70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

JOY KIRTON-SMITH (BRITISH, CONTEMPORARY) 'Much ado about nothing' signed lower right, limited edition coloured lithograph numbered 189/295, 65cm x 65cmProvenance: acquired from Washington Green Fine Art.

JOY KIRTON-SMITH (BRITISH, CONTEMPORARY) 'Cascade I'signed lower right, limited edition coloured lithograph numbered 96/295, 66cm x 45cm Provenance: acquired from Washington Green Fine Art.

JOY KIRTON-SMITH (BRITISH, CONTEMPORARY) 'Dance of Passion' signed lower right, limited edition coloured lithograph numbered 26/195, 75cm x 98cm certificate of authenticity reverseProvenance: Acquired from Washington Green Fine Art.

WILLIAM EDWARD ATKINS (1842-1910) 'H.M.S. "Victory"'lithograph, 57cm x 48cm

The Isles of Scilly. Early tour guides and other works. J. S. Courtney. 'A Guide to Penzance and its Neighbourhood, Including the Islands of Scilly,' rebacked with original marbled boards, frontis lithograph, fold out map and seven illustrations as called for, some sporadic spotting but generally good to very good, pp.223 with a further pp.91 for the appendix, errata, E. Rowe, Penzance, 1845; Leonard H. Courtney. 'A Week in the Isles of Scilly,' revised edition, original publishers blind wraps, some light spotting, pp.121, 6 pages of advertisements to rear, E. Rowe, Penzance, 1867;J. C. and R. W. Tonkin. 'Guide to the Isles of Scilly,' second edition, original embossed cloth, rubbed and bumped, contemporary ink inscription to titlepage, tear to vg fold out map, frontis, pp.110, advertisements to rear, F. Roddaa, Penzance, 1887; With a third edition, with repaired card wraps, 1893; James G. Owen. 'Faire Lyonesse. A Guide to the Isles of Scilly,' original printed card wraps, tape repair to spine, staple bound with rear detaching, illustrated and advertisements throughout, pp.97, Coles & Owen, Bideford, 1897; With nine other works on the Isle's of Scilly including by Jessie Mothersole, Walter Besant and Ruth Tamar Carruth. (15)

'Welsh Costumes' Twelve uncoloured lithograph plates, oblong 8vo, original publishers thin card wraps with nibbles and staining, spotting throughout, Newman & Co, London, [1853]

JERRARD, Paul [Illustrator] and SHELLEY, P.B. 'Gems from Shelley Illustrated. An Ode To The Wild West Wind, and The Question,' Folio, dark blue cloth with ornate gilt tooling, rubbed and bumped with split to join, ink inscription to pastedown, spotting to prelims, gilt title page, seven (only) Lithograph plates printed to rectos, Paul Jerrard & Son, London, [c.1859]

CHILDS, G. (artist) 'Landscape Scenery,' Original dark green publishers cloth with gilt tooled title to front board, marbled endpapers, twenty three lithograph plates in the style of a sketchbook, R. Ackerman, London, [c.1850]

'The Royal Mail Picture Book,' Pictorial thin card wraps, some light scuffing but generally vg, colour lithograph illustrations throughout, pp.14, a vg copy of a charming work, L. Van Leer & Co, Holland, n.d.

Lady Sophia Tower. 'Sketches in the Isles of Scilly,' Original printed card wraps, eight lithograph plates, some sporadic spotting but generally good to very good, Dickinson and Co, London, [1848].An extremely scarce work with no copies in the Scilly Isles Museum or Cornwall Libraries. Most of the age-related wear is saved for the front board, with minimal spotting to the images themselves. The bottom left corner has signs of folding. Please view extra images of each lithograph.

"Snaffles" Charles Johnson Payne (1884-1967)"Jock (K.I)",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarque,44 x 34cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Vimy",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarques,41.5 x 35.5cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"A Heilan Lad",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarques,43.5 x 34.5cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Sans Panache",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarques,43 x 33cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"The D.R",snaffles-bit blindstamp,hand-tinted lithograph, with printed remarque,49 x 41.5cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Indian Cavalry (B.E.F)",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarques,47 x 39.5cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Le 75",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarques,42.5 x 32.5cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Le Poilu",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarques,4.5 x 34cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"The Gunner",snaffles-bit blindstamp,hand-tinted lithograph, with printed remarque,44 x 34.5cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Jock",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarque,44 x 33.5cms, in frame.

Laurence Stephen Lowry RBA RA (1887-1976)"Sailing Boats",pencil signed to the margin, with Fine Art Trade Guild blindstamp,offset lithograph, published in 1975 by Venture Prints Ltd,32 x 36cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Bon Voyage",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarques,43 x 30.5cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Anzac",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarque,43.5 x 34cms, in frame.

"Snaffles" Charles Johnson Payne (1884-1967)"Wipers",with snaffles-bit blindstamp,hand-tinted lithograph, with printed remarques,43.5 x 34cms, in frame.

Thomas W. Cowan: 'The Queen bee (Apis Mellifera) : a popular illustrated record of British bee life', London : British Bee Journal, [1910], 16pp, b/w ills. throughout, plus "dissectible model embracing both external and internal parts. Reproduced in natural colours on superimposed plates, with explanatory note" at end as called for, large 4to, original pictorial boards worn (boards detached but present); together with H. Rowland Brown: 'Butterflies and Moths at Home and Abroad', London, 1912, 21 tipped in colour plates as called for, to, orig. cloth gilt, mounted colour ill. to front cover, Gordon: 'Our Country's Butterflies and Moths and how to know them. A guide to the Lepidoptera of Britain', L, Day & Son; Simpkin, Marshall, et al, c.1890, 1000 colour lithograph ills. of butterflies and moths on 33 full page plates as called for, orig. pictorial cloth, several leaves loose; plus 2 others on birds with colour plates (5)

(Counter Culture.) 'Oz Magazine', London, OZ Publications Ink, 33 issues May 1967 to November 1973 (final issue), comprising No.'s 4, 6-8, 19-44, 46-48. Includes the following issues/content amongst others: Oz No.4, June 1967, with large fold out Hapshash and the Coloured Coat cover poster by Michael English & Nigel Waymouth, Martin Sharp Tarot cards images to the reverse; Oz No.6 'OZ & Other Scenes', August 1967, Martin Sharp cover illustration; Oz No.7, October 1967, Bob Dylan 'Blowin in the Mind' psychedelic cover by Martin Sharp; Oz No.8, January 1968, Louise Ferrier cover, with Che Guevara poster and psychedelic While Dads Away, Mum Will Play poster on reverse); Oz No.19, March 1969, Germaine Greer/Viv Stanshall cover; Oz No.21, May 1969, Elektra Records Amazement advert cover with Outcry & Running Man inserts; Oz 24, November 1969, with Honeybunch Kaminski poster insert; Oz No. 26, February 1970, Pussy Power issue with rare "Print Mint" insert; Oz No. 27, April 1970, Acid Oz Robert Crumb cover The Acid Facts text and graphic 2; Oz No. 28, May 1970, The Schoolkids issue white & blue cover with green inset; Oz No. 30, October 1970, with Jimi Hendrix folding poster pull out; Oz No. 35, May 1971, Special Pig issue with pink cover by Ed Belchamber; Oz No. 36, July 1971, with Janis Joplin folding poster pull out; Oz No. 40, February 1972, Special 5th Anniversary John Hurford; Oz No. 41, April 1972, Crime & Conspiracy Issue; OZ No. 43, July 1972, Bali: Hippy Paradise/Van Gough Bowie Lou Reed Hawkwind Martin Sharp etc, The Rock 'n' Roll Show flyer intact; Oz No. 44, September 1972, The Virgin Sperm Dancer + cozmic comics flyer intact, John Lennon etc; Oz No. 47, April 1973, The Rising of the Women issue Soft Machine Yoko Ono Loudon Wainwright etc; OZ No. 48, November 1973, The last issue, nude Oz staff & Nixon cover, plus many others; together with a scarce lithograph print for the OZ Obscenity Fund by David Hockney, London, 1971, depicting the three editors Richard Neville, Jim Anderson and Felix Dennis posing nude. By celebrating the innocence of the naked male form, Hockney playfully portrays the OZ magazine editors as innocent. Approx size 58.5 x 91cm, a/f, with large closed tear. Oz was an independent alternative/underground counterculture magazine founded & edited by Richard Neville, and with many issues with cover art by, and containing superb cartoon, pop art and psychedelic art illustrations by co founder Martin Sharp, and whose staff writers included Germaine Greer, Philippe Mora, Lillian Roxon, Michael Leunig, Angelo Quattrocchi, Barney Bubbles & David Widgery. A good run of issues of the foremost anti-establishment underground press magazine of the 1960s, subject to a famous obscenity trial in the UK in 1971. (34)

Sydney Corner: 'Rural Churches. Their Histories, Architecture and Antiquities', London, Groombridge & Sons, [1869], 1st edition, large paper edition, 18 colour lithograph plates as called for, large 4to (34 x 25cm), original cloth gilt, rebacked leather spine; together with 'Historic House of the United Kingdom', L, Cassell, 1892, b/w ills., 4to, orig. cloth gilt (2)

(Holkham Hall, Norfolk, Guidebooks.) 'New description of Holkham, the magnificent seat of T.W. Coke, Esq. M.P : containing a full and accurate account of the paintings, statues, tapestry, &c. : with a picturesque tour of the gardens and park : embellished with a view of the south front.', Wells-Next-The-Sea, H. Neville, 1835, folding lithograph view of Holkham Hall from South frontispiece, iv,78pp, contemporary cloth. Scarce

(Satire.) Alfred Bunn: 'A Word with Punch', London, Published at 60 St. Martin's Lane, Charing Cross, [1847], "No. 1, - (to be continued, if necessary.)" All ever published. 12pp, engraved illustrations throughout. A satire on the principal contributors of the periodical 'Punch', G.A. À Beckett, Douglas Jerrold and Mark Lemon, with extracts from their writings. Punch’s first star writer, Douglas Jerrold, was nicknamed “the Little Wasp” for his stinging humor and slight frame. In 1843, he began skewering the flamboyant theatrical impresario Alfred Bunn (1796-1860) whom he called “the Poet Bunn” for his supposed literary pretensions. Jerrold never explained why Bunn was chosen, but for four years Punch ridiculed his productions, his management of Drury Lane and Covent Garden theatres and, especially, his 1846 breach-of-contract suit against soprano Jenny Lind, the “Swedish Nightingale.” In retaliation, a fed up Bunn met with editor Albert Smith and writer Shirley Brooks, who had their own quarrels with Punch, and together with George Augustus Sala, they created a twelve-page “squib” that turned the tables on Bunn’s chief tormentors at the magazine: Jerrold, editor Mark Lemon and writer Gilbert á Beckett. On the back, a parody of the famous Warren’s Blacking ad shows Lemon reflected as an ass; another ad offers old issues of Punch “in any quantity, and at any price, on the premises.” Inside are several columns of Punch-like anecdotes, puns and poems, but the heart is Bunn’s seven-page takedown of Jerrold, Lemon and á Beckett, called “Wronghead,” “Thickhead” and “Sleekhead” respectively. With relish and in detail, he exhumes their many theatrical flops, reprints their favor-begging correspondence and nit-picks their verse for faulty images, a blood sport back then. After all that, speaking directly to Punch, he warns: “In carrying out the purport of this little squib, I have confined myself … to matters of a literary nature…. Your puppets, who have assailed, ridiculed and caricatured me for years, without any reason whatever, will not … abandon this branch of their trade now that I have given them reason…. In that case, I am prepared to pay back any compliment I receive with the highest rate of interest allowed by law, and shall let you, and perhaps them, into a secret or two worth knowing.” The response from Punch was … silence, at least in print, though there were reports of staff being dispatched to buy up all the copies of “A Word with Punch” they could locate. The attacks on Bunn ceased immediately and were never renewed, and the “secret or two” he claimed to know stayed secret; one Punch biographer called it “the only defeat of its kind in the magazine’s history.” As a bonus, two months later the courts ruled for Bunn against Jenny Lind, who had to pay him £2,000 damages. Very scarce. Bound together with 'An Account of the Tradesmen's Tokens of Essex', Lowestoft, Samuel Tymms, 1868, 28pp, and Lewis Nockall Cottingham, Architect: 'Some Account of an Ancient Tome...Discovered at Rochester Cathedral 1825', London, J. Taylor, [nd], c.1850, engraved title page followed by 5 stone lithograph plates, scarce. All bound together, 4to, 19th Century half calf gilt, two mounted manuscript letters at front from Nattali & Bond publisher's, 1871, re Joseph Lilly book sale at Sotheby's, 1871, "...this was written by Bunn in retaliation for the attacks made upon him in Punch. The title is "No.1 to be continued, if necessary", but Bunn did not find it necessary to continue it...it is very difficult to meet with. If you would like to purchase it please say how much you will give. Yr. most obed. servts. Nattali & Bond"

(India.) Rajah Jowaher Singh and his AttendantsColoured lithograph of the Sikh Court at Lahore, with the uncle of Duleep Singh, Rajah Jowaher Singh surrounded by nobles, 1858, after W. Carpenter, Illustrated London News, May 22nd, 1858, approx 27 x 40cm. Jawahir Singh was the brother of Rani Jindan, and became chief minister in her Regency in December 1844, after intriguing against and eventually murdering Hira Singh. He himself was executed by Sikh troops in September 1845.

Samuel Woodward: 'An Outline of the Geology of Norfolk', Norwich, John Stacy, 1833, 1st edition, 1st edition, hand coloured lithograph folding geological map of Norfolk, hand coloured lithograph natural section of the Norfolk cliffs, and 6 uncoloured lithograph plates as called for,54,[6]pp, contemporary cloth, printed paper label to spine, ownership inkstamp to title page and ownership signature/inscription on FFEP dated 1875 of Hamon le Strange (1840-1918) of Hunstanton Hall, Norfolk. Scarce

(Beetles.) Carl Schenkling: 'Die Deutsche Kaferwelt', Leipzig, Osfar Leiner, c.1885, 1 uncoloured + 23 coloured lithograph plates as called for, all tissue guarded, original pictorial cloth gilt

James Sowerby, J.E. Sowerby and others: 'English Botany or Coloured Figures of British Plants', London, George Bell, 1902, 3rd edition, 12 volumes (of 13), comprising volumes 1, 3-13, 1,774 hand coloured lithograph plates and 2 uncoloured lithograph plates, ex Repton School Library, inkstamps to title pages, bookplates to front pastedowns, uniform quarter calf gilt (worn, vol. 12 top board detached but present), top edges gilt (12)

Enid Marx, two scarce wartime illustrated juvenile fiction titles: 'Bulgy, the Barrage Balloon', London, Oxford University Press, 1941, 1st edition, 48 unnumbered pages, 24 of which full page lithograph ills. by Enid Marx printed in blue and black as called for, 'Nelson the Kite of the King’s Navy', L, Chatto & Windus, [1942], 1st edition, 16 full page litho ills. by Enid Marx printed in blue and black as called for, each 4to, original pictorial wraps (2)

Napoleon, Napoleonic Wars, Duke of Wellington, 13 volumes, including Sir Henry Drummond Wolfe: 'The island empire, or, The Scenes of the first exile of the Emperor Napoleon I : together with a narrative of his residence on the island of Elba: taken from local information, the papers of the British resident, and other authentic sources', London, T. Bosworth, 1855, 2nd edition, hand coloured lithograph portrait frontis of Napoleon I, engraved folding map of Elba & tinted litho plate of Napoleon's residence at Porto Ferrajo as called for, rebound paper covered boards, Edward Fraser: 'Napoleon the Gaoler: personal experiences and adventures of British sailors and soldiers during the great captivity', L, Methuen, 1914, 1st edition, 12 plates/maps as called for, orig. cloth gilt, W.H. Maxwell: 'Life of Field Marshal His Grace the Duke of Wellington', London, A.H. Baily, 1839-1841, 1st edition, 3 volumes, 48 engraved plates/maps as called for, uniform old half calf gilt, plus 8 others (13)

Allen Jones (b.1937), 'Bikinis', titled, signed and dated 63 in pencil in the image, lithograph, 52 x 74 cm, framed and glazed 54 x 75.5 cmThe Estate of Dame Barbara Mary Quant, DBE CH FCSD RDIGenerally good condition, one pinhole mark, frame shows wear commensurate with age, would benefit from a clean. Sealed in a frame and glazed. Not inspected out of the frame.

Joe Tilson (b.1928), Ziggurat 6, offset lithograph, signed, dated and editioned in pencil 'Joe Tilson 1966', 11/7, 56 x 85 cm, framed and glazed 80.5 cm x 110 cm, together with Eduardo Paolozzi (1924-2005), 'Theory of Relativity', screenprint, signed and editioned in pencil, 71/75, 97 cm x 63 cm, framed 115 cm x 79 cm. (both af)Qty: 2The Estate of Dame Barbara Mary Quant, DBE CH FCSD RDIZiggurat 6 displays noticeable scratches to the print and dirt on the inner frame, Theory of Relativity is unglazed, there is light scratching present on the print and dirt throughout

After Eduardo Paolozzi (1924 - 2005), Mechanical Figure, unsigned, lithograph, sheet 57.5 x 35.5 cm, framed and glazed 78 x 53 cmThe Estate of Dame Barbara Mary Quant, DBE CH FCSD RDI

David Hockney (b.1937), California Scene (1966), signed in the print, lithograph on wove paper, 50.5 x 40 cm, unframedGood overall condition commensurate with age and use.

Jean Helion, (French, 1904-1987) "Composition" Color Lithograph. Pencil signed lower right. Pencil numbered (10/150) lower left. Sheet Size: 26 x 33 in. Unframed.

Mihail Chemiakin (New York, Russia born 1943) "Untitled VII" Color Lithograph. Numbered (41/225) lower left. Pencil Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 19 x 16.5 in. Sheet Size: 30 x 21 in. Unframed.

Leroy Neiman (American, 1921-2012)"Pierrot the Juggler"Pencil signed and numbered (175/200) lower margin. Lithograph in Color. Sheet Size: 29 x 21 in. Unframed.

Francoise Gilot (French, 1921 - 2023) 'La Roue' Color Lithograph. Pencil signed, numbered (20/50), titled and inscribed lower margin. Sight Size: 15.75 x 15.75 in. Overall Framed Size: 29 x 26.5 in. Framed behind glass.

Mihail Chemiakin (New York, Russia born 1943) "Untitled VIII" Color Lithograph. Numbered (39/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 20 x 17.25 in. Sheet Size: 30 x 21 in. Unframed.

Bernard Buffet (French, 1928-1999) "Notre Dame De Paris" Color Lithograph. Signed in plate. Sight Size: 22 x 18 in. Overall Framed Size: 30 x 25 in. Framed behind glass.

Henrietta Wyeth (American, 1907-1997) Pink Amaryllis Pencil signed and numbered (113/300) lower margin. Color Lithograph Image Size: 19.5 x 23 in. Sight Size: 23 x 25.25 in. Overall Framed Size: 35 x 37 in. Framed behind glass.

Currier & Ives (American, 19th c.) After Francis F. Palmer American Game Fish, published 1866 Hand-colored lithograph Toned stripe at image left; overall good ink saturation Double matted in archival housing and modern wooden frame Sight Size: 19.25 x 27.5 in. Overall Framed Size: 28.5 x 36.5 in. Framed behind glass.

David Bowie (British, 1947-2016): Ziggy 2002,2002,no.985 of 2002, limited edition lithograph signed and numbered in pencil by artist Rex Ray along the bottom edge, and signed and dated 2002 by Bowie in pencil, 17in x 11in (43cm x 28cm)Footnotes:This artwork was created by Rex Ray and commissioned by Bowie for the 30th anniversary of his album The Rise And Fall Of Ziggy Stardust And The Spiders From Mars.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Lennon: An Original Bag One Lithograph,1969,no. 207/300, First Edition, first printing, signed in pencil to the lower right by John Lennon, on BFK Rives paper; a plate from one of the original 300 portfolios of prints depicting John and Yoko's wedding and honeymoon, framed and glazed, sheet 23in x 30in (58.4cm x 76cm) 72in x 43in (183cm x 109cm) framed overallFootnotes:All reproduction rights remain with the Estate of John Lennon.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Klaus Voormann (German, b.1938): A Signed And Inscribed Lithograph For The Album Ringo,1973,for the song Hold On, from a set of ten, Cirrus Editions Limited, black ink on Arches paper, torn and deckle edges, numbered 42/75 in pencil and inscribed by the artist, Hilary - have you seen the milkman lots of love from Klaus, the numbered folio with contents sheet also signed and inscribed:To Hilary It Takes Two to Tango and I love you RingoHilary-I'm not just a pritty face Klaus VoormannTo Hilary with good feelings and love for peace of ''our'' minds George xx (om Shanti)To Hilary-''3 Balls Honda'' All My Love Ole Pal- H.N. (Harry Nilsson), 12in x 12in (30.5cm x 30.5cm), (2)Footnotes:Provenance:From the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ringo Starr: A Collection of Signed and Inscribed Greetings Cards and Other Signed Material,comprising; a Humiditas lithograph dedicated and signed To Hillary's Mum, Lots of love, Ringo; six Christmas/Birthday cards (some signed by Barbara Bach; four signed postcard photographs; a note initialled 'R & B'; a postcard signed by Ringo and Nancy; a black and white photo of Ringo signed and inscribed To Dear Hilary, Stick it up you nose, Love Ringo xxx; a picture sleeve signed by Ringo; a CD for With The Beatles signed by Ringo; a vinyl record for Liverpool by Ringo Starr signed by Ringo on the label; and an invitation to Barbara's 50th birthday party, print 8 1/2in x 8 1/2in (21cm x 21cm), (16)Footnotes:Provenance:From the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.For further information on this lot please visit Bonhams.com

Thomas Fairland after Samuel Walters, 'This Print of the Royal William Steam Ship On Her First Voyage to New York', lithograph, 17" x 21" (43 x 53cm).

After John Armstrong, a lithograph (poster) of a mail coach passing a stately home, 17.5" x 22" (44.5 x 56cm).

A paper lithograph over wood Noah’s ark and animals, German 1890s, the flat bottomed ark decorated with images of animals including camel, elephant, lions, bear, chickens, horse, dog and reindeer, painted red roof, opening to one side, 6 ¼” (16cm) tall, 13” (33cm) wide, 4” (10cm) deep, together with a selection of painted wooden animals and people, (condition: ark good, some loss to animals, one pair, mostly odd).

A set of four gilt framed coloured lithograph prints depicting hunting scenes. Approx. 19 cms x 15 cms. Est. £20 - £30.

A large wooden framed lithograph print entitled, "The Leopard Skin". Approx. 72 cms x 46 cms (ss). Est. £30 - £50.

BERYL COOK: (British, 1926 - 2008): A gilt framed and glazed lithograph print published by Alexander Gallery Publications Ltd. entitled "The Trio" depicting three voluptuous naked ladies playing instruments en plein air. Pencil signed to bottom right. Imprint marked to bottom left. Approx. 42 cms x 33.5 cms. Est. £100 - £150.

SUE MACARTNEY SNAPE: (British, born 1957): A gilt framed and glazed lithograph print entitled, "Pass The Port", depicting a party of inebriated elderly gentlemen sipping port and smoking cigars after dinner. Limited edition numbered 678 / 750. Pencil signed and inscribed to centre and bottom right. Approx. 36 cms x 47.5 cms. Est. £30 - £50.

Polyanna Pickering (1942-2018), by and after, Peregrine Falcon taking prey, signed by the artist to mount, limited edition number 2/100, lithograph.

Ivan Lacković Croata (Croatian 1931-2004), by and after, Winter Cockerel, lithograph; Willy Schermele, by and after, ‘Playtime’, lithograph, (2)