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Los 367

WL Wyllie Signed Lithograph "Showery Day Greenwich Reach". Signed in pencil by Wyllie. Framed and glazed

Los 1045

Chloe Cheese (b.1952) ''Spice Chest with Corriander'' Signed, inscribed and dated (19)80, numbered 130/150, lithograph,together with a further lithograph by the same hand ''My House'', and two exhibition posters for Thumb Gallery, 55cm by 42.5cm and 65cm by 52.5cm respectively (4) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Los 1046

Edwin La Dell (1914-1970) ''Clara Gate'', Cambridge Signed and inscribed, lithograph, 34cm by 50cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Los 1082

Douglas Hoffman (b.1945) American ''Waiting in the Wings Carnegie Hall'' Signed and numbered 130/195, lithograph, 90cm by 52.5cm

Los 1083

Douglas Hoffman (b.1945) American ''Final Touch'' Signed and numbered 28/275, lithograph, 64.5cm by 62.5cm Sold together with the Washington Green Fine Art certificate of authenticity

Los 1097

After Pablo Picasso (1881-1973) Spanish ''Jeune fille assise'' Numbered 1769/5000 with The Guild blindstamp, lithograph, 57cm by 36.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Los 1100B

Anthony Earnshaw (1924-2001)"A-Z No1" Signed, inscribed and dated 1971, lithograph, together with "Secret Alphabet No.7" signed and dated 1976, lithograph, 55cm by 82cm (2) 

Los 554

English School (19th/20th century) - portrait of a young girl seated wearing a cream dress and bonnet holding a doll, pastel drawing on canvas, 23" x 21"; together with a Victorian coloured lithograph after Sir John Everett Millais portrait of a small girl seated wearing a white dress and large cream bonnet decorated with pink ribbon, the original picture is said to have been titled 'The Reader' bearing the facsimile signature for the artist within a cut aperture of the mount, 26" x 17.5" (2)

Los 8057

Robert Ladbrooke: 'Views of the Churches in Norfolk...Illustrative of Blomefield's History of That County', Norwich, John Stacy, circa 1821-1832, 185+ lithograph plates of Norfolk Churches, housed loose in approx 50 numbered sets of original printed wrappers, wrappers mixed condition; plus a small quantity of other prints including Hawking, Falconers, Beggars etc.

Los 8060

Francis Stone: 'Picturesque Views of the Norfolk Bridges', 1830-1831, in four original parts as issued, engraved title page + 84 lithograph plates as called for, author's inscribed presentation copy to John Rogerson Esq on upper cover of part 4, oblong 4to, original roan backed card covers, printed labels to upper covers, bookplates of R.W. Lamb of Lowestoft. Scarce in the original parts (4)

Los 8067

Redenhall Church 19th Century lithograph by George Fitt & Day and Haghe, image approx 35 x 45cm; plus a Milton & Fourdrinier engraving of Redenhall Church, image approx 25 x 36cm, mounted (2)

Los 8068

A 19th Century Lithograph of Flixton Hall, Suffolk, by R.B Coe for William Norman, Mendham, with armorial of Sir Robert Shafto Adair, image approx 25 x 42.5cm, scarce

Los 8070

A coloured lithograph 'Valley of Thorpe, Near Norwich, from Butter Hills', 1842, by M.E. Cotman/Day & Haghe, image 16 x 27cm, mounted; plus a framed and glazed lithograph of the Assembly House by James Sillett, 1828 (2)

Los 8079

A hand coloured lithograph of Gillingham Hall & Church by Henry Davy, 1863, 26cm x 40cm; plus an 1833 lithograph of Redenhall Church by George Fitt, 40cm x 45cm (2)

Los 8137

Robert Fulton: 'The Illustrated Book of Pigeons. With Standards for Judging', edited Lewis Wright, Cassell & Company, circa 1881, 50 coloured lithograph plates as called for after J.W. Ludlow ('African Owls' plate facing p.299 with closed tear to fore edge just encroaching into image, else plates all VGC/fine condition), rebound in 2 volumes, 4to, old half calf gilt; plus Watmough: 'Pigeon Keeping for Novices', circa 1961, 3rd edition, original printed wraps (3)

Los 8165

'The Lying in State at Chelsea Hospital of the Duke of Wellington. From the 11th to the 17th Novr. 1852'. 1852 death of Duke of Wellington lithograph print, published by Day & Son and Ackermann, printed area approx 32 x 21cm.

Los 8032

Francis Stone: 'Picturesque views of all the Bridges Belonging to the County of Norfolk in a series of Eighty-Four Prints in Lithography', [1830], 1st edition, lithograph title + 83 (of 84) litho plates by Engelman after Francis Stone, lacks 'Harpham', and 'Larlingford 1' supplied loose at front, bound in 2 modern cloth volumes, original brown card wraps for the 4 parts bound in (wrap for part 1 without printed label (2)

Los 567

Henry Cassiers Arts and Crafts Lithograph in Panelled Framed

Los 205

Bernard Dunstan RA (1920-2017), Taking a bath, signed with initials and numbered 1/50, lithograph, 33 x 35cm

Los 216

After Picasso, from a publication of the bathers, reproduction lithograph, 1967, after original lithograph of 1961, 19.5 x 28cm; two reproduction lithographs after Picasso from Toros y toreros, both depicting Queen Isabella of Spain; and a print after Louis Toffoli, 31 x 25cm (4)

Los 272

§Bernard Cohen (British 1933-2005), Bonnie, signed and dated in pencil 'Bernard Cohen 1965' (lower right); numbered 39/75 iv, lithograph, unframed, 56 x 75.5cm

Los 286

Sadamasa Motonaga, Japanese figure, screenprint, signed and numbered 60/100; Otto Herbert Hajek, Geometric Composition, screenprint, signed and numbered 80/150; Ludwig Wilding, untitled serigraph, signed and numbered 62/100; Ado, screenprint, signed and numbered 178/250; together with Akira Kurosaki, untitled lithograph, numbered 11/100 (5)

Los 291

The Lake of Fire, Charleroi - Belgium, 1911 signed in pencil 'T.Pennell' (centre) lithograph 60.5 x 48cm

Los 334

A 19th century coloured engraving of St John's College, Cambridge, with bridge over the river, by Sparrow after Baldrey, 31 x 44cm; together with a School Prints lithograph of 'Town Centre' by Phyllis Ginger, 48 x 75cm; and a reproduction print after Henry Moore (3)

Los 344

Trevor Grimshaw - "Ribblehead Viaduct by moonlight," indistinctly signed in pencil, limited-edition offset lithograph, numbered 134/500, 33 x 49cms, in glazed ebonised frame.

Los 121

Louis Haghe (British, 1806-1885), After David RobertsThe Destruction of Jerusalem by the Romans, Under the Command of Titus, A.D. 70 signed in pencil 'David Roberts R.A.' (lower left), signed in pencil 'L.Haghe' (lower right)lithograph (London, Hering & Remington, 1851)image size 69.5 x 107cm (27 3/8 x 42 1/8in)Footnotes:This print is after the original oil painting by David Roberts exhibited at the Royal Academy in 1849, no. 290. Following the positive reception of the painting, Roberts turned to Haghe to have the print produced after it. Twenty-five presentation editions signed by both the artist and engraver were produced, of which this is one.For further information on this lot please visit Bonhams.com

Los 133

A 19th century tapestryKing Otto of Greece (1815-1867) as a young man in Greek national dress with Athens and the Acropolis in the distance 62.5 x 53cm (24 5/8 x 20 7/8in).Footnotes:The image is based on a lithograph of the same subject by Gottlieb Bodmer (1804-1837).For further information on this lot please visit Bonhams.com

Los 147

English School, 19th Century (After Thomas Packer)A set of four views depicting the key sites of the Crimean War: 1) A Panoramic view looking south down the Western side of the Crimean Peninsula from Eupatoria towards Sebastopol;2) A Panoramic view of the entrenchment of Allied Armies of England and France before Sebastopol;3) A Panoramic View of the Gulf of Finland and the Baltic Sea, with the Fortified Places from the Aland Isles to St Petersburg;4) A Panoramic View of the Town, Harbour, Forts and Defences of Sebastopol and The Siege Works of the Allied Armies of England and Franceoil on canvaseach approximately 96 x 132cm (37 13/16 x 51 15/16in). (4)Footnotes:These impressive and detailed topographical landscapes depict aerial views of the principal sites of the Crimean War on the Black Sea. Each is after a lithograph, from a series of eight, by Thomas Packer (active 1855-1880s) and published in 1855 by Stannard & Dixon, London. Considering the workmanship and scale, these oils are likely to have been commissioned by somebody with wealth and a close connection to the conflict.For further information on this lot please visit Bonhams.com

Los 88

SPEKE (JOHN HANNING)What Led to the Discovery of the Source of the Nile, PRESENTATION COPY inscribed 'From the author' on the half-title, engraved frontispiece, 32pp. publisher's advertisements at end, half-title loose, lacks 2 maps and front free endpaper, binding rubbed, 1864; Journal of the Discovery of the Source of the Nile, engraved frontispiece, 25 plates, 2 maps (one large folding in pocket at end as issued, laid on linen), illustrations in the text, some pencil underlining, covers detached with some loss to spine, 1863, William Blackwood--LIVINGSTONE (DAVID) Missionary Travels and Researches in South Africa, folding tinted colour lithograph frontispiece, engraved portrait, 43 plates, 2 folding maps (one in pocket at end as issued), dampstaining to opening leaves, covers and spine detached, John Murray, 1857, FIRST EDITIONS, publisher's cloth, worn, 8vo (3)Footnotes:Speke recorded that on arriving in Zanzibar, he and John Grant 'without a moment's delay went off to the British Consulate to see my old friend Colonel Rigby... [that we may] enjoy his hospitality until arrangements could be made for our final start into the interior' (Journal of the Discovery, p.8). He is full of praise for Rigby, noting that 'had at heart as much as anybody the success of the expedition, [and] materially assisted me in accomplishing my object... he allowed me to select from his boat's crew any men I could find who had served in men-of-war, and had seen active service in India' (p.11).Provenance: First mentioned, Christopher Palmer Rigby (1820-1885), armorial bookplate, and note 'From the author'; Second mentioned, William Townend Lund, bookplate, and inscription of J. Gordon Hayes (1920); Third mentioned, 'Presented to Miss Campbell, Jany 1st 1858' (?possibly the daughter of John Campbell, 1st Baron Campbell), pencil ownership inscription on front free endpaper.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 237

A 19th century hand-coloured lithograph French and British ships in review order off Portsmouth, unframed

Los 1347

Barnett Freedman, 'The Window Box', colour lithograph, 72.5 x 98cm, unframed.Provenance: from the estate of Vincent Freedman, son of Barnett Freedman.

Los 1348

Barnett Freedman, '15 inch Gun Turret, HMS Repulse', colour lithograph, 73 x 100cm.Provenance: from the estate of Vincent Freedman, son of Barnett Freedman.

Los 3005

Wessel Couzijn (1912-1984)Composition without title, lithograph 7/90, 60x85 cm

Los 3037

Roy Lichtenstein (1923-1997)America the third century: Bicentennial Print, & nbsp; color lithograph, not signed, 76.5x56 cm

Los 3244

Fons Manders (1947-)Blindfolded man on cord, lithograph dated 1977 and numbered 4/10, 34.5x49.5 cm

Los 3246

Signed Smits, Carel, titled Pier, & nbsp; Modern composition, lithograph dated 1987 and numbered 9/75, 69.5x49 cm

Los 3252

Jeroen Krabbe (1944-)Untitled, colorful composition, color lithograph, numbered 1/200, 26x24 cm

Los 421

Monogram JR, Ballerina, lithograph, 60x40 cm, outer size 86x66 cm

Los 424

(Lubertus Jacobus Swaanswijk) Lucebert (1924-1994)Composition with face, lithograph numbered 15/50, 75x55 cm

Los 5195

War Sidylls, folder with 10 Drawings by J Gabrielse, edition A Oosthoek Utrecht, color lithograph, folder is 33x24.5 cm

Los 9077

Box wall decorations, b.u. 4 etchings & nbsp; with city views in Haarlem, A Wieringa, 13x18 cm, lithograph with French text J'en gouterai 27x22 cm, & nbsp; lithograph after work by Natoire, 30x22 cm, watercolor of a cityscape, 17x10 cm and watercolor signed A de Water, 21x14 cm

Los 111

NICOLAS DE STAEL 'Abstract', lithograph, editon Mourlot, suite: Composition abstraite, 37cm x 51cm, framed and glazed.

Los 113

WASSILY KANDINSKY 'The Stars', 1938, lithograph in colours, printed by Mourlot freres, 30cm x 20cm, framed and glazed.

Los 114

PABLO PICASSO 'Françoise 2', 1959, rare lithograph, printed by Young & Klein, ref Scarce Cincinnati catalogue, 43cm x 35cm.

Los 117

JOAN MIRO 'L'Eté - Summer', 1938, original lithograph, printed by Mourlot freres, 33cm x 24cm, framed and glazed.

Los 118

PABLO PICASSO 'Françoise Gilot 1', rare lithograph (after the painting), 1954, on Arches paper, Mourlot atelier, 36cm x 26cm, framed and glazed.

Los 120

MARC CHAGALL 'Printemps - Spring', 1938, lithograph in colours, printed by Mourlot Freres, 32cm x 23cm, framed and glazed.

Los 121

MARC CHAGALL 'Apollinaire', 1976, off set lithograph, printd by Atelier Mourlot, edition 250, suite 'Les ateliers de Chagall', 27cm x 18cm, framed and glazed.

Los 134

ANDRE DERAIN 'Paris', 1972, lithograph, edition of 1000, ref. Mourlot, 45cm x 60cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Los 138

MARC CHAGALL 'Paradise', 1960, original lithograph, Bible suite, printed by Mourlot, ref 232, 35cm x 26cm, framed and glazed.

Los 148

HENRY MOORE 'Sculptural Objects', 1949, lithograph, published by School Prints Ltd, printed in Great Britain by W.S. Cowell Ltd, 48.5cm x 75cm, framed and glazed.

Los 154

HENRI MATISSE 'Nu Blue III', original lithograph from the 1954 edition, after Mattisse's cut outs, signed in the plate, Atelier Mourlot, 35cm x 26cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

Los 156

HENRI MATISSE 'Nu Blue IX', original lithograph from the 1954 edition, after Matisse's cut outs, signed in the plate, Atelier Mourlot, 35cm x 26cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

Los 158

RAOUL DUFY 'Ascot', 1969, lithograph, signed in the plate, ref: Mourlot, 38cm x 100cm, framed and glazed.

Los 61

MAX HAYSLETTE (b. 1929, West Virginia, USA) 'French Landscape', embellished lithograph on canvas, 90cm x 117cm, framed.

Los 62

GARY BENFIELD (b. 1965) 'St. Paul's', hand embellished lithograph on board, signed and numbered, 43cm x 58cm. (Subject to ARR - see Buyers Conditions)

Los 11

A REPUBLIC OF TEXAS MAP, "Nord America," CARL FLEMMING, GLOGAU, CIRCA 1844, hand-colored lithograph on paper, Carl Flemming cartographer. 14" x 17 1/4" Note: Showing Houston and Galveston Bay in the Gulf of Mexico. Condition: Some expected wear at paper edges, toning, minor losses some fading of hand color, stains, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

Los 128

A PAIR OF TWO REPUBLIC OF TEXAS NOTES, $100 CONSOLIDATED FUND OF TEXAS CERTIFICATE ISSUED TO JACK SHACKELFORD, SIGNED BY FRANCIS J. LUBBOCK AND WILLIAM G. COOK, HOUSTON, SEPTEMBER 1, 1837, lithograph on paper with manuscript in ink, no. 1346 and no. 1348, signed by Francis R. Lubbock, controller and William G. Cook, Stock Commissioner. 3 1/8" x 6 5/8" Note: Jack Shackelford (1790-1857) physician and surgeon, leader and financial backer of Texian Revolutionaries; he personally furnished red jeans which gave them the name, the Red Rovers; he took part in the Goliad Campaign and survived the massacre, was captured as a P.O.W., spared to treat wounded Mexican soldiers, and finally Shackelford County named in his honor.Reference: Henry S. Foote, Texas and Texas II (1841); J.C. Duval Early Times in Texas (1892); Z.T. Fulmore, History and Geography of Texas (1915); The Handbook of Texas Online, Texas State Historical Association. Provenance: Estate of Dr. Paul E. Shutts, Houston, Texas. Condition: Trimmed edges, some mild ink fading, expected toning, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

Los 129

A TWO PIECE TEXAS REPUBLIC NOTE AND MANUSCRIPT RECEIPT, FOR A $100 CONSOLIDATED FUND OF TEXAS CERTIFICATE AND LUMBER RECEIPT ISSUED TO STEPHEN H. EVERETT, HOUSTON AND SABINE PASS, SEPTEMBER 1, 1837-JUNE 28, 1839, comprising a lithograph on paper one hundred dollar, "Consolidated Fund of Texas Public Faith Pledge," with manuscript in ink signed by Francis R. Lubbock, Controller, and William G. Cook, Stock Commissioner, no. 2191, City of Houston, September 2, 1837, 3 1/8" x 6 5/8"; together with a manuscript in ink on wove lined paper, receipt, Sabine Pass, placed, June 28 1839, dated, by the Collector of the Pass of Sabine, for 931 fell lumber at $110 per hundred, paid in Texas money, $93.10, sum, recorded paid in full and endorsed, "S.H. Everitt." 5" x 7 3/4" Provenance: Estate of Dr. Paul E. Shutts, Houston, Texas. Condition: Some toning throughout, minor losses and creases to the receipt, the one hundred note with large slash marks, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.

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  • 70555 Los(e)
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