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Los 1124

Bengt Lindström (1925-2008) Lithograph 195/300. Signed in pencil. Lithografie 195/300. Gesigneerd in potlood. 26 x 22.5 cm

Los 1128

Pierre COURTIN (1921-2012) Lithograph 96/100. Signed in pencil. Litho 96/100. Gesigneerd in potlood. 78 x 56.5 cm

Los 1169

Edmond VAN OFFEL (1871-1959) Watercolor (2), lithograph (2), signed. Een lot met 2 aquarellen, litho's (2), gesigneerd. 24 x 35, 15 x 23, 17.5 x 28 and 25 x 15 cm

Los 1229

Pjeroo Robjee and Paul Van Gyseghem Lithograph Robjee 150/200. Etching Paul Van Gyseghem 14/150. 'Ontmoeting in oktober'. Lithograph Robjee 150/200. Ets Paul Van Gyseghem 14/150. 'Ontmoeting in oktober'. 59 x 41.5 and 39.5 x 29 cm

Los 153

Jenny Montigny (1875-1937) Mother and child. Lithograph 23/45, signed in ink. Moeder en kind. Litho 23/45, gesigneerd in inkt. 32 x 27 cm

Los 237

Vic Gentils (1919-1997) Lithograph 9/80. Signed in pencil. Lithografie 9/80. Gesigneerd in potlood. 23.5 x 22 cm

Los 244

Philippe Vandenberg (1952-2009) 'De lamentaties van de roeier', 1995. Lithograph 41/150. Signed in pencil. 'De lamentaties van de roeier', 1995. Lithografie 41/150, met potlood gesigneerd. 62 x 79 cm

Los 245

Bram Bogart (1921-2012) Lithograph 73/150. Signed in pencil and dated '88. Litho 73/150. Met potlood gesigneerd en gedateerd '88. 49.5 x 70 cm

Los 246

Maurice Wyckaert (1923-1996) Lithograph 82/150. Signed in pencil. Litho 82/150. Met potlood gesigneerd. 45 x 52.5 cm

Los 253

Corneille (1922-2010) Lithograph 'La main verte' numbered E.A 3/20. Signed in pencil, dated 2001. Litho 'La main verte'. Genummerd E.A 3/20. Gesigneerd in potlood en gedateerd 2001. 50 x 40 cm

Los 254

Corneille (1922-2010) Lithograph 'Reine des sables'. numbered E.A. 19/30. Signed in pencil and dated '99. Litho 'Reine des sables 'genummerd E.A. 19/30. Gesigneerd in potlood en gedateerd '99. 103 x 69 cm

Los 338

Roger Raveel (1921-2013) Lithograph De Leie Numbered XVIII/XXV and signed in pencil. Litho De Leie Genummerd XVIII / XXV en in potlood gesigneerd. 54.5 x 76.5 cm

Los 340

Félix Labisse (1905-1982) Lithograph from 1974 'Histoire Naturelle, le manu militari' signed in pencil. Litho uit 1974 'Histoire Naturelle, le manu militari'. Gesigneerd in potlood. 56 x 45 cm

Los 341

Fernandez Arman (1928-2005) Lithograph 'Composition'. numbered Y/Z. Lithografie 'Composition'. Genummerd Y / Z. 70 x 50 cm

Los 344

Antoine De Saint-Exupéry (1900-1944) Lithograph from 'Le petit prince'. Lithografie uit 'Le petit prince' 30 x 39 cm

Los 345

Antoine De Saint-Exupéry (1900-1944) Lithograph from 'Le petit prince'. Lithografie uit 'Le petit prince'. 30 x 39 cm

Los 363

Roger Raveel (1921-2013) Lithograph Felix Vulgaris 6 (2010). Signed in pencil. Numbered E.A. VI/X. Lithografie Felix Vulgaris 6 (2010). Gesigneerd in potlood. Genummerd E.A. VI/X. 40 x 28 cm

Los 364

Roger Raveel (1921-2013) Lithograph Felix Vulgaris 2 (2010). Signed in pencil. Numbered E.A. VI/X. Lithografie Felix Vulgaris 2 (2010). Gesigneerd in potlood. Genummerd E.A. VI/X. 40 x 28 cm

Los 520

Maurice Dupuis (1882-1959) Ink drawing Maurice Dupuis, monogrammed. Added: Lithograph Jef Wauters, signed and dated '87. Inkttekening Maurice Dupuis, gemonogrammeerd. Toegevoegd: Litho Jef Wauters, gesigneerd en gedateerd '87. 19 x 19 and 17 x 12.5 cm

Los 570

Corneille (1922-2010) Lithograph 'Oiseau rouge'. Signed in pencil. Litho 'Oiseau rouge'. Gesigneerd in potlood. 23.5 x 39.5 cm

Los 571

Paul Ibou (1939) Lithograph 'Geometrische compositie'. numbered 86/88 and signed. Lithografie 'Geometrische compositie'. Genummerd 86/88 en gesigneerd. 40 x 40 cm

Los 572

Vic Gentils (1919-1997) Lithograph 71/80. Signed and dated '69. Lithografie 71/80. Gesigneerd en gedateerd '69. 24 x 23 cm

Los 715

Henri Matisse (1869-1954) Lithograph 6/43. Signed in the plate. Litho 6/43. Gesigneerd in de plaat. 35 x 26 cm

Los 717

Félix Labisse (1905-1982) Lithograph 69/175, signed in pencil. Lithografie 69/175. Gesigneerd in potlood. 48 x 31 cm

Los 721

Joseph Beuys (1921-1986) Offset lithograph 'Der Motor' 63/230. Signed in pencil. Offsetlitho 'Der Motor' 63/230 Gesigneerd in potlood. 49.5 x 78.5 cm

Los 724

Karel Appel (1921-2006) Lithograph 29/150. Signed in pencil. Lithografie 29/150. Gesigneerd in potlood. 92.5 x 60.5 cm

Los 739

Leonor Fini (1907-1996) The Cat. Lithograph 54/250 and signed in pencil. De Kat. Lithograph 54/250 en gesigneerd in potlood. 52 x 41 cm

Los 817

Marc Chagall (1887-1985) Sara et les Anges. Lithograph. Sara et les Anges. Lithografie. 34.5 x 25.5 cm

Los 83

David Bowie (1947-2016) David Jones alias David Bowie. Lithograph 5/25, signed "DJ". David Jones alias David Bowie. Lithografie 5/25, gesigneerd "DJ". 45 x 45 cm

Los 52

After Henri De Toulouse Lautrec (1864-1901) "Couple" Lithograph, 64cm x 46cm, Published by Shorewood Publishers

Los 53

French School Lithograph, Signed indistinctly in pencil, Dated 1935, 33cm x 47.5cm

Los 2100

An art deco, coloured, etched Lithograph of a chorus line, pencil signed Gilbert.

Los 1021

Steven Townsend (b.1955) ''Mac'' Signed and numbered 133/675, lithograph, together with two further prints by the artist ''Not Now Spud'' and ''Mac'', 34cm by 44cm and other sizes (3) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Los 723

(See English version below)Robert Longo (New York 1953 – lebt in New York). „Eric“. 1999Lithografie auf Velin. 177,8 × 101,6 cm ( 70 × 40 in.). Signiert und datiert.Künstlerabzug außerhalb einer Auflage von 50 nummerierten Exemplaren. Los Angeles, Wolfryd-Selway Fine Arts, 1999. [3313] Gerahmt. Provenienz: Privatsammlung, BerlinWir berechnen auf den Hammerpreis 30% Aufgeld.Robert Longo (New York 1953 – lives in New York). ”Eric”. 1999Lithograph on wove paper. 177,8 × 101,6 cm ( 70 × 40 in.). Signed and dated.Artist's proof outside the edition of 50 numbered copies. Los Angeles, Wolfryd-Selway Fine Arts, 1999. [3313] Framed. Provenance: Private Collection, BerlinWe charge 30% premium on the hammerprice.

Los 724

(See English version below)Robert Longo (New York 1953 – lebt in New York). „Ellen“. 1999Lithografie auf Velin. 177,8 × 101,6 cm ( 70 × 40 in.). Signiert und datiert.Künstlerabzug außerhalb einer Auflage von 50 nummerierten Exemplaren. Los Angeles, Wolfryd-Selway Fine Arts, 1999. [3313] Gerahmt. Provenienz: Privatsammlung, BerlinWir berechnen auf den Hammerpreis 30% Aufgeld.Robert Longo (New York 1953 – lives in New York). ”Ellen”. 1999Lithograph on wove paper. 177,8 × 101,6 cm ( 70 × 40 in.). Signed and dated.Artist's proof outside the edition of 50 numbered copies. Los Angeles, Wolfryd-Selway Fine Arts, 1999. [3313] Framed. Provenance: Private Collection, BerlinWe charge 30% premium on the hammerprice.

Los 751

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Lithograph of Water Made of Thick and Thin Lines, a Green Wash, a Light Blue Wash, and a Dark Blue Wash“. 1978-80Farblithografie auf Bütten. 50,5 × 70,3 cm (66 × 87 cm) ( 19 ⅞ × 27 ⅝ in. (26 × 34 ¼ in.)). Signiert und datiert.Tyler 245. Einer von 80 nummer­ier­ten Abzügen aus einer Gesamtauflage von 102. Bedford, New York, Tyler Graphics Ltd, 1978-80 (mit dem Präge­stempel). [3489] Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Lithograph of Water Made of Thick and Thin Lines, a Green Wash, a Light Blue Wash, and a Dark Blue Wash”. 1978-80Colour lithograph on laid paper. 50,5 × 70,3 cm (66 × 87 cm) ( 19 ⅞ × 27 ⅝ in. (26 × 34 ¼ in.)). Signed and dated.Tyler 245. One of 80 numbered prints from a total edition of 102. Bedford, New York, Tyler Graphics Ltd, 1978-80 (with blindstamp). [3489] We charge 30% premium and 7% import tax on the hammerprice.

Los 755

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Chair, 38 The Colony Malibu“. 1973Lithografie auf Velin. 59 × 48,3 cm (Blattmaß) ( 23 ¼ × 19 in. (Blattmaß)). Betitelt, signiert und datiert.Scottish Arts Council 143. Einer von 60 nummerierten Abzügen aus einer Gesamtauflage von 71. Los Angeles, Gemini GEL, 1973. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1975 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Chair, 38 The Colony Malibu”. 1973Lithograph on wove paper. 59 × 48,3 cm (sheet size) ( 23 ¼ × 19 in. (sheet size)). Titled, signed and dated.Scottish Arts Council 143. One of 60 numbered prints from a total edition of 71. Los Angeles, Gemini GEL, 1973. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1975 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

Los 757

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „pretty tulips“. 1970Farblithografie auf Velin. 72,5 × 50,5 cm ( 28 ½ × 19 ⅞ in.). Betitelt, signiert und datiert.Scottish Arts Council 115. Einer von 200 nummerierten Abzügen aus einer Gesamtauflage von 230. New York, Petersburg Press, 1970. Unregelmäßig gebräunt. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”pretty tulips”. 1970Colour lithograph on wove paper. 72,5 × 50,5 cm ( 28 ½ × 19 ⅞ in.). Titled, signed and dated.Scottish Arts Council 115. One of 200 numbered prints from a total edition of 230. New York, Petersburg Press, 1970. Unevenly time stained. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

Los 8010

Erdt, Hans Rudi -- Rauchende FrauPastellkreiden auf 2 zusammenmontierten Bl. Skizzenpapier. Um 1915.39,5 x 29,5 cm.Unten rechts mit Kreide in Schwarz signiert "ERDT".Hans Rudi Erdt, Lithograph und Gebrauchsgraphiker, war neben Ludwig Hohlwein, Lucian Bernhard, Ernst Deutsch-Dryden, Julius Gipkens, Julius Klinger, Paul Scheurich und Lucian Zabel einer der bedeutendsten Vertreter der deutschen Plakatkunst zwischen 1906 und 1918. – Beigegeben: Ein signiertes Aquarell von Hans Rudi Erdt, "Wald", wohl um 1915. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Los 439

(See English version below)Marc Chagall (Witebsk 1887 – 1985 Saint-Paul-de-Vence). „L'Echo“ (aus: „Daphnis et Chloé“). 1961Farblithografie auf Arches-Velin. 42,5 × 64,1 cm (54 × 75,7 cm) ( 16 ¾ × 25 ¼ in. (21 ¼ × 29 ¾ in.)). Signiert.Cramer 46 / Mourlot 340. Einer von 60 nummerierten Abzügen der Ausgabe mit vollem Rand. Blatt 33 (von 42) der Folge: Daphnis et Chloé. Paris, Tériade Editeur, 1961. [3285] Gerahmt. Provenienz: Privatsammlung, Nordrhein-WestfalenWir berechnen auf den Hammerpreis 30% Aufgeld.Marc Chagall (Vitebsk 1887 – 1985 Saint-Paul-de-Vence). ”L'Echo” (from: ”Daphnis et Chloé”). 1961Colour lithograph on Arches wove paper. 42,5 × 64,1 cm (54 × 75,7 cm) ( 16 ¾ × 25 ¼ in. (21 ¼ × 29 ¾ in.)). Signed.Cramer 46 / Mourlot 340. One of 60 numbered prints from the edition with the full margin. Sheet 33 (of 42) from the set: Daphnis et Chloé. Paris, Tériade Editeur, 1961. [3285] Framed. Provenance: Private Collection, North Rhine-WestphaliaWe charge 30% premium on the hammerprice.

Los 442

(See English version below)Georges Braque (Argenteuil 1882 – 1963 Paris). „Feuilles, couleur lumière“ (Lichtfarbene Blätter). 1953/54Farblithografie auf ehemals gefaltetem Arches-Velin. 76 × 43 cm (80 × 60 cm) ( 29 ⅞ × 16 ⅞ in. (31 ½ × 23 ⅝ in.)). Rückseitig mit Bleistift von Castor Seibel bezeichnet: épreuve en cours 1er état pour Castor FM.Vallier 86. Selten. Probeabzug nach dem ersten Zustand vor der Auflage von 75 nummerierten Exemplaren. Maeght, Paris. Horizontale Knickfalte. [3295] Provenienz: Ehemals Castor Seibel, Paris (bei Fernand Mourlot erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.Georges Braque (Argenteuil 1882 – 1963 Paris). ”Feuilles, couleur lumière” (Lightoloured leaves). 1953/54Colour lithograph on formerly folded Arches wove paper. 76 × 43 cm (80 × 60 cm) ( 29 ⅞ × 16 ⅞ in. (31 ½ × 23 ⅝ in.)). Inscribed by Castor Seibel in pencil on the reverse: épreuve en cours 1er état pour Castor FM.Vallier 86. Rare. Trial proof after the first print before the edition of 75 numbered copies. Maeght, Paris. Horizontal handling crease. [3295] Provenance: Formerly Castor Seibel, Paris (acquired at Fernand Mourlot)We charge 30% premium on the hammerprice.

Los 2012

A 1951 Festival of Britain lithograph printed tin containing various badges and brooches to include Festival of Britain Bulmer & Lumb Ltd, BIF Overseas Buyers Pass, London High Court Ancient Order of Foresters 1951, British Empire Exhibition 1924, Exposition Paris 1937, New York World's Fair 1939, together with a Festival of Britain oak box with similar contents.

Los 2065

A collection of miscellaneous items all relating to the 1951 Festival of Britain, to include a Lipton's tea caddy, two silver plated tea spoons, a letter opener, a pair of vases, three drinking glasses, a Honiton Pottery mug, pendant and lithograph tin etc.

Los 2068

A collection of British Empire Exhibition 1924 guides, souvenirs and ephemera, to include Warlock & Co's Illustrated Guide Books (1924 & 1925), a lithograph printed tin for Kenya Coffee, James Lyle & Co. Saville Row London, Britains Model of The Largest Passenger Locomotive, Western Electric playining cards, a Lipton's Chocolates souvenir bowl, a Swan China Model of the Cenotaph, a ladies silver plated purse with enamelled Wembley crest and a crested silver plated napkin ring etc.

Los 721

Martin Ireland*ARR, contemporary, Shallow End, coloured lithograph, signed in pencil to the margin, together with a framed Edinburgh Theatre Royal Aladdin poster dated 1892 (2)64 x 43 cm

Los 2602

After Archibald Thorburn, (1860-1935), Pheasant and Grouse, lithograph, Ernest Brown and Phillips stamp numbered 217 bottom left, together with one other by the artist of grouse and a dog, each 31 x 52cm. (2)

Los 2604

After Major Geoffrey Douglas Giles (1857-1941), The Canal Turn, Grand National Aintree, lithograph, 50 x 99cm.

Los 4052

Local Interest - Plan of Estates at Newthorpe, Awsworth, & Kimberley, In the County of Nottingham 1848, printed in lithograph and picked-out in watercolour, scroll, 63.5cm x 44.5cm, (1); Richard Blome (1635-1705), A Mapp of ye County of Nottingham, [London: 1715], hand-coloured engraving, 24.5cm x 17.5cm, mounted, (1), [2]

Los 4162

Local Interest, Archaeology and Antiquarianism - [Bateman (Thomas, of Middleton Hall)], [Isaacson (Reverend Stephen)], & Lock (Frederick William, Canadian illustrator), Barrow-Digging by A Barrow-Night/in Six Fyttes, with notes by An Esquire, rare: first and only edition, London: John Ollivier, 1845; Bakewell, [Derbyshire]: J. Goodwin, Printer, just lacking the Notes to Fytte III only at signature F, pp: 74 (of 82), [1] (blank), illustrated with a repaired lithograph pictorial title-page and a repaired full-page plate, b/w archaeological and pictorial vignettes, 20th century blue cloth, gilt-lettered upper-cover, front endpaper with-tipped in typed note, 8vo, [1]

Los 4211

Scotland - Hydraulic Engineering, Glasgow Water Works, a Victorian sammelband of four monographs &/or tracts: Gale (James M.), The Glasgow Water Works: Papers Read During the Session 1863-64 [...], Glasgow: Printed by Bell & Bain, 1864, 56pp, additional lithograph title-page, 1 fold-out map and 3 fold-out charts; Glasgow Loch Katrine Waterworks, Banquet to Mr. Bateman [...], Westminster: Vacher & Sons, 1860, 47pp; a further sequence of six connected papers from a periodical, lacking title-page and a contents, paginated from [121]-266 and illustrated with 52 full-page engineering plates; Gale (Mr. James, C.E.), On the Port-Glasgow Water Works [...], Glasgow: William Munro, 1868, 8pp and 4 fold-out plates, contemporary half-morocco over moiré boards, red-stained edges, 8vo, (1); Sinclair (Catherine), Sketches and Stories of Scotland and the Scotch, With Corrections and Additions, London: Simpkin, Marshall, and Co., [n.d. 1868], contemporary three-quarter calf, marbled edges, 12mo, (1); Beeton's Dictionary of Useful Information [...], two-volume set, London: S.O. Beeton, [1859], volume I with fold-out chromolithograph chart, further b/w fold-out charts and plates, in-text illustrations, contemporary green quarter-calf, marbled edges and endpapers, 8vo, (2); The National Encyclopædia [...], volume I only, London: [n.d.], 8vo, (1), [5]

Los 205

ROY NOCKOLDS (1911-1979) lithograph depicting a supercharged 4 1/2 litre Bentley, 83/150, with signature lower left, 86cm wide by 60cm high

Los 458

John Piper (1903- 1992) - Lithograph in colours - 'Westminster School I', signed lower right, noted to verso 'No. 65/100', 42cm x 57cm, framed and glazed. Artist Resale Rights may apply.Condition report: Mount is stuck to the print, general knocks and scratches to the frame, pencil notes to verso of frame, Please check the extra images provided/ view this item in person.The inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.

Los 48

John Hassall (1868-1948) English, 'Take it with you', depicting a man reading a newspaper while falling from a cliff on top of a rock, signed and titled lower left, coloured prints on paper, 47.5 cm x 45.5 cm, together with a chromo-lithograph (?) by the same artist depicting a golf player and a caddie, signed lower left, within a wooden frame, 43.5 cm x 34.5 cm.Qty: 2Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further information Condition report: **Please note that both pictures in this lot are prints and not original works of art**

Los 131

(See English version below)Eugène Delacroix (Charenton-Saint-Maurice 1798 – 1863 Paris). Kopfstudie zur Lithografie „Macbeth befragt die Hexen“ (und weiteren Studie). Um 1825Pinsel in Braun über Bleistift auf Papier. 20,9 × 27,6 cm ( 8 ¼ × 10 ⅞ in.). Unten rechts der Monogramm-Stempel in Rot (Lugt 838a). Rückseitig unten rechts mit Bleistift (vom Künstler?) signiert: E. Delacroix.Sorgfältig restauriert. [3351] Gerahmt. Provenienz: Nachlass des Künstlers / Galerie Kurt Meissner, Zürich / Privatsammlung, HessenWir berechnen auf den Hammerpreis 30% Aufgeld.Eugène Delacroix (Charenton-Saint-Maurice 1798 – 1863 Paris). Head study for the lithograph ”Macbeth befragt die Hexen” (and a further study). Circa 1825Brush in brown over pencil on paper. 20,9 × 27,6 cm ( 8 ¼ × 10 ⅞ in.). Lower right the monogramme stamp in red (Lugt 838a). On the reverse lower right signed (by the artist?) in pencil: E. Delacroix.Skillfully repaired. [3351] Framed. Provenance: Estate of the artist / Galerie Kurt Meissner, Zurich / Private Collection, HesseWe charge 30% premium on the hammerprice.

Los 105

NO RESERVE South America.- Kauffer (Edward Mcknight) Mexico. Pan American Airlines, lithograph printed in colours, backed on linen, 1050 x 690 mm (41 1/4 x 27 1/4 in), several repaired tears, unframed, The Gugler Lithographic Company, 1949; together with 2 others, including an aviation poster Narciso Machinandiarena, comercio de tejidos ultramarinos, ferreteria y otros varios articulos, by Aoiz, Navarra, Papeles Industrial, Zaragoza, also Springett's poster Peru with the head of an Inca, circa 1930-1950, mounted on linen, lithographs, all mounted on linen, unframed, [20th century] (3)

Los 112

Turkey.- Preziosi (Amedeo) Stamboul: Recollections of Eastern Life, tinted lithograph title, trimmed and laid down, 24 chromolithographed plates only (of 29), captions in English and French, spotting, faint water-staining, short marginal tear to one plate, large tear above captions of one plate (c.290 mm), disbound, folio, 1858.

Los 157

Atlases.- World.- Philip (George) New General Atlas, 74 lithograph double-page maps and charts, contemporary hand-colouring, light spotting and surface dirt, some maps torn at central fold, some marginal nicks and tears, a few maps detached, these with frayed edges, upper hinge largely broken, original red morocco, gilt, rubbed and soiled, folio, George Philip & son, 1858.

Los 208

Middle East.- Persian Gulf.- Saudi Aramco (publisher) Jazirat al-'Arab wa-al-manatiq al-mutakhimah la-ha: kharitah tamhidiyah [The Arabian Peninsula and neighbouring regions: an introductory map], large wall map with detailed inset map of the Arabian peninsula with Arabic text, and two further hemispheres in the upper right, with Arabic title lower left, offset-lithograph printed in colours, sheet 840 x 1190 mm (33 x 46 3/4 in), professionally mounted on linen support, some losses to edges, notably lower left and upper left and right corners, unframed, Dharan, Arabian-American Oil Company, [1952]⁂ Scarce Aramco-issued wall map of the Arabian Peninsula, "prepared by the U.S. Ministry of the Interior and the U.S. Geological Survey, under the auspices of the Kingdom of Saudi Arabia, the Ministry of Petroleum and Mineral Resources, and the US Department of State". Printed entirely in Arabic; the annotations read: "The locations included in the basis of this map are dependent upon the best information available to us at their composition in 1942. The exact location of many of these locations goes back to the what the analyses and journeys of foreigners showed and is therefore subject to modification. This map does not denote the borders in obscure regions". Other notes on the map indicate that the borders in the southeast, southwest, the Empty Quarter, and the northwest have not been delineated. Curiously, the map retains the designation "Al-khalij al-farsi" for the Arabian (Persian) Gulf, reflecting Arab-world naming conventions of the early 1950s.We have been unable to trace another copy offered at auction.Very rare: in spite of having been co-produced by the U.S. Government, today the only copies listed in research collections are those at Princeton, at the University of Manchester, and at the Beirut Library of Human Sciences. A greatly reduced new edition, measuring only 46 x 62 cms, was issued by Archive Editions in 1992.

Los 21

Africa.- Isaacs (Nathaniel) Travels and Adventures in Eastern Africa, 2 vol., second edition, 3 lithograph plates only (?of 4), folding chart, without half-titles, scattered faint spotting, previous owner's biro signature to front free endpapers, near contemporary half-calf, a little rubbed, 8vo, 1849.⁂ Scarce second edition, with no copies on Library Hub.

Los 222

NO RESERVE World.- Doseray (J., publisher) Mappemonde en deux Hemispheres, double hemisphere world map with 5 vignettes below, heights of mountains underneath, lithograph with hand-colouring, presented on linen, sheet 680 x 900 mm (26 3/4 x 35 1/2 in), old folds with splitting, numerous small losses, nicks and tears, unframed, Paris, 1882; together with 10 further maps, including 5 maps of the world and 5 of the Holy Land, including 2 gore maps by John Churchman, an anoymous map 'A Map of the Migrations and Settlements of the Celtes or Gomerians and Scythians the Former in Europe and the Later in Asia', and Fullarton's plan of Jerusalem, a 17th century map of the Holy Land by William Marshall, and others, engravings, various sizes, all unframed, 17th to 19th century (11)

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