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Arthur Wesley Dow Modern Art color lithograph Arthur Wesley Dow (American, 1857- 1922) "Modern Art," 1896, color lithograph from Les Maitre de L`Affiches, printed by Imprimerie Chaix, Paris, signed in plate, marked and embossed in margin, plate 36, 5.5"w x 7"h, overall: 13.5"w x 16"h, framed Provenance: The Collection of Stephen Gray Please contact the John Toomey Gallery to request a condition report on this lot: info@johntoomeygallery.com or (708) 383-5234. The absence of a condition report does not imply that the lot is in perfect condition. Starting Price: $200
Will Bradley The Chap-Book lithograph Will Bradley (American, 1868-1962) "The Chap-Book," 1895, lithograph from Les Maitres de l`Affiche, plate 136, signed and dated in plate, 11.75" x 7.5", unframed toning and mat burn; loss and tears to paper along edges; remnants of adhesive on verso Starting Price: $100
Adolphe Crespin Paul Hankar Architecte lithograph Adolphe Crespin (Belgian, 1859-1944) "Paul Hankar Architecte," 1896, lithograph from Les Maitres de l`Affiche, plate 91, signed in plate, 10.75" x 7.75", unframed toning and mat burn; loss to paper at corners; foxing visible in image and margins; tear to paper at lower margin, away from image Starting Price: $100
Maurice Realier-Dumas In Can des Cen Ce par le Gaz lithograph Maurice Realier-Dumas (French, 1860-1928) "In Can des Cen Ce par le Gaz," 1892, lithograph from Les Maitres de l`Affiche, plate 23, signed in and dated plate, 13.5" x 5", unframed free sheet; toning, mat burn; creasing to paper at corners; tear to paper along lower edge, away from image; tear to paper along right edge, away from image; hole in left margin; remnants from previous adhesive on verso Starting Price: $150
Emile Berchmans Association pour L`Encouragement des Beaux-Arts lithograph Emile Berchmans (Belgian, 1867-1947) "Association pour L`Encouragement des Beaux-Arts," 1896, lithograph from Les Maitres de l`Affiche, plate 108, signed in plate, 8" x 11.5", unframed free sheet; toning to paper; loss at corners; tear to paper along left edge, away from image Starting Price: $150
SALVADOR DALI (Spanish 1904-1989) "The Path to Wisdom- The Banker (Retrospective Suite)" Lithograph on paper. Image: 23 x 17 inches/ 58.4 x 43.2 centimeters. Sheet: 29.5 x 21.5 inches/ 75 x 54.5 centimeters. Signed in pencil lower right "Dali" Numbered lower left "E 310/350" Included in lot: Dali Dali Dali Retrospective Volume II Portfolio Case. Starting Price: $500
MAURITS CORNELIS ESCHER (Dutch 1898-1972) Belvedere, 1958 Lithograph on wove paper Image: 18.2 x 11.5 inches/ 46.2 x 29.5 centimeters Signed & numbered lower left "M. C. Escher, 61/107 IV" Inscription in pencil along lower margin. Inscribed lower right "Boarm, Aug/Sept. 1968" Frame: 28.5 x 20.5 inches/ 72.3 x 52.1 centimeters PROVENANCE: Private Collection, Pleasant Hill, California Starting Price: $7500
JOAN MIRO (Spanish 1893-1983) Le Verdengeur d`Oranges, 1969 Lithograph on Rives BFK paper 33.5 x 23.75 inches/ 85 x 60.3 centimeters Signed in pencil lower right "Miro" Numbered lower left "51/75" Verso: Certificate of Authenticity from W. J. Gilbert Gallery, San Francisco Printer: Arte Adrien Maeght, Paris, FrancePublisher: Maeght Editeur, Paris, France Catalog Raisonne: Mourlot, 596 Frame: 50 x 39.5 inches/ 127 x 100.3 centimeters PROVENANCE: Private Collection, San Francisco, California Starting Price: $2500
DAVID HOCKNEY (British b.1937) Pembroke Studio Interior, 1984 Lithograph on paper 18.75 x 22 inches/ 47.6 x 55.9 centimeters Signed & dated in pencil lower right "David Hockney, 84" Numbered lower left "64/98" Publisher`s embossment lower right Publisher: Tyler Graphics Ltd., New York Frame: 27 x 30 inches/ 68.6 x 76.2 centimeters PROVENANCE: Private Collection, Kentfield, California Starting Price: $2000
PETER MAX (American/German b.1937) Into the Future, 1992 Offset lithograph on paper Image: 9 x 8.75 inches/ 23 x 22.2 centimetersSheet: 11.5 x 9 inches/ 29.2 x 23 centimeters Signed in marker lower center "Max" Numbered in pencil lower left "427/750" Signed in print "Peter Max" Embossed with the seal of the Federation & the Peter Max Atelier "Peter Max 1992" Included in lot: Certificate of Authenticity from the World Federation of United Nations Associations; Stamped envelope from the Federation with offered image Frame: 18.5 x 14.5 inches/ 47 x 36.8 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii Starting Price: $150
PETER MAX (American/German b.1937) The Better World, 1989 Offset lithograph on paper Image: 10.5 x 8.5 inches/ 26.6 x 21.5 centimetersSheet: 12 x 9.5 inches/ 30.5 x 24 centimeters Signed lower right "Max" Numbered lower left "525/750" Signed & dated in print "Max, 1988" Embossed with the seal of the Federation & the Peter Max Atelier "Peter Max 1989" Included in lot: Certificate of Authenticity from the World Federation of United Nations Associations; Stamped envelope from the Federation with offered image Frame: 18.5 x 14.5 inches/ 47 x 36.8 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii Starting Price: $150
FEDERICO FELLINI (Italian 1920-1993) Il Casanova - Il Teatro Di Dresda, 1986 Lithograph on Arches paper 11 x 8.5 inches/ 28 x 21.5 centimeters Numbered in pencil lower left "359/750" Signed in ink lower right Included in lot: Certificate of Authenticity from the World Federation of United Nations Associations Frame: 18.25 x 14.25 inches/ 46.3 x 36.2 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii Starting Price: $100
AFTER DAVID ROBERTS RA (Scottish 1796-1864) Nablous Anchient Scechem, hand coloured lithograph c.1844, image size 31.5cm x 49cm, together with three other examples by the same hand, Fountain of Job, Valley of Hinnon c.1841; One of the Tombs of the Caliphs, Cairo 1848; Ruins of The Church of Saint John, Sebaste, c.1844, image size 25cm x 34cm, all framed and glazed (4)
Audubon, John James (1785-1851) American Bison, Male, Plate LVI. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, minor marginal spotting; sheet: 28 x 22 in. The bison stand on a promontory in the foreground, the herd rests behind him.
Audubon, John James (1785-1851) Black Tailed Hare, Plate LXIII. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, minor marginal spotting, old crease across the bottom third of the sheet, bisecting the image, with slight surface loss, most obvious in the vegetation; one closed tear, 2 inches long in left blank margin; edges toned; corners slightly bumped; good color; sheet: 28 x 22 in.
Audubon, John James (1785-1851) Canada Lynx, Plate XVI. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, matted, and framed; very slight foxing to the background, 25 1/4 x 20 1/2 in. of the sheet visible through the mat, frame is 36 x 31 in. overall.
Audubon, John James (1785-1851) Canada Porcupine, Plate XXXVI. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, matted; 20 3/4 x 25 in. of the sheet visible through the mat, frame is 36 x 31 in. overall, very good color.
Audubon, John James (1785-1851) Carolina Shrew, Plate LXXV. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, matted and framed, spotting, 15 3/4 x 22 in. visible through mat opening, 33 x 27 1/2 in. overall, including the frame.
Audubon, John James (1785-1851) Common American Skunk, Plate XLII. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, matted; 21 x 25 3/4 in. of the sheet visible through the mat, frame is 36 x 31 in. overall. The mother skunk snarls fiercely from atop the rotten log that protects her two kits.
Audubon, John James (1785-1851) Common American Wildcat, Plate I. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, matted, minor finger smudges in the blank background; 25 1/2 x 20 1/2 in. of the sheet visible through the mat, frame is 36 x 31 in. overall.
Audubon, John James (1785-1851) Common Star Nose Mole, Plate LXIX. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, minor marginal spotting, several closed tears in the blank margins, edges bumped with loss to outermost edges of the sheet; sheet: 28 x 22 in.
Audubon, John James (1785-1851) Cougar, Male, Plate XCVI. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, minor edge toning, dusty with an old fold in the lower right blank margin; sheet: 28 x 22 in. The cougar has taken a black domestic cow.
Audubon, John James (1785-1851) Nine-Banded Armadillo, Male, Plate CXLVI. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, minor marginal toning, spot to blank margin in top left corner, and a fainter one above the succulent plant in the upper left; sheet: 28 x 22 in.
Audubon, John James (1785-1851) Ocelot, Plate LXXXVI. [from] The Viviparous Quadrupeds of North America. Philadelphia: J.T. Bowen, 1839-1844. Hand-colored lithograph, imperial folio, slight marginal toning to the top of the sheet, small fold with 1/4 inch of loss in the lower left corner; sheet: 28 x 22 in. The ocelot is poised on a fallen tree over a pond, peering at a catfish in the water.
Audubon, John James (1785-1851) Oregon Flying Squirrel. [from] Viviparous Quadrupeds of North America. Philadelphia: Bowen, 1845-48. Hand-colored lithograph, framed, 21 x 26 1/2 in.; top left: No. 3.; top right: Plate XV.; bottom right: Drawn from Nature by J.J. Audubon, F.R.S. F.L.S.; center: Pteromys Origonensis, Bachman. Oregon Flying Squirrell. Natural Size; bottom right: Lith. Printed & Cold. J.T. Bowen, Phila.

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70553 Los(e)/Seite