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70555 Los(e)/Seite
Los 1544
MARC CHAGALLLONGUS: Daphnis & Chloé. D'après la traduction d'Amyot, revue et complétée par Paul-Louis Courier. Lithographies originales de Marc Chagall. 2 Bände. Paris: Tériade Éditeur 1961. 43,5 x 34,5 cm. Mit 42 farbigen Originallithographien von Marc Chagall, davon 16 doppelblattgroß. Rohe Bogen in 2 Originalumschlägen; in OrSchuber.(Wenige Lithos rückseitig mit Montageresten oder Bletsiftnotizen. Insgesamt von nahezu makelloser Erhaltung. Die Originallithographien farbfrisch. Unbeschnittenes Exemplar.)Ex. Nr. 237 von 250 auf Vélin d'Arches mit Signatur von Marc Chagall im Impressum des ersten Bandes. - Mourlot, Chagall Lithograph II, 308-349. Cramer 46. Die Farblithographien gedruckt bei Mourlot Frères.Textdruck bei der Imprimérie National."Dieses Werk ist bis heute das größte Zeugnis der graphischen Meisterschaft Marc Chagalls. Die Qualität, das Format und die bedeutende Zahl der Lithographien machen dieses Buch zum unanfechtbaren Hauptwerk der illustrierten Ausgaben unserer Zeit." (Mourlot II, S. 131). Neben den Bonnard- und Maillol-Ausgaben die bedeutsamste Adaption des antiken Hirtenromans. Angeregt durch den Verleger Tériade entschloss sich Marc Chagall den Roman zu illustrieren. 1952 und 1954 bereiste er mit seiner Frau Valentina Griechenland und brachte zahlreiche Skizzen und Gouachen zurück. Er brauchte vier Jahre von 1957 bis 1960, um die Gouachen in Lithographien umzusetzen, und die Meisterschaft der Brüder Mourlot war nötig, um die Steindrucke mit bis zu 26 Farben pro Blatt angemessen zu drucken. Der Stoff des antiken Romans kam der Vorstellungswelt Chagalls sehr entgegen, Daphnis und Chloé ist bekanntlich die Geschichte zweier ausgesetzter Kinder, die zuerst von einem Schaf und einer Ziege genährt werden. Aufgefunden von Hirten entdecken sie im ersten Frühling eine merkwürdige Sehnsucht, der sie keinen Namen und keinen Sinn zu geben wissen. Während des Sommers wächst ihr gegenseitiges aber unerfülltes Verlangen ohne dass sie für ihr Leiden Hilfe finden. Herbst und Winter bringen Trennung. Zuerst wird Daphnis entführt, später Chloé, doch kommen sie wieder zusammen. Sie erfahren aber jetzt auch von dem Hirten Philetas den Namen ihrer Krankheit: Eros, die Liebe. Seine Ratschläge können sie noch nicht begreifen. Der kommende Frühling lässt Zuneigung und Verlangen wieder wachsen. Erst nachdem Lykainion Daphnis in der Liebe unterwiesen und er mit Hilfe der Nymphen einen Schatz findet, kann er offiziell um Chloé werben. Nachdem auch beide ihre leiblichen Väter gefunden haben, kommt es zum glücklichen Ende und zum Hochzeitsfest, nicht im Palast sondern in der Hütte der Hirten. Die Liebeserzählung in der griechischen Landschaft im Wechsel der Jahreszeiten wird von Marc Chagall umgesetzt in ein unvergleichliches Meisterwerk der Buchkunst des 20. Jahrhunderts. Nahezu makelloses, farbfrisches und unbeschnittenes Exemplar.
Los 1620
JOAN MIRÓFERNAND MOURLOT u. a.: Lithographe/ Der Lithograph. Bde I-V. Paris: Mazo (I) und Maeght (II-IV) 1972-81 / Genf: Weber 1992 (V). Bde. I-IV franz., Bd. V dt., übersetzt und bearbeitet von Hanna Wulf. 32 x 24,5 cm Mit zus. 36 OrFarblithos von Joan Miró (davon 4 auf den Umschlägen; 10 doppelblattgr.) und zahlr. Farbabb. im Text. OrLn. mit illustr. OrSchutzumschlägen; Bde. II-IV mit Banderole; teils mit zusätzlicher Schutzfolie und in Pp.-Schuber. Cramer 160, 198, 230, 249.(Umschläge teils mit geringen Alter- bzw. Gebrauchsspuren.)Mit Texten von Michel Leiris, Raymond Queneau, Joan Teixidor, Nicolas et Elena Calas und Patrick Cramer.Dazu:JOSÈ PIERREJOSÈ CORREDOR-MATHEOS: Céramiques de Miró e Artigas. Paris: Maeght 1974. 28 x 28,5 cm. Mit 2 doppelblattgr. OrLithos und zahlr. teils farbigen Abbildungen im Text. OLn. mit Schutzumschlag. Cramer 183JACQUES DUPINMiró Radierungen I. Genf: Weber 1984. 32 x 25 cm. Mit 3 OrFarbholzschnitten (davon 1 auf dem Umschlag) und zahlr. Farbabb. im Text. OrLn. mit illustr. OrSchutzumschlag, in Pp.-Schuber. Cramer 255 – Nr. 1097 von 1600 Exemplaren der deutschen Ausgabe.
Los 320
Ravilious (Eric).- Richards (J.M.) High Street, first edition, wood-engraved title vignette and 24 colour lithograph plates by Eric Ravilious, small neat ownership name on front free endpaper, light spotting, original pictorial boards, parts of spine detached (one portion loosely inserted), corners a little bumped, extremities lightly rubbed, 8vo, Curwen Press for Country Life Ltd., 1938.*** One of the best examples of Ravilious's experimentations with colour lithography produced for the Curwen Press.
![Farquharson, Joseph [Lithograph] Flock of Sheep with Shepherd London: C.E. Clifford & Co., 1899, hand-coloured lithograph, 5](https://cdn.globalauctionplatform.com/e200b2ca-6f8e-4de4-af5b-b1da00e89a7e/9355a8a3-0530-40bb-9469-b1da00e988cb/468x382.jpg)
![Willy Feilding (b. 1941) Three scenes from The Dragons Dream Lithograph on arches paper [a] Numbered, '7/30', signed, '](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/842738cf-b22e-4bcb-9029-b1db00ec7af5/468x382.jpg)
![A group of prints from the Pierre Rouve collection To include: [a] Jean Lauthe ( 1918 - 1982), French A geometric abstr](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/03afa389-d363-479c-b0e3-b1db00eee429/468x382.jpg)
Los 577A
A group of prints from the Pierre Rouve collection To include: [a] Jean Lauthe ( 1918 - 1982), French A geometric abstract composition Lithograph, Ed. '2/15' Signed bottom right [b] Suzanne Rodillon (1916-1988), French Two abstract compositions Lithographs One ed. '22/120' signed and dated '1960' lower right, the other ed. '53/160' signed bottom right [c] Ennio Morlotti (1910-1992), Italian Untitled composition Lithograph, ed. '71/100' Signed bottom right [d] Circa 1960 An abstract composition Lithograph, ed. '4/200' Signed indistinctly lower right [e] A view of the Votivskirche in Vienna Etching [f] A view of Fitzrovia Square Etching, ed. '1/12' Signed 'J. Atkinson' and dated 'oct. 1986' bottom right [g] An imaginary octopus Hand-coloured lithograph Signed 'Kovacic' and dated '83' bottom right [h] A double-sided abstract composition of animals and faces Lithograph To be sold without reserve Provenance: Property of Pierre Rouve Dimensions: Ranging from 10 in. (H) x 8 in. (W) To 16 in. (H) x 13 in. (W)
Los 502
Graham Sutherland (British, 1903 - 1980) Articulated Forms (Tassi 54), 1950 Lithograph Numbered lower left, '1/60' in pencil Signed lower right, 'Graham Sutherland' Printed by Curwen Press, London, published by Redfern Gallery, London, with margins Redfern Gallery label verso Provenance: Redfern Gallery; Bonhams, Knightsbridge, 21 September 2011, Lot 4 Dimensions: (Frame) 21 in. (H) x 30 in. (W)
![Pino Ponti (1905 - 1999) Four lithograph portraits [a] signed, lower right 'Pino Ponti' and numbered, lower left '70/140' wit](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/fc308ef4-e784-48ef-a0f6-b1db00eeabb3/468x382.jpg)
Los 608
Pino Ponti (1905 - 1999) Four lithograph portraits [a] signed, lower right 'Pino Ponti' and numbered, lower left '70/140' with stamp to the lower left of paper. [b] signed, lower right 'Pino Ponti' and numbered, lower left '7/19' with stamp to the lower left of paper. [c] signed, lower right 'Pino Ponti' and inscribed, lower left 'Priva d'artiste'. Inscribed extensively to reverse. [d] signed, lower right 'Pino Ponti' and inscribed, lower left 'Prous d'autore' (4/7) with stamp to the lower left of paper. Inscribed to reverse To be sold without reserve Dimensions: [a] 27 in. (H) x 19.5 in. (W) [b] 27.5 in (H) x 19.75 in. (W) [c] 26 in. (H) x 19.125 in. (W) [d] 26 in. (H) x 19.25 in. (W)
![Circa 1960s A group of prints To include: [a] Giorgio Turcato (1912 - 1995), Italian An abstract composition Acquatint Ed. 2](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/2edf1f43-f820-47d4-8cc9-b1db00eee2d9/468x382.jpg)
Los 577B
Circa 1960s A group of prints To include: [a] Giorgio Turcato (1912 - 1995), Italian An abstract composition Acquatint Ed. 23/100 and signed lower right [b] Victor Vasarely (1906 - 1997), Hungarian El cielo, 1956 Lithograph signed lower right [c] Jena Fautrier (), French An abstract composition Serigraph Ed. 70/70 dated 1928 [d] Circa 1960s An abstract black and white print Ed. 53/100 signed lower right [e] Catherine Val (b. 1925), French Mille après-midi France Culture 29 octobre 1976 Serigraph Ed. 159/200 [f] Emil Stoychev (b. 1935), Bulgarian A Harlequin serenading a seated lady Artist's proof Signed lower right [g] A portrait of Nikolai Vasilyevich Gogol Etching Signed upper right To be sold without reserve Provenance: Pierre Rouve Dimensions: Ranging from 2.5 in. (H) x 2.5 in. (W) to 12.5 in. (H) x 9.5 in. (W)
Los 54
Flauti Vincenzo - Manganaro (1842 – 1920) - Original lithograph extracted from the second edition of "L’album dei 500," printed by Tipografia Campajoli, Naples, 1876. The plate is signed at the bottom left: Manganaro, 1892. The plate depicts: FLAUTI, Vincenzo, a mathematics professor Emeritus at the University of Naples. Inner frame dimensions: 32x49 cm. Outer frame dimensions: 36x53 cm. Excellent preservation. Antonio Manganaro (Manfredonia, 1842 – Naples, 1920) was a painter and caricaturist, as well as a drawing professor. He was considered on par with the two other major caricaturists of his time, Errico Colonna and Melchiorre Delfico. In 1885, he obtained the position of drawing professor at the Giambattista Della Porta Technical School in Naples. He left behind many original albums of caricatures, including I Cinquecento del I Parlamento italiano, Ottanta consiglieri municipali del Palazzo San Giacomo, Consiglieri provinciali di Napoli, Contemporanei, etc.
Los 55
Deputy Mayor of Vicaria - Manganaro (1842 – 1920) - Original lithograph extracted from the second edition of "L’album dei 500," printed by Tipografia Campajoli, Naples, 1876. The plate is signed at the bottom right: Manganaro, 1893. The plate depicts: Deputy Mayor of Vicaria. Good preservation. Inner frame dimensions: 32x49 cm. Outer frame dimensions: 36x53 cm. Antonio Manganaro (Manfredonia, 1842 – Naples, 1920) was a painter and caricaturist, as well as a drawing professor. He was considered on par with the two other major caricaturists of his time, Errico Colonna and Melchiorre Delfico. In 1885, he obtained the position of drawing professor at the Giambattista Della Porta Technical School in Naples. He left behind many original albums of caricatures, including I Cinquecento del I Parlamento italiano, Ottanta consiglieri municipali del Palazzo San Giacomo, Consiglieri provinciali di Napoli, Contemporanei, etc.
Los 49
By and after William Burgess - Death of Sir William Courtenay after Shooting Lieut Bennett Representing the Desperate Affray between the 45th Regiment and Adherence of Courtney on Thursday 31st of May 1838 in Bossenden Wood Boughton near Canterbury..., lithograph, hand coloured, stained, closed tears to text, 33 x 44.5cm In modern ebonised frame and recent mount with, on the reverse, fragmentary and browned type written label relating to the present "extremely rare and interesting old print..." April 18th 1936 to Frank E Burton Esquire of Orston Hall Nottingham
Los 190
Langner, M. (geb. um 1860, Schüler v. August Gosch a. d. Königl. Kunstschule in Berlin, 1874/76) Sechs Akademie-Porträtstudien nach Gipsabgüssen Römische Männerbüste, Dante im Profil, Philosophenkopf, Wolfgang von Goethe, Karl Friedrich Schinkel und geflügelter Putto als Relief. 6 Kohlezeichnungen, teils mit Weißhöhung, einmal mit Rötel u. Weißhöhung. Bleistift sign., meist dat. 1876 u. Altersangabe: 16 Jahre, einmal mit dem Zusatz Lithograph bzw. dreimal mit ausgefülltem Papieraufkleber der Königl. Kunstschule in Berlin. Viermal von August Gosch mit Kohle gegengezeichnet. Ca. 29×17 bis 51×39 auf graugrünem, bläulichem und bräunlichem Papier ca. 48×31 bis 57×40 cm. (Lagerungsspuren, teils mit Randläsuren u. kl. Fehlstellen, einmal hinterlegter Einriss am oberen li. Rand). (60977)
Los 3908
Miró, Joan (1893 Montroig - Mallorca 1983) Ohne Titel - aus "Joan Miro - der Lithograph II". Farblithorgaphie/Arches (gebräunt, Lichtrand, verso alte Montagereste), re. u. mit Bleistift sign. und li. u. Ex. XX/LXXX. Blattmaß ca. 45x 37cm. Wvz.: Cramer Nr.1047, aus Suite mt 13 Farblithographien.
Los 185
Original color lithograph on paper entitled Singapore River after a watercolor and gouache by Soon Kam Kam, one of Singapore's leading artists renowned for his landscape and street scenes. Signature, title and date in plate on center left: Wan Soon Kam, Singapore River 1982. Housed in a Japanese wood frame with an off-white mat. Sight size: 9"L x 7.75"H. Frame size: 13.50"L x 13"H x 1"W. Artist: Soon Kam Kam (Singaporean b. 1943)Issued: 1982Dimensions: See DescriptionCountry of Origin: SingaporeCondition: Age related wear.
Los 108
Splendid original color lithograph on paper by Italian Modernist Salvo entitled Paesaggio di Puglia. He depicts a sun-filled town from an elevated terrace with greenery and flowers that overlooks the bright Aegean sea. Signature in graphite on lower right: Salvo. Title on lower left: Paesaggio di Puglia. Housed in a light color wood frame with a lavender mat. Sight size: 15.25"L x 11"H. Frame size: 21"L x 17"H x 1.25"W. Artwork can be unframed and rolled for shipment. Artist: Salvo/Salvatore Mangione (Italian 1947-2015)Issued: c. 1990Dimensions: See DescriptionCountry of Origin: ItalyCondition: Age related wear.
Los 230
A Hint of Duellists (sic) is an antique black and white lithograph by Irish political cartoonist, caricaturist, painter and lithographer John Doyle who depicts a witty British trial scene. Published by Thomas, MacLean, 26 Haymarket, 13 April 1830. Artwork dimensions: 16"L x 12"H. Artist: John Doyle aka H.B. (Irish 1797-1868)Issued: 1830Dimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear. Sporadic foxing.
Los 287
2 bookplates: inc armorial bookplate for Robert Clive (Lord Clive of India); + Joseph Strutt; + copper engraving of William Cavendish after Van Dyck; + 2 short letters by Thomas Bateman, As a child to his Papa, with a 19th century portrait engraving of him; + a large lithograph of Thomas Bateman’s Museum at Lombardale House nr Bakewell by William Bowman, Leeds, c1850, damaged at edges; + 3 18th century copper engravings of Buckingham House, Queens College Library, Oxford and the Chapel, c1770, various sizes. (10)
Los 194
PHOTOGRAPHY Two 19th Century mother of pearl fronted photo albums with ornamental clasps alongside a 1920s photographic travel scrap book diary. Album 1: 29 carte-de-visites, one small religious lithograph and a christmas greetings card with additional space for further photographs. There is some historic damp related wear to the mounts inside. There is no missing mother of pearl and the clasps are secure. 24 x 15cm. Album 2: 50 carte-de-visites with spade for an additional 50 more to the reverse. There is no missing mother of pearl, some age related wear to the spine and some vert de gris to the clasps. 24 x 16cm. The scrapbook consists of various photographs of resorts alongside portraits of a young couple with poetic verses, locations and dates between 1920 and 1921. There is a touching verse 'I climb the mosey (sic) bank of the glade, my love awaiteth me in the shade' alongside a picture of a gentleman lay on the grass. (3)
![Jean Cocteau (French, 1889-1963). Autograph Letter Signed. Addressed to "Bonalumi" of Ventimille [Ventimiglia], 15 September](https://cdn.globalauctionplatform.com/2dd1a163-a6b6-42c8-9b21-b1e20111b9ea/7dfe8791-6382-4b55-b5ef-b1e201130152/468x382.jpg)
Los 98
Jean Cocteau (French, 1889-1963). Autograph Letter Signed. Addressed to "Bonalumi" of Ventimille [Ventimiglia], 15 September 1956, handwritten in blue ink on Santo-Sospir letterhead, signed "Jean" with trademark star. In the letter, Cocteau explains that he would rather do justice to "Desbordes" [Jean Desbordes, Cocteau's romantic partner 1926-1933] than painter Bernard Buffet - whose reputation is sliding. Cocteau says he has recently re-read Desbordes' work "J'Adore". The letter is well-preserved & bright, verso edges with tape & slight surface wear, complete with handwritten postal envelope. Together with Tête de Feu [Fire Head], undated, colour lithograph on Arches paper bearing watermark, signed on the stone, "JC" stamp l.r., numbered 90/200 l.l., 65.5 x 50cm, vibrant colours, wide margins, some pale spotting, top edge verso with two strips of tape residue, plus certificate from Édouard Dermit as legatee of Cocteau's estate at Milly-la-Forêt, 22 December 1991 (2) NB. This Lot may be subject to Artist Resale Rights (ARR)
Los 301
Signed actress photographs from the 1920s onwards to include Fay Compton, Margaret Lockwood, Anne Crawford, Rosamund John, Dottie Lamour, Joan Collins, Petula Clark amongst others alongside various other unsigned post-cards of movie-stars throughout history, a selection of Tamara de Lempicka reproduction postcards and lithograph prints. All in very good condition with minimal wear to corners. (qty in one box)
Los 244
Shepard Fairey (American 1970-), 'Make Art Not War', 2024, offset lithograph in colours on cream Speckle Tone paper, signed and dated in pencil; sheet: 91 x 61cmsheet: 91 x 61cmIn very good conditionNo knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Los 139
Fernando Botero (Colombian 1932-), 'Il Ballo', 1987, offset lithograph in colours on wove paper, signed and numbered from an edition of 200 in pencil; 52 x 41.5cm inc frame52 x 41.5cm inc frameIn very good condition No visible knocks, tears or creases to the sheet Very minor wear to the upper left hand corner of the sheet, visible upon close inspection This work has been framed in a black frame and has been float mounted, leaving all corners and edges of the sheet visibleThis work has not been examined outside of the frame.
Los 105
Yoshitomo Nara (Japanese 1959-), 'Marching On A Butterbur Leaf', 2019, offset lithograph in colours on archival paper, from an unknown edition, published by Dallas Contemporary; sheet: 61 x 45.5cmsheet: 61 x 45.5cmIn very good condition No knocks, tears or creases to the sheet This work has been stored rolled and has not been framed.
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70555 Los(e)/Seite