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Chloe Cheese (b.1952) ''Spice Chest with Corriander'' Signed, inscribed and dated (19)80, numbered 130/150, lithograph,together with a further lithograph by the same hand ''My House'', and two exhibition posters for Thumb Gallery, 55cm by 42.5cm and 65cm by 52.5cm respectively (4) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
English School (19th/20th century) - portrait of a young girl seated wearing a cream dress and bonnet holding a doll, pastel drawing on canvas, 23" x 21"; together with a Victorian coloured lithograph after Sir John Everett Millais portrait of a small girl seated wearing a white dress and large cream bonnet decorated with pink ribbon, the original picture is said to have been titled 'The Reader' bearing the facsimile signature for the artist within a cut aperture of the mount, 26" x 17.5" (2)
Robert Ladbrooke: 'Views of the Churches in Norfolk...Illustrative of Blomefield's History of That County', Norwich, John Stacy, circa 1821-1832, 185+ lithograph plates of Norfolk Churches, housed loose in approx 50 numbered sets of original printed wrappers, wrappers mixed condition; plus a small quantity of other prints including Hawking, Falconers, Beggars etc.
Francis Stone: 'Picturesque Views of the Norfolk Bridges', 1830-1831, in four original parts as issued, engraved title page + 84 lithograph plates as called for, author's inscribed presentation copy to John Rogerson Esq on upper cover of part 4, oblong 4to, original roan backed card covers, printed labels to upper covers, bookplates of R.W. Lamb of Lowestoft. Scarce in the original parts (4)
Robert Fulton: 'The Illustrated Book of Pigeons. With Standards for Judging', edited Lewis Wright, Cassell & Company, circa 1881, 50 coloured lithograph plates as called for after J.W. Ludlow ('African Owls' plate facing p.299 with closed tear to fore edge just encroaching into image, else plates all VGC/fine condition), rebound in 2 volumes, 4to, old half calf gilt; plus Watmough: 'Pigeon Keeping for Novices', circa 1961, 3rd edition, original printed wraps (3)
Francis Stone: 'Picturesque views of all the Bridges Belonging to the County of Norfolk in a series of Eighty-Four Prints in Lithography', [1830], 1st edition, lithograph title + 83 (of 84) litho plates by Engelman after Francis Stone, lacks 'Harpham', and 'Larlingford 1' supplied loose at front, bound in 2 modern cloth volumes, original brown card wraps for the 4 parts bound in (wrap for part 1 without printed label (2)
Sadamasa Motonaga, Japanese figure, screenprint, signed and numbered 60/100; Otto Herbert Hajek, Geometric Composition, screenprint, signed and numbered 80/150; Ludwig Wilding, untitled serigraph, signed and numbered 62/100; Ado, screenprint, signed and numbered 178/250; together with Akira Kurosaki, untitled lithograph, numbered 11/100 (5)
Louis Haghe (British, 1806-1885), After David RobertsThe Destruction of Jerusalem by the Romans, Under the Command of Titus, A.D. 70 signed in pencil 'David Roberts R.A.' (lower left), signed in pencil 'L.Haghe' (lower right)lithograph (London, Hering & Remington, 1851)image size 69.5 x 107cm (27 3/8 x 42 1/8in)Footnotes:This print is after the original oil painting by David Roberts exhibited at the Royal Academy in 1849, no. 290. Following the positive reception of the painting, Roberts turned to Haghe to have the print produced after it. Twenty-five presentation editions signed by both the artist and engraver were produced, of which this is one.For further information on this lot please visit Bonhams.com
A 19th century tapestryKing Otto of Greece (1815-1867) as a young man in Greek national dress with Athens and the Acropolis in the distance 62.5 x 53cm (24 5/8 x 20 7/8in).Footnotes:The image is based on a lithograph of the same subject by Gottlieb Bodmer (1804-1837).For further information on this lot please visit Bonhams.com
English School, 19th Century (After Thomas Packer)A set of four views depicting the key sites of the Crimean War: 1) A Panoramic view looking south down the Western side of the Crimean Peninsula from Eupatoria towards Sebastopol;2) A Panoramic view of the entrenchment of Allied Armies of England and France before Sebastopol;3) A Panoramic View of the Gulf of Finland and the Baltic Sea, with the Fortified Places from the Aland Isles to St Petersburg;4) A Panoramic View of the Town, Harbour, Forts and Defences of Sebastopol and The Siege Works of the Allied Armies of England and Franceoil on canvaseach approximately 96 x 132cm (37 13/16 x 51 15/16in). (4)Footnotes:These impressive and detailed topographical landscapes depict aerial views of the principal sites of the Crimean War on the Black Sea. Each is after a lithograph, from a series of eight, by Thomas Packer (active 1855-1880s) and published in 1855 by Stannard & Dixon, London. Considering the workmanship and scale, these oils are likely to have been commissioned by somebody with wealth and a close connection to the conflict.For further information on this lot please visit Bonhams.com
SPEKE (JOHN HANNING)What Led to the Discovery of the Source of the Nile, PRESENTATION COPY inscribed 'From the author' on the half-title, engraved frontispiece, 32pp. publisher's advertisements at end, half-title loose, lacks 2 maps and front free endpaper, binding rubbed, 1864; Journal of the Discovery of the Source of the Nile, engraved frontispiece, 25 plates, 2 maps (one large folding in pocket at end as issued, laid on linen), illustrations in the text, some pencil underlining, covers detached with some loss to spine, 1863, William Blackwood--LIVINGSTONE (DAVID) Missionary Travels and Researches in South Africa, folding tinted colour lithograph frontispiece, engraved portrait, 43 plates, 2 folding maps (one in pocket at end as issued), dampstaining to opening leaves, covers and spine detached, John Murray, 1857, FIRST EDITIONS, publisher's cloth, worn, 8vo (3)Footnotes:Speke recorded that on arriving in Zanzibar, he and John Grant 'without a moment's delay went off to the British Consulate to see my old friend Colonel Rigby... [that we may] enjoy his hospitality until arrangements could be made for our final start into the interior' (Journal of the Discovery, p.8). He is full of praise for Rigby, noting that 'had at heart as much as anybody the success of the expedition, [and] materially assisted me in accomplishing my object... he allowed me to select from his boat's crew any men I could find who had served in men-of-war, and had seen active service in India' (p.11).Provenance: First mentioned, Christopher Palmer Rigby (1820-1885), armorial bookplate, and note 'From the author'; Second mentioned, William Townend Lund, bookplate, and inscription of J. Gordon Hayes (1920); Third mentioned, 'Presented to Miss Campbell, Jany 1st 1858' (?possibly the daughter of John Campbell, 1st Baron Campbell), pencil ownership inscription on front free endpaper.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A REPUBLIC OF TEXAS MAP, "Nord America," CARL FLEMMING, GLOGAU, CIRCA 1844, hand-colored lithograph on paper, Carl Flemming cartographer. 14" x 17 1/4" Note: Showing Houston and Galveston Bay in the Gulf of Mexico. Condition: Some expected wear at paper edges, toning, minor losses some fading of hand color, stains, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A PAIR OF TWO REPUBLIC OF TEXAS NOTES, $100 CONSOLIDATED FUND OF TEXAS CERTIFICATE ISSUED TO JACK SHACKELFORD, SIGNED BY FRANCIS J. LUBBOCK AND WILLIAM G. COOK, HOUSTON, SEPTEMBER 1, 1837, lithograph on paper with manuscript in ink, no. 1346 and no. 1348, signed by Francis R. Lubbock, controller and William G. Cook, Stock Commissioner. 3 1/8" x 6 5/8" Note: Jack Shackelford (1790-1857) physician and surgeon, leader and financial backer of Texian Revolutionaries; he personally furnished red jeans which gave them the name, the Red Rovers; he took part in the Goliad Campaign and survived the massacre, was captured as a P.O.W., spared to treat wounded Mexican soldiers, and finally Shackelford County named in his honor.Reference: Henry S. Foote, Texas and Texas II (1841); J.C. Duval Early Times in Texas (1892); Z.T. Fulmore, History and Geography of Texas (1915); The Handbook of Texas Online, Texas State Historical Association. Provenance: Estate of Dr. Paul E. Shutts, Houston, Texas. Condition: Trimmed edges, some mild ink fading, expected toning, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A TWO PIECE TEXAS REPUBLIC NOTE AND MANUSCRIPT RECEIPT, FOR A $100 CONSOLIDATED FUND OF TEXAS CERTIFICATE AND LUMBER RECEIPT ISSUED TO STEPHEN H. EVERETT, HOUSTON AND SABINE PASS, SEPTEMBER 1, 1837-JUNE 28, 1839, comprising a lithograph on paper one hundred dollar, "Consolidated Fund of Texas Public Faith Pledge," with manuscript in ink signed by Francis R. Lubbock, Controller, and William G. Cook, Stock Commissioner, no. 2191, City of Houston, September 2, 1837, 3 1/8" x 6 5/8"; together with a manuscript in ink on wove lined paper, receipt, Sabine Pass, placed, June 28 1839, dated, by the Collector of the Pass of Sabine, for 931 fell lumber at $110 per hundred, paid in Texas money, $93.10, sum, recorded paid in full and endorsed, "S.H. Everitt." 5" x 7 3/4" Provenance: Estate of Dr. Paul E. Shutts, Houston, Texas. Condition: Some toning throughout, minor losses and creases to the receipt, the one hundred note with large slash marks, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

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