine professional whole plate photographs (silver prints) of Potternewton Hall and the interiors, just prior to demolition, c1920 d) Two cased `ambrotype` f) Various 19th c albumen prints of the family, many at Potternewton Hall, up half plate g) An early 20th c portrait by Dorothy Wilding and several similar miscellaneous photographs 2. Auction Sale Catalogues a) An extremely rare 18th c Indian sale catalogue: CATALOGUE OF THE EFFECTS OF MR WILLIAM MURDOCK RETIRING FROM BUSINESS TO BE SOLD BY PUBLIC AUTION BY DRING AND COMPANY AT HIS HOUSE IN CLIVE STREET [Calcutta]... 9 AUG. 1799; 233 lots, 7pp b) Sotheby[s], seven 1950s catalogues of sales which included the jewels and other property of Miss M[ary] Nussey (d 1958) c) Hepper & Sons, Leeds, Contents of Potternewton Hall, March 31, 1934, prices marked 3. Documents a) Autograph letters, a small quantity, many in envelopes with various postal markings, penny red or other (inc French) postage stamps b) Miscellaneous material inc Manor of Chadsley [sic] Corbet View of Frankpledge, 1754, genealogical notes and pedigrees, valuations and executor`s accounts and several watercolours by amateur hands (c1900) c) A `Mechanical` valentine card. Hand coloured lithograph of a lady lifting her skirt to reveal her ankles in original envelope with penny red, Leeds, Feb 14 1861 4. Objects a) A Needlework sampler by Charlotte Murdock, Elgin, 1815 b) Four early-mid 19th c knitted wool and cut steel reticules, another purse and a silver chainmail purse engraved M L N[ussey], hallmarked London 1908 c) A Victorian jet monogrammed locket 5 Books a) Davenport (James), The Davenport Family of Reading and Welford on Avon, wrappers, Worcester: for private circulation, 1923 and several miscellaneous other printed books
RALEIGH CYCLE CO LTD THE NEW RALEIGH SUPERBE PATENT DYNO-LUXE MODEL lithograph, 59 x 49cm and three other posters, Rudge Britain`s Best Bicycle, I am a Silver Knight,You are on Velvet with a Humber thE Artistocrat of all Bicycles and Rudge Festival of Britain Cycling Girl Cash Prize Contest, various formats, all 1950s, filing creases (5)
A collection of assorted prints and engravings, including a hand coloured engraving after James Gilray, a pair of hand coloured engravings after B. Breenberg, an aquatint of `Trianon` after Nattes, a lithograph after Gallait, an equestrian aquatint, two pairs of French engravings, a photogravure after Arthur Elsley, a pair of modern reproduction prints of still life studies, and a lithograph of horses signed Fischer (qty).
Silver - Ashbee, C.R. Modern English silverwork. London: Essex House Press, 1909. 4to, number 144 of 200 copies, signed by the author, 100 lithograph plates, some hand coloured, original cloth, paper label [sections of label lacking], cloth rubbed at edges, inner hinges weak, previous silversmith`s pencil notes to some plates; Ffoulkes, Charles Decorative ironwork from the XIth to the XVIIIth century. London: Methuen & Co., 1913. 4to, frontispiece, 31 plates, original cloth gilt, upper board stained, edges rubbed (2)
Lawson, John Parker Scotland, picturesque, historical and descriptive. London: John G. Murdoch, [no date]. 4to, 4 volumes, 72 chromo-lithograph plates, original green cloth gilt, some rubbing to edges; Scott, Sir Walter Provincial antiquities and picturesque scenery of Scotland. London: John and Arthur Arch, 1826. 4to, 2 volumes, 52 plates, original brown cloth gilt, some rubbing to edges, inner hinges strengthened, bookplates (6)
Lear, Edward Journals of a landscape painter in Albania, etc. London: Richard Bentley, 1851. 8vo, map frontispiece, 20 lithograph plates, original blue blindstamped cloth gilt, torn at head of backstrip, foxing to plates, bookplates, newspaper cutting taped to front free endpaper; [Idem] Journals of a landscape painter in Southern Calabria. London: Richard Bentley, 1852. 8vo, frontispiece map [loose], 1 map, 20 lithograph plates, original blue blindstamped cloth gilt, boards faded and foxed, pages loose throughout the volume, inner hinges weak, bookplate; and 5 others on Lear (7)
Attributed to George Washington Lambert (Australian 1873-1930) Study of a woman in profile Signed with initials Pencil 27 x 24cm; 10½ x 9½in With a lithograph of King George V seated in profile signed with G (2) ++1. A few fox marks paper slightly discoloured with faint horizontal discolouration marks; 2. Some blemishes and surface dirt and a mark along her jawline
* Dieter Roth, German 1930-1998- Untitled; lithograph printed in blue and violet, signed, numbered 1/28 and dated 72 in pencil, 63.5x89cm: together with one other similar lithograph by the same hand, similarly signed, numbered 1/28 and dated 72 in pencil: G Lowry, mid-late 20th century- "Night Sleep"; etching with aquatint, signed, titled, inscribed `AP` and dated 72 in pencil, 69.8x53cm: Gerald Scarfe b.1936- Emperor of cats; lithograph printed in colours, signed, titled, numbered 27/99 and dated in pencil, 64.5x50cm: Tavee, mid-late 20th century- Doorway; etching, signed, dedicated and dated 15 September 1984 in pencil, 56.5x75.5cm: After Ernst Fuchs, Austrian b.1930- "Ernst Fuchs, Munchen Wolfgang Ketterer Villa Stuck Das Graphisch Werk 1945-67 6.9.-15.10.67 Prinzregenten Straze", publ by Brenner Brahm & Co., Frankfurt am Main; lithograph/poster printed in colours, 86x60.5cm: Feliks Topolski, Polish 1907-1989- Autobiography; mixed technique screenprint, and off-set lithograph printed in colours, signed and inscribed `AP` in pencil, bears publisher`s blind stamp, 100x75cm: together with a further nine artist`s prints and reproductions by and after different hands, all mid-late 20th century, many signed, (17) (unframed) (may be subject to Droit de Suite)
Dame Elizabeth Frink RA 1930-1993- "Corrida IV", published by Leslie Waddington Prints Ltd., printed by the Curwen Studio in 1973; lithograph in colours, signed and numbered 24/72 in pencil, 57x77cm: together with six other prints from the Corrida suite, each signed and numbered 24/72 in pencil, all mounted in matching perspex frames, 57x77cm.,, ea., (7)
After Clifford Frith b.1928- "Fun Fair", publ by J Lyons & Co Ltd., printed by Chromoworks Ltd., London; lithograph in printed colours, signed within the plate, 73x96cm: After John Rattenbury Skeaping RA LG 1901-1980- "Mare and Foal", publ by Schools Prints Ltd., printed by the Baynard Press for Schools Prints Ltd; lithograph printed in colours, 49.5x75cm,., (2)
Patrick Procktor RWS RE RA 1936-2003- Ornamental garden; etching with aquatint printed in colours, three examples of the same print in a variety of colouring, one signed and numbered 6/75 in green crayon, one signed and numbered 27/75 in pencil, the other signed and numbered 73/75 in pencil, all bear publisher`s blind stamp, 39.5x50cm: Linda le Kinff b.1949- Two ladies with flowers; lithograph printed in colours, signed and numbered 131/200 in pencil, 49.6x65cm: together with one other colour lithograph by the same hand of a standing female nude, signed and numbered 89/200 in pencil, 65x50cm., (5) (unframed) (may be subject to Droit de Suite)

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